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Kevin Welch / Dust Devil
Жанр: Americana, Alt. Country, Singer-Songwriter
Носитель: CD
Страна-производитель диска (релиза): USA
Год издания: 2018
Издатель (лейбл): Dead Reckoning Records
Номер по каталогу: DRKW04
Страна исполнителя (группы): USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:43:33
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
01. Blue Lonesome 06:10
02. Just Because It Was a Dream 03:32
03. The Girl in the Seashell 04:02
04. High Heeled Shoes (John Hadley) 04:36
05. Brother John 04:02
06. Dandelion Girl 04:30
07. True Morning 04:11
08. Sweet Allis Chalmers (Bill Caswell) 03:21
09. A Flower 05:01
10. Dust Devil 04:08
All songs are written by Kevin Welch, except for tracks 04 and 08.
Код:
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 22. February 2019, 19:14
Kevin Welch / Dust Devil
Used drive  : ASUS    BW-12D1S-U   Adapter: 1  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  6:09.64 |         0    |    27738
        2  |  6:09.64 |  3:32.06 |     27739    |    43644
        3  |  9:41.70 |  4:01.54 |     43645    |    61773
        4  | 13:43.49 |  4:36.34 |     61774    |    82507
        5  | 18:20.08 |  4:02.07 |     82508    |   100664
        6  | 22:22.15 |  4:29.48 |    100665    |   120887
        7  | 26:51.63 |  4:10.74 |    120888    |   139711
        8  | 31:02.62 |  3:20.70 |    139712    |   154781
        9  | 34:23.57 |  5:01.37 |    154782    |   177393
       10  | 39:25.19 |  4:08.20 |    177394    |   196013
Track  1
     Filename E:\Torrents of Autumn\Welch, Kevin [2018] Dust Devil\01. Blue Lonesome.wav
     Pre-gap length  0:00:02.00
     Peak level 91.4 %
     Extraction speed 4.4 X
     Track quality 99.9 %
     Test CRC 155D9398
     Copy CRC 155D9398
     Accurately ripped (confidence 1)  [A2D98BD8]  (AR v2)
     Copy OK
Track  2
     Filename E:\Torrents of Autumn\Welch, Kevin [2018] Dust Devil\02. Just Because It Was a Dream.wav
     Peak level 91.2 %
     Extraction speed 5.1 X
     Track quality 100.0 %
     Test CRC 4B0DA7C1
     Copy CRC 4B0DA7C1
     Accurately ripped (confidence 1)  [1DE98AD9]  (AR v2)
     Copy OK
Track  3
     Filename E:\Torrents of Autumn\Welch, Kevin [2018] Dust Devil\03. The Girl in the Seashell.wav
     Peak level 91.2 %
     Extraction speed 5.4 X
     Track quality 100.0 %
     Test CRC 9DBF7CDC
     Copy CRC 9DBF7CDC
     Accurately ripped (confidence 1)  [BB6EE16A]  (AR v2)
     Copy OK
Track  4
     Filename E:\Torrents of Autumn\Welch, Kevin [2018] Dust Devil\04. High Heeled Shoes.wav
     Peak level 91.2 %
     Extraction speed 5.8 X
     Track quality 100.0 %
     Test CRC 5AF5224A
     Copy CRC 5AF5224A
     Accurately ripped (confidence 1)  [69A765D5]  (AR v2)
     Copy OK
Track  5
     Filename E:\Torrents of Autumn\Welch, Kevin [2018] Dust Devil\05. Brother John.wav
     Peak level 91.3 %
     Extraction speed 6.1 X
     Track quality 100.0 %
     Test CRC 81B336DB
     Copy CRC 81B336DB
     Accurately ripped (confidence 1)  [93EC065D]  (AR v2)
     Copy OK
Track  6
     Filename E:\Torrents of Autumn\Welch, Kevin [2018] Dust Devil\06. Dandelion Girl.wav
     Peak level 91.3 %
     Extraction speed 6.5 X
     Track quality 100.0 %
     Test CRC DAF2B920
     Copy CRC DAF2B920
     Accurately ripped (confidence 1)  [3376EE02]  (AR v2)
     Copy OK
Track  7
     Filename E:\Torrents of Autumn\Welch, Kevin [2018] Dust Devil\07. True Morning.wav
     Peak level 91.2 %
     Extraction speed 6.0 X
     Track quality 99.9 %
     Test CRC 7C77CB6B
     Copy CRC 7C77CB6B
     Accurately ripped (confidence 1)  [1281C136]  (AR v2)
     Copy OK
Track  8
     Filename E:\Torrents of Autumn\Welch, Kevin [2018] Dust Devil\08. Sweet Allis Chalmers.wav
     Peak level 91.2 %
     Extraction speed 6.7 X
     Track quality 100.0 %
     Test CRC FC1D69F1
     Copy CRC FC1D69F1
     Accurately ripped (confidence 1)  [A8A37441]  (AR v2)
     Copy OK
Track  9
     Filename E:\Torrents of Autumn\Welch, Kevin [2018] Dust Devil\09. A Flower.wav
     Peak level 91.2 %
     Extraction speed 7.3 X
     Track quality 100.0 %
     Test CRC 1A86F8D9
     Copy CRC 1A86F8D9
     Accurately ripped (confidence 1)  [40211C56]  (AR v2)
     Copy OK
Track 10
     Filename E:\Torrents of Autumn\Welch, Kevin [2018] Dust Devil\10. Dust Devil.wav
     Peak level 91.2 %
     Extraction speed 7.4 X
     Track quality 100.0 %
     Test CRC CC15905B
     Copy CRC CC15905B
     Accurately ripped (confidence 1)  [7AF3077C]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.6
[CTDB TOCID: 1dxlX9P4L3Q9UPji_SYNG0hunQQ-] found
Submit result: 1dxlX9P4L3Q9UPji_SYNG0hunQQ- has been confirmed
Track | CTDB Status
  1   | (3/3) Accurately ripped
  2   | (3/3) Accurately ripped
  3   | (3/3) Accurately ripped
  4   | (3/3) Accurately ripped
  5   | (3/3) Accurately ripped
  6   | (3/3) Accurately ripped
  7   | (3/3) Accurately ripped
  8   | (3/3) Accurately ripped
  9   | (3/3) Accurately ripped
 10   | (3/3) Accurately ripped
==== Log checksum 51E54AA1559C3792AC52C9A3C950C43F60367EA9C14852571FB9AA7DB6A9C7AB ====
Код:
REM GENRE "Americana / Roots"
REM DATE 2018
REM DISCID 790A350A
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Kevin Welch"
TITLE "Dust Devil"
REM COMPOSER "Kevin Welch"
FILE "01. Blue Lonesome.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Blue Lonesome"
    PERFORMER "Kevin Welch"
    REM COMPOSER "Kevin Welch"
    INDEX 01 00:00:00
FILE "02. Just Because It Was a Dream.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Just Because It Was a Dream"
    PERFORMER "Kevin Welch"
    REM COMPOSER "Kevin Welch"
    INDEX 01 00:00:00
FILE "03. The Girl in the Seashell.wav" WAVE
  TRACK 03 AUDIO
    TITLE "The Girl in the Seashell"
    PERFORMER "Kevin Welch"
    REM COMPOSER "Kevin Welch"
    INDEX 01 00:00:00
FILE "04. High Heeled Shoes.wav" WAVE
  TRACK 04 AUDIO
    TITLE "High Heeled Shoes"
    PERFORMER "Kevin Welch"
    REM COMPOSER "John Hadley"
    INDEX 01 00:00:00
FILE "05. Brother John.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Brother John"
    PERFORMER "Kevin Welch"
    REM COMPOSER "Kevin Welch"
    INDEX 01 00:00:00
FILE "06. Dandelion Girl.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Dandelion Girl"
    PERFORMER "Kevin Welch"
    REM COMPOSER "Kevin Welch"
    INDEX 01 00:00:00
FILE "07. True Morning.wav" WAVE
  TRACK 07 AUDIO
    TITLE "True Morning"
    PERFORMER "Kevin Welch"
    REM COMPOSER "Kevin Welch"
    INDEX 01 00:00:00
FILE "08. Sweet Allis Chalmers.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Sweet Allis Chalmers"
    PERFORMER "Kevin Welch"
    REM COMPOSER "Bill Caswell"
    INDEX 01 00:00:00
FILE "09. A Flower.wav" WAVE
  TRACK 09 AUDIO
    TITLE "A Flower"
    PERFORMER "Kevin Welch"
    REM COMPOSER "Kevin Welch"
    INDEX 01 00:00:00
FILE "10. Dust Devil.wav" WAVE
  TRACK 10 AUDIO
    TITLE "Dust Devil"
    PERFORMER "Kevin Welch"
    REM COMPOSER "Kevin Welch"
    INDEX 01 00:00:00
Americana singer/songwriter Kevin Welch left his Oklahoma home at age 17 to pursue a life in music, settling in Nashville in 1978 after years of traveling. He soon signed on as a staff writer at Sony/Tree, over the decade to follow authoring songs for artists including Waylon Jennings, Roger Miller, Trisha Yearwood, Ricky Skaggs, and the Highwaymen; Welch’s self-titled solo debut finally appeared on Reprise in 1990, followed two years later by the acclaimed Western Beat. Country radio remained resistant to his downbeat, acoustic style, however, and in 1995 he teamed with fellow Nashville renegades Kieran Kane, Tammy Rogers, and Harry Stinson to form his own independent label, Dead Reckoning. Welch’s first album for the label, Life Down Here on Earth, followed soon after, and in 1999 he returned with Beneath My Wheels. Between 1999 and 2001, Welch recorded the Millionaire album with friends from Denmark called the Danes, and released it in the U.S. on Dead Reckoning. (Jason Ankeny, AllMusic)
We roots music fans are a curious lot. We’re often torn between wanting our artists to be heard by everyone and wanting to keep them all to ourselves. In a perfect world, the ultimate goal, of course, is for the music to find success without compromising its integrity.
Kevin Welch is an artist who’s managed to do just tha—he ought to be a household name, though his refusal to compromise may have kept him from becoming one. In his early songwriting career, however, art and commerce joined to create quite the resume. Like John Hiatt around the same time, Welch’s songs attracted a lot of attention in Nashville. Mainstream country radio listeners of a certain vintage may remember the mid-1980s hits “Velvet Chains” (Gary Morris), “Desperately” (Don Williams), “Let It Be You” (Ricky Skaggs), and “’Til I’m Too Old to Die Young” (Moe Bandy). All of these and many others were written or co-penned by Welch while he was grinding it out in the Nashville songwriting mill. Eventually, with a good word put in from Steve Earle, contracts were signed (Warner Bros.), albums and singles released. One—“’Til I See You Again”—hit the country top 40 (number 39, to be exact), videos were filmed, and the game was played.
After his second album, 1992’s classic Western Beat, failed to meet the expectations of the Nashville machine (and after Warner Bros. had decided they’d spent more on him than they’d ever earn back), Welch was let out of his contract. He then teamed up with fellow ’80s songwriter Kieran Kane, Tammy Rogers, guitarist Mike Henderson, and drummer Harry Stinson to form Dead Reckoning Records. (Rogers and Henderson would later form the SteelDrivers and hire a young singer named Chris Stapleton who, coming full circle, would later kick off his solo From A Room, Volume 2 album with Welch’s “Millionaire”).
After three critically-acclaimed studio albums on the label, Welch then toured and recorded three albums with Kane and Fats Kaplin as Kane Welch Kaplin. In 2010 he was back solo, releasing the Texas-based A Patch of Blue Sky. It was a wondrous return to form; simple and direct acoustic-centered arrangements that exposed the aching beauty of his well-worn voice.
Eight years, a new marriage and baby, and a first grandson later, comes Dust Devil—beginning-to-end Welch’s best since 1995’s Life Down Here on Earth.
Produced by Welch and recorded in Nashville with a group that includes Dead Reckoners Stinson on drums and Kaplin on accordion, fiddle, and mandolin, along with studio aces Glenn Worf on bass, Matt Rollings on keys, and Kenny Vaughan on guitar, as well as Welch’s son Dustin on banjo and resonator guitar, Dust Devil continues the high standard Welch has set for himself over his 30-year recording career.
Kicking off in similar fashion to A Patch of Blue Sky’s ambitious opener, “Come a Rain,” Dust Devil’s “Blue Lonesome” imagines how biblical characters would have coped with that universal feeling of the blues. Next, the soulful “Just Because It Was a Dream” shows Welch’s gift for composing and delivering a world-class soul ballad, sounding like a long-lost Spooner Oldham/Dan Penn classic.
Similar to his previous Blue Sky, Welch chooses to lay back on Dust Devil and let the music breathe, allowing his lyrics to take center stage. Those lyrics are delivered by a voice that’s weathered as a well-worn saddle, yet still smooth as top-shelf whiskey.
The beautifully noir “High Heeled Shoes” sashays out of the speakers as sensuously as the song’s female subject. Elsewhere, Welch proves he’s still a master phrase-turner on “Dandelion Girl” (“I never start drinkin’ ‘til the sun goes down / when the sun goes down, I go to town / and I hammer myself into the cold, hard ground”). “True Morning” is boosted by the mighty fine whistling of Cory Younts, evoking sepia-toned visions of Gene Kelly and Fred Astaire, and what could be more country than an heartfelt and melancholy ode to a tractor (“Sweet Allis Chalmers”)?
“Brother John,” driven by Stinson’s military cadence snare, was inspired by a former Marine commander who visited one of Welch’s songwriting workshops after returning home from his fifth tour of duty. Opening up to Welch after initially closing himself off from the rest of the group, he was inspired to start writing again and eventually would send Welch and Dustin every 20th song he attempted. Knowing the backstory, however, is not required to be moved by the tune. It follows a long tradition stretching back to the majestic “Some Kind of Paradise” (off his 1990 debut) where Welch’s empathic songwriting can detail a subject’s lifetime in about four minutes.
Welch seems to channel the ghosts of Townes Van Zandt, Guy Clark, and William Shakespeare (then adds a pinch of Ray Wylie Hubbard) for “A Flower.” Told from a young woman’s perspective, it’s a modern folk ballad detailing her struggles and, ultimately, another chance discovered through the eyes of her newborn.
Dust Devil closes with the divine title track, another in a long line of Welch’s philosophical ruminations set to song (i.e., “Life Down Here on Earth,” “Beneath My Wheels,” “Answer Me That,” etc.). Here, a relatively harmless weather phenomenon is used primarily as a metaphor for the decisions the narrator makes as he restlessly whirls his way through life and eventually stares mortality in the eye. “All I ever wanted was to settle on some hallowed ground,” Welch sings in the chorus. “I’m just an old dust devil waiting on the wind to die down.” (Mike Elliott, “Kevin Welch Searches for Hallowed Ground,” NoDepression, Oct. 15, 2018)
The Players:
Kevin Welch: acoustic guitar, vocals
Fats Kaplin: fiddle, pedal steel, button accordion, tenor banjo, mandolin
Glenn Worf: upright and electric bass
Harry Stinson: drums, background vocals
Kenny Vaughan: electric guitar
Matt Rollings: piano, Hammond organ
Jim Hoke: saxes, flute, clarinet, bass clarinet, accordion, harmonica, bass harmonica
Dustin Welch: banjo, slide resonator guitar, background vocals
Kenny Greenberg: electric guitar (“Brother John”)
Cory Younts: human whistle
Jennifer Kumer: French horn
The Singers:
Harry Stinson
Savannah Welch
Dustin Welch
Eliza Gilkyson
Beth Hooker
Produced by Kevin Welch
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