Michael Chapman / Live at Folk Cottage, Cornwall 1967 Жанр: Folk-Rock, Acoustic Blues Носитель: CD Страна-производитель диска (релиза): EU Год издания: 2014 Издатель (лейбл): Treehouse44 Номер по каталогу: TH44CD0201 Страна исполнителя (группы): UK Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 01:19:27 Источник: собственный рип Наличие сканов в содержимом раздачи: да
01. Take Me Home Whiskey (Traditional) 06:06 02. Woke Up This Morning (Traditional) 03:13 03. Instrumental Number 1 (Michael Chapman) 01:29 04. The Prisoners Song (Guy Massey) 04:13 05. Going Down the Road Feeling Bad (Traditional) 05:14 06. When Did You Leave Heaven (Walter Bullock / Richard A. Whiting) 04:35 07. All Night Worker (Traditional) 03:52 08. I Thought About You (James Van Heusen / Johnny Mercer) 02:29 09. That’ll Be the Day (Jerry Allison / Buddy Holly / Norman Petty) 03:50 10. Parchman Farm (Mose Allison) 05:43 11. Baby Please Don’t Go (Traditional) 06:09 12. Conceited (Traditional) 03:10 13. Instrumental Number 2 (Michael Chapman) 07:13 14. I’ve Been Around (Fats Domino) 03:00 15. Dindi (Antônio Carlos Jobim) 04:14 16. Instrumental Number 3 (Michael Chapman) 04:16 17. Ace in the Hole (James Dempsey / George Mitchell) 03:43 18. Kansas City (Jerry Leiber / Mike Stoller) 07:00
Код:
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 17. May 2019, 0:41 Michael Chapman / Live at Folk Cottage, Cornwall 1967 Used drive : ASUS BW-12D1S-U Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:06.12 | 0 | 27461 2 | 6:06.12 | 3:13.06 | 27462 | 41942 3 | 9:19.18 | 1:28.57 | 41943 | 48599 4 | 10:48.00 | 4:12.39 | 48600 | 67538 5 | 15:00.39 | 5:13.71 | 67539 | 91084 6 | 20:14.35 | 4:34.49 | 91085 | 111683 7 | 24:49.09 | 3:52.13 | 111684 | 129096 8 | 28:41.22 | 2:28.44 | 129097 | 140240 9 | 31:09.66 | 3:49.48 | 140241 | 157463 10 | 34:59.39 | 5:42.63 | 157464 | 183176 11 | 40:42.27 | 6:09.03 | 183177 | 210854 12 | 46:51.30 | 3:10.22 | 210855 | 225126 13 | 50:01.52 | 7:12.39 | 225127 | 257565 14 | 57:14.16 | 2:59.54 | 257566 | 271044 15 | 60:13.70 | 4:14.06 | 271045 | 290100 16 | 64:28.01 | 4:15.38 | 290101 | 309263 17 | 68:43.39 | 3:43.13 | 309264 | 326001 18 | 72:26.52 | 7:00.23 | 326002 | 357524 Track 1 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\01. Take Me Home Whiskey.wav Pre-gap length 0:00:02.00 Peak level 94.0 % Extraction speed 4.8 X Track quality 99.9 % Test CRC 75E35616 Copy CRC 75E35616 Accurately ripped (confidence 1) [0335104E] (AR v2) Copy OK Track 2 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\02. Woke Up This Morning.wav Peak level 94.0 % Extraction speed 5.3 X Track quality 100.0 % Test CRC 08B8224D Copy CRC 08B8224D Accurately ripped (confidence 1) [38EED068] (AR v2) Copy OK Track 3 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\03. Instrumental Number 1.wav Peak level 94.0 % Extraction speed 4.6 X Track quality 100.0 % Test CRC E6C482C5 Copy CRC E6C482C5 Accurately ripped (confidence 1) [6B6A658D] (AR v2) Copy OK Track 4 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\04. The Prisoners Song.wav Peak level 94.0 % Extraction speed 6.0 X Track quality 100.0 % Test CRC C1179D94 Copy CRC C1179D94 Accurately ripped (confidence 1) [826C9E04] (AR v2) Copy OK Track 5 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\05. Going Down the Road Feeling Bad.wav Peak level 86.1 % Extraction speed 6.4 X Track quality 100.0 % Test CRC 211AC451 Copy CRC 211AC451 Accurately ripped (confidence 1) [05C101F3] (AR v2) Copy OK Track 6 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\06. When Did You Leave Heaven.wav Peak level 81.4 % Extraction speed 6.7 X Track quality 100.0 % Test CRC 70BEF083 Copy CRC 70BEF083 Accurately ripped (confidence 1) [B5D6CE3F] (AR v2) Copy OK Track 7 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\07. All Night Worker.wav Peak level 86.7 % Extraction speed 6.9 X Track quality 100.0 % Test CRC B6EA813F Copy CRC B6EA813F Accurately ripped (confidence 1) [EDF6F2E3] (AR v2) Copy OK Track 8 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\08. I Thought About You.wav Peak level 94.0 % Extraction speed 6.5 X Track quality 100.0 % Test CRC AB2898F7 Copy CRC AB2898F7 Accurately ripped (confidence 1) [7CEC8914] (AR v2) Copy OK Track 9 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\09. That'll Be the Day.wav Peak level 76.7 % Extraction speed 7.2 X Track quality 100.0 % Test CRC CB1AA6E4 Copy CRC CB1AA6E4 Accurately ripped (confidence 1) [524679CC] (AR v2) Copy OK Track 10 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\10. Parchman Farm.wav Peak level 77.6 % Extraction speed 7.8 X Track quality 100.0 % Test CRC FCF5B8F7 Copy CRC FCF5B8F7 Accurately ripped (confidence 1) [85FFD5FA] (AR v2) Copy OK Track 11 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\11. Baby Please Don't Go.wav Peak level 78.1 % Extraction speed 8.1 X Track quality 100.0 % Test CRC 7B3ADF25 Copy CRC 7B3ADF25 Accurately ripped (confidence 1) [8A868C37] (AR v2) Copy OK Track 12 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\12. Conceited.wav Peak level 93.6 % Extraction speed 7.7 X Track quality 100.0 % Test CRC C64E9F6E Copy CRC C64E9F6E Accurately ripped (confidence 1) [745223B6] (AR v2) Copy OK Track 13 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\13. Instrumental Number 2.wav Peak level 94.0 % Extraction speed 8.7 X Track quality 100.0 % Test CRC C5077498 Copy CRC C5077498 Accurately ripped (confidence 1) [70D252EE] (AR v2) Copy OK Track 14 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\14. I've Been Around.wav Peak level 55.0 % Extraction speed 8.0 X Track quality 100.0 % Test CRC D3A49055 Copy CRC D3A49055 Accurately ripped (confidence 1) [B3CC0B7F] (AR v2) Copy OK Track 15 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\15. Dindi.wav Peak level 53.9 % Extraction speed 8.6 X Track quality 100.0 % Test CRC D86F7C50 Copy CRC D86F7C50 Accurately ripped (confidence 1) [94FD652A] (AR v2) Copy OK Track 16 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\16. Instrumental Number 3.wav Peak level 69.6 % Extraction speed 8.8 X Track quality 100.0 % Test CRC 56403C43 Copy CRC 56403C43 Accurately ripped (confidence 1) [D3C95552] (AR v2) Copy OK Track 17 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\17. Ace in the Hole.wav Peak level 64.3 % Extraction speed 8.8 X Track quality 100.0 % Test CRC A92F2755 Copy CRC A92F2755 Accurately ripped (confidence 1) [BC00A1E6] (AR v2) Copy OK Track 18 Filename E:\Torrents of Autumn\Chapman, Michael [2014] Live at Folk Cottage, Cornwall 1967\18. Kansas City.wav Peak level 91.7 % Extraction speed 9.0 X Track quality 99.9 % Test CRC 77B6F14D Copy CRC 77B6F14D Accurately ripped (confidence 1) [02B94984] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: 9HeHxifkPxFlA9EYQoVhoQOGVJ8-] disk not present in database Submit result: 9HeHxifkPxFlA9EYQoVhoQOGVJ8- has been uploaded ==== Log checksum 41074C870C077FFFC8858AE5235768416F260DE5EC698FDF2AA08BB443C4E054 ====
Код:
REM GENRE Folk REM DATE 2014 REM DISCID E2129F12 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Michael Chapman" TITLE "Live at Folk Cottage, Cornwall 1967" REM COMPOSER "" FILE "01. Take Me Home Whiskey.wav" WAVE TRACK 01 AUDIO TITLE "Take Me Home Whiskey" PERFORMER "Michael Chapman" REM COMPOSER "Traditional" INDEX 01 00:00:00 FILE "02. Woke Up This Morning.wav" WAVE TRACK 02 AUDIO TITLE "Woke Up This Morning" PERFORMER "Michael Chapman" REM COMPOSER "Traditional" INDEX 01 00:00:00 FILE "03. Instrumental Number 1.wav" WAVE TRACK 03 AUDIO TITLE "Instrumental Number 1" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "04. The Prisoners Song.wav" WAVE TRACK 04 AUDIO TITLE "The Prisoners Song" PERFORMER "Michael Chapman" REM COMPOSER "Guy Massey" INDEX 01 00:00:00 FILE "05. Going Down the Road Feeling Bad.wav" WAVE TRACK 05 AUDIO TITLE "Going Down the Road Feeling Bad" PERFORMER "Michael Chapman" REM COMPOSER "Traditional" INDEX 01 00:00:00 FILE "06. When Did You Leave Heaven.wav" WAVE TRACK 06 AUDIO TITLE "When Did You Leave Heaven" PERFORMER "Michael Chapman" REM COMPOSER "Walter Bullock / Richard A. Whiting" INDEX 01 00:00:00 FILE "07. All Night Worker.wav" WAVE TRACK 07 AUDIO TITLE "All Night Worker" PERFORMER "Michael Chapman" REM COMPOSER "Traditional" INDEX 01 00:00:00 FILE "08. I Thought About You.wav" WAVE TRACK 08 AUDIO TITLE "I Thought About You" PERFORMER "Michael Chapman" REM COMPOSER "James Van Heusen / Johnny Mercer" INDEX 01 00:00:00 FILE "09. That'll Be the Day.wav" WAVE TRACK 09 AUDIO TITLE "That'll Be the Day" PERFORMER "Michael Chapman" REM COMPOSER "Jerry Allison / Buddy Holly / Norman Petty" INDEX 01 00:00:00 FILE "10. Parchman Farm.wav" WAVE TRACK 10 AUDIO TITLE "Parchman Farm" PERFORMER "Michael Chapman" REM COMPOSER "Mose Allison" INDEX 01 00:00:00 FILE "11. Baby Please Don't Go.wav" WAVE TRACK 11 AUDIO TITLE "Baby Please Don't Go" PERFORMER "Michael Chapman" REM COMPOSER "Traditional" INDEX 01 00:00:00 FILE "12. Conceited.wav" WAVE TRACK 12 AUDIO TITLE "Conceited" PERFORMER "Michael Chapman" REM COMPOSER "Traditional" INDEX 01 00:00:00 FILE "13. Instrumental Number 2.wav" WAVE TRACK 13 AUDIO TITLE "Instrumental Number 2" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "14. I've Been Around.wav" WAVE TRACK 14 AUDIO TITLE "I've Been Around" PERFORMER "Michael Chapman" REM COMPOSER "Fats Domino" INDEX 01 00:00:00 FILE "15. Dindi.wav" WAVE TRACK 15 AUDIO TITLE "Dindi" PERFORMER "Michael Chapman" REM COMPOSER "Antônio Carlos Jobim" INDEX 01 00:00:00 FILE "16. Instrumental Number 3.wav" WAVE TRACK 16 AUDIO TITLE "Instrumental Number 3" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "17. Ace in the Hole.wav" WAVE TRACK 17 AUDIO TITLE "Ace in the Hole" PERFORMER "Michael Chapman" REM COMPOSER "James Dempsey / George Mitchell" INDEX 01 00:00:00 FILE "18. Kansas City.wav" WAVE TRACK 18 AUDIO TITLE "Kansas City" PERFORMER "Michael Chapman" REM COMPOSER "Jerry Leiber / Mike Stoller" INDEX 01 00:00:00
The earliest known recording of the tireless troubadour, previously unreleased.
Since emerging from the folk scene in Yorkshire, England in 1967, guitarist, and singer Michael Chapman has gained a dual reputation as one of England’s finest original singer/songwriters and most restless guitar players, equally comfortable in folk, rock, free improvisation, global music styles, blues, and jazz. With over 40 albums to his credit, this former art and photography teacher has, in the 21st century, been embraced by a host of boundary-crossing younger musicians who credit his influence on their work including Thurston Moore, Steve Gunn, Ryley Walker, Meg Baird, and many more. No two albums in his catalog are alike, and, over different decades, certain recordings from his shelf have alternated as influential, beginning with his 1969 fingerpicking Brit folk classic Rainmaker and his 1970 singer/songwriter masterpiece Fully Qualified Survivor (featuring Mick Ronson on lead guitar). Later recordings, including 1976’s rock & roll outing Savage Amusement, his proto-new age 1987 offering Heartbeat, and his instrumental forays in the 21st century including the “guitar travelscapes” of Americana and Words Fail Me, as well as Pachyderm and The Resurrection and Revenge of the Clayton Peacock, showcase the full range of his playing, composing, and improvising styles. Chapman attended art school in Leeds. After graduating, he worked as an art and photography teacher in Lancashire. Playing guitar form his teens on, he developed a style that wove jazz, folk, blues, and ragtime, and his repertoire at the time time was primarily comprised of jazz guitar standards. In the middle of the ’60s he began listening to the new wave of British folk revivalists such as Ralph McTell, Bert Jansch, Davy Graham, and John Renbourn. By adapting what he already knew to what he was learning, Chapman developed a distinctive playing style that incorporated all of his chosen styles as well as East Indian modalism. He first appeared on the London and Cornwall folk music circuits in 1967, including at the Piper’s Folk Club in Penzance on a bill with John Martyn and Roy Harper. His incendiary live perfomances resonated not only with club audiences but also with A&R men. He accepted a contract offer from Harvest (EMI’s “underground” boutique label) that led to the release of his debut long-player Rainmaker in 1969. The album featured the support of Rick Kemp (who played bass with Chapman for many years) and Danny Thompson. Window followed in short order, with Fully Qualified Survivor completing a debut triptych that sent waves of critical appreciation through the music industry—influential BBC disc jockey John Peel supported Chapman whenever possible. Sales, however, did not match the critical acclaim for Chapman’s work, leaving Fully Qualified Survivor as a high point, with “Postcards of Scarborough” generally being the one cut most often remembered when Chapman is discussed. After the release of Wrecked Again, Chapman parted company with Harvest, choosing to sign to Decca’s Deram subsidiary, where he altered course somewhat, adding electric guitar and harder rhythms to his work. The first result, Millstone Grit, offered Chapman’s trademark gloomy writing mixed with a couple of lively instrumentals, some almost experimental, and the country-styled “Expressway in the Rain.” Deal Gone Down, and the live Pleasures of the Street followed. Don Nix produced Savage Amusement, which reworked a couple of earlier songs; the album’s title would be used in the mid-’80s for a band featuring Chapman and Kemp. Chapman’s Decca deal ended in 1977, and he began an association with Criminal Records the following year; both labels released versions of The Man Who Hated Mornings. Chapman then turned his hand to the release of a guitar instruction record entitled Playing Guitar the Easy Way in 1978. He continued to gig and record consistently, varying styles and sounds, sometimes working with a full group but more often working with Kemp alone. After the release of Heartbeat in 1987, Chapman experimented with self-released albums, and as of the 1997 release of Dreaming Out Loud, he was issuing albums at the rate of one every two years, continuing to attract high praise, if not great sales. His prolific release schedule continued unabated in the 21st century with both song-based and instrumental albums, as well as numerous reissues of his catalog by various labels. The first notable entry in the new millennium was the instrumental offering Americana in 2000, which showcased Chapman’s fascination with, and mastery of, Southern blues, folk, and ragtime jazz styles. It was followed by a second collection—this one with masterful slide entries as well—entitled Americana II in 2002. A self-released album, 2005’s Plaindealer featured the guitarist playing solo or in small groups, performing original songs and folk standards. It was later reissued by Honest Jon’s. Chapman toured with the No-Neck Blues Band and Jack Rose in 2006. Drenched in acid folk and free improvisation, he returned to England inspired and recorded the double-disc Words Fail Me, recorded completely solo on acoustic and electric guitars. He ripped through utterly rearranged older songs as well as brave new compositions in a 100-minute, live-in-the-studio performance with no overdubs. On 2007’s The Wedding Band, Chapman returned to all-electric guitar; it was his first digitally recorded release, while 2008’s Sweet Powder was drenched in sounds that reflected the blues, folk, and modern country music the guitarist loved, from R.L. Burnside to Steve Eagles to Neil Young and more. On 2010’s ambitious Wry Tree Drift, named after an old mine near his farm, he played both electric and acoustic guitars, performing folk ballads, languid instrumental dubs, dark electric blues, and solo guitar workouts. In 2011, Chapman released the instrumental double set Train Song: Guitar Compositions, 1967-2010, which featured all newly recorded material. Later in the year, the guitarist issued his most expansive and controversial album, The Resurrection and Revenge of the Clayton Peacock (titled after a track on John Fahey’s 1965 offering The Transfiguration of Blind Joe Death). It featured two side-long improvisations involving drones, delay, and loop effects. It was issued by Blast First Petite as the first part of a trilogy. Its second part, Pachyderm, was released in 2012, followed by The Polar Bear in 2014; Blast First Petite announced plans to reissue the trilogy as a special box set. Also in 2012, a tribute album entitled Oh Michael, Look What You’ve Done: Friends Play Michael Chapman was released by Tompkins Square and featured performances from Hiss Golden Messenger, Meg Baird, Black Twig Piers, Maddy Prior, and more. In 2015, Chapman returned with a new album of guitar pieces, Fish. January 2017 saw the release of 50, his debut for Paradise of Bachelors, which found Chapman embracing past and present, with guest artists including celebrated British folksinger Bridget St. John and gifted indie rock guitarist Steve Gunn. The following year, Blast First Petite issued Live VPRO 71. Recorded by Dutch underground radio station VPRO on May 6 of 1971, it was the earliest known live recording of Chapman’s—some two years after Fully Qualified Survivor, his debut for Harvest. Accompanied on the date by bassist Rick Kemp, the audio disc contained a healthy selection of tunes from the show, but the release was also accompanied by a download card that contained video of the entire concert. Later in 2017 he issued the duet offering EB=MC2 with Israeli guitarist Ehud Banai. While Chapman basically lived on the road for most of 2018, he was able to enter Mwnci Studios in rural West Wales with a host of friends including Bridget St. John, cellist Sarah Smout, pedal steel legend BJ Cole, and guitarist/producer Steve Gunn. The finished album was titled True North and released by Paradise of Bachelors in February 2019. (Steven McDonald, AllMusic)
Treehouse44 release the first known recordings by British folk guitar hero Michael Chapman. Previously unreleased, these are the earliest known recordings of this great British guitar hero, or as Michael Chapman calls it “The album I had no idea I had made!” This follows on the heels of Light in The Attic’c catalogue re-issue programme. TreeHouse44 has worked closely with Michael Chapman, being allowed full access to his private archive, to produce a unique album that captures the earliest stages in the career of this phenomenal artist. The story of how Michael Chapman turned pro as a musician, walking into a Cornish pub and offering to play a gig in return for shelter from the rain outside is both well known and well told. These “lost” recordings catch up with our hero of the piece some eight months later as he played a show at Folk Cottage, Mitchell near Newquay in Cornwall on Good Friday, 24th March 1967. The Folk Cottage was established in 1963 and the former granite built farm workers building had secured it’s reputation as a seminal venue on the circuit, with a host of talented local folk artists such as John The Fish and Brenda Wotton performing there as well as it proving to be a haven for the likes of Wizz Jones and Ralph McTell. At the time Chapman was being billed as “exciting new blues artist,” and that is reflected in some of the material captured in these recordings (“Baby Please Don’t Go,” “Parchman Farm” and “Kansas City”), but there is also the odd surprise in store for Chapman fans, including a cover of Buddy Holly’s “That’ll Be the Day,” as well as three original instrumentals that highlight the emergence of Chapman’s innovative and instantly recognisable guitar style that we know today. Chapman is typically low key in his reflections on the material he chose to play in those days—“I just played whatever I could think of at the time.I had no idea then that I could actually write songs myself.” Recorded by Folk Cottage regulars Lionel Rigby and Dave James using an AKG D119 microphone hung over a rafter and hooked up to a Ferrograph 5AN open reel tape machine, these recordings capture the essence of a live show at a pivotal time in the chronology of Michael’s career—barely eight months since he “turned pro” and within two years of the release of Rainmaker, his debut album on Harvest/EMI. The original recordings are quite remarkable given the equipment and set up at their disposal. With the exception of editing out some re-tuning of guitars (sorry, Michael!) we have preserved the performance in its entirety, providing a unique insight into the emergence of Michael as the artist we know today as well as a vivid soundtrack of a venue pivotal to the British folk and roots scene. So, ladies and gentlemen, please sit back and prepare to welcome Michael Chapman to the stage of the Folk Cottage—See www.michaelchapman.co.uk for further artist info. The tapes were mixed and re-mastered at Rimshot Studios by Mike Thorne and Executive Producer was Graeme Miall. (https://www.amazon.co.uk/Live-Folk-Cottage-Cornwall-1967/dp/B00MF662KE)
Michael Chapman: acoustic guitar, vocals Recorded live 24 March 1967 Mixed and mastered by Mike Thorne
Сейчас эту тему просматривают: нет зарегистрированных пользователей и гости: 1
Вы не можете начинать темы Вы не можете отвечать на сообщения Вы не можете редактировать свои сообщения Вы не можете удалять свои сообщения Вы не можете добавлять вложения
Ресурс не предоставляет электронные версии произведений, а занимается лишь коллекционированием и каталогизацией ссылок, присылаемых и публикуемых на форуме нашими читателями. Если вы являетесь правообладателем какого-либо представленного материала и не желаете чтобы ссылка на него находилась в нашем каталоге, свяжитесь с нами и мы незамедлительно удалим её. Файлы для обмена на трекере предоставлены пользователями сайта, и администрация не несёт ответственности за их содержание. Просьба не заливать файлы, защищенные авторскими правами, а также файлы нелегального содержания!
