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(Contemporary Singer-Songwriter, Indie Folk) [CD] Steve Gunn - Eyes on the Lines - 2016, FLAC (tracks+.cue), lossless

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Steve Gunn / Eyes on the Lines
Жанр: Contemporary Singer-Songwriter, Indie Folk
Носитель: CD
Страна-производитель диска (релиза): USA
Год издания: 2016
Издатель (лейбл): Matador Records
Номер по каталогу: OLE-1090-2
Страна исполнителя (группы): USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:41:18
Источник: собственный рип
Наличие сканов в содержимом раздачи: да

01. Ancient Jules 06:01
02. Full Moon Tide 04:49
03. The Drop 04:46
04. Conditions Wild 04:37
05. Nature Driver 04:01
06. Heavy Sails 04:01
07. Night Wander 04:19
08. Park Bench Smile 03:24
09. Ark 05:22
All songs are written by Steve Gunn

Код:

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 5. March 2019, 14:42
Steve Gunn / Eyes on the Lines
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Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
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    ---------------------------------------------------------
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     Copy CRC 92475D6A
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Track  2
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Track  4
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     Copy OK
Track  5
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     Test CRC C8D4CF56
     Copy CRC C8D4CF56
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Track  6
     Filename E:\Torrents of Autumn\Gunn, Steve [2016] Eyes on the Lines\06. Heavy Sails.wav
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     Test CRC 3762D7E1
     Copy CRC 3762D7E1
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Track  7
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     Test CRC B40F72EC
     Copy CRC B40F72EC
     Accurately ripped (confidence 29)  [DD01B3B4]  (AR v2)
     Copy OK
Track  8
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     Test CRC 94BD3C24
     Copy CRC 94BD3C24
     Accurately ripped (confidence 29)  [F9CDB93A]  (AR v2)
     Copy OK
Track  9
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All tracks accurately ripped
No errors occurred
End of status report
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Track | CTDB Status
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  2   | (55/55) Accurately ripped
  3   | (55/55) Accurately ripped
  4   | (55/55) Accurately ripped
  5   | (55/55) Accurately ripped
  6   | (55/55) Accurately ripped
  7   | (54/55) Accurately ripped
  8   | (55/55) Accurately ripped
  9   | (55/55) Accurately ripped
==== Log checksum AF40206071F35A6CDC88675E60F3E602D1B199958D8BD786FDB7947AFA2797AB ====

Код:

REM GENRE Pop/Rock
REM DATE 2016
REM DISCID 7909AE09
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Steve Gunn"
TITLE "Eyes on the Lines"
REM COMPOSER "Steve Gunn"
FILE "01. Ancient Jules.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Ancient Jules"
    PERFORMER "Steve Gunn"
    REM COMPOSER "Steve Gunn"
    INDEX 01 00:00:00
FILE "02. Full Moon Tide.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Full Moon Tide"
    PERFORMER "Steve Gunn"
    REM COMPOSER "Steve Gunn"
    INDEX 01 00:00:00
FILE "03. The Drop.wav" WAVE
  TRACK 03 AUDIO
    TITLE "The Drop"
    PERFORMER "Steve Gunn"
    REM COMPOSER "Steve Gunn"
    INDEX 01 00:00:00
FILE "04. Conditions Wild.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Conditions Wild"
    PERFORMER "Steve Gunn"
    REM COMPOSER "Steve Gunn"
    INDEX 01 00:00:00
FILE "05. Nature Driver.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Nature Driver"
    PERFORMER "Steve Gunn"
    REM COMPOSER "Steve Gunn"
    INDEX 01 00:00:00
FILE "06. Heavy Sails.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Heavy Sails"
    PERFORMER "Steve Gunn"
    REM COMPOSER "Steve Gunn"
    INDEX 01 00:00:00
FILE "07. Night Wander.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Night Wander"
    PERFORMER "Steve Gunn"
    REM COMPOSER "Steve Gunn"
    INDEX 01 00:00:00
FILE "08. Park Bench Smile.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Park Bench Smile"
    PERFORMER "Steve Gunn"
    REM COMPOSER "Steve Gunn"
    INDEX 01 00:00:00
FILE "09. Ark.wav" WAVE
  TRACK 09 AUDIO
    TITLE "Ark"
    PERFORMER "Steve Gunn"
    REM COMPOSER "Steve Gunn"
    INDEX 01 00:00:00

Steve Gunn is a guitarist, songwriter, and producer living and working in Brooklyn, New York. While he is best known as a go-to musician and for his membership in GHQ, Gunn has a varied recording and collaboration history that includes work with British legend Michael Cooper (with whom he recorded the duo album Cantos de Lisboa in 2014) and the late Jack Rose. The diversity of his approach embraces everything from American Primitive guitar to raucous, Neil Young & Crazy Horse-inspired psychedelic roots rock & roll. He has collaborated with Meg Baird, the Magik Markers, and Kurt Vile, and issued a handful of well-received solo albums including Time Off (2013) and Way Out Weather (2014) for Paradise of Bachelors.
Gunn began playing guitar before high school, and credits his older sister with giving him tapes to listen to. His first loves were punk rock and rap. His first real band was a hardcore covers unit that actually toured between his freshman and sophomore years of high school.
But Gunn kept expanding his musical horizons, taking in everything from psych to folk to country to funk. He eventually developed a deep interest in Indian classical music, La Monte Young, and Gnawa music as well—all of which would feature in his own work. While in college, Gunn became aware of other Philly-based musicians including Bardo Pond and Rose. He also joined GHQ, whose other members were Pete Nolan (Magik Markers, Vanishing Voice) and Marcia Bassett (Un, Double Leopards, Zaimph, Hototogisu), and the trio moved to Brooklyn, which became his home base. Gunn played with GHQ between 2005 and 2007, during which time the band issued nine full-length recordings. While still with GHQ, Gunn issued three extremely limited-edition recordings as Moongang. These releases were created using tape manipulation, field recordings, and, to a lesser extent, guitars.
In 2007 he released his first self-titled solo album on Onomato, followed almost immediately by a self-titled, self-issued CD-R. Sundowner followed in 2008 on Tulsa, Oklahoma’s Digitalis label. In 2009, Three-Lobed (also GHQ’s label) released Gunn’s Boerum Palace and the Too Early for the Hammer EP. The former—a limited-edition LP—quickly sold out. Later that year, End of the City, a split album with Shawn McMillen, appeared from Abandon Ship Records. Gunn’s next solo guitar offering was Camel Throat, released as a cassette-only album on Germany’s Meudiademorte. In 2010, Gunn and drummer John Truscinski began playing live together as the Gunn-Truscinski duo. Their debut, Sand City, was issued by Three-Lobed that year, followed by a live CD-R in 2011 and Ocean Parkway in 2012.
Gunn also kept busy as a solo artist, releasing a split album with Sun City Girls entitled Not the Spaces You Know, But Between Them in 2011. In 2012, the guitarist joined Kurt Vile & the Violators for a global tour, eventually returning to issue his next album Time Off, a trio album featuring Truscinski and bassist Justin Tripp, for Paradise of Bachelors in the late spring of 2013. In 2014, Gunn was prolific. Melodies for a Savage Fix, his collaborative date with Pelt guitarist Mike Gangloff, was issued in March, followed in June by Cantos de Lisboa, a duet session with Mike Cooper in RVNG Intl.’s Frkwys series. In early October, Way Out Weather, his second singer/songwriter offering for Paradise of Bachelors, appeared.
Gunn teamed with the Black Twig Pickers during a short break in his touring schedule to record a live-in-studio date. Seasonal Hire included four original tunes and one traditional piece, with Gunn and the Black Twig Pickers’ Mike Gangloff and Sally Anne Morgan all taking turns on lead vocals and songwriting. It was released by Thrill Jockey in early 2015. By the end of that year, he’d also taken part in a unique vinyl box set of split LPs from Three Lobed Records titled Parallelogram, with Gunn and Kurt Vile each taking a side of one of the LPs. The following summer he made his Matador Records debut with a collection of road meditations called Eyes on the Lines and a live set with Angel Olsen titled Live at Pickathon. The following year his seemingly never-ending tour produced the self-released Dusted, whose six tracks were captured from gigs in Chicago, New York and Toronto. Gunn’s singer-songwriter ambitions were predominant on 2018’s The Unseen In Between, a set of nine intimate, often autobiographical songs that flowed stylistically from Anglo-Celtic folk, Indian raga, guitar pop and Americana. Meg Baird duetted with the guitarist on the track “Vagabond.” The album also contained the song “Stonehurst Cowboy,” a tribute to his recently deceased father and the Philadelphia neighborhood Gunn grew up in. (Thom Jurek, AllMusic)

Brooklyn singer, songwriter, and guitar slinger Steve Gunn makes his Matador debut with Eyes on the Lines, a windblown set of road explorations that, despite its meandering nature, is one of his most accessible records yet. The Pennsylvania native has maintained a prolific output over the previous decade, much of it in the form of one-off projects and collaborations, but his solo releases all seem to spring from the same well of wanderlust. Expanding on the spacious sound of his excellent 2014 LP, Way Out Weather, Eyes on the Lines is more of a free-flowing rock affair, finding Gunn and his band locking into bucolic grooves that take their time to unfurl. Both lyrically and musically, Gunn’s themes seem geared toward observation and the natural relationship with one’s surroundings, urging listeners to “take your time, ease up, look around, and waste the day” on opener “Ancient Jules.” It introduces the album’s casual tone and sets up subsequent highlights like the breezy “Nature Driver” and “Night Wander,” an affable moonlit ramble whose nimble riffs are punctuated by some clever work from drummer John Truscinski. As with Gunn’s more recent albums, echoes of cerebral jammers like the Grateful Dead and the Velvet Underground can be heard in his work, though his style ultimately comes across as more impressionistic than either of those two sources. But as blissed-out a road record as it is, Eyes on the Lines contains some very thoughtful and well-designed songwriting, with lead single “Conditions Wild” being among its best. Inspired by Rebecca Solnit’s book A Field Guide to Getting Lost, it’s a thematic centerpiece to an album that leans toward the path less taken. (Timothy Monger, AllMusic)
Folk-rocker Steve Gunn’s latest album is a rich and amiable meditation about travel and transition, about exploring, wandering, and letting yourself get lost.
“It’s not the destination, it’s the journey” is an old cliché, but one that sounds refreshed and alive on folk-rocker Steve Gunn’s Eyes on the Lines. It’s an album about travel and transition, about exploring, wandering, and letting yourself get lost. Every song happens on the way to something else, in the patches between starting out and ending up. Often it’s unclear exactly where Gunn’s characters are headed, or why, but the flux in his words and music is vivid. To get caught up in these tunes is to eschew standing still.
Despite all the forward motion, Eyes on the Lines is also richly contemplative. As Gunn extolls the virtues of ambling, he gives himself lots of time to observe and ruminate. That reflectiveness is matched by the music, which is rarely static—there’s always a shuffling beat or winding hook to keep the motor running—yet never rushed. Gunn’s band sounds confident without being complacent, and breezy in the best sense. The effects can be subtle as a whisper, but these songs continually move the air.
Gunn continually refers to roads, paths, and changes in direction. In “The Drop,” he sings, “I think I missed my flight / Looks like I’ll spend the night,” and sounds pretty happy about it. By closer “Ark,” his blissful aimlessness takes on a Zen-like quality: “Here is where we’ll get nowhere/And everywhere is there now.” It might seem indulgent to pair such beatific sentiments with jammy guitar rock, but Eyes on the Lines is actually quite focused.
Though Gunn’s songs develop gradually, the tensions mount and momentum builds. Often that comes from increasing jolts of energy, as in the stair-climbing hooks of “Ancient Jules,” which celebrates losing control in a rush of layered guitars. On “Conditions Wild,” Gunn again espouses letting go—“Feel the path and move along / The traces where you’ll go”—but the tune’s ratcheting swing makes that idea exciting rather than passive.
Nine players are credited on Eyes on the Lines, and you can feel their presence throughout, as each song weaves contributions into a tapestry. It’s been thrilling to see Gunn settle so well into collaboration. From his initial forays as a solo artist, to his excellent duo albums with drummer John Truscisnki, to 2014’s lush full-band album Way Out Weather, he’s continually stepped up without slipping. Eyes on the Lines continues that ascent, as does Gunn’s sense of the world as a grand vista to traverse. By embracing the expanse, his music has gotten bigger, and more universal. (Marc Masters, Pitchfork)

Steve Gunn: acoustic and electric guitar, vocal
James Elkington: acoustic and electric guitar, dobro, lap steel, piano
Justin Tripp: bass, keyboards
John Truscinski : drums
Nathan Bowles : drums, banjo, organ, piano, percussion
Jason Meagher: bass, electric guitar, coral guitar, flute
Paul Sukeena: electric guitar
Mary Lattimore: harp
Hans Chew: Wurlitzer

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