Michael Chapman / Rainmaker Жанр: Folk-Rock Носитель: CD Страна-производитель диска (релиза): USA Год издания: 2012 Издатель (лейбл): Light in the Attic Records Номер по каталогу: LITA 079 Страна исполнителя (группы): UK Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 01:09:26 Источник: собственный рип Наличие сканов в содержимом раздачи: да
01. It Didn’t Work Out 05:13 02. Rainmaker 03:37 03. You Say 03:43 04. Thank You P. K. 1944 04:12 05. No-One Left to Care 04:20 06. Small Stones 03:04 07. Not So Much a Garden—More Like a Maze 05:36 08. No Song to Sing 03:48 09. One Time Thing 04:52 10. Sunday Morning 04:28 11. Goodbye to Monday Night 05:07 BONUS TRACKS 12. Anniversary 03:08 13. Among the Trees 03:37 14. Sleepy 01:58 15. On My Way Again 06:40 16. Mozart Lives Upstairs 03:57 17. Bert Jansch Meets Frankenstein [Take 2] 02:09 All songs are written by Michael Chapman
Код:
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 27. February 2019, 22:09 Michael Chapman / Rainmaker Used drive : ASUS BW-12D1S-U Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:13.06 | 0 | 23480 2 | 5:13.06 | 3:36.62 | 23481 | 39742 3 | 8:49.68 | 3:42.52 | 39743 | 56444 4 | 12:32.45 | 4:12.37 | 56445 | 75381 5 | 16:45.07 | 4:20.05 | 75382 | 94886 6 | 21:05.12 | 3:04.17 | 94887 | 108703 7 | 24:09.29 | 5:36.11 | 108704 | 133914 8 | 29:45.40 | 3:47.47 | 133915 | 150986 9 | 33:33.12 | 4:51.47 | 150987 | 172858 10 | 38:24.59 | 4:27.41 | 172859 | 192924 11 | 42:52.25 | 5:06.47 | 192925 | 215921 12 | 47:58.72 | 3:07.60 | 215922 | 230006 13 | 51:06.57 | 3:37.08 | 230007 | 246289 14 | 54:43.65 | 1:57.64 | 246290 | 255128 15 | 56:41.54 | 6:39.47 | 255129 | 285100 16 | 63:21.26 | 3:56.50 | 285101 | 302850 17 | 67:18.01 | 2:08.38 | 302851 | 312488 Track 1 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\01. It Didn't Work Out.wav Pre-gap length 0:00:02.00 Peak level 98.8 % Extraction speed 4.6 X Track quality 99.9 % Test CRC D1649A3F Copy CRC D1649A3F Accurately ripped (confidence 14) [A65931B0] (AR v2) Copy OK Track 2 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\02. Rainmaker.wav Pre-gap length 0:00:01.22 Peak level 98.8 % Extraction speed 5.3 X Track quality 100.0 % Test CRC B6BCF31A Copy CRC B6BCF31A Accurately ripped (confidence 14) [28BAB3EE] (AR v2) Copy OK Track 3 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\03. You Say.wav Peak level 98.8 % Extraction speed 5.7 X Track quality 100.0 % Test CRC C94A78DB Copy CRC C94A78DB Accurately ripped (confidence 14) [856D5FF0] (AR v2) Copy OK Track 4 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\04. Thank You P. K. 1944.wav Pre-gap length 0:00:02.14 Peak level 98.8 % Extraction speed 6.2 X Track quality 100.0 % Test CRC 065A4E03 Copy CRC 065A4E03 Accurately ripped (confidence 14) [24097B29] (AR v2) Copy OK Track 5 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\05. No-One Left to Care.wav Pre-gap length 0:00:00.70 Peak level 98.8 % Extraction speed 6.5 X Track quality 100.0 % Test CRC D68F1F2E Copy CRC D68F1F2E Accurately ripped (confidence 14) [405AF338] (AR v2) Copy OK Track 6 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\06. Small Stones.wav Peak level 98.8 % Extraction speed 5.6 X Track quality 99.9 % Test CRC B3FE2B45 Copy CRC B3FE2B45 Accurately ripped (confidence 14) [358D30AA] (AR v2) Copy OK Track 7 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\07. Not So Much a Garden - More Like a Maze.wav Pre-gap length 0:00:04.17 Peak level 98.8 % Extraction speed 7.2 X Track quality 100.0 % Test CRC C4939357 Copy CRC C4939357 Accurately ripped (confidence 14) [B159FAB9] (AR v2) Copy OK Track 8 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\08. No Song to Sing.wav Pre-gap length 0:00:06.20 Peak level 98.8 % Extraction speed 7.3 X Track quality 100.0 % Test CRC EB999D49 Copy CRC EB999D49 Accurately ripped (confidence 14) [45D5E013] (AR v2) Copy OK Track 9 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\09. One Time Thing.wav Pre-gap length 0:00:04.56 Peak level 98.8 % Extraction speed 7.7 X Track quality 100.0 % Test CRC BD61ECC2 Copy CRC BD61ECC2 Accurately ripped (confidence 14) [00ACF54A] (AR v2) Copy OK Track 10 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\10. Sunday Morning.wav Pre-gap length 0:00:04.08 Peak level 98.8 % Extraction speed 7.1 X Track quality 99.9 % Test CRC A8A28E10 Copy CRC A8A28E10 Accurately ripped (confidence 14) [37C417AB] (AR v2) Copy OK Track 11 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\11. Goodbye to Monday Night.wav Pre-gap length 0:00:03.20 Peak level 98.8 % Extraction speed 8.3 X Track quality 100.0 % Test CRC D463BEFE Copy CRC D463BEFE Accurately ripped (confidence 14) [16C2132E] (AR v2) Copy OK Track 12 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\12. Anniversary.wav Pre-gap length 0:00:08.65 Peak level 98.8 % Extraction speed 7.9 X Track quality 100.0 % Test CRC 229EA327 Copy CRC 229EA327 Accurately ripped (confidence 14) [B27E9F77] (AR v2) Copy OK Track 13 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\13. Among the Trees.wav Pre-gap length 0:00:01.45 Peak level 98.8 % Extraction speed 7.3 X Track quality 99.9 % Test CRC 81E68491 Copy CRC 81E68491 Accurately ripped (confidence 14) [9BB61284] (AR v2) Copy OK Track 14 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\14. Sleepy.wav Pre-gap length 0:00:01.15 Peak level 98.8 % Extraction speed 6.2 X Track quality 99.9 % Test CRC 19FB2002 Copy CRC 19FB2002 Accurately ripped (confidence 14) [833CB8F8] (AR v2) Copy OK Track 15 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\15. On My Way Again.wav Pre-gap length 0:00:01.63 Peak level 98.8 % Extraction speed 9.2 X Track quality 100.0 % Test CRC D17E7469 Copy CRC D17E7469 Accurately ripped (confidence 14) [04410CD7] (AR v2) Copy OK Track 16 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\16. Mozart Lives Upstairs.wav Pre-gap length 0:00:01.64 Peak level 98.8 % Extraction speed 9.0 X Track quality 100.0 % Test CRC D77EBF04 Copy CRC D77EBF04 Accurately ripped (confidence 14) [4049B466] (AR v2) Copy OK Track 17 Filename E:\Torrents of Autumn\Chapman, Michael [1969] Rainmaker (2012 remastered ed.)\17. Bert Jansch Meets Frankenstein [Take 2].wav Pre-gap length 0:00:01.39 Peak level 98.8 % Extraction speed 6.7 X Track quality 99.9 % Test CRC 7EF8F761 Copy CRC 7EF8F761 Accurately ripped (confidence 14) [43CA649B] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: ucgjjomU6Po7ivH0Bsfue8RcgjI-] found Submit result: ucgjjomU6Po7ivH0Bsfue8RcgjI- has been confirmed Track | CTDB Status 1 | (8/8) Accurately ripped 2 | (8/8) Accurately ripped 3 | (8/8) Accurately ripped 4 | (8/8) Accurately ripped 5 | (8/8) Accurately ripped 6 | (8/8) Accurately ripped 7 | (8/8) Accurately ripped 8 | (8/8) Accurately ripped 9 | (8/8) Accurately ripped 10 | (8/8) Accurately ripped 11 | (8/8) Accurately ripped 12 | (8/8) Accurately ripped 13 | (8/8) Accurately ripped 14 | (8/8) Accurately ripped 15 | (8/8) Accurately ripped 16 | (8/8) Accurately ripped 17 | (8/8) Accurately ripped ==== Log checksum BB651C054EA7F645BEB7D4B678DD354C35212F5EC92DD6E3683379F996D655FD ====
Код:
REM GENRE Folk REM DATE 1969 REM DISCID D8104611 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Michael Chapman" TITLE "Rainmaker" REM COMPOSER "Michael Chapman" FILE "01. It Didn't Work Out.wav" WAVE TRACK 01 AUDIO TITLE "It Didn't Work Out" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Rainmaker" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 05:11:59 FILE "02. Rainmaker.wav" WAVE INDEX 01 00:00:00 FILE "03. You Say.wav" WAVE TRACK 03 AUDIO TITLE "You Say" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Thank You P. K. 1944" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 03:40:38 FILE "04. Thank You P. K. 1944.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "No-One Left to Care" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 04:11:42 FILE "05. No-One Left to Care.wav" WAVE INDEX 01 00:00:00 FILE "06. Small Stones.wav" WAVE TRACK 06 AUDIO TITLE "Small Stones" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Not So Much a Garden - More Like a Maze" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 03:00:00 FILE "07. Not So Much a Garden - More Like a Maze.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "No Song to Sing" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 05:29:66 FILE "08. No Song to Sing.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "One Time Thing" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 03:42:66 FILE "09. One Time Thing.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Sunday Morning" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 04:47:39 FILE "10. Sunday Morning.wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Goodbye to Monday Night" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 04:24:21 FILE "11. Goodbye to Monday Night.wav" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "Anniversary" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 04:57:57 FILE "12. Anniversary.wav" WAVE INDEX 01 00:00:00 TRACK 13 AUDIO TITLE "Among the Trees" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 03:06:15 FILE "13. Among the Trees.wav" WAVE INDEX 01 00:00:00 TRACK 14 AUDIO TITLE "Sleepy" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 03:35:68 FILE "14. Sleepy.wav" WAVE INDEX 01 00:00:00 TRACK 15 AUDIO TITLE "On My Way Again" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 01:56:01 FILE "15. On My Way Again.wav" WAVE INDEX 01 00:00:00 TRACK 16 AUDIO TITLE "Mozart Lives Upstairs" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 06:37:58 FILE "16. Mozart Lives Upstairs.wav" WAVE INDEX 01 00:00:00 TRACK 17 AUDIO TITLE "Bert Jansch Meets Frankenstein [Take 2]" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 00 03:55:11 FILE "17. Bert Jansch Meets Frankenstein [Take 2].wav" WAVE INDEX 01 00:00:00
Since emerging from the folk scene in Yorkshire, England in 1967, guitarist, and singer Michael Chapman has gained a dual reputation as one of England’s finest original singer/songwriters and most restless guitar players, equally comfortable in folk, rock, free improvisation, global music styles, blues, and jazz. With over 40 albums to his credit, this former art and photography teacher has, in the 21st century, been embraced by a host of boundary-crossing younger musicians who credit his influence on their work including Thurston Moore, Steve Gunn, Ryley Walker, Meg Baird, and many more. No two albums in his catalog are alike, and, over different decades, certain recordings from his shelf have alternated as influential, beginning with his 1969 fingerpicking Brit folk classic Rainmaker and his 1970 singer/songwriter masterpiece Fully Qualified Survivor (featuring Mick Ronson on lead guitar). Later recordings, including 1976’s rock & roll outing Savage Amusement, his proto-new age 1987 offering Heartbeat, and his instrumental forays in the 21st century including the “guitar travelscapes” of Americana and Words Fail Me, as well as Pachyderm and The Resurrection and Revenge of the Clayton Peacock, showcase the full range of his playing, composing, and improvising styles. Chapman attended art school in Leeds. After graduating, he worked as an art and photography teacher in Lancashire. Playing guitar form his teens on, he developed a style that wove jazz, folk, blues, and ragtime, and his repertoire at the time time was primarily comprised of jazz guitar standards. In the middle of the ’60s he began listening to the new wave of British folk revivalists such as Ralph McTell, Bert Jansch, Davy Graham, and John Renbourn. By adapting what he already knew to what he was learning, Chapman developed a distinctive playing style that incorporated all of his chosen styles as well as East Indian modalism. He first appeared on the London and Cornwall folk music circuits in 1967, including at the Piper’s Folk Club in Penzance on a bill with John Martyn and Roy Harper. His incendiary live perfomances resonated not only with club audiences but also with A&R men. He accepted a contract offer from Harvest (EMI’s “underground” boutique label) that led to the release of his debut long-player Rainmaker in 1969. The album featured the support of Rick Kemp (who played bass with Chapman for many years) and Danny Thompson. Window followed in short order, with Fully Qualified Survivor completing a debut triptych that sent waves of critical appreciation through the music industry—influential BBC disc jockey John Peel supported Chapman whenever possible. Sales, however, did not match the critical acclaim for Chapman’s work, leaving Fully Qualified Survivor as a high point, with “Postcards of Scarborough” generally being the one cut most often remembered when Chapman is discussed. After the release of Wrecked Again, Chapman parted company with Harvest, choosing to sign to Decca’s Deram subsidiary, where he altered course somewhat, adding electric guitar and harder rhythms to his work. The first result, Millstone Grit, offered Chapman’s trademark gloomy writing mixed with a couple of lively instrumentals, some almost experimental, and the country-styled “Expressway in the Rain.” Deal Gone Down, and the live Pleasures of the Street followed. Don Nix produced Savage Amusement, which reworked a couple of earlier songs; the album’s title would be used in the mid-’80s for a band featuring Chapman and Kemp. Chapman’s Decca deal ended in 1977, and he began an association with Criminal Records the following year; both labels released versions of The Man Who Hated Mornings. Chapman then turned his hand to the release of a guitar instruction record entitled Playing Guitar the Easy Way in 1978. He continued to gig and record consistently, varying styles and sounds, sometimes working with a full group but more often working with Kemp alone. After the release of Heartbeat in 1987, Chapman experimented with self-released albums, and as of the 1997 release of Dreaming Out Loud, he was issuing albums at the rate of one every two years, continuing to attract high praise, if not great sales. His prolific release schedule continued unabated in the 21st century with both song-based and instrumental albums, as well as numerous reissues of his catalog by various labels. The first notable entry in the new millennium was the instrumental offering Americana in 2000, which showcased Chapman’s fascination with, and mastery of, Southern blues, folk, and ragtime jazz styles. It was followed by a second collection—this one with masterful slide entries as well—entitled Americana II in 2002. A self-released album, 2005’s Plaindealer featured the guitarist playing solo or in small groups, performing original songs and folk standards. It was later reissued by Honest Jon’s. Chapman toured with the No-Neck Blues Band and Jack Rose in 2006. Drenched in acid folk and free improvisation, he returned to England inspired and recorded the double-disc Words Fail Me, recorded completely solo on acoustic and electric guitars. He ripped through utterly rearranged older songs as well as brave new compositions in a 100-minute, live-in-the-studio performance with no overdubs. On 2007’s The Wedding Band, Chapman returned to all-electric guitar; it was his first digitally recorded release, while 2008’s Sweet Powder was drenched in sounds that reflected the blues, folk, and modern country music the guitarist loved, from R.L. Burnside to Steve Eagles to Neil Young and more. On 2010’s ambitious Wry Tree Drift, named after an old mine near his farm, he played both electric and acoustic guitars, performing folk ballads, languid instrumental dubs, dark electric blues, and solo guitar workouts. In 2011, Chapman released the instrumental double set Train Song: Guitar Compositions, 1967-2010, which featured all newly recorded material. Later in the year, the guitarist issued his most expansive and controversial album, The Resurrection and Revenge of the Clayton Peacock (titled after a track on John Fahey’s 1965 offering The Transfiguration of Blind Joe Death). It featured two side-long improvisations involving drones, delay, and loop effects. It was issued by Blast First Petite as the first part of a trilogy. Its second part, Pachyderm, was released in 2012, followed by The Polar Bear in 2014; Blast First Petite announced plans to reissue the trilogy as a special box set. Also in 2012, a tribute album entitled Oh Michael, Look What You’ve Done: Friends Play Michael Chapman was released by Tompkins Square and featured performances from Hiss Golden Messenger, Meg Baird, Black Twig Piers, Maddy Prior, and more. In 2015, Chapman returned with a new album of guitar pieces, Fish. January 2017 saw the release of 50, his debut for Paradise of Bachelors, which found Chapman embracing past and present, with guest artists including celebrated British folksinger Bridget St. John and gifted indie rock guitarist Steve Gunn. The following year, Blast First Petite issued Live VPRO 71. Recorded by Dutch underground radio station VPRO on May 6 of 1971, it was the earliest known live recording of Chapman’s—some two years after Fully Qualified Survivor, his debut for Harvest. Accompanied on the date by bassist Rick Kemp, the audio disc contained a healthy selection of tunes from the show, but the release was also accompanied by a download card that contained video of the entire concert. Later in 2017 he issued the duet offering EB=MC2 with Israeli guitarist Ehud Banai. While Chapman basically lived on the road for most of 2018, he was able to enter Mwnci Studios in rural West Wales with a host of friends including Bridget St. John, cellist Sarah Smout, pedal steel legend BJ Cole, and guitarist/producer Steve Gunn. The finished album was titled True North and released by Paradise of Bachelors in February 2019. (Steven McDonald, AllMusic)
In 1969 British singer/songwriter Michael Chapman took the U.K.’s folk-rock world by surprise with his debut album, Rainmaker, on the Harvest label. In an era when each week garnered a new surprise in the music world, gathering serious and widespread critical acclaim wasn’t easy, and finding a buying public near impossible. Rainmaker showcases a new talent who holds nothing back for himself. Every songwriting principle and trick, killer guitar riff, and songwriting hook in his bag makes an appearance here (something he would never do again). As a result, there are several truly striking things about the album that makes it stand out from the rest of the Brit folk-rock slog from the late ’60s. One of them is Chapman’s guitar playing. A true stylist in his own right, he holds a middle line between John Martyn and Bert Jansch with the provocative electric rock funkiness of Martyn juxtaposed against the rock solid folk traditional so wonderfully espoused by Jansch. Another is Chapman’s lean, carved, sleek lyrical style, preferring the starkness of poetry to the lush elements of the song styles usually found on records of this type. Both are put to fine use on the opener, “It Didn’t Work Out,” a gorgeous broken love ballad with a philosophical bent, along with Chapman’s doleful resigned vocal; the electric guitars cascade over fingerpicked acoustics, and acoustic and electric basses—courtesy of Rick Kemp and Danny Thompson. Here, the old-English melody style was welded to a rock backbeat and fused into a whole, rhythmic, elegant, but sparse tale of broken love. The fiery emotions were carried through the measures by Chapman’s tumultuous guitar leads. On the title track, an instrumental with thunderstorm sound effects, the weave between electricity and natural sound grows tighter. When playing in traditional or blues styles, such as the dark, menacing folk-blues of “No One Left to Care,” Chapman fuses the rock pulse to the folk or blues song, open-tuning his guitars to such a degree that drones created multiple tones and a solid bottom for his voice to pounce down upon. They also create a sense of emotional honesty not so prevalent on the scene at the time—artists were given to interpret old songs with an air of academic—Chapman chews his words and spits them out while rifling off guitar riffs at every turn that are as gnarly and venomous as anything by Richard Thompson at the time. Not to mention the stunning instrumental “Thank You, P. K., 1944,” with its silvery 12-string work that turns the tonal qualities of the instrument inside out so completely you could swear there were three guitars players—despite the fact that none of the guitar parts were overdubbed—or the shimmering, high-whining slide work on the rock growler “Small Stones.” The CD reissue contains five bonus tracks, a shorter single version of “It Didn’t Work Out,” and its B-side, “Mozart Lives Uptown,” as well as a second part to that track, “On My Way Again,” and the humorous but poignant “Bert Jansch Meets Frankenstein” (the latter three previously unreleased). As auspicious a debut as Rainmaker was for its fine songwriting, history has proved it to be more so because it’s the only record in Chapman’s distinguished catalog where he ever showcased his truly virtuosic talent as a guitarist. Why, is anybody’s guess? (Thom Jurek, AllMusic)
Michael Chapman: guitar, vocals Clem Clempson: electric guitar (tracks 1, 7 & 16) Rick Kemp: bass (tracks 2 - 6, 8 – 14, 15 & 17) Barry Morgan: drums (tracks 2 - 6, 8 – 14 & 17) Danny Thompson: double bass (tracks 2 - 6, 8 – 14 & 17) Norman Haines: organ (tracks 1, 7 & 16) Alex Dmochowski: bass (tracks 1, 7 & 16) Aynsley Dunbar: drums (tracks 1, 7 & 16) P. Harold Fatt: guitar (track 15) Richie Dharma: drums (track 15) Johnny Van Derek: violin (track 15) Produced by Gus Dudgeon
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