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(Psychedelic, Acid-Folk) Dave Bixby - Ode to Quetzalcoatl (1969), FLAC (tracks+.cue) lossless

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Dave Bixby / Ode to Quetzalcoatl (1969)
Жанр: Psychedelic, Acid-Folk
Страна-производитель диска: Spain
Год издания диска: 2009
Издатель (лейбл): Guerssen
Номер по каталогу: GUESSCD025
Страна: USA
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 40:45
Источник (релизер): what.cd()
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Drug Song (3:25)
02. Free Indeed (3:25)
03. I Have Seen Him (3:21)
04. Mother (3:05)
05. Morning Sun (3:38)
06. Prayer (3:20)
07. Lonely Faces (4:03)
08. Open Doors (3:15)
09. 666 (3:20)
10. Waiting for the Rains (2:23)
11. Secret Forest (5:04)
12. Peace (2:28)

Код:

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 16. April 2010, 0:46
Dave Bixby / Ode to Quetzalcoatl
Used drive  : MATSHITABD-RE UJ-225S   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 102
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Users\Derek\Downloads\eac-0.99pb5\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:25.23 |         0    |    15397
        2  |  3:25.23 |  3:24.63 |     15398    |    30760
        3  |  6:50.11 |  3:20.48 |     30761    |    45808
        4  | 10:10.59 |  3:05.16 |     45809    |    59699
        5  | 13:16.00 |  3:38.30 |     59700    |    76079
        6  | 16:54.30 |  3:19.42 |     76080    |    91046
        7  | 20:13.72 |  4:02.45 |     91047    |   109241
        8  | 24:16.42 |  3:14.57 |    109242    |   123848
        9  | 27:31.24 |  3:19.42 |    123849    |   138815
       10  | 30:50.66 |  2:23.30 |    138816    |   149570
       11  | 33:14.21 |  5:04.06 |    149571    |   172376
       12  | 38:18.27 |  2:27.39 |    172377    |   183440
Track  1
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\01. Drug Song.wav
     Pre-gap length  0:00:02.00
     Peak level 91.1 %
     Track quality 100.0 %
     Test CRC 26F12E18
     Copy CRC 26F12E18
     Accurately ripped (confidence 1)  [F0A7E5F6]
     Copy OK
Track  2
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\02. Free Indeed.wav
     Peak level 95.1 %
     Track quality 100.0 %
     Test CRC 462D0BA0
     Copy CRC 462D0BA0
     Accurately ripped (confidence 1)  [18B97946]
     Copy OK
Track  3
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\03. I Have Seen Him.wav
     Peak level 91.4 %
     Track quality 100.0 %
     Test CRC 44DF2372
     Copy CRC 44DF2372
     Accurately ripped (confidence 1)  [25A565BA]
     Copy OK
Track  4
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\04. Mother.wav
     Peak level 86.7 %
     Track quality 100.0 %
     Test CRC 918AC219
     Copy CRC 918AC219
     Accurately ripped (confidence 1)  [84F7A20E]
     Copy OK
Track  5
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\05. Morning Sun.wav
     Peak level 93.8 %
     Track quality 100.0 %
     Test CRC DBD8ECA3
     Copy CRC DBD8ECA3
     Accurately ripped (confidence 1)  [46066AAD]
     Copy OK
Track  6
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\06. Prayer.wav
     Peak level 91.6 %
     Track quality 99.9 %
     Test CRC 0C078F66
     Copy CRC 0C078F66
     Accurately ripped (confidence 1)  [FBDC008A]
     Copy OK
Track  7
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\07. Lonely Faces.wav
     Peak level 86.3 %
     Track quality 100.0 %
     Test CRC 6A4319AD
     Copy CRC 6A4319AD
     Accurately ripped (confidence 1)  [BA4DF94D]
     Copy OK
Track  8
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\08. Open Doors.wav
     Peak level 80.5 %
     Track quality 100.0 %
     Test CRC D1487691
     Copy CRC D1487691
     Accurately ripped (confidence 1)  [51F2699A]
     Copy OK
Track  9
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\09. 666.wav
     Peak level 89.8 %
     Track quality 99.9 %
     Test CRC 0DE98109
     Copy CRC 0DE98109
     Accurately ripped (confidence 1)  [41DAA475]
     Copy OK
Track 10
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\10. Waiting for the Rains.wav
     Peak level 77.8 %
     Track quality 100.0 %
     Test CRC F063190F
     Copy CRC F063190F
     Accurately ripped (confidence 1)  [CB5249AC]
     Copy OK
Track 11
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\11. Secret Forest.wav
     Peak level 89.4 %
     Track quality 100.0 %
     Test CRC CDC3AB6C
     Copy CRC CDC3AB6C
     Accurately ripped (confidence 1)  [6FB27F42]
     Copy OK
Track 12
     Filename C:\FLAC\Bixby, Dave\Ode to Quetzalcoatl\12. Peace.wav
     Peak level 86.6 %
     Track quality 100.0 %
     Test CRC F97CF0C7
     Copy CRC F97CF0C7
     Accurately ripped (confidence 1)  [9EC9D12A]
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report

Код:

REM GENRE "Psychedelic Folk"
REM DATE 1969
REM DISCID 93098D0C
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Dave Bixby"
TITLE "Ode to Quetzalcoatl"
FILE "01. Drug Song.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Drug Song"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00
FILE "02. Free Indeed.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Free Indeed"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00
FILE "03. I Have Seen Him.wav" WAVE
  TRACK 03 AUDIO
    TITLE "I Have Seen Him"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00
FILE "04. Mother.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Mother"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00
FILE "05. Morning Sun.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Morning Sun"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00
FILE "06. Prayer.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Prayer"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00
FILE "07. Lonely Faces.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Lonely Faces"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00
FILE "08. Open Doors.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Open Doors"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00
FILE "09. 666.wav" WAVE
  TRACK 09 AUDIO
    TITLE "666"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00
FILE "10. Waiting for the Rains.wav" WAVE
  TRACK 10 AUDIO
    TITLE "Waiting for the Rains"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00
FILE "11. Secret Forest.wav" WAVE
  TRACK 11 AUDIO
    TITLE "Secret Forest"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00
FILE "12. Peace.wav" WAVE
  TRACK 12 AUDIO
    TITLE "Peace"
    PERFORMER "Dave Bixby"
    INDEX 01 00:00:00

Since its discovery in the late '90s, Dave Bixby's legendary $2000 private press album from 1969 is considered by all serious record collectors as the king in the loner/downer-folk genre. After being involved in '60s Michigan folk and garage-rock bands such as The Shillelaghs and Peter & The Prophets, Bixby started playing acoustic guitar and experimenting with LSD. After a year of drug abuse he felt broken. Starting a soul-searching, spiritual journey, he wrote Ode To Quetzalcoatl and most of the material for his second album, Harbinger's Second Coming in just a month and a half. Assisted by fellow musician Brian MacInness, who played some guitar parts on the album, Bixby recorded this record in a living room using an echo-laden 4-track machine. The sound is lo-fi and sparse: just acoustic guitars and some occasional harmonica & flute, added to Bixby's haunting, emotional vocals, spiritual lyrics and solid songwriting. The opening cut, the eerie and painful "Drug Song" sets the mood perfectly for the rest of the album. Never again has an acoustic folk album sounded as intense as this. Reissued for the first time under license from Dave Bixby himself, and carefully remastered from vinyl (no master tapes exist) at Shadoks Music Studios. Includes an insert with extensive and detailed liner notes by Matvei Procak -- the guy who found Bixby in 2006 -- plus some rare pictures.

Highly rated by the few who have heard it, this tormented religious loner/downer folk LP has to rank as one of the ultimate incarnations of the genre. The opening "Drug Song" sets the tone perfectly as a supremely world-weary, echo-laden guy laments on how he screwed himself up with dope; "I'm no longer a person, I can't even feel". The resolution is (of course) Christ, who is serenaded in the following tracks, although the despairing, suicidal mood is strangely unchanged. Salvation or none, it seems most things are still a mess for Bixby. Numbers such as "Mother" and the Grudzien-level "666" confirm such suspicions. Musically it's a wellwritten lo-fi recording of steelstringed acoustic and a single voice, much like Christopher Montgomery, but undoubtedly more tortured and intense. Frantic guitar strumming is used to tighten up the tension in an effective way a la Perry Leopold, while more lyrical moods are supported by swift fingerpicking. The vocals are amateurish and somewhat uneven, and in fact work best when most charged with emotion. The organic correspondence between lyrics, playing and arrangements is impressive and makes the LP seem more alive and artistically aware than most in this often disappointing genre. Must be heard by any fringe fan.

In the early '70s, there was a subgenre -- still being excavated and discovered by collectors -- of privately pressed, or quite limited-edition, singer/songwriter folk albums that sounded like burnt-out leftovers from the hippie era. A percentage of these, in turn, were recorded and released by musicians with fervent if rather inarticulate religious beliefs. Dave Bixby's Ode to Quetzalcoatl is one of these, and though its purpose seems to have been to celebrate his deliverance from evil after embracing Christianity, it nonetheless sounds quite despondent and isolated in its mood. With acoustic guitar usually serving as his only instrumental accompaniment (and a bit of flute and harmonica heard at times), Bixby sings in a moan-lilting, slightly echoing voice whose sad and lonesome feel gives the impression that his demons have by no means been wholly exercised by salvation. No doubt this wasn't at all the intention, but it certainly isn't an effective testament to positive change, not if such change is associated with increased contentment and happiness. There's much to criticize here on musical grounds: the mood is oppressively isolating, the singing is irritatingly plain and low-energy, and there's much dreary sameness to the oft minor-key songs and the guitar work. At the time, if only relatively speaking, it's not bad for its slight genre; you can hear genuine spookiness in Bixby's music, somewhat like an amateur Skip Spence, with a touch of Neil Young at his most despairing. You probably wouldn't want to spend much time alone with Bixby, but as an evocation of a confused era in which some of the more disoriented constituents of the counterculture didn't know where to turn, the LP has its limited worth.by Richie Unterberger

For me, there are only 3 tracks here that are worth repeated listenings, but these 3 tracks (Drug song, Open doors, 666) alone make the album worth owning, or hearing at the very least.
If you are into loner/downer sounds, it is a record you just cannot miss.
I could write a whole book on the sound of "Drug song" for instance : a tired, very tired and very hopeless man, alone in a dark room somewhere in rural USA, with the light of a bright spring day filtering through the shutters, his mind burnt out on LSD, recording on an old battered reel to reel. The sound is dusty, haunted, intimate yet kind of distant - because this man just cannot communicate with the outside world anymore. That sound is reverb-drenched too, with something ancient and worn about it.
If you think that Skip Spence's "Oar" or Syd Barrett's albums are scary, then you haven't heard this thing.
So yeah : 3 songs do not make a perfect album - it IS a flawed record, but what is good on it is so genuine and truly great that you will quickly forget about the 9 other "so-so" tracks.

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