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(Alternative Folk, Adult Alternative Pop) [CD] Victoria Williams - Swing the Statue! - 1990, FLAC (tracks+.cue), lossless

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Victoria Williams / Swing the Statue!
Жанр: Alternative Folk, Adult Alternative Pop
Носитель: CD
Страна-производитель диска (релиза): USA
Год издания: 1990
Издатель (лейбл): Rough Trade
Номер по каталогу: Rough US 50 CD
Страна исполнителя (группы): USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:45:30
Источник (релизер): own collection
Наличие сканов в содержимом раздачи: да

Код:

[b]Why Look at the Moon[/b] 02:33
[b]Boogieman[/b]   03:55
[b]Clothesline[/b]   04:33
[b]Tarbelly and Featherfoot[/b] 04:56
[b]On Time[/b]   03:21
[b]Holy Spirit[/b]   04:39
[b]Summer of Drugs[/b]  04:58
[b]I Can’t Cry Hard Enough[/b] 03:36
[b]Wobbling[/b]   03:14
[b]Vieux Amis[/b]   02:13
[b]Weeds[/b]   03:14
[b]Lift Him Up[/b]   04:18
All songs written by Victoria Williams

Код:

Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 8. January 2018, 22:49
Victoria Williams / Swing the Statue
Used drive  : ASUS    BW-12D1S-U   Adapter: 1  ID: 1
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Read offset correction                      : 667
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
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Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
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Track 12
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All tracks accurately ripped
No errors occurred
End of status report
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[CTDB TOCID: KSBn9ffxQoRciqhvBT6taUkQsbg-] found
Submit result: KSBn9ffxQoRciqhvBT6taUkQsbg- has been confirmed
Track | CTDB Status
  1   | (2/2) Accurately ripped
  2   | (2/2) Accurately ripped
  3   | (2/2) Accurately ripped
  4   | (2/2) Accurately ripped
  5   | (2/2) Accurately ripped
  6   | (2/2) Accurately ripped
  7   | (2/2) Accurately ripped
  8   | (2/2) Accurately ripped
  9   | (2/2) Accurately ripped
 10   | (2/2) Accurately ripped
 11   | (2/2) Accurately ripped
 12   | (2/2) Accurately ripped
==== Log checksum 19025972AC4948E014BF85924B34463E3749741BBE78FB61FC150C3EA0DD0AB0 ====

Код:

REM GENRE Folk
REM DATE 1999
REM DISCID AE0AAA0C
REM COMMENT "ExactAudioCopy v1.1"
PERFORMER "Victoria Williams"
TITLE "Swing the Statue"
FILE "01. Why Look At the Moon.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Why Look At the Moon"
    PERFORMER "Victoria Williams"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Boogieman"
    PERFORMER "Victoria Williams"
    INDEX 00 02:31:47
FILE "02. Boogieman.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Clothesline"
    PERFORMER "Victoria Williams"
    INDEX 00 03:52:18
FILE "03. Clothesline.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Tarbelly and Featherfoot"
    PERFORMER "Victoria Williams"
    INDEX 00 04:31:12
FILE "04. Tarbelly and Featherfoot.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "On Time"
    PERFORMER "Victoria Williams"
    INDEX 00 04:53:37
FILE "05. On Time.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Holy Spirit"
    PERFORMER "Victoria Williams"
    INDEX 00 03:17:02
FILE "06. Holy Spirit.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Summer of Drugs"
    PERFORMER "Victoria Williams"
    INDEX 00 04:37:50
FILE "07. Summer of Drugs.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "I Can't Cry Hard Enough"
    PERFORMER "Victoria Williams"
    INDEX 00 04:54:30
FILE "08. I Can't Cry Hard Enough.wav" WAVE
    INDEX 01 00:00:00
FILE "09. Wobbling.wav" WAVE
  TRACK 09 AUDIO
    TITLE "Wobbling"
    PERFORMER "Victoria Williams"
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Vieux Amis"
    PERFORMER "Victoria Williams"
    INDEX 00 03:12:37
FILE "10. Vieux Amis.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "Weeds"
    PERFORMER "Victoria Williams"
    INDEX 00 02:11:20
FILE "11. Weeds.wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "Lift Him Up"
    PERFORMER "Victoria Williams"
    INDEX 00 03:11:70
FILE "12. Lift Him Up.wav" WAVE
    INDEX 01 00:00:00

Despite a successful career as a idiosyncratic country-folk performer, Victoria Williams was perhaps best known as a songwriter; thanks, ironically enough, to a tribute album recorded in her honor. Born in Louisiana in 1959, Williams taught herself to play the guitar while still in her teens, and soon began composing songs. In college, she joined her first band, the G.W. Korners. After spending some time on the road, she ended up in California in 1979, where she was a regular at Los Angeles’ famed Troubadour Club’s “Hoot Nights.” After first returning to Louisiana with the intent of forming a band, she moved back to L.A., where she performed on Venice Beach and ultimately signed a recording contract which proved fruitless.
Soon after, Williams met musician Peter Case, formerly of the Plimsouls. Not only did they form an act together—a jug band-like trio named the Incredibly Strung Out Band—but the couple also married. Finally, Williams made her solo recording debut in 1987 with Happy Come Home, a collection showcasing her vivid songcraft as well as her off-kilter, squeaky vocal style. After the record was released, Williams starred in a documentary by the filmmaker D. A. Pennebaker. In 1989, she and Case divorced; a follow-up record, Swing the Statue!, appeared in 1990.
In 1992, while opening for Neil Young, Williams began experiencing a numb feeling in her hands that made it increasingly difficult to play her guitar. Upon visiting a doctor, she was diagnosed with the degenerative neurological disorder multiple sclerosis. The medical bills quickly piled up, and like many musicians, she was not covered by health insurance. In response, her manager began assembling friends and fans to record Williams’ songs for a benefit album; the result, 1993’s Sweet Relief: A Benefit for Victoria Williams, featured the likes of Pearl Jam, Lou Reed, Matthew Sweet, the Jayhawks, and Soul Asylum, whose rendition of “Summer of Drugs” was the record’s first single. Due to its all-star lineup, Sweet Relief far outsold any of Williams’ own efforts, raising not only funds for her medical treatment but her visibility within the musical community as well. Additionally, the record’s success enabled Williams to establish the Sweet Relief Fund, created to assist other musicians with health problems; in 1996, a second tribute record, honoring the partially paralyzed singer/songwriter Vic Chesnutt, was released.
In 1994, Williams issued Loose, a varied collection featuring duets with Soul Asylum’s Dave Pirner and the Jayhawks’ Mark Olson, Williams’ second husband, who also recorded with her with their ad-hoc band the Original Harmony Ridge Creekdippers. A year later, she and her Loose Band released This Moment in Toronto, a live career overview that also offered a handful of standards (“Smoke Gets in Your Eyes,” “Imagination”) as well as one new song, “Graveyard.” Her fourth solo album, Musings of a Creek Dipper, was released in 1998. Two years later, Williams issued her strongest effort to date with Water to Drink. In 2002, she recorded an album of standards entitled Sings Some Ol’ Songs. Her renditions of “Moon River,” “Someone to Watch Over Me,” and “My Funny Valentine” breathed new life thanks to Williams’ impeccable touch. Williams went into a recording layoff following the release of Sings Some Ol’ Songs, though she made guest appearances on albums by David Wolfenberger, Bob Forrest, and Christopher Rees. She also performed regularly in California with a group known as the Thriftstore Allstars. An archival recording of Williams performing in New York City following the release of Loose was released in 2017 under the title Town Hall 1995. (Jason Ankeny, AllMusic)

On the follow-up to her landmark debut, Happy Come Home (1987), Victoria Williams’ skills as a multi-faceted songwriter become increasingly stronger and more distinct. The lack of aural opulence—such as Van Dyke Parks’ string arrangements—reveal a less-forced approach, resulting in a giant leap forward in terms of the development of Williams’ own voice. Likewise, her rich Louisiana bayou roots increasingly influence her music and act as a strong motif throughout not only Swing the Statue!, but her future releases as well—most notably her contributions to the Original Harmony Ridge Creekdippers. Perhaps drawing upon her own experiences, Swing the Statue! has an air of melancholia wafting throughout much of the album. Both “Boogieman” and “I Can't Cry Hard Enough”—while divergent in terms of musical style—speak directly to the feelings of loss and abandonment. These aptly juxtapose against the innocence and youthful awe of “Look at That Moon” and “Wobbling” as well as the spiritual guidance found in “Lift Him Up” and “Weeds.” Unlike Happy Come Home, Swing the Statue! is exceedingly more reserved and somewhat stark—with an emphasis on acoustic instrumentation. These aptly inhabit Williams’ remarkably jazzy arrangements. While examples are abundant, most specifically are the easy and lethargic “Clothesline,” as well as the freewheeling “On Time” or “Vieux Amis”—the latter of which is also sung in the French-derived Cajun dialect. The wholly diverse collection of sounds and styles explored on the disc would continue to inform Williams’ work, although it would be another four years before her international breakthrough album, Loose (1994), would be released. While she would ultimately retain much of the momentum gained on Swing the Statue!, the dissolution of her record label, Rough Trade, left Williams very little in the way of national or international publicity or promotion. A much more devastating blow was dealt while on the road supporting this album when Williams was diagnosed with the degenerative neurological disorder multiple sclerosis. Her ultimate triumph/co-existence with the disorder gave birth to much of the celebratory tone on her follow-up, Loose. (Lindsay Planer, AllMusic)

Track-by-track participants are availble in the scanned booklet, as well as here: https://www.discogs.com/Victoria-Williams-Swing-The-Statue/release/3763129

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