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Gordon Jackson - Thinking Back
Жанр: Acid Folk Rock
Год выпуска диска: 1969
Производитель диска: England
Аудио кодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 1:02:30
Трэклист:
01. The Journey [04:52]
02. My Ship, My Star [06:13]
03. Me And My Dog [04:11]
04. Song For Freedom [04:52]
05. Sing To Me Woman [05:27]
06. When You Are Small [07:16]
07. Snakes And Ladders [05:57]
08. A Day At The Cottage (Bonus) [03:34]
09. My Ship, My Star (Bonus) [04:29]
10. Song For Freedom (Bonus) [03:56]
11. Sing To Me Woman (Bonus) [04:30]
12. Me And My Dog (Bonus) [07:09]
*Poli Palmer - Keyboards, Vocals
*Jim King - Saxophone
*Chris Wood - Wind
*Julie Driscoll - Vocals
*Rick Grech - Bass
*Luther Grosvenor - Vocals
*Gordon Jackson - Guitar, Sitar, Main Performer, Vocals
*Reg King - Vocals
*Robbie Blunt - Sitar
*Rocky Dzidzornu - Percussion
*Patrick Gammon - Keyboards, Vocals
*Remi Kabaka - Percussion
*Jim Capaldi - Vocals
*Dave Mason - Bass
*Steve Winwood - Bass, Keyboards
and also:
*The Blossom Toes
*Meic Stevens.
Singer, guitarist, and drummer Gordon Jackson released a rare album for the Marmalade label in
1969, Thinking Back, that bore much similarity to records of the era by Traffic and (more
distantly) Family. The resemblance wasn't casual, as several members of Traffic and Family
helped out on the record, alongside other notables like Julie Driscoll and Luther Grosvenor of
Spooky Tooth; Traffic's Dave Mason, in fact, was the producer. Thinking Back had the same sort
of loose mixture of psychedelic rock with jazz, folk, and bits of soul and world music that
characterized some of Traffic's work. The material wasn't as strong or focused as Traffic's or
Family's, but it had a nice introspective groove with haunting, minor-keyed melodies.
Prior to the album, Jackson had been intimately connected with musicians in bands that evolved
into Traffic, Family, and Spooky Tooth, although he never attained anything near the same
recognition as those groups in his brief solo career. He'd been in the Hellions, the Birmingham
group also including Mason, Grosvenor, and future Traffic percussionist Jim Capaldi, who made
some flop singles for Piccadilly in the mid-1960s. After the Hellions broke up, Jackson played
in Deep Feeling with Capaldi, Grosvenor, and future Family multi-instrumentalist Poli Palmer.
Deep Feeling, unfortunately, never released anything, although an excellent early psychedelic
track they recorded, "Pretty Colours," did eventually get released on Grosvenor's Floodgates
Anthology. Jackson was an odd man out, though, when Mason and Capaldi helped form Traffic, and
little was heard from him after the 1960s despite the promise of Thinking Back.
Gordon Jackson's only album sounds a little like a Traffic LP with a singer who isn't in the
band. The similarity is really no surprise, since Traffic men Steve Winwood, Dave Mason, Jim
Capaldi, and Chris Wood all played on the record, and Mason produced. Other notables with
connections to the Traffic family tree or Marmalade label also appeared, including Luther
Grosvenor; Rick Grech, Jim King, and Poli Palmer of Family; and Julie Driscoll. There's a
languid, minor keyed jazz-folk-psychedelic vibe to the songs, which have a meditative,
spontaneously pensive air, appealingly sung by Jackson. Touches of Indian and African music
are added by occasional tabla and sitar. What keeps this from being as memorable as Traffic or
some of the other better late-'60s British psychedelic acts is a certain meandering looseness
to the songs that, while quite pleasant, lacks concision and focus. That was a quality also
heard in the album from the same era by fellow Marmalade artist Gary Farr, Take Something With
You, and while Thinking Back is better and more original than Farr's effort, the songs are more
interesting mood pieces with a yearning, mystic tone than they are outstanding compositions.
At times this is like hearing psychedelic sea shanties (as on "My Ship, My Star"), such is the
lilt of the tunes, though hints of blues and more playful pop-psych whimsy are heard in cuts
like "Me and My Dog." [The 2005 CD reissue on Sunbeam adds lengthy historical liner notes and
five bonus tracks, including the non-LP B-side "A Day at the Cottage"; a haunting, sparse home
demo of "My Ship, My Star"; single mixes of "Song for Freedom" and "Sing to Me Woman"; and a
long version of "Me and My Dog."
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