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(Modern Creative, Contemporary Jazz) [CD] Mats Eilertsen (w/ Harmen Fraanje, Thomas Stronen) - And Then Comes the Night - 2019 (ECM 2619), FLAC (tracks+.cue), lossless

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Mats Eilertsen - And Then Comes the Night
Жанр: Modern Creative, Contemporary Jazz
Носитель: CD
Страна-производитель диска (релиза): Германия
Год издания: 2019
Издатель (лейбл): ECM Records
Номер по каталогу: ECM 2619
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:47:34
Источник: jazzambazzador
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. 22 (Eilertsen) - 4:58
02. Perpetum (Fraanje-Eilertsen-Stronen) - 6:56
03. Albatross (Fraanje) - 4:28
04. After the Rain (Fraanje-Eilertsen) - 2:21
05. The Void (Eilertsen) - 6:33
06. Solace (Fraanje-Eilertsen) - 2:47
07. Sirens (Eilertsen) - 4:37
08. Then Comes the Night (Fraanje-Eilertsen-Stronen) - 5:04
09. Soften (Fraanje) - 4:52
10. 22 (var.) (Eilertsen) - 4:58
Состав:
Harmen Fraanje - piano
Mats Eilertsen - double bass
Thomas Stronen - drums
Recorded at Auditorio Stelio Molo RSI, Lugano in May 2018.

Код:

X Lossless Decoder version 20160920 (149.2)
XLD extraction logfile from 2019-04-11 20:09:52 +0200
Mats Eilertsen / And Then Comes The Night
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Media type : Pressed CD
Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
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TOC of the extracted CD
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Код:

TITLE "And Then Comes the Night"
PERFORMER "Mats Eilertsen"
CATALOG 0602577025679
REM GENRE "Jazz"
REM DATE "2019"
REM DISCID 840B260A
REM REPLAYGAIN_ALBUM_GAIN 2.57 dB
REM REPLAYGAIN_ALBUM_PEAK 0.966339
FILE "01 - 22.flac" WAVE
  TRACK 01 AUDIO
    TITLE "22"
    ISRC DEB331861901
    REM REPLAYGAIN_TRACK_GAIN 3.93 dB
    REM REPLAYGAIN_TRACK_PEAK 0.743073
    INDEX 01 00:00:00
FILE "02 - Perpetum.flac" WAVE
  TRACK 02 AUDIO
    TITLE "Perpetum"
    ISRC DEB331861902
    REM REPLAYGAIN_TRACK_GAIN 3.95 dB
    REM REPLAYGAIN_TRACK_PEAK 0.776154
    INDEX 01 00:00:00
FILE "03 - Albatross.flac" WAVE
  TRACK 03 AUDIO
    TITLE "Albatross"
    ISRC DEB331861903
    REM REPLAYGAIN_TRACK_GAIN 1.67 dB
    REM REPLAYGAIN_TRACK_PEAK 0.821960
    INDEX 01 00:00:00
FILE "04 - After the Rain.flac" WAVE
  TRACK 04 AUDIO
    TITLE "After the Rain"
    ISRC DEB331861904
    REM REPLAYGAIN_TRACK_GAIN 2.37 dB
    REM REPLAYGAIN_TRACK_PEAK 0.730835
    INDEX 01 00:00:00
FILE "05 - The Void.flac" WAVE
  TRACK 05 AUDIO
    TITLE "The Void"
    ISRC DEB331861905
    REM REPLAYGAIN_TRACK_GAIN 4.25 dB
    REM REPLAYGAIN_TRACK_PEAK 0.766846
    INDEX 01 00:00:00
FILE "06 - Solace.flac" WAVE
  TRACK 06 AUDIO
    TITLE "Solace"
    ISRC DEB331861906
    REM REPLAYGAIN_TRACK_GAIN 2.48 dB
    REM REPLAYGAIN_TRACK_PEAK 0.631195
    INDEX 01 00:00:00
FILE "07 - Sirens.flac" WAVE
  TRACK 07 AUDIO
    TITLE "Sirens"
    ISRC DEB331861907
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    REM REPLAYGAIN_TRACK_PEAK 0.807220
    INDEX 01 00:00:00
FILE "08 - Then Comes the Night.flac" WAVE
  TRACK 08 AUDIO
    TITLE "Then Comes the Night"
    ISRC DEB331861908
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    REM REPLAYGAIN_TRACK_PEAK 0.966339
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FILE "09 - Soften.flac" WAVE
  TRACK 09 AUDIO
    TITLE "Soften"
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FILE "10 - 22 (var.).flac" WAVE
  TRACK 10 AUDIO
    TITLE "22 (var.)"
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    REM REPLAYGAIN_TRACK_PEAK 0.848022
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Код:

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Norwegian bassist Mats Eilertsen has a large discography as a performer, but his compositional talents are equally striking. His previous ECM release as a leader, 2016's Rubicon, was a composer's showcase featuring a septet. But he has also worked in much smaller configurations, for example Meander (Ora Fonogram, 2017) his recent duet recording with guitarist Jo David Meyer Lysne.
This album reunites him with pianist Harmen Fraanje (who appeared on Rubicon) and drummer Thomas Strønen (a fellow band member during the early days of the Food collective). It is the trio's first album for ECM, following Elegy (Hubro Records, 2010) and Sails Set (Hubro Records, 2013). The set list consists of three Eilertsen compositions and two from Fraanje, with the rest created collectively (two by the trio, two brief piano/bass duets).
But there is a collective identity that permeates the entire session. The two version of Eilertsen's somber and beautiful "22" that open and close the album demonstrate the group dynamics. Titled for the 22nd of July 2011, it was composed in response to the shocking news of the terrorist attacks in Oslo and the nearby Norwegian island of Utøya. The first version opens with Fraanje's unaccompanied piano freely exploring the theme, before the rest of the trio joins in. The closing variant performance is all trio, but both are rubato exercises in group communication without solos. There is something especially heartbreaking about Fraanje's introduction in the opening version: ample reason for including both of them.
The first trio collaboration "Perpetum" begins with atmospheric textures before featuring haunting arco playing from the leader, finally launching into the perpetuum rhythm promised by the title (but much gentler than a group such as fellow ECM artist Nik Bärtsch's Ronin would do it). Fraanje's "Albatross" follows, a lyrical exploration for the entire band which further demonstrates that this music is not about soloists—even the compositional input is only a starting point. Eilertsen's "The Void" does have an actual bass solo: a brief expressive interlude that does not distract from the flow. The title tune is another collective creation, which demonstrates that the group can groove when they want to, even recalling the ecstatic moments of the Keith Jarrett Trio.
This is a very special session, full of an extraordinary degree of empathetic playing . Harmen Fraanje's piano playing is especially impressive. He deserves a place among the many fine young jazz players. And the trio will hopefully be heard from again. A little sooner next time, please!

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