(Synth-Pop, New Wave, Experimental, Soul) [WEB] Roland P. Young - Hearsay I-Land (1984-1987) - 2013, FLAC (tracks), lossless

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Roland P. Young - Hearsay I-Land
Жанр: Synth-Pop, New Wave, Experimental, Soul
Носитель: WEB
Страна-производитель диска (релиза): США
Год издания: 2013
Издатель (лейбл): Palto Flats
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 41:29
Источник (релизер): Arbetaren (what)
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Go Away (3:26)
02. Don't Make Me Wait (3:32)
03. Ballo-Balla (5:43)
04. Edge of Disaster (3:09)
05. Don't Ever Take Your Love Away (6:41)
06. Victim (4:18)
07. So Very Easy (6:27)
08. Different Package (3:00)
09. It Hurts So Bad (5:13)

Код:

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FILE: 07 - So Very Easy.flac
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FILE: 06 - Victim.flac
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FILE: 04 - Edge of Disaster.flac
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FILE: 03 - Ballo-Balla.flac
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FILE: 02 - Don't Make Me Wait.flac
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FILE: 01 - Go Away.flac
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When classically trained jazz clarinetist Roland Young recorded experimental jazz record Isophonic Boogie Woogie in 1980, he was a committed clubgoer who lived in the heart of New York during the heyday of the Paradise Garage, a story told earlier this month in a fascinating interview with The Guardian. With the prevailing narrative of New York artists from this period inspired by the grooves of disco seemingly constantly skewed towards Arthur Russell and his contemporaries and the city’s no wave scene, all credit must be given to the fledgling Palto Flats label for culling material from Young’s 1984 I-Land 12” and the subsequent 1987 LP Hearsay Evidence on the Hearsay I-Land LP to offer a slightly different side of the city’s underground music during this period.
Already a front runner for archival release of the year, the material here is split between crooning pop balladry, ’80s soul and lo-fi disco aimed at the dancefloor – the 303 and 808 combo of the chugging “Ballo-Balla” is pitched so perfectly between acid and skewed synthpop it’s hard not to use the descriptor “outsider house”. The production on his more floor-focused tracks is undeniably rough – think a more rickety Funkineven recorded on an old four-track – but unlike the clean, angular lines of the minimal wave sound from the same era that have been well mined, Young’s rubbery production and woozy chords have a softness to them that offer an interesting alternative to the more accepted idea of 80s synthpop. However, it’s Young’s heartfelt vocal delivery that makes his music what it is, especially on alternate universe pop classics like “Go Away” and “It Hurts So Bad” – it’s perhaps only because Young’s woozy production and overly earnest delivery has been used by the likes of Ariel Pink for aesthetic purposes that it sounds like it could be a self-aware parody. Don’t let that put you off – Hearsay I-Land is brilliant.
-- Scott Wilson

#3,5,7,9:
"I-Land" released in 1984 as Flow Chart Records FC 1002.
Composed, arranged, recorded, performed & produced by Roland P. Young with the exception of #3 - vocals performed by Risa.
Recorded at Point Instant Studio, New York. Mastered at Skyline Studio, New York.
#1,2,4,6,8:
"Hearsay Evidence" released in 1987 as Flow Chart Records FC 1003.
Produced, composed, programmed & performed By Roland P. Young. Lyrics written by Roland & Risa Young. Vocals performed by Roland & Risa Young.
Recorded at Isophonic, Skyline & Quadrasonic Studios, New York.
Engineers - Roland Young, Scott Ansell & Gary Gottlieb.

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