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(Techno,Freestyle,Breaks,House,Hip Hop) [CD] VA - Frankie ''Bones'' + Tommy Musto - Dance Madness And The Brooklyn Groove - 1989, FLAC (image+.cue), lossless

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Frankie ''Bones'' + Tommy Musto - Dance Madness And The Brooklyn Groove
Жанр: Techno,Freestyle,Breaks,House,Hip Hop
Носитель: CD
Страна-производитель диска (релиза): Germany
Год издания: 1989
Издатель (лейбл): RCA
Номер по каталогу: PD 74346
Страна исполнителя (группы): US
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:69:00
Источник (релизер): собственный рип
Наличие сканов в содержимом раздачи: нет
Треклист:
1 Frankie Bones - Call It Techno (Brooklyn New Beat Remix)
2 Anthony Acid - Rock And Boogie Down (Lenny Does London Mix)
3 Eden's Paradise - This Is The Dance (The Paradise Mix)
4 Bluejean - This Is The Sound Of (House Music) (Reg-O-Mix)
5 Lake Eerie - The Nightmare (It's Over For You) (Club Mix)
6 Frankie Bones - Call It Techno (Technocolor Dub)
7 Stacey Parris - Feel In My Heart (UK House Mix)
8 Midnight Fantasy - Why Cry (NY Club Mix)
9 The Gangsters Of Freestyle - Get The Hoe (Dino B. 89 Mix)
10 Pink Noise - Give Me The Energy (Hyper Club Mix)
11 The Break Boys - Listen To The Rhythm Flow (Notice The 808 Bass Mix)

Код:

Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 27. August 2015, 4:41
Frankie "Bones" + Tommy Musto / Dance Madness And The Brookly
Used drive  : TSSTcorpCDDVDW TS-L633C   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
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        5  | 25:13.35 |  7:50.18 |    113510    |   148777
        6  | 33:03.53 |  4:56.70 |    148778    |   171047
        7  | 38:00.48 |  4:37.32 |    171048    |   191854
        8  | 42:38.05 |  7:18.13 |    191855    |   224717
        9  | 49:56.18 |  4:42.70 |    224718    |   245937
       10  | 54:39.13 |  7:37.27 |    245938    |   280239
       11  | 62:16.40 |  7:10.05 |    280240    |   312494
Range status and errors
Selected range
     Filename C:\Users\Xylenefree\Music\12.RIPS\Frankie ''Bones'' + Tommy Musto - Dance Madness And The Brooklyn Groove.wav
     Peak level 100.0 %
     Extraction speed 4.9 X
     Range quality 99.9 %
     Test CRC 33F7E8A8
     Copy CRC 33F7E8A8
     Copy OK
No errors occurred
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10 track(s) accurately ripped
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Some tracks could not be verified as accurate
End of status report
---- CUETools DB Plugin V2.1.6
[CTDB TOCID: G9JpAiRBdTVA9b7ZWbllT..HgG8-] disk not present in database
Submit result: G9JpAiRBdTVA9b7ZWbllT..HgG8- has been uploaded
==== Log checksum C52D11752DBDC36DA7F5F2067C1E5EBE4A73F53E62A01FB230DFEA06915DF73E ====

Frankie Bones was the original and first DJ coming out of the Brooklyn Underground during the mid 80's with the vision of what was yet to come on the global front of Electronic Dance Music culture. His early mission came in the many releases of Fourth Floor Records and Nugroove Records. In a time when timing meant everything, the buzz of his early works caught the attention of the rapidly growing scenesters in the London Orbital M25 raves during the Summer Of Love in 1988.
Those early "Bonesbreaks" vinyls led Frankie to playing at a rave called "Energy" which had 25,000 people. With the scene already reaching critical mass, Bones had set off a fierce bidding war between XL Recordings and Deconstruction, which led to two albums by Musto & Bones.
The U.K. was very impressed by Frankie's unique Brooklyn style which was a raw-freestylish-bass-in-your-bass-bins-but-electro-bass style that was raw enough to keep the entire scene and industry at bay, waiting for the underground to bubble over. With gigs, remixing and production work pouring in by the truckload, Frankie ventured out into the early European scene playing key breaking parties in France, Holland, Italy, Denmark and Germany. Each country taking note of his style and wanting to license music.
From all the success in Europe, a booking would follow in Los Angeles based strictly on his success in Europe. In fact the L.A. promoters did not understand where the Brooklyn accent was coming from? But the West Coast scene had just started and Frankie held down Bi-Monthly events in London, L.A. and in NYC.
His vision of STORMrave made history. As did the Sonic Groove shop where he sold vinyl to the masses. New York-based DJ, producer and label owner. Now retired from the music industry.
DJ since 1978; won a Tommy Boy Records mix context in 1981; editor and remixer for labels such as Vanguard, Next Plateau, Fourth and Broadway and 25 West Records; mixshow DJ on WKTU 92.3 alongside The Latin Rascals (Tony Moran & Albert Cabrera), Aldo Marin (Cutting Records) and Jellybean Benitez.
Producer since the late 1980s on Fourth Floor, Underworld, Nu Groove and Midnight Sun Records, which helped to culminate a partnership with Silvio Tancredi, with whom he formed Northcott Productions. Co-produced many early rave tracks with Frankie Bones.
Remixer from the early 1990s for major label artists such as Michael Jackson, Gloria Estefan, John Secada & Celine Dion.
Formed Sub-Urban Records in 1993 with Victor Simonelli. Helped Johnny D establish Henry Street Music in 1994. Retired from the music industry in 2003.

Pretty vital 1989 compilation of Brooklyn's best, with 9/10 of the tracks either being aliases of Frankie Bones or collaborations. When you see this is also a UK release and export of Frankie's breakbeat laden house and the Belgian techno style of "Call it Techno" you can see where a lot of UK's and Belgian hardcore style came from by the time 91 rolled around. Again Brooklyn is the tunnel and the bridge to a lot of the Hardcore sounds to follow.

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Список форумов » ЭЛЕКТРОННАЯ МУЗЫКА » House, Techno, Hardcore, Hardstyle, Jumpstyle » Techno (lossless)

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