(Hardcore/ Fastcore) Neos - 1982 End All Discrimination (mini), 1982 Hassibah Gets The Martian Brain Squeeze (mini), MP3, 320 kbps

#7771. Illiterates (0:53)
2. Fascist Rule (0:33)
3. E's (0:42)
4. No Tyme 4 Romance (0:43)
5. School Punks (0:33)
6. Kill The Burnouts (2:56)
7. Churchgoers' Motive (0:56)
8. Goodbye 4 Life / Scared To Die (1:14)
9. Racist Act (1:15)
10. Life Sentence (1:00)
11. Don't Wanna Be (1:10)
Время - 11:55
Оцифровано с винила.

#7771. Destruct (0:55)
2. They'll Destroy Themselves (0:37)
3. (Almost) Typical Obligatory Anti-Government Song (1:19)
4. Ambitious (Bambino For You) (0:42)
5. Where Did You Go Wrong??? (1:05)
6. Just Like All The Rest (0:38)
7. Look Around In Despair (0:48)
8. Conscripts (0:43)
9. Jungle Beat (So It Seems) (1:48)
10. Other World (0:47)
11. Opposition To All Violence Even If Committed In Self-Defense (0:49)
12. Die For The Cause (Bobby Sands) (0:45)
13. Ripped Off Again (0:34)
14. Sexual Revolution (1:09)
15. Sleeve (0:52)
Время - 13:31
Оцифровано с винила.

The Neos were true pioneers of hardcore, critically acclaimed as one of the very first of their kind. In attempt at being the "world's fastest band", the teen trio formed in 1979 in the sleepy suburbs of Victoria, BC on Vancouver Island; their name came from characters in a Woody Allen film. Although they gigged infrequently, they still managed to play with the likes of the Subhumans, Black Flag, and Dead Kennedys (who made a fan out of Jello)...likewise they were regularly corresponding with members of Deep Wound, Ohlo Seco, Terveet Kadet, and many more veterans of the genre. A little known tid-bit is that Nomeansno's debut live show and first tour was infact opening up for the headlining Neos. They self-released two 7" EP's in 1982 on the pseudo-label Alandhiscar; "End All Discrimination" (11 songs - rec. '81, 500 copies) and the "Hassibah Gets The Martian Brain Squeeze" (14 songs - rec. '82, 500 copies). Ratcage records out of NYC repressed the second EP in 1983 thru Southern UK, subsequently pressing 3000+ copies, and essentially cheating the band out of their royalties. They managed to tour the west-coast of N.A. making it all the way to San Francisco, however personality differences led them to break-up at the end of 1983.
Steve and Kev continued on for another year as Harvest of Seaweed (a "recording group" only), releasing a cassette in 60 & 90 minute versions, as well as guest starring on the Jerk Ward "Flesh & Bones" demo (now issued on vinyl). Summer of '84, Kev formed Sludge Confrontations with John of Jerk Ward, releasing some demos between '84-'86, and later a posthumous discography CD. Neos members eventually went on to play in Mexican Power Authority and the Showbiz Giants.
Despite being fairly obscure, the Neos still remain very influential, even having their songs covered by Charles Bronson, Coconut Bulldozer, Spazz, Hated Principles, Mexican Power Authority, and NOFX. They're noted as a major influence for such pioneering groups as: Deep Wound, Hirax, DRI, Napalm Death, and many more. In 1995, a posthumous 7" EP titled "Fight With Donald" was issued by Break Even Records featuring the unreleased song 'Sleeve'. In 1997 a CD of the first two EP's plus 'Sleeve' was issued by Break Even. All Neos material is presently out of print.
Supreme Echo Records from Victoria are proud to reveal the discovery of Neos videos, and the original "Hassibah..." stereo-master tape!
Full discography LP coming soon, including: remastered EP's, unreleased '82 demos, Hassibah outtakes, lost '82-83 rehearsal trax, live soundboard '82, unheard melodic '83 trax for never realised LP, and their MRR radio interview!

Статья с сайта www.killfromtheheart.com
The Neos formed in 1980 in Victoria, B.C., an hour and a half ferry ride outside of Vancouver. This high school trio played noisy, lightspeed HC in an attempt to be the "world's fastest band", which at the time, they probably were. Although they gigged infrequently, they still managed to open for the likes of the Subhumans, Black Flag and Dead Kennedys (who made a fan out of Jello). They released two 7"s, both in 1982, on their label Alandhiscar - the 11 song "End All Discrimination" and the 14 song "Hassibah Gets The Martian Brain Squeeze." Ratcage Records out of New York City repressed the second 7" following year.
When the Neos called it quits at the end of 1983, Steve and Kev continued on for another year as Harvest of Seaweed (a "recording group" only). After this, Kev started Sludge Confrontations with John from the legendary Victoria hardcore band Jerk Ward. Neos members eventually went on to play in Mexican Power Authority and the Showbiz Giants. Despite being fairly obscure, they still remain very influential, even having their songs covered by Charles Bronson and NOFX. A full discography with unreleased tracks is in the works, to be released on vinyl and CD by Breakeven Records.

Maximum Rock'n'Roll Magazine #4, January '83.
"These young mates aged 16 to 18 who live in the sheltered town of Victoria, British Columbia, Canada, make up what is perhaps the fastest, most exuberant, teeth gritting outfit of unhesitant accelleratlon that persists. Welcome to the Neos, who punch out tremendous doses of manifesting opinions written ohstrperously vital and exploding into invincible statements crashing down on social pillories! The Neos release unrelenting energy, sometimes uncontrollable, always frantic, manic thrusts of clamorous fury and power. Split second velocity flails to the boiling point abrasive lashings that bulldoze insistent ebullition upon the cranium. The songs are sung and written by each member of the band, doubling occasionally in a florid frenzy of chaotic mayhem." - Pushead (Septic Death).
"End All Discrimination" EP review from MRR #1 July '82.
Possibly the fastest thrash garage punk ever recorded. So fast that the music cannot be structurally confined and sometimes degenerates into total noise. Some might think it' s too fast, but I really like the NEOS' combination of aural chaos and political conscience. (JB)
"Hassibah Gets the Martian Brainsqueeze EP review from MRR #4 Jan. '83.
An amazing, original, manic, tight, intelligent (and I could go on and on) release. And I thought their first EP was great. This one puts that one to shame. There may not be too many of these, as they're financing it themselves, so buy as soon as you see it. Oh yeah, it's got fourteen songs.

Hassibah Gets The Martian Brain Squeeze 7" (Alandhiscar Records 1982)
Recorded at Hole In The Wall Studios, Victoria on Sept. 18, 1982. Engineered by Scott Henderson on 3 tracks. No overdubs, except vocals on tracks 4 & 9. Mastered as a combined effort of Hole In The Wall and Subteranean Studios by Scott Henderson and Bob Wright on Oct. 3, 1982. Pressed at IRC, Vancouver, in Dec. 1982.
The Hassibah Gets The Martian Brain Squeeze 7" was repressed in 1983 on Ratcage Records in NYC. For some odd reason, many of the song titles were changed on the repress. For instance the first song "Destruct" is labeled as "Racetrack". The recordings are the same though.
End All Discrimination 7" (Alandhiscar Records 1982)
Recorded with Subterranean Studios Mobil Unit. Rhythm tracks done in 25 minutes in Steve's basement on Sept. 11, 1981. Vocals done at the Vancouver St. House, in the living room on Dec. 22, 1981. Mastered Jan. '82. Pressed at IRC, Vancouver, Jan.-Feb. of 1982.
All recording info taken from original first pressings of records.
The song "Sleeve" was supposedly the only song recorded during the sessions for an LP the band was working on in 1983. It was released on both the Fight With Donald 7" and the CD on Break Even Records. Of course i included the CD version.
Fight With Donald 7" (Schizophrenic/Break Even Records 1997)
All material recorded live in 1983, except for the song "Sleeve", which was recorded at Hole In The Wall Studios, and "Fight With Donald" recorded in 1980.
Neos were on a few comps, although none of the comp tracks were exclusive. They had a few songs on the Raw War tape, Grevious Musical Harm tape, and Beating The Meat LP, all released on Xcentric Records between 1983-1984.
After the Neos broke up in late '83, Steve and Kev continued as Harvest of Seaweed for roughly one year, releasing various cassettes. Members also went on to Sludge Confrontations, Mexican Power Authority and Showbiz Giants.

Со вкладки в альбом 1997 Fight With Donald.
Повествование ведётся от лица бас-гитариста Kev "Jerkface, JFK" Smith.
infamous scientists, house of commons, the nevar, distortion, nuclear errors, pink steel, easy money, dayglo abortions, the keys, the do-wops, velox strepitus, suburban menace/red tide, the nematodes, da jeep, nomeansno, jerk ward, purple city, pat bay & the malahats, disrupt, twisted minds, automatic shock, the clicks, censored chaos, the slip, divine death...the neos.
separated by an hour and a half ferry ride from the mainland, victoria had a population around 150,000 in the early 1980's when all the above bands were kickin'. i always felt that isolation was key to the diversity and originality of many local bands. the scene at that time was fairly small and tightly knit, and there was a sense of groundbreaking adventure... no feeling of everything having been done already. "all ages" shows meant exactly that, people aged fourteen to forty, whereas today the turnout typically is 100% teenage. hall shows were so common as to be ubiquitous, and generally a lot more fun than going to a smoky bar. people would drink but they were usually discreet and there wasn't much hassle...but on the other hand there was always a certain sense of danger or uncertainty...something could go wrong at any minute, and often did...a fight, the cops, the hall manager flipping out...but i only recall a few gigs ever being shut down. nowadays if i want to see a band i find myself hanging out in some sleazy airless club that basically exists as an extension of the alcohol industry, including most of the bands...just ain't the same...or else hanging out around a real tame bunch of teenagers who seem mostly pretty indifferent to the whole thing, and who can blame 'em...
well, you wanna hear about the neos. steve bailey and dave durrant (a/k/a "donald", later "the crustaceous beast") were about 14 when they got way hipped on the sex pistols album and formed the band. this would*ve been around november-december 1979. they had 4 or 5 songs and a plastic k-mart practice amp. soon they recruited their pal mario to slug the skins and started the tradition of the "afterschool practice"... usually in mario's room, later dubbed the "sweatbox". eventually dave was booted and formed the nematodes as a Sort of revenge, i believe..."gonna show those fuckers" kind of deal...the nematodes were probably the most incompetent and laughable band i ever put an ear to. it almost qualified as naive art... needless to say, they ruled. steve and mare found this Scottish guy named gary to "play bass". most of a year later this lineup played the band's first show, on march 7 1981 at the ray ellls dance studio. this unique one-time-only venue played host to one of the most unforgettable shows of that whole time period. basically it was just a solid great gig, but beyond that it really seemed to crystallize the more "punk rock" oriented elements of the scene. seems to me the sense of identity this show created lasted in some way or another for most of the decade. at this time there may have been around 150 people involved in the punk rock side of things. these were the days of getting mocked, chased, and beat up for having short hair or looking weird. anyhow, it turned out that gary was what you might call a "certified non-musician"...coincidentally i happened to meet steve at a gig at the fernwood in late april 81. we got kind of chatty and a week later i found myself playing bass in the neos. cool score! we practiced through the whole summer and played at the fernwood on august 1. incidentally this was the first nomeansno gig ever, opening as a two-piece. day after the show i happened to meet rob wright, still wearing his ramones t-shirt, passing through the graveyard. no, really...so we got to talking and he offered to record us on this teac four-track he had that was always breaking down.
ultimately we did the beds for "end all discrimination" with rob, one evening in early September. right after that steve and mare had a big fight and the band split for a few months. somehow we pulled it back together in time to play a show January 10 and also managed to record vocals for the ep one december Sunday in the living room of the Vancouver street house. "end all discrimination" came out february 20. at that time there was a pressing plant in Vancouver so it was pretty quick and easy to run off 500 copies like we did. one thing i liked about the cover for that record was the three or four different colours it came in. mine's green, i think there was orange and off-white and maybe one other. so we had this record out, and proceeded to distribute it through rough trade (can you say "rip off"? sure...! knew you could) and our own mail order. and we started doing a lot of writing to people.
during 1982 we wrote the material for "hassibah gets the martian brain squeeze", practiced 84 times, played five shows, and did tons of correspondence. there were a few people who really did a lot for us in getting the word out through their own correspondence, pushead is the one who really comes to mind, he even did a piece of artwork for the "hassibah" label. jello biafra was also a big fan and helped get our name around. "hassibah" was recorded September 18 in scott henderson's basement studio, located approximately where the produce department of save-on foods is now. we got a pretty good sound in there and overall i, for one, was a lot happier with this recording. we pressed 500 ourselves at first, and later on went for an offer we got from ratcage records in new york to repress it for "10%"...sure we were naive, but unless you just came down outta the trees you've already guessed we never even made back what we paid to mail the guy our master tape and artwork. don't ever do this, kids! and hey, dave, where's our "10%" of all those reputed thousands of records you pressed and sold, mainly in europe from what i heard? ah, jesus...wel1, at least he sent us some copies. it's a better mastering job than the first pressing, actually.
the neos played sixteen shows between march 1981 and October 1983, including some cool shit like getting to open for black flag in July 82 and for the dead kennedys in Vancouver at ubc and then here in victoria, both in april 83. we even managed to scrape up a few shows in Oregon and California in august of 83. massive personal differences caused a final split after the October 83 show. unfortunately we never did record about a dozen newer songs that we had talked about as a putative album. there was a lot more diversity to this batch of tunes. mostly they clocked in well over a minute and had a broader range of styles and influences. "sleeve" is the only one ever recorded, not a good example though since it fits right in with the "hassibah"-era material.
after the band struck the final reef, steve and myself did a lot of basement four-track stuff for about a year, later released on cassette as "a harvest of seaweed". i formed sludge confrontations with john london from jerk ward in may of 84, and since then i've played in mission of Christ (86-87), a couple basement bands, and in 1991 cofounded mexican power authority, by far the longest-lived and most prolific band i've ever been part of. steve cofounded show business giants with tom holliston, but hasn't been musically active since, steve and his wife cindy just had a son this past summer. i've had no personal contact with mario since...well, probably since i picked my amp up from his house back in fall 83.

Steve "Snotalot" Bailey - гитара, вокал
Mario "A.B. Normal" Kasapi - ударные, вокал
Kev "Jerkface, JFK" Smith - бас-гитара, вокал (в 1981-1983)
В 1979-1981 годах бас-гитаристами были Dave "Donald, The Crustaceous Beast" Durrant, затем Gary Kirk.

Steve "Snotalot" Bailey

Mario "A.B. Normal" Kasapi

Kev "Jerkface, JFK" Smith

Раздача создана после того, как замечательный канадский коллекционер-блоггер Zer выложил эти записи (кроме Total Chaoz) в формате FLAC. Т.к. файлы не имели *.cue и *.log, то я сконвертировал их в mp3 с максимальным качеством.
До полной дискографии не хватает сборника демо-записей 1997 Fight With Donald.