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Ifriqiyya Electrique / Rûwâhîne
Жанр: Post-Industrial, World, Polyrhythm, Sufi
Носитель: CD
Страна-производитель диска (релиза): Germany
Год издания: 2017
Издатель (лейбл): Glitter Beat
Номер по каталогу: GBCD046
Страна исполнителя (группы): Tunisia / Italy
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 43:37
Источник (релизер): скачано из сети (рип друга)
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Laa la illa Allah 02:49
2. Qaadrii - Salaam Alaik - Massarh 07:32
3. Mawwel 01:09
4. Zuru el Haadi - El Maduulaa - Maaluuma 06:34
5. Stombali - Baba ‘Alaia 03:39
6. Annabi Mohammad - Laa la illa Allah - Deg el bendir 09:15
7. Lavo - Baba Marzug - Sidi Saad - Allah 04:46
8. Arrah arrah abbaina - Bahari - Tenouiba 05:42
9. Sidriiya 02:05
Bass, Voice, Computer – Gianna Greco
Electronics – Pierpaolo Leo
Guitar, Voice, Computer – François-Régis Cambuzat
Voice – Ali Chouchen, Youssef Ghazala
Voice, Tabla – Tarek Sultan, Yahia Chouchen
This is a healing ritual of possession and trance...
Sufi trance musicians and rituals – from the depths of the Tunisian desert – in conversation with post-industrial sonics.
‘No theatre or stage or audience. The rûwâhîne have possessed and contorted the bodies of the Banga. Teenagers leap to the floor, their legs arched and tense, glaring transfixed [while] girls dance wildly, … accelerating the rhythm of the hand percussion’
The film opens on a cloud-pressed, bleached-out desert highway and an ominous electronic pulse, a devil of a wind, that you don’t want to shake off. Where are you? The truck in front carries human freight, half-glimpsed, anxious and thoughtful.
You’re soon joined by the kind of dark lunar soundscapes familiar from Can, by polyrhythms at once deft and relentless, and then, as the truck reaches the outskirts of the town, by chants that seem to issue from the empty streets themselves. Ifriqiyah was the medieval entity that contained present-day Tunisia, as well as parts of Algeria and Libya: the boundaries, more or less, of the Roman province of Africa. Is this where you are?
To get your bearings, you might first have to dive into a basement club somewhere in Southern Europe: Barcelona, perhaps, or Taranto or Palermo. For Ifriqiyya Electrique’s François Cambuzat – a guitarist and field recordist (Turkey, China, Central Asia) – is a veteran of the Mediterranean punk and avant-rock scene, which has always been more politically charged than its counterparts to the north and (far) west. With bassist Gianna Greco, he is one half of Putan Club – or one third when these two fierce and uncompromising players are joined by legend of the NY underground, Lydia Lunch.
These are not spaces of comfort but of challenge and confrontation.
But let us pull focus again – and this is crucial, bass and guitar and electronics notwithstanding. Ifriqiyya Electrique was formed in the Djerid Desert in southern Tunisia, home to the Banga ritual of Sidi Marzûq. The Banga is a key annual event in the lives of the black communities of the oasis towns of southern Tunisia, descendants of the Hausa slaves transported from sub-Saharan Africa. It is a ritual of adorcism not of exorcism: of accommodating the possessing spirit rather than expelling it. The invitation has been issued by the rûwâhîne themselves, the spirits from whom the record borrows its title, and is taken up primarily in the streets and in private houses.
The Banga is a musical tradition for sure, with stark, metallic, cavernous percussion and voices of cool urgency, but should not be felt as such, for it is most defiantly a ritual and remains so on this record. Cambuzat and Greco are joined in live performance by the voices, krakebs and Tunisian tablas of three members of the Banga community, Tarek Sultan, Yahia Chouchen and Youssef Ghazala, with a fourth, Ali Chouchen, providing vocals and nagharat on the record itself. The voices and rhythms are unaltered, of course. What is new here is the conversation the group initiates between guitar, bass and electronics and the rhythms and chants of the Banga – what Cambuzat refers to a post-industrial ceremony. It won’t be an easy listen for purists and propagandists; but if post-industrial ceremony doesn’t describe a large portion of the most challenging music of the last 40 years, what does?
In short, the music can only be fully understood in the context of the events that gave rise to it. Happily, Ifriqiyya Electrique is a film and documentary project as much as a band. The footage is astonishing: of wild, ecstatic gatherings that seem, to us, the un-initiates, by turns other-worldly and utterly familiar. It is familiar because we all recognise the need for “new ways of forgetting”, in Cambuzat’s words. But we surely need to remember too. For here is another deep tradition, another precarious music, on the brink: a vital part of a Sufi culture being pressed on all sides by the forces of reaction. Ifriqiyya Electrique will not be lamenting its passing – because they will refuse to let it pass.
‘This is, then, most certainly not a “world music” project (still less an ethnomusicological one), but a wild process of improvisation and re-composition that brings traditional instruments face to face with computers and electric guitars… [My work] is driven towards elevation, sweat, blood, poetry and tears – not to some pretty colour postcard’ — François R. Cambuzat / Ifriqiyya Electrique
Код:
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 17. July 2017, 20:27
Ifriqiyya Electrique / Rûwâhîne
Used drive  : PLEXTOR DVDR   PX-716A   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 30
Overread into Lead-In and Lead-Out          : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
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        8  | 35:48.34 |  5:42.70 |    161134    |   186853
        9  | 41:31.29 |  2:05.37 |    186854    |   196265
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     Track not present in AccurateRip database
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Track  4
     Filename E:\EACRips\04 Zuru El Haadi - El Maduulaa - Maaluuma.wav
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     Test CRC 26FA55C0
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     Track not present in AccurateRip database
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Track  5
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     Track quality 100.0 %
     Test CRC B9F0B61C
     Copy CRC B9F0B61C
     Track not present in AccurateRip database
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Track  6
     Filename E:\EACRips\06 Annabi Mohammad - Laa La Illa Allah - Deg El Bendir.wav
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     Test CRC 111659D2
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     Track not present in AccurateRip database
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Track  7
     Filename E:\EACRips\07 Lavo - Baba Marzug - Sidi Saad - Allah.wav
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     Test CRC A01179BC
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     Track not present in AccurateRip database
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Track  8
     Filename E:\EACRips\08 Arrah Arrah Abbaina - Bahari - Tenouiba.wav
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     Track not present in AccurateRip database
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Track  9
     Filename E:\EACRips\09 Sidriiya.wav
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     Test CRC F5B4A1A6
     Copy CRC F5B4A1A6
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
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==== Log checksum 77F0197DDDE5C44A43192047C219557C4BD70EB1B5B67FF3EC5702A2C19EA339 ====
Код:
REM GENRE Alternative
REM DATE 2017
REM DISCID 730A3809
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Ifriqiyya Electrique"
TITLE "Rыwвhоne"
REM COMPOSER ""
FILE "01 Laa La Illa Allah.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Laa La Illa Allah"
    PERFORMER "Ifriqiyya Electrique"
    REM COMPOSER ""
    ISRC DETP61600131
    INDEX 01 00:00:00
FILE "02 Qaadrii - Salaam Alaik - Massarh.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Qaadrii - Salaam Alaik - Massarh"
    PERFORMER "Ifriqiyya Electrique"
    REM COMPOSER ""
    ISRC DETP61600132
    INDEX 01 00:00:00
FILE "03 Mawwel.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Mawwel"
    PERFORMER "Ifriqiyya Electrique"
    REM COMPOSER ""
    ISRC DETP61600133
    INDEX 01 00:00:00
FILE "04 Zuru El Haadi - El Maduulaa - Maaluuma.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Zuru El Haadi - El Maduulaa - Maaluuma"
    PERFORMER "Ifriqiyya Electrique"
    REM COMPOSER ""
    ISRC DETP61600134
    INDEX 01 00:00:00
FILE "05 Stombali - Baba 'Alaia.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Stombali - Baba 'Alaia"
    PERFORMER "Ifriqiyya Electrique"
    REM COMPOSER ""
    ISRC DETP61600135
    INDEX 01 00:00:00
FILE "06 Annabi Mohammad - Laa La Illa Allah - Deg El Bendir.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Annabi Mohammad - Laa La Illa Allah - Deg El Bendir"
    PERFORMER "Ifriqiyya Electrique"
    REM COMPOSER ""
    ISRC DETP61600136
    INDEX 01 00:00:00
FILE "07 Lavo - Baba Marzug - Sidi Saad - Allah.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Lavo - Baba Marzug - Sidi Saad - Allah"
    PERFORMER "Ifriqiyya Electrique"
    REM COMPOSER ""
    ISRC DETP61600137
    INDEX 01 00:00:00
FILE "08 Arrah Arrah Abbaina - Bahari - Tenouiba.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Arrah Arrah Abbaina - Bahari - Tenouiba"
    PERFORMER "Ifriqiyya Electrique"
    REM COMPOSER ""
    ISRC DETP61600138
    INDEX 01 00:00:00
FILE "09 Sidriiya.wav" WAVE
  TRACK 09 AUDIO
    TITLE "Sidriiya"
    PERFORMER "Ifriqiyya Electrique"
    REM COMPOSER ""
    ISRC DETP61600139
    INDEX 01 00:00:00
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