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The Swan Silvertones / Amen, Amen, Amen
Жанр: Black Gospel, Harmony Quartet
Носитель: CD
Год издания: 2015
Издатель (лейбл): Rock Beat
Номер по каталогу: ROC-3304
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:12:38
Источник (релизер): lyzibang
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Let's Go
02. He Won't Deny Me
03. Jesus Is A Friend
04. I'm Coming Home
05. The Day Will Surely Come
06. Milky White Way
07. Trouble In My Way
08. At The Cross
09. My Rock
10. Singing In My Soul
11. Why I Love Him So
12. Sinner Man
13. What's The Matter Now
14. How I Got Over
15. Get Right With God
16. Amazing Grace
17. Mary Don't You Weep
18. Saviour Pass Me Not
19. Move Somewhere
20. Brighter Day Ahead
21. Take The Lord With You
22. Is God Satisfied With Me
23. Seek Seek
24. Jesus Remembers
25. Bye and Bye
26. The Lord's Prayer
Код:
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 17. August 2015, 16:15
Unknown Artist / Unknown Title
Used drive  : MATSHITADVD+-RW UJ8C2   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 103
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
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        5  | 10:08.69 |  2:53.49 |     45669    |    58692
        6  | 13:02.43 |  3:02.52 |     58693    |    72394
        7  | 16:05.20 |  2:35.41 |     72395    |    84060
        8  | 18:40.61 |  2:45.39 |     84061    |    96474
        9  | 21:26.25 |  2:32.18 |     96475    |   107892
       10  | 23:58.43 |  2:47.25 |    107893    |   120442
       11  | 26:45.68 |  2:30.10 |    120443    |   131702
       12  | 29:16.03 |  3:09.51 |    131703    |   145928
       13  | 32:25.54 |  2:05.25 |    145929    |   155328
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       16  | 40:12.11 |  2:43.42 |    180911    |   193177
       17  | 42:55.53 |  2:50.55 |    193178    |   205982
       18  | 45:46.33 |  5:07.62 |    205983    |   229069
       19  | 50:54.20 |  2:24.56 |    229070    |   239925
       20  | 53:19.01 |  2:25.12 |    239926    |   250812
       21  | 55:44.13 |  2:59.72 |    250813    |   264309
       22  | 58:44.10 |  2:37.03 |    264310    |   276087
       23  | 61:21.13 |  3:08.49 |    276088    |   290236
       24  | 64:29.62 |  2:50.41 |    290237    |   303027
       25  | 67:20.28 |  2:12.67 |    303028    |   312994
       26  | 69:33.20 |  3:04.19 |    312995    |   326813
Track  1
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     Track not present in AccurateRip database
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Track  2
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     Track quality 99.9 %
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Track  3
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Track  4
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Track 13
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Track 14
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Track 15
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Track 16
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Track 17
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Track 18
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Track 19
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Track 20
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Track 21
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Track 22
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Track 23
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Track 24
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Track 25
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Track 26
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 32C75668455E75B9CD225054EDD5E91336372809292942DCB00420A3CD955C03 ====
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Amen, Amen, Amen: The Essential Collection is an inspired re-issue by the Swan Silvertones—once referred to by guitarist Al Kooper as the “Beatles of gospel”—whose voices and arrangements raise this collection to heavenly heights. The recordings on this collection were first issued on Specialty and Vee-Jay Records between 1950 and 1963, and now reissued on S’more Entertainment/Rock Beat Records.
Leading the Swan Silvertones during this period was Claude Jeter, an anointed tenor born in Montgomery, Alabama in 1914. While the group’s line-up changed in 1956 and 1959, Claude Jeter’s leadership remained steadfast during the thirteen years highlighted on Amen, Amen, Amen. Thus, these recordings become a spotlight of Jeter’s artistic contribution to the Swan Silvertones and allow listeners to hear the evolution of his voice, as well as his ensemble.
“The Day Will Surely Come,” the “A side” of the group’s first single on Specialty in 1952, demonstrates Jeter’s smooth lead tenor and songwriting abilities. Jeter’s genius—his sweet vocal falsetto—is heard in the brilliant rendition of “I’m Coming Home,” recorded just a year later. Jeter’s soaring falsetto—as well as the musical excellence of the Swan Silvertones—is perhaps best exemplified through “Mary Don’t You Weep,” released by Vee-Jay in 1959 and selected for induction into the Library of Congress National Recording Registry in 2014. Throughout these recordings, the accompanying singers and instrumentalists in the Swan Silvertones provide a foundation, both swinging and solid, for the lead voices of Jeter, Soloman Womack, Rev. Robert Crenshaw, and Paul Owens, to praise the Lord.
Despite the quality of these recordings, the packaging of Amen, Amen, Amen: The Essential Collection leaves the reader wanting more. A glaring omission is the presence of captions on the included photographs, leaving readers puzzled as to the date of the images and individuals pictured. This is especially puzzling as the album’s producer, Michael Ochs, is a noted photographic archivist specializing in music photography. Strengthening this collection are Mark Humphrey’s liner notes, which provide a focused overview of the Swan Silvertones during the time of these recordings.
Claude Jeter is cited as an influence by a number of iconic American musicians such as Al Green and Paul Simon—the latter of whom credits Jeter with inspiring the Simon and Garfunkel classic, “Bridge Over Troubled Water.” Amen, Amen, Amen: The Essential Collection serves a timely reminder that Claude Jeter’s falsetto, as well as the musicians in the Swan Silvertones, cannot be overlooked in histories of sacred, and secular, American popular music.
Listen here.
Reviewed by Douglas Dowling Peach blackgrooves.org
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