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Interviews) VA - Blues In The Mississippi Night [Rykodisk] - 1990 (feat. Memphis Slim, Big Bill Broonzy, Sonny Boy Williamson I, rec. Alan Lomax), FLAC (tracks+.cue), lossless

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VA - Blues In The Mississippi Night [Rykodisk] (feat. Memphis Slim, Big Bill Broonzy, Sonny Boy Williamson I, rec. Alan Lomax)
Жанр: Blues / Roots / Stories / Interviews
Год издания: 1990
Издатель (лейбл): Rykodisk
Номер по каталогу: RCD 90155
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 50:48
Источник (релизер): Источник - What.CD, релизер - hamfat
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Life Is Like That
2. Long Meter Hymn
3. I Can Hear My Name A-Ringin'
4. Ratty Section
5. I'm Going To Memphis
6. Have You Ever Been To Nashville
7. Bama's Staggerlee
8. Oh 'Berta
9. Murderer's Home
10. Don't You Hear Your Poor Mother Calling
11. Slow Lonesome Blues
12. Another Man Done Gone
13. Fast Boogie

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 19. May 2013, 18:40
Various / Blues In The Mississippi Night
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Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
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Gap handling                                : Appended to previous track
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Add ID3 tag                     : No
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Track  3
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No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
No errors occurred
End of status report
==== Log checksum 85D80AB48CE0A4F06583505105B2AFACEA391B26DF5DAC39FF11A2DB070D4B6C ====

Код:

REM GENRE Blues
REM DATE 1990
REM DISCID BB0BE80D
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Various"
TITLE "Blues In The Mississippi Night"
FILE "01 - Life is Like That.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Life is Like That"
    PERFORMER "Various"
    PREGAP 00:00:32
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Long Meter Hymn"
    PERFORMER "Various"
    INDEX 00 02:55:38
FILE "02 - Long Meter Hymn.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "I Can Hear My Name Ringin'"
    PERFORMER "Various"
    INDEX 00 01:15:10
FILE "03 - I Can Hear My Name Ringin'.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Ratty Section"
    PERFORMER "Various"
    INDEX 00 03:38:33
FILE "04 - Ratty Section.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "I'm Going To Memphis"
    PERFORMER "Various"
    INDEX 00 00:10:32
FILE "05 - I'm Going To Memphis.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Have You Ever Been To Nashville"
    PERFORMER "Various"
    INDEX 00 00:10:15
FILE "06 - Have You Ever Been To Nashville.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Bama's Stackerlee"
    PERFORMER "Various"
    INDEX 00 01:24:55
FILE "07 - Bama's Stackerlee.wav" WAVE
    INDEX 01 00:00:00
FILE "08 - Oh 'Berta.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Oh 'Berta"
    PERFORMER "Various"
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Murderer's Home (I Ain't Got Long Mama)"
    PERFORMER "Various"
    INDEX 00 01:34:00
FILE "09 - Murderer's Home (I Ain't Got Long Mama).wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Don't You Hear Your Poor Mother Calling"
    PERFORMER "Various"
    INDEX 00 00:47:35
FILE "10 - Don't You Hear Your Poor Mother Calling.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "Slow Lonesome Blues"
    PERFORMER "Various"
    INDEX 00 01:18:50
FILE "11 - Slow Lonesome Blues.wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "Another Man Done Gone"
    PERFORMER "Various"
    INDEX 00 01:13:35
FILE "12 - Another Man Done Gone.wav" WAVE
    INDEX 01 00:00:00
  TRACK 13 AUDIO
    TITLE "Fast Boogie"
    PERFORMER "Various"
    INDEX 00 00:48:73
FILE "13 - Fast Boogie.wav" WAVE
    INDEX 01 00:00:00

Код:

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== НЕ РЕДАКТИРУЙТЕ ЭТОТ ФАЙЛ! ===-
Путь: ...\VA - Blues In The Mississippi Night (1990 Rykodisk)
01 -=- 01 - Life is Like That.flac -=- CDDA (43%)
02 -=- 02 - Long Meter Hymn.flac -=- CDDA (100%)
03 -=- 03 - I Can Hear My Name Ringin'.flac -=- CDDA (100%)
04 -=- 04 - Ratty Section.flac -=- CDDA (100%)
05 -=- 05 - I'm Going To Memphis.flac -=- CDDA (100%)
06 -=- 06 - Have You Ever Been To Nashville.flac -=- CDDA (100%)
07 -=- 07 - Bama's Stackerlee.flac -=- CDDA (94%)
08 -=- 08 - Oh 'Berta.flac -=- CDDA (100%)
09 -=- 09 - Murderer's Home (I Ain't Got Long Mama).flac -=- CDDA (100%)
10 -=- 10 - Don't You Hear Your Poor Mother Calling.flac -=- CDDA (100%)
11 -=- 11 - Slow Lonesome Blues.flac -=- CDDA (100%)
12 -=- 12 - Another Man Done Gone.flac -=- CDDA (100%)
13 -=- 13 - Fast Boogie.flac -=- CDDA (92%)
Сводка 94,54% CDDA
243870948

Доп. информация: Эта история произошла возможно в 1946 году, или - по другим источникам - 2 марта 1947 г., а Оллмьюзик пишет - "одним воскресным вечером 1948 г."
Великий фольклорист Алан Ломакс, сидя в Нью-Йоркской студии грамзаписи фирмы Декка в компании с тремя великими блюзменами, уроженцами Дельты Миссиссиппи - Memphis Slim, Big Bill Broonzy и Sonny Boy Williamson I, обратился к ним: "Послушайте. Вы все жили с блюзом всю вашу жизнь, но здесь никто не понимает блюзов. Расскажите мне всё о блюзе." Затем он записал их рассказы, щедро перемежаемые их совместным музицированием и пением. Для иллюстрации историй, рассказанных блюзменами, Ломакс вставил в эту запись фрагменты своих полевых записей - церковный гимн баптистской церкви в Гринвилле, три тюремно-рабочих песни, записанных им в тюрьме Парчман-Фарм, спиричуэлс в исполнении теперь уже знаменитой Vera Hall. Но самое главное в этой записи - рассказы. Рассказы великих чёрных блюзменов о расизме и мракобесии, среди которых жили чёрные на юге США, ("Если вы были хорошим работником, вы могли безнаказанно убивать любых людей так долго, пока это были негры." и т.п.). Эти записи всплыли только в конце 1950-х гг., без упоминания имён музыкантов, т.к. те после записи предупредили Ломакса, что если расисты узнают про них, то им и их семьям грозят большие неприятности. Сейчас альбом доступен с идентификацией всех его участников. Слушайте историю блюза из уст людей, творивших эту историю.
(Последнее переиздание этих записей с добавлением ранее неизданных раздаётся здесь - http://rutracker.org/forum/viewtopic.php?t=4446070 ).
Приятного всем прослушивания.
Alan Lomax на трекере

"Blues in the Mississippi Night is a classic of a different sort. Recorded by venerable folklorist Alan Lomax on a one-celled Presto disc recorder one Sunday afternoon in 1948, it captures the music and talk of three old bluesmen: guitarist Big Bill Broonzy, piano player Memphis Slim, and blues harpist Sonny Boy Williamson, all born and raised in the Mississippi delta. The three share memories and trade songs about the perils of love and poverty and the harsh challenges of life in the Mississippi work camps. While the music the three bluesmen make (all three play on the first track, "Life Is Like That," and support each other in different combinations on a couple other tracks, including the classic "Stackalee") is affecting and fine, the real strength of this recording is the conversational interplay between the three men as they share their reminiscences. Lomax uses field recordings to illustrate some of the points raised by the three bluesmen, including a lined hymn recorded at a Baptist church in Greenville, MS, and a trio of work songs ("O'Berta," "Murderer's Home," and "Don't You Hear Po' Mother Callin'?") recorded at the dreaded and infamous Parchman Farm, a work camp for black prisoners. More of a compelling and historical document than a collection of blues songs, Blues in the Mississippi Night deserves an audience and is recommended for those with more than a casual interest in Delta blues."-- AMG review by Steve Leggett
"There's a sentimental 1920s show tune called ''The Birth of the Blues'' which, if you believe its lyrics, would have you think the blues arose from ''the breeze in the trees.'' Blues in the Mississippi Night tells a different story.
In 1946, folklorist Alan Lomax sat down in a New York recording studio with three bluesmen from the Mississippi delta, Memphis Slim, Big Bill Broonzy, and Sonny Boy Williamson. ''Listen,'' he said. ''You all have lived with the blues all your life, but nobody here understands them. Tell me what the blues are all about.''
The answer came in a conversation so intense that, as Lomax writes in notes to Blues in the Mississippi Night, the three musicians ''really forgot that I was there as they talked, played, and sang together.'' The blues, they agreed, came from trouble. And the source of that trouble, as they quietly set it forth, was the domination of black people by white. For these three men, white supremacy was not a theoretical proposition. Every black person they knew in the South lived with it daily. White people worked them till they dropped, cheated them in stores, and killed them outright on the rare occasions when they complained. ''The fact of the business,'' Broonzy sums up on the recording, is that ''back in those days a Negro didn't mean no more to a white man than a mule.''
There's music on the album: elegant piano boogie from Memphis Slim, wise guitar blues from Broonzy, and quirky harmonica from Williamson, plus chants and songs Lomax recorded in black churches and prisons and inserted into the conversation as examples of the folk music from which blues emerged. Early on there are an extraordinary few minutes when Slim plays piano while the three men converse, creating an interplay so fluid it's hard not to hear the talk as part of the music, and the music as part of the talk.
But above all this recording is a devastating social document (though inextricably linked to the history of music). It surfaced for the first time only in the late '50s — and then with the musicians' names removed. ''If these records came out on us,'' the bluesmen told Lomax after the interview, ''they'd take it out on our folks down home; they'd burn them out and Lord knows what else.'' Now the album is available with all its participants identified.
Unforgettable vignettes include Memphis Slim's description of men reading copies of a forbidden Chicago black newspaper in the back room of a restaurant, while a lookout kept watch through a peephole. There are abrupt, chilling parallels with stories that surface in current rap music. Memphis Slim recalls that black farm workers were free to kill anyone they liked, ''so long as he's colored''; rapper Ice-T has repeatedly said that gang members in Los Angeles black communities are in practice given much the same freedom. Broonzy tells stories of poor blacks shot during crap games; rapper Ice Cube tells remarkably similar stories in a song on his hit album AmeriKKKa's Most Wanted. Any rapper who heard Blues in the Mississippi Night could be forgiven for thinking that, even after 50 years, life in poor black communities in some ways hasn't changed.
Rykodisc has packaged this album with simple dignity. Included is a 72-page booklet containing the full text of the conversation and illustrated with photographs of poor Southern blacks living the kind of life the three bluesmen describe. There's no picture on the cover; instead, there's a brief paragraph describing the once-suppressed history of the blues that the three men's conversation recounts. ''No black before them had ever dared to tell this story,'' the paragraph concludes, ''and no one since has told it with more eloquence.''
That's the simple truth."-- EW review by Greg Sandow

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