VA - The Earliest Negro Vocal Groups Vol. 2 (1893-1922) [Document Records]
Жанр: Vocal Groups / Religious / Spirituals
Носитель: CD
Страна-производитель диска: Austria
Год издания: 1994
Издатель (лейбл): Document Records
Номер по каталогу: DOCD-5288
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 77:39
Источник (релизер): Источник -
What.CD, релизер - один из моих друзей
Наличие сканов в содержимом раздачи: да
Треклист:
1. Unique Quartette / Mamma's Black Baby Boy 2:31
2. The Standard Quartette / Every Day'll Be Sunday Bye And Bye 2:17
3. Dinwiddie Colored Quartet / My Way Is Cloudy 2:42
4. Afro American Folk Song Singers / Swing Along 3:49
5. Afro American Folk Song Singers / The Rain Song 3:01
6. The Right Quintette / Exhortation 3:29
7. The Right Quintette / Rain Song 3:22
8. Jim Europe's Singing Serenaders and Four Harmony Kings / Exhortation (Jubilee Shout) 2:14
9. Jim Europe's Singing Serenaders and Four Harmony Kings / Little David Play On Your Harp 2:44
10. Jim Europe's Singing Serenaders and Four Harmony Kings / Ev'rybody Dat Talks 'Bout Heaven Ain't Goin' There 2:18
11. Jim Europe's Singing Serenaders and Four Harmony Kings / Roll Jordan Roll 3:21
12. Jim Europe's Singing Serenaders and Four Harmony Kings / Swing Low, Sweet Chariot 2:42
13. Jim Europe's Singing Serenaders and Four Harmony Kings / One More Ribber To Cross 2:48
14. Excelsior Quintette / Kitchen Mechanic Blues (70568) 3:06
15. Excelsior Quintette / Roll Them Bones 2:49
16. Excelsior Quintette / If Hearts Win Tonight, You lose 3:08
17. Excelsior Quintette / Goodbye, My Coney Island Baby 2:50
18. Excelsior Quintette / Jelly Roll Blues (7827) 2:59
19. Excelsior Quintette / Kitchen Mechanic Blues (7828) 2:55
20. Excelsior Quintette / Nobody Knows The Trouble I See 2:50
21. Excelsior Quintette / Going Up To Live With God (Golden Slipper) 2:41
22. Excelsior Quintette / Walk In Jerusalem Just Like John 2:42
23. Excelsior Quintette / I Am The King Of The Sea 2:56
24. Excelsior Quintette / Good Lord I Done Done 2:36
25. Excelsior Quintette / Sinners Crying, Come Here Lord 2:48
26. Excelsior Quintette / Coney Island Babe 2:48
27. Excelsior Quintette / Jelly Roll Blues (BS 2060) 3:02
Код:
X Lossless Decoder version 20140504 (147.0)
XLD extraction logfile from 2014-10-25 06:13:12 -0500
Various Artists / The Earliest Negro Vocal Groups, Vol. 2 (1893-1922)
Used drive : MATSHITA DVD-R UJ-8A8 (revision HB14)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 102
Max retry count : 100
Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 02:31:57 | 0 | 11381
2 | 02:31:57 | 02:17:25 | 11382 | 21681
3 | 04:49:07 | 02:42:13 | 21682 | 33844
4 | 07:31:20 | 03:49:00 | 33845 | 51019
5 | 11:20:20 | 03:01:37 | 51020 | 64631
6 | 14:21:57 | 03:29:60 | 64632 | 80366
7 | 17:51:42 | 03:22:45 | 80367 | 95561
8 | 21:14:12 | 02:14:05 | 95562 | 105616
9 | 23:28:17 | 02:44:38 | 105617 | 117954
10 | 26:12:55 | 02:18:17 | 117955 | 128321
11 | 28:30:72 | 03:21:05 | 128322 | 143401
12 | 31:52:02 | 02:42:58 | 143402 | 155609
13 | 34:34:60 | 02:48:65 | 155610 | 168274
14 | 37:23:50 | 03:06:02 | 168275 | 182226
15 | 40:29:52 | 02:49:00 | 182227 | 194901
16 | 43:18:52 | 03:08:35 | 194902 | 209036
17 | 46:27:12 | 02:50:65 | 209037 | 221851
18 | 49:18:02 | 02:59:48 | 221852 | 235324
19 | 52:17:50 | 02:55:10 | 235325 | 248459
20 | 55:12:60 | 02:50:50 | 248460 | 261259
21 | 58:03:35 | 02:41:45 | 261260 | 273379
22 | 60:45:05 | 02:42:32 | 273380 | 285561
23 | 63:27:37 | 02:56:25 | 285562 | 298786
24 | 66:23:62 | 02:36:15 | 298787 | 310501
25 | 69:00:02 | 02:48:23 | 310502 | 323124
26 | 71:48:25 | 02:48:50 | 323125 | 335774
27 | 74:37:00 | 03:02:37 | 335775 | 349461
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Track 01
Filename : /Various Artists - Earliest Negro Vocal Groups Vol. 2/01 The Unique Quartet - Mamma's Black Baby Boy.flac
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Код:
TITLE "The Earliest Negro Vocal Groups, Vol. 2 (1893-1922)"
REM GENRE "Religious"
REM DATE "1994"
REM DISCNUMBER 1
REM TOTALDISCS 1
REM DISCID 8512331B
REM REPLAYGAIN_ALBUM_GAIN -5.80 dB
REM REPLAYGAIN_ALBUM_PEAK 0.836060
REM COMPILATION TRUE
FILE "01 The Unique Quartet - Mamma's Black Baby Boy.flac" WAVE
TRACK 01 AUDIO
TITLE "Mamma's Black Baby Boy"
PERFORMER "The Unique Quartet"
REM REPLAYGAIN_TRACK_GAIN -4.93 dB
REM REPLAYGAIN_TRACK_PEAK 0.832123
INDEX 01 00:00:00
FILE "02 The Standard Quartet - Every Day'll Be Sunday, Bye And Bye.flac" WAVE
TRACK 02 AUDIO
TITLE "Every Day'll Be Sunday, Bye And Bye"
PERFORMER "The Standard Quartet"
REM REPLAYGAIN_TRACK_GAIN -7.33 dB
REM REPLAYGAIN_TRACK_PEAK 0.826874
INDEX 01 00:00:00
FILE "03 Dinwiddie Colored Quartet - My Way Is Cloudy.flac" WAVE
TRACK 03 AUDIO
TITLE "My Way Is Cloudy"
PERFORMER "Dinwiddie Colored Quartet"
REM REPLAYGAIN_TRACK_GAIN -6.93 dB
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INDEX 01 00:00:00
FILE "04 Afro American Folk Song Singers - Swing Along.flac" WAVE
TRACK 04 AUDIO
TITLE "Swing Along"
PERFORMER "Afro American Folk Song Singers"
REM REPLAYGAIN_TRACK_GAIN -7.08 dB
REM REPLAYGAIN_TRACK_PEAK 0.836060
INDEX 01 00:00:00
FILE "05 Afro American Folk Song Singers - The Rain Song.flac" WAVE
TRACK 05 AUDIO
TITLE "The Rain Song"
PERFORMER "Afro American Folk Song Singers"
REM REPLAYGAIN_TRACK_GAIN -6.24 dB
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INDEX 01 00:00:00
FILE "06 Right Quintette - Exhortation.flac" WAVE
TRACK 06 AUDIO
TITLE "Exhortation"
PERFORMER "Right Quintette"
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INDEX 01 00:00:00
FILE "07 Right Quintette - Rain Song.flac" WAVE
TRACK 07 AUDIO
TITLE "Rain Song"
PERFORMER "Right Quintette"
REM REPLAYGAIN_TRACK_GAIN -4.88 dB
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INDEX 01 00:00:00
FILE "08 Jim Europe's Singing Serenaders and Four Harmony Kings - Exhortation.flac" WAVE
TRACK 08 AUDIO
TITLE "Exhortation"
PERFORMER "Jim Europe's Singing Serenaders/Four Harmony Kings"
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REM REPLAYGAIN_TRACK_PEAK 0.733276
INDEX 01 00:00:00
FILE "09 Jim Europe's Singing Serenaders and Four Harmony Kings - Little David Play On Your Harp.flac" WAVE
TRACK 09 AUDIO
TITLE "Little David Play On Your Harp"
PERFORMER "Jim Europe's Singing Serenaders/Four Harmony Kings"
REM REPLAYGAIN_TRACK_GAIN -2.67 dB
REM REPLAYGAIN_TRACK_PEAK 0.729401
INDEX 01 00:00:00
FILE "10 Jim Europe's Singing Serenaders and Four Harmony Kings - Ev'rybody Dat Talks 'Bout Heaven Ain't Goin' There.flac" WAVE
TRACK 10 AUDIO
TITLE "Ev'rybody Dat Talks 'Bout Heaven Ain't Goin' There"
PERFORMER "Jim Europe's Singing Serenaders/Four Harmony Kings"
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INDEX 01 00:00:00
FILE "11 Jim Europe's Singing Serenaders and Four Harmony Kings - Roll Jordan Roll.flac" WAVE
TRACK 11 AUDIO
TITLE "Roll Jordan Roll"
PERFORMER "Jim Europe's Singing Serenaders/Four Harmony Kings"
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INDEX 01 00:00:00
FILE "12 Jim Europe's Singing Serenaders and Four Harmony Kings - Swing Low, Sweet Chariot.flac" WAVE
TRACK 12 AUDIO
TITLE "Swing Low, Sweet Chariot"
PERFORMER "Jim Europe's Singing Serenaders/Four Harmony Kings"
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INDEX 01 00:00:00
FILE "13 Jim Europe's Singing Serenaders and Four Harmony Kings - One More Ribber To Cross.flac" WAVE
TRACK 13 AUDIO
TITLE "One More Ribber To Cross"
PERFORMER "Jim Europe's Singing Serenaders/Four Harmony Kings"
REM REPLAYGAIN_TRACK_GAIN -4.58 dB
REM REPLAYGAIN_TRACK_PEAK 0.828125
INDEX 01 00:00:00
FILE "14 Excelsior Quartette - Kitchen Mechanic Blues.flac" WAVE
TRACK 14 AUDIO
TITLE "Kitchen Mechanic Blues"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -6.01 dB
REM REPLAYGAIN_TRACK_PEAK 0.777679
INDEX 01 00:00:00
FILE "15 Excelsior Quartette - Roll Them Bones.flac" WAVE
TRACK 15 AUDIO
TITLE "Roll Them Bones"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -3.99 dB
REM REPLAYGAIN_TRACK_PEAK 0.799194
INDEX 01 00:00:00
FILE "16 Excelsior Quartette - If Hearts Win Tonight, You Lose.flac" WAVE
TRACK 16 AUDIO
TITLE "If Hearts Win Tonight, You Lose"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -3.34 dB
REM REPLAYGAIN_TRACK_PEAK 0.831512
INDEX 01 00:00:00
FILE "17 Excelsior Quartette - Good-Bye, My Coney Island Baby.flac" WAVE
TRACK 17 AUDIO
TITLE "Good-Bye, My Coney Island Baby"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -6.01 dB
REM REPLAYGAIN_TRACK_PEAK 0.820374
INDEX 01 00:00:00
FILE "18 Excelsior Quartette - Jelly Roll Blues.flac" WAVE
TRACK 18 AUDIO
TITLE "Jelly Roll Blues"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -5.94 dB
REM REPLAYGAIN_TRACK_PEAK 0.807281
INDEX 01 00:00:00
FILE "19 Excelsior Quartette - Kitchen Mechanic Blues.flac" WAVE
TRACK 19 AUDIO
TITLE "Kitchen Mechanic Blues"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -6.26 dB
REM REPLAYGAIN_TRACK_PEAK 0.810638
INDEX 01 00:00:00
FILE "20 Excelsior Quartette - Nobody Knows The Trouble I See.flac" WAVE
TRACK 20 AUDIO
TITLE "Nobody Knows The Trouble I See"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -5.98 dB
REM REPLAYGAIN_TRACK_PEAK 0.814728
INDEX 01 00:00:00
FILE "21 Excelsior Quartette - Golden Slipper.flac" WAVE
TRACK 21 AUDIO
TITLE "Golden Slipper"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -4.62 dB
REM REPLAYGAIN_TRACK_PEAK 0.806458
INDEX 01 00:00:00
FILE "22 Excelsior Quartette - Walk In Jerusalem Just Like John.flac" WAVE
TRACK 22 AUDIO
TITLE "Walk In Jerusalem Just Like John"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -6.48 dB
REM REPLAYGAIN_TRACK_PEAK 0.814575
INDEX 01 00:00:00
FILE "23 Excelsior Quartette - I Am The King Of The Sea.flac" WAVE
TRACK 23 AUDIO
TITLE "I Am The King Of The Sea"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -4.88 dB
REM REPLAYGAIN_TRACK_PEAK 0.818390
INDEX 01 00:00:00
FILE "24 Excelsior Quartette - Good Lord, I Done Done.flac" WAVE
TRACK 24 AUDIO
TITLE "Good Lord, I Done Done"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -6.25 dB
REM REPLAYGAIN_TRACK_PEAK 0.814453
INDEX 01 00:00:00
FILE "25 Excelsior Quartette - Sinners Crying, Come Here Lord.flac" WAVE
TRACK 25 AUDIO
TITLE "Sinners Crying, Come Here Lord"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -7.17 dB
REM REPLAYGAIN_TRACK_PEAK 0.819580
INDEX 01 00:00:00
FILE "26 Excelsior Quartette - Coney Island Babe.flac" WAVE
TRACK 26 AUDIO
TITLE "Coney Island Babe"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -5.02 dB
REM REPLAYGAIN_TRACK_PEAK 0.812714
INDEX 01 00:00:00
FILE "27 Excelsior Quartette - Jelly Roll Blues.flac" WAVE
TRACK 27 AUDIO
TITLE "Jelly Roll Blues"
PERFORMER "Excelsior Quartette"
REM REPLAYGAIN_TRACK_GAIN -5.92 dB
REM REPLAYGAIN_TRACK_PEAK 0.805725
INDEX 01 00:00:00
Код:
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== НЕ РЕДАКТИРУЙТЕ ЭТОТ ФАЙЛ! ===-
Путь: ...\VA - The Earliest Negro Vocal Groups Vol. 2 - 1893–1922 (1994)
01 -=- 01 The Unique Quartet - Mamma's Black Baby Boy.flac -=- CDDA (94%)
02 -=- 02 The Standard Quartet - Every Day'll Be Sunday, Bye And Bye.flac -=- CDDA (43%)
03 -=- 03 Dinwiddie Colored Quartet - My Way Is Cloudy.flac -=- MPEG (92%)
04 -=- 04 Afro American Folk Song Singers - Swing Along.flac -=- MPEG (93%)
05 -=- 05 Afro American Folk Song Singers - The Rain Song.flac -=- MPEG (100%)
06 -=- 06 Right Quintette - Exhortation.flac -=- MPEG (90%)
07 -=- 07 Right Quintette - Rain Song.flac -=- CDDA (62%)
08 -=- 08 Jim Europe's Singing Serenaders and Four Harmony Kings - Exhortation.flac -=- CDDA (54%)
09 -=- 09 Jim Europe's Singing Serenaders and Four Harmony Kings - Little David Play On Your Harp.flac -=- MPEG (90%)
10 -=- 10 Jim Europe's Singing Serenaders and Four Harmony Kings - Ev'rybody Dat Talks 'Bout Heaven Ain't Goin' There.flac -=- CDDA (100%)
11 -=- 11 Jim Europe's Singing Serenaders and Four Harmony Kings - Roll Jordan Roll.flac -=- MPEG (80%)
12 -=- 12 Jim Europe's Singing Serenaders and Four Harmony Kings - Swing Low, Sweet Chariot.flac -=- MPEG (100%)
13 -=- 13 Jim Europe's Singing Serenaders and Four Harmony Kings - One More Ribber To Cross.flac -=- CDDA (54%)
14 -=- 14 Excelsior Quartette - Kitchen Mechanic Blues.flac -=- MPEG (100%)
15 -=- 15 Excelsior Quartette - Roll Them Bones.flac -=- MPEG (99%)
16 -=- 16 Excelsior Quartette - If Hearts Win Tonight, You Lose.flac -=- CDDA (54%)
17 -=- 17 Excelsior Quartette - Good-Bye, My Coney Island Baby.flac -=- MPEG (89%)
18 -=- 18 Excelsior Quartette - Jelly Roll Blues.flac -=- MPEG (93%)
19 -=- 19 Excelsior Quartette - Kitchen Mechanic Blues.flac -=- MPEG (90%)
20 -=- 20 Excelsior Quartette - Nobody Knows The Trouble I See.flac -=- MPEG (100%)
21 -=- 21 Excelsior Quartette - Golden Slipper.flac -=- CDDA (43%)
22 -=- 22 Excelsior Quartette - Walk In Jerusalem Just Like John.flac -=- MPEG (100%)
23 -=- 23 Excelsior Quartette - I Am The King Of The Sea.flac -=- MPEG (100%)
24 -=- 24 Excelsior Quartette - Good Lord, I Done Done.flac -=- MPEG (91%)
25 -=- 25 Excelsior Quartette - Sinners Crying, Come Here Lord.flac -=- MPEG (100%)
26 -=- 26 Excelsior Quartette - Coney Island Babe.flac -=- MPEG (90%)
27 -=- 27 Excelsior Quartette - Jelly Roll Blues.flac -=- MPEG (100%)
Сводка 22,48% CDDA
49007092
:Это второй выпуск Документовской серии - The Earliest Negro Vocal Groups, (первый раздаётся здесь -
http://rutracker.org/forum/viewtopic.php?t=3839759 ), и если в первом была издана запись The Standard Quartette - чёрного квартета, сделанная в 1894 г., которая считалась в 1991 г. самой ранней записью чёрной группы, то во втором, выпущенном в 1994 г., издали запись Unique Quartette, датированную 1893 г.(!) и изданную тоже на цилиндре, т.к. дисков тогда ещё не делали! Заодно в этот выпуск вошла ещё одна найденная песенка The Standard Quartette 1894 или 1895 года выпуска. И вообще Документ в рецензии на этот диск пишет: "Много писателей утверждало, что чёрными американцами было сделано немного записей до взрыва джаза и блюза 1920-х гг. Дело обстоит не так. Чёрные группы, отдельные исполнители, уличные певцы, квартеты, хоры и даже эстрадные исполнители записывались в течение первых 30 лет коммерческих записей с 1890 по 1919 гг. Некоторые из наиболее интересных примеров представлены здесь ." Я надеюсь, все понимают, что перед нами бесценный исторический документ...
(Один из моих друзей с ват.си-ди сделал качественный рип, причём именно с оригинального издания 1994 г., об этом он написал в своей раздаче: "This is the initial CD release, with a copyright date of 1994. A later incarnation of Document Records released a slightly revised version, with a new cover but the same catalogue number, as a CDR available through their website." Проблема оказалась только в именах файлов с названием исполнителя - Jim Europe's Singing Serenaders/Four Harmony Kings, программа-риппер XLD, а также foobar2000 спокойно воспринимают знак - / , стоящий в названии, а ImgBurn и Audiochecker его не принимают. Поэтому я переименовал в файлах название исполнителя так, как указано на странице издателя - Document Records - Jim Europe`s Singing Serenaders
and Four Harmony Kin, и вложил в раздачу соответственно откорректированный (corrected).cue-файл (под спойлером). Обложку в раздаче поменял на оригинальную, предоставленную автором рипа, а полный комплект сканов оставил из прежней раздачи, источником которой был countryfreak с Авакса, при этом сам countryfreak указывал, что это не его рип и не его сканы. Справедливости ради отмечу, что результат проверки Аудиочеккером АБСОЛЮТНО идентичный, сверял по пунктам.)
Приятного всем прослушивания.
"Many writers have claimed that few recordings were made by black Americans before the jazz and blues explosion of the 1920s. This is not the case. Black bands, stage performers, street singers, quartets, choruses and even concert artists recorded during the first 30 years of commercial recording, from 1890 to 1919. Some of the more interesting examples are presented here.
The earliest known black vocal group to record was the Unique Quartette, a New York based group formed in the 1880s. Managed for many years by member Joseph M. Moore, they appeared throughout the 1890s as a solo act in and toured with such troupes as the Georgia Colored Minstrels, Primrose and West Minstrels and the comedy farce “O’Dowd’s Neighbours”. Their first recordings were cylinders made for the New York Phonograph Co. in December, 1890, and they were subsequently heard on Edison and New Jersey cylinders. The only surviving example, “Mamma Black Baby Boy” was recorded by Edison in late 1893, and is a fascinating example of black stage quartet performance style more than 100 years ago.
Even better known in the 1890s was the Standard Quartette of Chicago, formed about 1890. This group gained fame as featured performers with the famous “South Before the War”, a touring spectacle of singing, dancing and comedy which depicted the allegedly happy life of the slaves in the antebellum South. The Standard Quartette frequently recorded cylinders for local phonograph companies when the show passed through their cities. Two Columbia cylinders have been found; the first is on DOCD-5061, and the second, “Every Day’ll Be Sunday Bye And Bye” appears here.
The Dinwiddie Quartet was a rather obscure group formed about 1898 to raise money for the small Dinwiddie Normal and Industrial School of Dinwiddie, Virginia. They subsequently shifted to Vaudeville, disbanding in 1904. Further information may be found in the notes to DOCD-5061, which contains five of their six known recordings. The sixth, “My Way Is Cloudy”, is presented here.
The Afro-American Folk Song Singers was a mixed chorus organized in 1913 by Mrs. Harriet Gibbs Marshall, president of the Washington (D.C.) Conservatory of Music and directed by the famous black composer Will Marion Cook. It performed in Washington and New York during the winter of 1913-1914, and in March 1914 entered the Columbia studios to record two of Cook’s most best known songs, “Swing Along” and “The Rain Song”, under Cook’s direction, Baritone Harry T. Burleigh and actress Abbie Mitchell frequently appeared with the Singers in concert and may well be on these recordings. These Cook’s only known recordings.
The Right Quintette was a New York cabaret act formed about 1912 by singer/actor James E. Lightfoot, best known for his appearances in Williams and Walker stage shows. Its members included James Mantell Thomas, who had formerly recorded as a member of the pioneering Dinwiddie Colored Quartet in 1902.
James Reese Europe (1881-1919) was a seminal figure in black dance music and nascent jazz. His New York society orchestra, which appeared with white dancers Vernon and Irene Castle during the dance craze of the early 1910s, was the first black orchestra to record (for Victor, in 1913). During the two months preceding Europe’s death in 1919 the troupe had held a marathon series of recording sessions for the Pathe label in New York, so an unusually wide range of his music is preserved on disc.
The Singing Serenaders, a male chorus whose personnel is unknown, recorded four sides during Europe 1919 sessions. Lead vocals on two of them are by Creighton Thompson and Noble Sissle, star vocalists with Europe’s band.
The Four Harmony Kings was formed about 1916 by showman Will Hann. They appeared in Vaudeville for many years, including a stint with Jim Europe at the time of his recording sessions in 1919. During the 1920s they recorded for Black Swan, Paramount, Vocalion, Edison Bell Winner, Dominion and Gennett. Included here is an uncommon text for “Swing Low, Sweet Chariot”.
At their first recording session the Excelsior Quartette covered the Norfolk Jazz Quartet’s “Jelly Roll Blues” and cut two other “stage” numbers that are redolent of the minstrel tradition: “Kitchen Mechanic Blues” with its “ain’t you glad you’re brownskin - chocolate to the bone” theme, and “Roll Them Bones” which reinforces the stereotype of the black man as a “crap-shooting fool”. Within days the group re-recorded “Jelly Roll Blues” and “Kitchen Mechanic Blues” for the Gennett label, a practice common in the early days of recording when artists generally received an immediate flat fee for sides that were released rather than royalties accrued over a period of time. In another two weeks they were back recording for OKeh, this time beginning their session with six religious pieces that seem to have been intended mainly for white consumption. All six titles were standards of the “jubilee quartet” repertory including hoary chestnuts like “Nobody Knows The Trouble I See” and “Golden Slipper”. “l Am The King Of The Sea” includes the verse:
“Mind my sister how you walk on the cross (Crossing the Red Sea)
Your foot might slip and your soul’ll be lost”
Their last session was in May 1922 for Harry Pace’s black owned and operated Black Swan label where they re-cut “Coney Island Baby” and the ever- popular “Jelly Roll Blues”. It should be mentioned in passing that the Excelsior Quartet cited in the black press in 1890 (see “100 Years From Today” by Lynn Abbott, Ray Funk and Doug Seroff -78 Quarterly No. 6) are not the same group as on this compilation, but an earlier quartet operating out of Denver, Colorado with wholly different personnel."-- Document
"First released in 1995, Document's Earliest Negro Vocal Groups, Vol. 2 reaches back to 1893 for one of the earliest known recordings by an African-American singing group, unveiling a fascinating array of 27rarities by seven different ensembles, and ultimately inching no closer to the present day than 1922. As is the case with each of Document's sacred and secular vocal ensemble compilations, this installment is packed with recordings so rare as to fill the receptive listener with gratitude for access to such historic treasures. Fifteen years after its first appearance, this was released in a new edition with a different cover photo as Earliest Negro Vocal Quartets, Vol. 2.
The Unique Quartette became a working unit during the 1880s and operated out of New York under the leadership of vocalist Joseph M. Moore. "Mama's Black Baby Boy" comes from a scratchy old Edison phonograph cylinder which may be the sole remnant of their professional existence. The Standard Quartette came together in Chicago circa 1890 and spent a lot of time on the road with a topical revue in which they sang songs depicting a fictitious idyllic existence enjoyed by slaves in the South before the Civil War. (This kind of fabricated nonsense was still being emitted by Hollywood decades later, and reached its nadir in 1935 with the 20th Century Fox motion picture The Littlest Rebel, which starred Shirley Temple). At the time this compilation was released, "Every Day'll Be Sunday Bye and Bye" was one of only two extant Standard Quartette cylinder recordings. The other was reissued on the first installment in the series, Document's The Earliest Negro Vocal Groups 1894-1928 which appeared in 1991. Also included in that set were five of six titles recorded on one-sided Victor platters near the end of October 1902 by the Dinwiddie Colored Quartet. "My Way Is Cloudy" appears here as the final offering from this small ensemble which followed in the footsteps of the Fisk Jubilee Singers by raising monies for the Dinwiddie Normal and Industrial School in Dinwiddie VA, then dabbled in vaudeville before breaking up in 1904.
The Afro-American Folk Singers were founded under the auspices of the Conservatory of Music in Washington D.C. and were directed by composer Will Marion Cook, who conducted the chorus on two Columbia sides which were cut in March 1914 at his only known recording session. Possible participants include singing actress Abbie Mitchell and baritone Harry T. Burleigh. Two performances by the Right Quintette date from 1915 and include a second version of Cook's "Rain Song". This group, which came together in 1912, performed regularly in New York and featured ex-Dinwiddie member James Mantell Thomas. Tracks 8-13 constitute a sampling of vocal numbers from Lieutenant Jim Europe's final recording sessions which were held in the spring of 1919. The primary output from those dates feature Europe's 369th U.S. Infantry Hellfighters Band and was reissued by the Memphis Archives label in 1996. These vocal sides, which feature Noble Sissle and Creighton Thompson with either the Four Harmony Kings or Jim Europe's Singing Serenaders, constitute a fascinating appendix to those better-known syncopated military band recordings. The second half of this bracing mini-archive of historic audio-artifacts is filled out with a generous selection of recordings made in 1922 by the Excelsior Quartette, either drawing upon vaudeville and minstrelsy or singing religious melodies in a manner that seems to have been tailored to meet the preconceptions of white audiences. Its members have been identified as lead vocalist Theodore Lee, tenor voice and sometime manager James C. Brown; baritone singer Samuel Pierce, and basso William Gibson. The final two recordings were released on Harry Pace's Black Swan record label and compare nicely with earlier versions by the same group and, in the case of the "Jelly Roll Blues," by the Norfolk Jazz Quartet."-- AMG review by arwulf arwulf
#777
Каталог "Document Records" (ссылки на альбомы)
