(blues / early r & b / jump blues) Wynonie Harris - 1944-1945 {Classics 885} - 1996, FLAC (tracks+.cue), lossless

EAC extraction logfile from 21. March 2009, 17:27 for CD
Wynonie Harris / 1944-1945
Used drive : Optiarc DVD RW AD-7590A Adapter: 3 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Used output format : C:\Program Files\Exact Audio Copy\Flac\flac.exe (User Defined Encoder)
192 kBit/s
Additional command line options : -8 -A tukey(0.25) -A gauss(0.1875) -b 4096 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s --sector-align
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000
Track 1
Filename D:\flac\Wynonie Harris - 1944-1945\01 - Hurry, Hurry.wav
Pre-gap length 0:00:02.32
Peak level 73.4 %
Track quality 100.0 %
Test CRC 2E953730
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Track 2
Filename D:\flac\Wynonie Harris - 1944-1945\02 - Who Threw The Whiskey In The Well.wav
Pre-gap length 0:00:02.65
Peak level 83.7 %
Track quality 100.0 %
Test CRC 9150C212
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Track 3
Filename D:\flac\Wynonie Harris - 1944-1945\03 - Around The Clock - Part 1.wav
Pre-gap length 0:00:02.62
Peak level 86.6 %
Track quality 100.0 %
Test CRC 67C60516
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Track 4
Filename D:\flac\Wynonie Harris - 1944-1945\04 - Around The Clock - Part 2.wav
Pre-gap length 0:00:02.47
Peak level 80.6 %
Track quality 100.0 %
Test CRC 1A64D58A
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Track 5
Filename D:\flac\Wynonie Harris - 1944-1945\05 - Cock-A-Doodle-Doo.wav
Pre-gap length 0:00:02.53
Peak level 85.1 %
Track quality 100.0 %
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Track 6
Filename D:\flac\Wynonie Harris - 1944-1945\06 - Yonder Goes My Baby.wav
Pre-gap length 0:00:03.08
Peak level 88.6 %
Track quality 100.0 %
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Track 7
Filename D:\flac\Wynonie Harris - 1944-1945\07 - Wynonie's Blues.wav
Pre-gap length 0:00:02.20
Peak level 85.7 %
Track quality 100.0 %
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Track 8
Filename D:\flac\Wynonie Harris - 1944-1945\08 - Here Comes The Blues.wav
Pre-gap length 0:00:02.36
Peak level 90.2 %
Track quality 100.0 %
Test CRC 6B902A0A
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Track 9
Filename D:\flac\Wynonie Harris - 1944-1945\09 - Straighten Him Out.wav
Pre-gap length 0:00:02.45
Peak level 82.4 %
Track quality 100.0 %
Test CRC C93162CE
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Track 10
Filename D:\flac\Wynonie Harris - 1944-1945\10 - Young Man's Blues.wav
Pre-gap length 0:00:02.34
Peak level 81.9 %
Track quality 100.0 %
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Track 11
Filename D:\flac\Wynonie Harris - 1944-1945\11 - Baby Look At You.wav
Pre-gap length 0:00:02.29
Peak level 72.7 %
Track quality 100.0 %
Test CRC 07BFF8D0
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Track 12
Filename D:\flac\Wynonie Harris - 1944-1945\12 - She's Gone With The Wind.wav
Pre-gap length 0:00:01.28
Peak level 86.8 %
Track quality 99.9 %
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Track 13
Filename D:\flac\Wynonie Harris - 1944-1945\13 - Somebody Changed The Lock On My Door.wav
Pre-gap length 0:00:02.27
Peak level 79.3 %
Track quality 100.0 %
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Track 14
Filename D:\flac\Wynonie Harris - 1944-1945\14 - That's The Stuff You Gotta Watch.wav
Pre-gap length 0:00:02.25
Peak level 90.5 %
Track quality 100.0 %
Test CRC 09651A78
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Track 15
Filename D:\flac\Wynonie Harris - 1944-1945\15 - I Gotta Lyin' Woman.wav
Pre-gap length 0:00:02.32
Peak level 99.9 %
Track quality 100.0 %
Test CRC 55E0A721
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Track 16
Filename D:\flac\Wynonie Harris - 1944-1945\16 - Rebecca's Blues.wav
Pre-gap length 0:00:02.18
Peak level 87.0 %
Track quality 100.0 %
Test CRC EEBDE670
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Track 17
Filename D:\flac\Wynonie Harris - 1944-1945\17 - Everybody Boogie.wav
Pre-gap length 0:00:02.34
Peak level 83.3 %
Track quality 100.0 %
Test CRC 7A8FD882
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Track 18
Filename D:\flac\Wynonie Harris - 1944-1945\18 - Time To Change Your Town.wav
Pre-gap length 0:00:02.40
Peak level 99.7 %
Track quality 100.0 %
Test CRC 281318EE
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Track 19
Filename D:\flac\Wynonie Harris - 1944-1945\19 - Playful Baby.wav
Pre-gap length 0:00:02.34
Peak level 87.7 %
Track quality 100.0 %
Test CRC 416396F8
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Track 20
Filename D:\flac\Wynonie Harris - 1944-1945\20 - Take Me Out Of The Rain.wav
Pre-gap length 0:00:02.38
Peak level 77.2 %
Track quality 100.0 %
Test CRC 39518422
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Track 21
Filename D:\flac\Wynonie Harris - 1944-1945\21 - Papa Tree Top.wav
Pre-gap length 0:00:02.45
Peak level 69.7 %
Track quality 100.0 %
Test CRC 9CC9039C
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Copy OK
Track 22
Filename D:\flac\Wynonie Harris - 1944-1945\22 - Young And Wild.wav
Pre-gap length 0:00:02.40
Peak level 95.8 %
Track quality 99.9 %
Test CRC 159E8ED3
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No errors occured
End of status report

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DON'T MODIFY THIS FILE
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PERFORMER: auCDtect Task Manager, ver. 0.9.9 RC9 build 0.9.9.9
Copyright (c) 2008, 2009 y-soft. All rights reserved
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Biography by Bill Dahl
No blues shouter embodied the rollicking good times that he sang of quite like raucous shouter Wynonie Harris. "Mr. Blues," as he was not-so-humbly known, joyously related risque tales of sex, booze, and endless parties in his trademark raspy voice over some of the jumpingest horn-powered combos of the postwar era.
Those wanton ways eventually caught up with Harris, but not before he scored a raft of R&B smashes from 1946 to 1952. Harris was already a seasoned dancer, drummer, and singer when he left Omaha for L.A. in 1940 (his main influences being Big Joe Turner and Jimmy Rushing). He found plenty of work singing and appearing as an emcee on Central Avenue, the bustling nightlife strip of the Black community there. Wynonie Harris's reputation was spreading fast -- he was appearing in Chicago at the Rhumboogie Club in 1944 when bandleader Lucky Millinder hired him as his band's new singer. With Millinder's orchestra in brassy support, Harris made his debut on shellac by boisterously delivering "Who Threw the Whiskey in the Well" that same year for Decca. By the time it hit in mid-1945, Harris was long gone from Millinder's organization and back in L.A.
The shouter debuted on wax under his own name in July of 1945 at an L.A. date for Philo with backing from drummer Johnny Otis, saxist Teddy Edwards, and trumpeter Howard McGhee. A month later, he signed on with Apollo Records, an association that provided him with two huge hits in 1946: "Wynonie's Blues" (with saxist Illinois Jacquet's combo) and "Playful Baby." Harris's own waxings were squarely in the emerging jump blues style then sweeping the West Coast. After scattered dates for Hamp-Tone, Bullet, and Aladdin (where he dueled it out with his idol Big Joe on a two-sided "Battle of the Blues"), Harris joined the star-studded roster of Cincinnati's King Records in 1947. There his sales really soared.
Few records made a stronger seismic impact than Harris' 1948 chart-topper "Good Rockin' Tonight." Ironically, Harris shooed away its composer, Roy Brown, when he first tried to hand it to the singer; only when Brown's original version took off did Wynonie cover the romping number. With Hal "Cornbread" Singer on wailing tenor sax and a rocking, socking backbeat, the record provided an easily followed blueprint for the imminent rise of rock & roll a few years later (and gave Elvis Presley something to place on the A side of his second Sun single).
After that, Harris was rarely absent from the R&B charts for the next four years, his offerings growing more boldly suggestive all the time. "Grandma Plays the Numbers," "All She Wants to Do Is Rock," "I Want My Fanny Brown," "Sittin' on It All the Time," "I Like My Baby's Pudding," "Good Morning Judge," "Bloodshot Eyes" (a country tune that was first released on "King" by Hank Penny), and "Lovin' Machine" were only a portion of the ribald hits Harris scored into 1952 (13 in all) -- and then his personal hit parade stopped dead. It certainly wasn't Harris' fault -- his King output rocked as hard as ever under Henry Glover's supervision -- but changing tastes among fickle consumers that accelerated Wynonie Harris's sobering fall from favor.
Sides for Atco in 1956, King in 1957, and Roulette in 1960 only hinted at the raunchy glory of a short few years earlier. The touring slowed accordingly. In 1963, his chaffeur-driven Cadillacs and lavish New York home a distant memory, Harris moved back to L.A., scraping up low-paying local gigs whenever he could. Chess gave him a three-song session in 1964, but sat on the promising results. Throat cancer silenced him for good in 1969, ending the life of a bigger-than-life R&B pioneer whose ego matched his tremendous talent.