Mississippi Fred McDowell - Come and Found You Gone - The Bill Ferris Recordings with Annie Mae McDowell and Napoleon Strickland Жанр: Blues / Delta Blues / Country Blues / Gospel Blues Носитель: CD Год издания: 2010 Издатель (лейбл): Devil Down Records Номер по каталогу: CD001 Страна исполнителя (группы): USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 57:54 Источник (релизер): Источник - What.CD, релизёр - один из моих друзей Наличие сканов в содержимом раздачи: front & inside Треклист: 1. Big Fat Mama, Meat Shakin' On Her Bone. 2:13 2. Shake ‘Em On Down. 1:50 3. Baby Please Don't Go. 2:06 4. Find My Suitcase. 2:33 5. Letter From Hot Springs. 3:39 6. John Henry. 3:04 7. Hello Darling, What Have I Done ?. 2:50 8. Dream I Went To The U.N.. 2:43 9. The Boogie. 2:07 10. Little Red Rooster. 3:07 11. Get Right Church. 2:42 12. Death Came In. 2:29 13. Dialogue. 2:34 14. I Got Religion. 3:55 15. Come And Found You Gone. 6:30 16. Where Could I Go ?. 3:17 17. You Gonna Meet King Jesus. 2:46 18. Interview With Bill Ferris. 7:26 Recorded in August 1967, near Como, North Mississippi Hill Country, by Bill Ferris.
Код:
X Lossless Decoder version 20141129 (148.1) XLD extraction logfile from 2015-04-09 20:20:37 -0500 Mississippi Fred McDowell / Come And Found You Gone - The Bill Ferris Recordings Used drive : MATSHITA DVD-R UJ-8A8 (revision HB14) Media type : Pressed CD Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 102 Max retry count : 100 Gap status : Analyzed, Appended (except HTOA) TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 02:12:65 | 0 | 9964 2 | 02:12:65 | 01:50:03 | 9965 | 18217 3 | 04:02:68 | 02:06:18 | 18218 | 27685 4 | 06:09:11 | 02:33:01 | 27686 | 39161 5 | 08:42:12 | 03:38:62 | 39162 | 55573 6 | 12:20:74 | 03:04:23 | 55574 | 69396 7 | 15:25:22 | 02:49:69 | 69397 | 82140 8 | 18:15:16 | 02:43:24 | 82141 | 94389 9 | 20:58:40 | 02:07:34 | 94390 | 103948 10 | 23:05:74 | 03:06:62 | 103949 | 117960 11 | 26:12:61 | 02:41:67 | 117961 | 130102 12 | 28:54:53 | 02:28:56 | 130103 | 141258 13 | 31:23:34 | 02:34:33 | 141259 | 152841 14 | 33:57:67 | 03:54:47 | 152842 | 170438 15 | 37:52:39 | 06:30:12 | 170439 | 199700 16 | 44:22:51 | 03:17:15 | 199701 | 214490 17 | 47:39:66 | 02:46:04 | 214491 | 226944 18 | 50:25:70 | 07:26:31 | 226945 | 260425 AccurateRip Summary (DiscID: 00204459-01bab2e0-fa0d9012) Track 01 : OK (v2, confidence 1/1) Track 02 : OK (v2, confidence 1/1) Track 03 : OK (v2, confidence 1/1) Track 04 : OK (v2, confidence 1/1) Track 05 : OK (v2, confidence 1/1) Track 06 : OK (v2, confidence 1/1) Track 07 : OK (v2, confidence 1/1) Track 08 : OK (v2, confidence 1/1) Track 09 : OK (v2, confidence 1/1) Track 10 : OK (v2, confidence 1/1) Track 11 : OK (v2, confidence 1/1) Track 12 : OK (v2, confidence 1/1) Track 13 : OK (v2, confidence 1/1) Track 14 : OK (v2, confidence 1/1) Track 15 : OK (v2, confidence 1/1) Track 16 : OK (v2, confidence 1/1) Track 17 : OK (v2, confidence 1/1) Track 18 : OK (v2, confidence 1/1) ->All tracks accurately ripped. 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Код:
TITLE "Come And Found You Gone - The Bill Ferris Recordings" PERFORMER "Mississippi Fred McDowell" REM GENRE "Blues" REM DATE "2011" REM DISCID FA0D9012 REM REPLAYGAIN_ALBUM_GAIN -3.35 dB REM REPLAYGAIN_ALBUM_PEAK 1.000000 FILE "01 Mississippi Fred McDowell - Big Fat Mama, Meat Shakin' On Her Bone.flac" WAVE TRACK 01 AUDIO TITLE "Big Fat Mama, Meat Shakin' On Her Bone" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -4.02 dB REM REPLAYGAIN_TRACK_PEAK 0.889587 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Shake 'em On Down" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -5.11 dB REM REPLAYGAIN_TRACK_PEAK 0.949066 INDEX 00 02:09:66 FILE "02 Mississippi Fred McDowell - Shake 'em On Down.flac" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Baby Please Don't Go" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -2.80 dB REM REPLAYGAIN_TRACK_PEAK 0.870605 INDEX 00 01:47:04 FILE "03 Mississippi Fred McDowell - Baby Please Don't Go.flac" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Find My Suitcase" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -3.97 dB REM REPLAYGAIN_TRACK_PEAK 0.973663 INDEX 00 02:03:19 FILE "04 Mississippi Fred McDowell - Find My Suitcase.flac" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Letter From Hot Springs" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -3.16 dB REM REPLAYGAIN_TRACK_PEAK 0.933990 INDEX 00 02:30:02 FILE "05 Mississippi Fred McDowell - Letter From Hot Springs.flac" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "John Henry" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -3.91 dB REM REPLAYGAIN_TRACK_PEAK 0.869507 INDEX 00 03:35:63 FILE "06 Mississippi Fred McDowell - John Henry.flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Hello Darling What Have I Done" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -4.02 dB REM REPLAYGAIN_TRACK_PEAK 0.989990 INDEX 00 03:01:24 FILE "07 Mississippi Fred McDowell - Hello Darling What Have I Done.flac" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Dream I Went To The U.N." FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -3.76 dB REM REPLAYGAIN_TRACK_PEAK 0.965118 INDEX 00 02:46:70 FILE "08 Mississippi Fred McDowell - Dream I Went To The U.N..flac" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "The Boogie" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -1.82 dB REM REPLAYGAIN_TRACK_PEAK 0.721283 INDEX 00 02:40:25 FILE "09 Mississippi Fred McDowell - The Boogie.flac" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Little Red Rooster" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -3.70 dB REM REPLAYGAIN_TRACK_PEAK 0.915649 INDEX 00 02:04:35 FILE "10 Mississippi Fred McDowell - Little Red Rooster.flac" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Get Right Church" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -4.39 dB REM REPLAYGAIN_TRACK_PEAK 1.000000 INDEX 00 03:03:63 FILE "11 Mississippi Fred McDowell - Get Right Church.flac" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "Death Came In" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -3.51 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 02:38:68 FILE "12 Mississippi Fred McDowell - Death Came In.flac" WAVE INDEX 01 00:00:00 TRACK 13 AUDIO TITLE "Dialogue" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -0.34 dB REM REPLAYGAIN_TRACK_PEAK 0.732544 INDEX 00 02:25:57 FILE "13 Mississippi Fred McDowell - Dialogue.flac" WAVE INDEX 01 00:00:00 TRACK 14 AUDIO TITLE "I Got Religion" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -2.68 dB REM REPLAYGAIN_TRACK_PEAK 0.984833 INDEX 00 02:31:34 FILE "14 Mississippi Fred McDowell - I Got Religion.flac" WAVE INDEX 01 00:00:00 TRACK 15 AUDIO TITLE "Come And Found You Gone" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -3.35 dB REM REPLAYGAIN_TRACK_PEAK 1.000000 INDEX 00 03:51:48 FILE "15 Mississippi Fred McDowell - Come And Found You Gone.flac" WAVE INDEX 01 00:00:00 TRACK 16 AUDIO TITLE "Where Could I Go" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -3.17 dB REM REPLAYGAIN_TRACK_PEAK 1.000000 INDEX 00 06:27:13 FILE "16 Mississippi Fred McDowell - Where Could I Go.flac" WAVE INDEX 01 00:00:00 TRACK 17 AUDIO TITLE "You Gonna Meet King Jesus" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -2.94 dB REM REPLAYGAIN_TRACK_PEAK 0.968536 INDEX 00 03:14:15 FILE "17 Mississippi Fred McDowell - You Gonna Meet King Jesus.flac" WAVE INDEX 01 00:00:00 TRACK 18 AUDIO TITLE "Interview With Bill Ferris" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN 2.08 dB REM REPLAYGAIN_TRACK_PEAK 0.659027 INDEX 00 02:43:05 FILE "18 Mississippi Fred McDowell - Interview With Bill Ferris.flac" WAVE INDEX 01 00:00:00
Код:
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ -=== НЕ РЕДАКТИРУЙТЕ ЭТОТ ФАЙЛ! ===- Путь: ...\Mississippi Fred McDowell - Come and Found You Gone (2011) 01 -=- 01 Mississippi Fred McDowell - Big Fat Mama, Meat Shakin' On Her Bone.flac -=- CDDA (85%) 02 -=- 02 Mississippi Fred McDowell - Shake 'em On Down.flac -=- MPEG (95%) 03 -=- 03 Mississippi Fred McDowell - Baby Please Don't Go.flac -=- CDDA (100%) 04 -=- 04 Mississippi Fred McDowell - Find My Suitcase.flac -=- MPEG (95%) 05 -=- 05 Mississippi Fred McDowell - Letter From Hot Springs.flac -=- CDDA (54%) 06 -=- 06 Mississippi Fred McDowell - John Henry.flac -=- MPEG (95%) 07 -=- 07 Mississippi Fred McDowell - Hello Darling What Have I Done.flac -=- CDDA (76%) 08 -=- 08 Mississippi Fred McDowell - Dream I Went To The U.N..flac -=- CDDA (86%) 09 -=- 09 Mississippi Fred McDowell - The Boogie.flac -=- CDDA (100%) 10 -=- 10 Mississippi Fred McDowell - Little Red Rooster.flac -=- CDDA (43%) 11 -=- 11 Mississippi Fred McDowell - Get Right Church.flac -=- CDDA (100%) 12 -=- 12 Mississippi Fred McDowell - Death Came In.flac -=- CDDA (99%) 13 -=- 13 Mississippi Fred McDowell - Dialogue.flac -=- CDDA (43%) 14 -=- 14 Mississippi Fred McDowell - I Got Religion.flac -=- CDDA (100%) 15 -=- 15 Mississippi Fred McDowell - Come And Found You Gone.flac -=- CDDA (100%) 16 -=- 16 Mississippi Fred McDowell - Where Could I Go.flac -=- CDDA (58%) 17 -=- 17 Mississippi Fred McDowell - You Gonna Meet King Jesus.flac -=- CDDA (100%) 18 -=- 18 Mississippi Fred McDowell - Interview With Bill Ferris.flac -=- CDDA (100%) Сводка 69,94% CDDA 53251524
Доп. информация: Приятного всем прослушивания. Fred McDowell на трекере , (он же Mississippi Fred McDowell)
Вот как рассказывает в книге Валерия Писигина - "Очерки об англо-американской музыке пятидесятых и шестидесятых годов XX века Том 2, глава - "Разговор с Ширли Коллинз" сама Ширли о своей первой встрече её и Алана Ломакса с Миссиссиппи Фрэдом МакДауэллом : "…Полистав книгу, Ширли её отложила, а я тороплю: что было дальше? - А потом эти старые музыканты захотели, чтобы мы услышали кого-то из молодых. Но ни Алана, ни меня не впечатлила эта идея, так как нам были нужны именно старые исполнители. К тому же после увиденного мы не могли представить, что здесь еще может быть что-нибудь значительное. Мы были заворожены шаманским танцем, а нам предлагали послушать какого-то молодого блюзмена. Однако просьбам деревенских музыкантов пришлось внять, о чём Ширли и Алан не пожалели. Они увидели Фреда МакДауэлла, когда записывали музыкантов под открытым небом посреди деревьев и нескольких деревянных хижин. Эти избы были старыми и перекошенными, вокруг бродили куры, которые выискивали в земле хоть какой-то корм, рыскали странные собаки, на которых отсутствовала шерсть, голые дети бегали за этими собаками и, завидев белых людей, прятались в материнских юбках. Все было крайне убого и бедно. Вдруг кто-то крикнул: «Вот он идет!» Фред МакДауэлл появился из-за деревьев, с гитарой наперевес. Целый день он был в поле, убирал хлопок и смог прийти только вечером. Стройная изящная фигура, худое лицо, строгие черты, большие глаза, тонкие длинные пальцы. Блюзмен был одет в грубый джинсовый комбинезон. МакДауэлл оказался не таким уж молодым. Точнее, молодым он был для стариков-музыкантов, которые его рекомендовали. В действительности он был на одиннадцать лет старше Алана Ломакса и на целых тридцать - Ширли Коллинз! К лету 1959 года ему исполнилось 55 лет! Ширли рассказывает: - Он поздоровался, затем взял гитару, и первая песня, которую мы услышали, была “61 Highway”. Мы просто ахнули! В моей жизни было много чудесного и замечательного, я многое видела и многих слышала, были яркие события и незабываемые впечатления, но тогда я подумала, что со мной происходит самое значительное событие в жизни. Мы сразу поняли, что видим перед собой невероятный, выдающийся талант. Единственное, что Алан написал в своей записной книжке было слово “Perfect!” (слово означает: “Потрясающе!”, “Идеально!”, “Совершенно!” – В.П.) А восхитить Ломакса было непросто. С тридцатых годов он считался первооткрывателем блюзов Дельты. Это он открыл миру Лидбелли и Мади Уотерса… Три дня Ломакс и Ширли записывали Фреда, его жену Энни (Annie MacDowell) и сестру, которые также исполняли блюзы и спиричуэлс. Ширли говорит, что они знали очень много песен. - Можно ли отыскать место, где все это происходило? - Вполне. Это деревня Комо, штат Миссисипи… Но ведь всё происходило сорок пять лет назад, и там многое изменилось. Фред умер лет через десять после нашей встречи." (В примечании там же : "Фред МакДауэлл, благодаря записям Ломакса и Ширли Коллинз, стал известным во всем мире. Он был участником фестивалей, его издавали фирмы грамзаписи Arhoolie, Testament, Milestone, Capitol. В 1965 и 1969 годах он совершил визиты в Англию, где выступал в клубах и концертных залах, вызывая восхищение у аудитории, среди которой нашлось немало последователей. Версию его песни “You Gotta Move” с успехом играли Rolling Stones. Она вошла в их альбом “Sticky Fingers” (1971). Великий блюзмен умер 3 июля 1972 года в Мемфисе."). http://pisigin.ru/books/ocherki-ob-anglo-amerikanskoj-muzyke-tom2/7/vmesto-posles...-shirli-kollinz/ (Спасибо Валерию Писигину и его сайту http://pisigin.ru/ за предоставленную информацию). "Biography of Allmusic by Cub Koda When Mississippi Fred McDowell proclaimed on one of his last albums, "I do not play no rock & roll," it was less a boast by an aging musician swept aside by the big beat than a mere statement of fact. As a stylist and purveyor of the original Delta blues, he was superb, equal parts Charley Patton and Son House coming to the fore through his roughed-up vocals and slashing bottleneck style of guitar playing. McDowell knew he was the real deal, and while others were diluting and updating their sound to keep pace with the changing times and audiences, Mississippi Fred stood out from the rest of the pack simply by not changing his style one iota. Though he scorned the amplified rock sound with a passion matched by few country bluesmen, he certainly had no qualms about passing any of his musical secrets along to his young, white acolytes, prompting several of them -- including a young Bonnie Raitt -- to develop slide guitar techniques of their own. Although generally lumped in with other blues "rediscoveries" from the '60s, the most amazing thing about him was that this rich repository of Delta blues had never recorded in the '20s or early '30s, didn't get "discovered" until 1959, and didn't become a full-time professional musician until the mid-'60s. He was born in 1904 in Rossville, TN, and was playing the guitar by the age of 14 with a slide hollowed out of a steer bone. His parents died when Fred was a youngster and the wandering life of a traveling musician soon took hold. The 1920s saw him playing for tips on the street around Memphis, TN, the hoboing life eventually setting him down in Como, MS, where he lived the rest of his life. There McDowell split his time between farming and keeping up with his music by playing weekends for various fish fries, picnics, and house parties in the immediate area. This pattern stayed largely unchanged for the next 30 years until he was discovered in 1959 by folklorist Alan Lomax. Lomax was the first to record this semi-professional bluesman, the results of which were released as part of an American folk music series on the Atlantic label. McDowell, for his part, was happy to have some sounds on records, but continued on with his farming and playing for tips outside of Stuckey's candy store in Como for spare change. It wasn't until Chris Strachwitz -- folk-blues enthusiast and owner of the fledgling Arhoolie label -- came searching for McDowell to record him that the bluesman's fortunes began to change dramatically. Two albums, Fred McDowell, Vol. 1 and Vol. 2, were released on Arhoolie in the mid-'60s, and the shock waves were felt throughout the folk-blues community. Here was a bluesman with a repertoire of uncommon depth, putting it over with great emotional force, and to top it all off, he had seemingly slipped through the cracks of late-'20s/early-'30s field recordings. No scratchy, highly prized 78s on Paramount or Vocalion to use as a yardstick to measure his current worth, no romantic stories about him disappearing into the Delta for decades at a time to become a professional gambler or a preacher. No, Mississippi Fred McDowell had been in his adopted home state, farming and playing all along, and the world coming to his doorstep seemed to ruffle him no more than the little boy down the street delivering the local newspaper. The success of the Arhoolie recordings suddenly found McDowell very much in demand on the folk and festival circuit, where his quiet, good-natured performances left many a fan utterly spellbound. Working everything from the Newport Folk Festival to coffeehouse dates to becoming a member of the American Folk Blues Festival in Europe, McDowell suddenly had more listings in his résumé in a couple of years than he had in the previous three decades combined. He was also well documented on film, with appearances in The Blues Maker (1968), his own documentary Fred McDowell (1969), and Roots of American Music: Country and Urban Music (1970) among them. By the end of the decade, he was signed to do a one-off album for Capitol Records (the aforementioned I Do Not Play No Rock 'N' Roll) and his tunes were being mainstreamed into the blues-rock firmament by artists like Bonnie Raitt (who recorded several of his tunes, including notable versions of "Write Me a Few Lines" and "Kokomo") and the Rolling Stones, who included a very authentic version of his classic "You Got to Move" on their Sticky Fingers album. Unfortunately, this career largess didn't last much longer, as McDowell was diagnosed with cancer while performing dates into 1971. His playing days suddenly behind him, he lingered for a few months into July 1972, finally succumbing to the disease at age 68. And right to the end, the man remained true to his word; he didn't play any rock & roll, just the straight, natural blues."
"“Mississippi” Fred McDowell was a legendary bluesman, and the master of the slide or “bottleneck” style. Extremely popular in his lifetime, Fred McDowell became a hero to blues enthusiasts worldwide, and his popularity has ballooned posthumously. No one has ever paralleled McDowell’s skill or style, as he used his bottleneck on the high strings to create a melody while constantly thrashing the open low strings to create a driving rhythm. This release, the first from Devil Down Records, provides never before heard recordings of McDowell, and also include his wife Annie Mae, friend Napoleon Strickland (a legendary blues harmonica and fife player in his own right), and another unidentified musician. These recordings are different from any other of Fred McDowell due to their very nature: rather than conducted with the production of a record in mind, the recordings were made casually over the course of a night. McDowell is here heard at his best, relaxed and energetic, performing many of his most famous songs as well as songs never before recorded. With McDowell's foot tapping on the hardwood floor and laughter in the background, “Come and Found You Gone” brings listeners into that night in August, 1967, immersing us in the world of the blues house party, and guiding us through the night as it unfolded. The record begins with Fred McDowell performing solo, including some of his most noted songs, “Big Fat Mama, Meat Shakin’ On Her Bone,” and “Shake ‘Em On Down,” as well as previously unreleased songs such as “Find My Suitcase.” Napoleon Strickland and an unidentified musician join Fred McDowell for the next portion of the night, with the never before heard song “Dream I Went to the U.N.,” in which the unidentified musician sings about the Cuban missile crisis, the conflict with the former Soviet Union, and even declares that he would “..put a few soul brothers” in the White House, such as “Ray Charles and Lightnin’ Hopkins, Jimmy Reed, Bo Diddley and Big Maybelle, all I need..” Fred and Annie Mae McDowell sing hymns for the last five songs on the record, including their most widely recognized song, “Death Came In,” and the previously unreleased “Come and Found You Gone,” a six-and-a-half minute medley and tour de force of the McDowells' combined musicianship. As if the music were not enough, the record includes an interview with Dr. William Ferris, the world renowned blues scholar who made these recordings, and liner notes by Dr. Ferris, Luther Dickinson of the North Mississippi Allstars, and eminent French blues scholar Vincent Joos. Among these liner notes are eight award winning photographs by Dr. Ferris from the Otha Turner picnic in 1970, snapshots from the world Fred McDowell lived and breathed in. Luther Dickinson’s description of the music of “Come and Found You Gone” explains it all, when he says that "Fred McDowell’s music is the sound of the hills. It voices the history and culture of this land and its people. In my world, he is the king of the North Mississippi Hill Country music scene. He Influenced and inspired R.L. Burnside, Junior Kimbrough, Kenny Brown and countless others. He was a folk hero, a living legend among his peers.”"-- cdbaby "Now this here’s the first piece I learned how to play when I was a little boy: it’s called the "Big Fat Mama with the Meat Shakin’ On Her Bone.” So begins Devil Down Records’ inaugural release, Come and Found You Gone: Mississippi Fred McDowell: The Bill Ferris Recordings. Immediately, we are transported back to a night in August, 1967, when Blues scholar Bill Ferris brought together McDowell, friend and cohort, Napoleon Strickland, and Fred’s wife, Annie Mae McDowell, into the home of an “unidentified musician” for a night of recording, drinking, and good, loose fun. Then again, one could almost call the few opening minutes of this gathering breezy. Three of the first four tracks feature easily identifiable songs of McDowell and his grab bag of traditional tunes, including “Big Fat Mama,” “Shake ‘em On Down” and “Baby Please Don’t Go,” respectively. They come and go with a swift familiarity that McDowell seems almost eager to get behind him. Not until we’re introduced to the fourth track, “Find My Suitcase,” does the mood shift into something a little more focused, if not truly demonstrative of McDowell’s usual prowess and finesse as a bottleneck guitar player. He had always stressed his need for a “feeling” to accompany his playing and singing, and, to my ears, I can’t say that I hear that special confluence of the emotional and the physical until he sort of cat-walks into “Find My Suitcase.” The vamp starts off in a slow, slithering manner until, just a few bars in, the combination of melody and rhythm seems to leap into his voice and send us, the listeners, into a grinning fit of head-bobbing (in my case, also hand-clapping) joy. Up to this point it’s easily the most fluid and loaded number yet. It sounds as though he’s warmed up now; perhaps the whiskey’s starting to hit, and his “feeling” arrives in the amalgamated and masterful way any fan of Mississippi Fred McDowell has come to know and love. He performs solo throughout the first seven numbers before our “unidentified musician” takes the vocal on “Dream I Went to the UN.” Strickland follows with a hot solo harp piece called “The Boogie.” McDowell then accompanies the homeowner on a wandering version of “Little Red Rooster” before we move right into the spiritual mood of the evening, beginning with “Get Right Church,” which is far and away the most somber but moving moment on the CD. McDowell delivers a weary and sad opening, but the others, as though prompted by the tone, take up the call and deliver a mesmerized, "slain in the spirit” performance. The melody is ominous and fearful, indicative of some great underlying menace that can only be relieved by a collective rising of voice and faith. It also instigates a pivotal shift in the entire recording: only now is everyone truly involved; they are engaged in a purpose. The tenor of the evening has switched to a collective outpouring of voices and emotions that hadn’t yet been exposed. Now we hear Mae’s beautiful punctuations as well as Strickland’s and the homeowner’s presence driving the overall performances into a realized recording. It’s not that any fun is gone. It’s just that they’re all in tune with one another, and the ensuing tracks that take us into the end of Come And Found You Gone find a special accent and grace. A track called “Dialogue” (No. 13) gives the recording some additional potency. It features some testy, marital back-and-forth between Mae and Fred that the homeowner has to subdue with a very diplomatic “You’re singing fine” to Mae. It signifies a high point in the group’s general demeanor. They’re all ready, animated--- this is a party after all--- and the banter flying about the room is quick and sharp. The track keeps rolling on for another minute and a half while Fred plucks and tunes, getting ready for the next number. But Mae isn’t giving in. She ribs and taunts Fred like she wants some of the spotlight, too. It’s a great little moment in the CD that reinforces the sense of being in a very particular time and place. Ferris’s intention was clear: to capture a great musician in a casual, down-home environment. All the material is performed acoustically, and throughout the CD we can hear the room itself, the air, and in quieter numbers the soft penetration of background talk. All of these elements produce a very intimate recording. Sadly, though, some of the songs’ performances fall short or flat. One of McDowell’s many attributes is his ability to create tension. His mastery of melody and rhythm, for which there are few equals, usually has time to be developed and carried through his performances. In Come And Found You Gone many songs sound truncated, rushed, or are cut off too soon, which could be a case of something perhaps a little too intimate. One could chalk this up to a tendency among many posthumous recordings, in which, for the sake of showcasing an early or less polished performance, a listener is allowed to hear a different or less-cured approach to a song or batch of songs. I wonder if the project was compromised by a limited recording value or if McDowell himself just began to grow a little distracted, bored or tired. Don’t get me wrong--- a lack of industry polish is also a very welcome thing. I would think that this recording is only being released now because bigger, established labels may have passed on it. Not a shame at all, I say. It’s out now, and Devil Down's founder, Reed Turchi, should be commended for it. A captured night of tape in McDowell’s hometown of Como, Mississippi should demand the attention of a new and old fans alike. Unfortunately, for all the CD’s attention to the region’s invaluable musical legacy and traditions, the underlying anthropological aim to this CD is more a credit to the region and its customs than it is to a night of decent Fred McDowell recordings. A collection of photos within the CD package artfully displays the environment of The Hills (an area in northeastern Mississippi that McDowell both lived in and in whose musical traditions he was a product of), and liner notes supplied by Ferris, Luther Dickinson, and “eminent French blues scholar Vincent Joos” are by turns elegiac and informed pieces of a package intended to not only entertain but to educate its listeners as well. At first I was a bit distracted by this. I thought, What should a live recording be but a document in and of itself? A live recording should effectively conjure a singular spirit whose existence takes its shape and sound from a body of music. As such, further listening and reading encouraged me to appreciate the effort Turchi has taken to release this recording. He’s obviously a very knowledgeable and avid fan of Fred McDowell, and he has commandeered three other astute fans to help him elaborate and present a labor of love. But I can’t help asking myself: Are there better, more resounding McDowell recordings in the world? Yes. Even so, I really don’t think Come and Found You Gone was meant to be presented as the very best. It is, above all, an evocation of a humble night in which listeners are invited to participate in an integral and enriching grasp of the Blues. We get all of the fundamental ingredients: the pain, the fear, the anguish; alternatively all the fun, humor, and abandon to be found in the Blues. This record is a friendly and highly respectful homage to a person whose status resides in a pantheon reserved for only the finest and most revered Blues artists of all time."-- Pete Simonelli
Fred McDowell, voc, g; unidentified musician, voc; 13-17 - Annie Mae McDowell, voc; 9 - Napoleon Strickland, hca.
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