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(blues / piano) Leothus Lee Green - Complete Recorded Works In Chronological Order Vols.1 & 2 (1929-1937) [Document Records] - 1993, FLAC (tracks), lossless

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Leothus Lee Green - Complete Recorded Works In Chronological Order Vols.1 & 2 (1929-1937) [Document Records]
Жанр: blues / piano
Страна-производитель диска: Austria
Год издания диска: 1993
Издатель (лейбл): Document Records
Номер по каталогу: DOCD - 5187-5188
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 75:00 + 65:55
Источник (релизер): manhatan
Наличие сканов в содержимом раздачи: да
Треклист:

Код:

Lonesome Man Blues
Pork Chop Stomp
Washboard Rub
Street Walkin' Blues
Moanin' Piano Blues
She Walks Like A Maltee Cat
Number Forty-Four Blues
Railroad Blues
Down On Death Alley Blues
Five Minute Blues
If I Get Drunk Who's Gonna Carry Me Home
Dud-Low Joe
The Way I Feel Blues
All My Money Gone Blues
Little Eddie Jones
Bad Man Napper
Gambling Man Blues
Down On The Border
Memphis Fives
Bootleggin' My Jelly
Running Drunk
Death Bell Blues
I Don't Care If The Boat Don't Land
Wash Day And No Soap

Код:

Five Minute Blues
Better Bring It Right Away
Train Number 44
Death Alley Blues
Pork Chop Blues
Maltese Cat Blues
Round The World Blues
Blues About My Black Gal
Doctorin' Fool Blues
Southern Blues
Memphis Fives
44 Blues
Country Gal Blues
Sealskin Black Woman
You May Be Beautiful But You Got To Die
(Good Morning Susie) I'm Gonna Beat Your Bread
Whip It Up And Down
The Way I Feel
Border Blues
Nightime Is The Right Time
My Best Friend
Lookin' Up To Down

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NO LOGS

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NO CUE FILES

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PERFORMER: auCDtect Task Manager, ver. 1.5.1RC3 build 1.5.1.4
Copyright (c) 2008-2010 y-soft. All rights reserved
[url=http://y-soft.org]http://y-soft.org[/url]
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 24. Wash Day And No Soap.flac
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FILE: 23. I Don't Care If The Boat Don't Land.flac
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FILE: 22. Death Bell Blues.flac
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FILE: 21. Running Drunk.flac
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FILE: 20. Bootleggin' My Jelly.flac
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FILE: 19. Memphis Fives.flac
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FILE: 18. Down On The Border.flac
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FILE: 17. Gambling Man Blues.flac
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FILE: 16. Bad Man Napper.flac
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FILE: 15. Little Eddie Jones.flac
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FILE: 14. All My Money Gone Blues.flac
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FILE: 13. The Way I Feel Blues.flac
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FILE: 12. Dud-Low Joe.flac
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FILE: 11. If I Get Drunk Who's Gonna Carry Me Home.flac
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FILE: 10. Five Minute Blues.flac
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FILE: 09. Down On Death Alley Blues.flac
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FILE: 08. Railroad Blues.flac
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FILE: 07. Number Forty-Four Blues.flac
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FILE: 06. She Walks Like A Maltee Cat.flac
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FILE: 05. Moanin' Piano Blues.flac
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FILE: 04. Street Walkin' Blues.flac
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FILE: 03. Washboard Rub.flac
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FILE: 02. Pork Chop Stomp.flac
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FILE: 01. Lonesome Man Blues.flac
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Код:

-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.5.1RC3 build 1.5.1.4
Copyright (c) 2008-2010 y-soft. All rights reserved
[url=http://y-soft.org]http://y-soft.org[/url]
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 22. Lookin' Up To Down.flac
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FILE: 21. My Best Friend.flac
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FILE: 20. Nightime Is The Right Time.flac
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FILE: 19. Border Blues.flac
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FILE: 18. The Way I Feel.flac
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FILE: 17. Whip It Up And Down.flac
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FILE: 15. You May Be Beautiful But You Got To Die.flac
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FILE: 14. Sealskin Black Woman.flac
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FILE: 13. Country Gal Blues.flac
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FILE: 12. 44 Blues.flac
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FILE: 11. Memphis Fives.flac
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FILE: 10. Southern Blues.flac
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FILE: 09. Doctorin' Fool Blues.flac
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FILE: 08. Blues About My Black Gal.flac
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FILE: 07. Round The World Blues.flac
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FILE: 06. Maltese Cat Blues.flac
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FILE: 05. Pork Chop Blues.flac
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FILE: 04. Death Alley Blues.flac
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FILE: 03. Train Number 44.flac
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FILE: 02. Better Bring It Right Away.flac
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FILE: 01. Five Minute Blues.flac
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Leothus Lee Green, also known as Pork Chops, was an early contemporary of Little Brother Montgomery and a mentor to Roosevelt Sykes. Born in Mississippi around 1900, Green worked as a clothes presser in Vicksburg while perfecting his piano technique. Soon Leothus was traveling throughout the Lower Mississippi River Basin, earning a living by playing piano for the people. Montgomery knew him in Vicksburg, and claimed to have taught him the "44 Blues" in Sondheimer, LA, back in 1922. Sykes first heard Green in 1925 playing his own loosely improvised ragtime, waltz, blues, and jazz accompaniments for silent movies at Miller's Theatre in West Helena, AR. Green taught the then jazz-oriented Sykes how to really play the blues, and the two men became traveling and gigging companions, circulating throughout the region for several years, often simultaneously performing on opposite sides of the same town. Green made his first four recordings in Richmond, IN, for Gennett and Supertone on July 10, 1929, just weeks after Sykes cut his first sides for OKeh in New York. Excepting for a brief excursion to New York in August 1937, Green performed and recorded mainly in or near Chicago. He cut 24 sides for Vocalion in 1929 and 1930, and 14 titles for Decca between August 1934 and September 1937. His last records were made for the Bluebird label in Aurora, IL, on October 11, 1937. Although primarily a bluesman, he was capable of quoting ragtime novelties, shifting into boogie-woogie, and running stride-like jazz passages. Little is known about the life of Leothus Lee Green; his death is believed to have occurred around 1945. All of his known recordings have been reissued in chronological sequence by the Document label.

Mississippi-born piano man Leothus Lee Green had a lot in common with his contemporary Little Brother Montgomery; he also taught young Roosevelt Sykes the rudiments of blues piano. In 1994, Document Records reissued all of Green's 44 known recordings in two volumes. The first half of Green's recorded legacy opens with six rare sides waxed in Richmond, IN on July 10, 1929; two of these involved vocalist F.T. Thomas and an unidentified alto saxophonist. "Pork Chop Stomp" and "Washboard Rub" are frantic ragtime barrelhouse novelties during which Green pounds both piano and celeste while emitting a constant nutty stream of raunchy, irreverent commentary. He also sings like Jelly Roll Morton and plonks out Zez Confrey imitations during the "Washboard Rub," with lots of expostulations like "you make me nervous all over, man!" The next leg of this man's discography consists of 18 sides recorded for Vocalion between August 21, 1929 and January 16, 1930. Some of these old platters are scratchy and somewhat distorted. The pianist ground out a bit of boogie-woogie during "Dud Low Joe" and "Memphis Fives," but he obviously preferred a slower, more easygoing pace; during his later years Green really settled in with the slow and easy approach. On "Wash Day and No Soap," he visits an earthy topic mentioned elsewhere by Rex Stewart and Washboard Sam; he takes it to another level by repeatedly rhyming "soap" with "dope," implying that those who overindulge in the latter will forget to purchase and use the former.

The second half of Leothus Lee Green's recorded legacy is made up of 22 recordings he made in Chicago, New York and Aurora IL between November 4, 1930 and October 11, 1937. Green came up with Little Brother Montgomery in Vicksburg, MS during the early '20s. By 1925 he was mentoring young Roosevelt Sykes; the recordings on this compilation clearly reveal Green's influence upon Sykes, whose earthy, casual voice is audible in the shared dialogue throughout "Train Number 44." By 1930, Green was settling into a style that was more ruminative than the rowdier, Cow Cow Davenport - like approach used on a few of his earlier recorded performances. Occasionally he'd sing with an emotionally stoked vibrato, but most of the time his voice has a comforting depth comparable to that of Big Maceo Merriweather. The personnel listings on this compilation are as dicey as anything else associated with Leothus Green; the guitarist on "Memphis Fives" is believed to have been Peetie Wheatstraw, and other possible identities for guitar players heard throughout the compilation include Sleepy John Estes, Charlie Pickett and Willie B. James. Someone, presumably Hammie Nixon, gently uses a whiskey jug to blow basslines on "You May Be Beautiful But You Got to Die" and "Good Morning Susie, I'm Gonna Beat Your Bread."

Как обычно, сначала о моих манипуляциях: материал в m4a lossless, я конвертировал во flac, проверил auCDtect (все треки CDDA, за исключением двух MPEGов - одного в первом томе, одного - во втором) и добавил playlist.
Обоим томам arwulf arwulf дал по четыре с половиной звезды...
Всё прочтёте в биографии и в ревью, меня удивило, что Леотус, оказывается, был первым учителем и наставником Рузвельта Сайкса. Записи очень интересные, любители пиано-блюза, я считаю, must have.
Merci beaucoup, manhatan!
до завтра, дорогие мои любители roots blues и
приятного прослушивания!
МОИ РАЗДАЧИ

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Каталог "Document Records" (ссылки на альбомы)

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