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(blues) VA - Texas Blues 1927 - 1935 (Coley Jones, Bo Jones, Little Hat Jones, Oak Cliff T-Bone (Walker), Willie Reed) [Document Records] - 1994, MP3, 320 kbps

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Various Artists - Texas Blues 1927 - 1935 (Coley Jones, Bo Jones, Little Hat Jones, Oak Cliff T-Bone (Walker), Willie Reed) [Document Records]
Жанр: blues
Страна: Austria
Издатель (лейбл): Document Records
Номер по каталогу: DOCD - 5161
Год издания: 1994
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 75:23
Источник (релизер): azzul, blogspot.com
Наличие сканов в содержимом раздачи: да, фронт
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[b]Coley Jones[/b]
Army Mule In No Man's Land
Traveling Man
Drunkard's Special
The Elder's He's My Man
[b]Bo Jones[/b]
Back Door Blues
Leavenworth Prison Blues
[b]Little Hat Jones[/b]
New Two Sixteen Blues
Two String Blues
Rolled From Side To Side Blues
Hurry Blues
Little Hat Blues
Corpus Blues
Kentucky Blues
Bye Bye Baby Blues
Cross The Water Blues
Cherry Street Blues
[b]Oak Cliff T-Bone (Walker)[/b]
Trinity River Blues
Wichita Falls Blues
[b]Willie Reed[/b]
Dreaming Blues
Texas Blues
Leavin' Home
Goin' Back To My Baby
Some Low Down Groundhog Blues
All Worn Out And Dry Blues

One of Document's many regional blues anthologies, Texas Blues 1927-1935 is a particularly fine sampling of work by five different Lone Star bluesmen. You'll probably want to note that it contains T-Bone Walker's first two sides, which were waxed in Dallas near the end of 1929. Walker's primary inspirations were his boyhood friend Blind Lemon Jefferson, master guitarist Lonnie Johnson, and Johnson-influenced, Louisiana based Carl Davis, who backed Walker on this session along with pianist Douglas Fernell (or Finnell). For his first-ever 78 rpm phonograph record, Aaron Thibeaux Walker chose to be identified as "Oak-Cliff T-Bone." Oak Cliff was a section of South Dallas which served as his stomping grounds and was already well on its way to becoming an important locus for the African American population. "Trinity River Blues" describes a devastating flood (presumably the one that took place in 1908), while "Wichita Falls Blues" is primarily about his girlfriend. In keeping with the interconnectivity that always seems to have characterized the Southwestern blues environment, this collection also brings to light the first four sides ever recorded by another mentor of Walker's, Coley Jones, who led the Dallas String Band and recorded with vocalist Bobbie Cadillac. What Jones performed at his session in December 1927 were comedic narrative routines that root back to folk tradition, vaudeville, minstrelsy, and medicine shows. (For a real treat, compare Coley's "Drunkard's Special" and "Army Mule in No Man's Land" to the monologues of old-time British comedian Stanley Holloway.) To vary the mix, the producers of this collection added six rare titles by Willie Reed and two by Bo Jones, whose sounds have been compared with those of Alabamian bluesman Barefoot Bill. These straightforward rural Southern blues rituals add substance and depth to an already richly stocked archive of vintage Texas blues. Even given the wealth of talent already described, some may regard the complete recorded works of George Dennis "Little Hat" Jones as the real goldmine at the heart of this collection. While everyone else on this disc worked out of Dallas, Little Hat's home turf was San Antonio, and that's where his ten titles were recorded in 1929 and 1930. Something about this man is mesmerizing, and exposure to his expressive voice and personalized guitar technique may be habit forming. Although he lived until 1981, these are apparently the only records Little Hat ever made under his own name. Like Carl Davis and Willie Reed, he also recorded with Alger Texas Alexander. "Two String Blues" and "New Two Sixteen Blues", in fact, were cut on June 15, 1929, at the same session as Alexander's "Ninety-Eight Degree Blues" and "Someday, Baby, Your Troubles Is Gonna Be Like Mine.

Featuring:
Coley Jones, vocal, guitar.
“Bo” Jones, vocal, guitar.
“Little Hat” Jones, vocal, guitar.
“Oak-Cliff T-Bone” (Walker), vocal, poss. Guitar.
Willie Reed, vocal, guitar.
Genres: Texas Country Blues
Informative booklet notes by Paul Garon. Detailed discography.
This excellent and broad collection highlights many aspects of the Texas blues, from its ballad and folkloric components (Coley Jones' Drunkard's Special, Little Hat Jones' Kentucky Blues) to its tent show strands (Coley Jones' Army Mule In No Man's Land and Travelling Man), all combining to create the coarser weave of the Texas blues. The most familiar performer on this set is T-Bone Walker, represented by his first record, recorded under the name of Oak Cliff T-Bone. No less intriguing, but certainly more unknown is Dennis "Little Hat" Jones, an unusual and remarkable guitarist. His approach to the guitar was distinctive and several of his solos, for example, on Cross The Water Blues and Hurry Blues, are almost bizarre. His Kentucky Blues is a version of W C. Handy and Chris Smith's "Long Gone" (1920), itself based on a bad man ballad from Kentucky, and the same piece was recorded a few years later by a Texas pianist named Andy Boy. For the fan of “down-home” guitar blues, the 12 pieces by Little Hat Jones and Bo Jones, along with those by Willie Reed, will be the high spots of this CD. Bo Jones has a sombre and mournful approach to his pieces that is reminiscent of Alabama's Barefoot Bill. Reed has a less differentiated approach, but he's a dynamic performer, and it's interesting to note that along with many of the performers here, Reed at one time accompanied the legendary and prolific Texas Alexander. So did Little Hat Jones and Carl Davis. Goin' Back To My Baby, recorded from an unissued test pressing, appears here for the first time anywhere. The diverse musicianship of Coley Jones is worthy of comment. At home as an accompanist to a “down-home” blues performance or as the leader of a string band with a varied repertoire consisting of blues, dance tunes and pop songs, he was also at home performing vaudeville or tent show numbers that were as reminiscent of the minstrel stage as they were of blues. Such musicianship was often a necessary concomitant of survival, and we will not be surprised to learn the T-Bone Walker cut his teeth playing in Jones' Dallas String Band (see DOCD 5162). On this CD, each of Jones' numbers derives from a tent show or folklore source. Army Mule In No Man's Land takes an ironic and sardonic look at blacks in the armed force, while The Elder's He's My Man parodies the church and the minister. Drunkard's Special is based on a child ballad called "Our Goodman" and was also recorded by Sonny Boy Williamson (Rice Miller) in 1958 as "Wake Up Baby". Travelling Man, also known as "The Travelling Coon", was widely recorded and has affinities with the lore and tales of "Shine And The Titanic" and other bad man or hero songs of black folklore.

Allmusic дал диску четыре с половиной звезды.
Продолжим с Документом... Сборник техасского блюза, записи 1927-1935 годов... Обращу внимание - на диске две первые студийные записи T-Bone Walker'a.
Приятного прослушивания!
МОИ РАЗДАЧИ

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Каталог "Document Records" (ссылки на альбомы)

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