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(Pop-Rock, Southern Rock'n'Soul) [CD] Paul Thorn - Are You with Me - 2004, FLAC (image+.cue), lossless

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Paul Thorn / Are You with Me
Жанр: Pop-Rock, Southern Rock'n'Soul
Носитель: CD
Страна-производитель диска (релиза): USA
Год издания: 2004
Издатель (лейбл): Back Porch Records (Virgin Music / EMI)
Номер по каталогу: 72435-70862-2-6
Страна исполнителя (группы): USA
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:45:32
Источник (релизер): own collection
Наличие сканов в содержимом раздачи: да
Треклист:

01. Lovers Vacation (Paul Thorn / Billy Maddox) 03:42
02. If I Can Get Over Her (Paul Thorn / Billy Maddox) 03:21
03. High (Paul Thorn / L. White / Billy Maddox) 03:07
04. Love on Me (Paul Thorn) 03:53
05. She Won't Cheat on Us (Paul Thorn / Billy Maddox) 03:28
06. That's a Lie (Paul Thorn / J. Flowers / Billy Maddox) 03:36
07. I Don't Wanna Know (Paul Thorn / C. Cannon) 03:49
08. Are You With Me? (Paul Thorn / Billy Maddox) 03:53
09. If You Can't Love Me 4-Ever (Paul Thorn / Billy Maddox) 04:03
10. Nothin' to Show for It (Paul Thorn / Billy Maddox) 04:10
11. Almost What You Need (Paul Thorn / B. Lynch / Billy Maddox) 03:50
12. Love Will Find You (Paul Thorn / Billy Maddox) 04:39

Код:

Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 26. April 2017, 18:50
Paul Thorn / Are You with Me?
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Null samples used in CRC calculations       : Yes
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Range status and errors
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     Peak level 98.8 %
     Extraction speed 7.3 X
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     Test CRC 52063330
     Copy CRC 52063330
     Copy OK
No errors occurred
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Доп. информация: Album art by Paul Thorn.

Tupelo, Mississippi's Paul Thorn was a prizefighter and skydiver before becoming a rootsy singer/songwriter. As a boxer Thorn once fought against Roberto Duran, and as a musician he has toured and collaborated with Sting, Paul Carrack, Joe Diffie, Tanya Tucker, Ronnie Milsap, and Carole King, to name a scant few.
Thorn is the son of a Pentecostal preacher; gospel music was in his blood from birth and has remained a lifelong passion. Music wasn't his first choice as a profession, however; boxing was. He fought professionally in the 1980s. After retiring, he embraced music, but continued to pay the rent with a day job -- until music entrepreneur and manager Miles Copeland heard him play a show in a Tupelo pizzeria. Copeland signed him to A&M. His debut album, Hammer and Nail, was issued in 1997. Thorn moved to Copeland's Ark 21 for 1999's Ain’t Love Strange.
A formidable guitarist, Thorn decided to showcase his chops and the rock & roll side of his roots music on the celebrated Mission Temple Fire Works Stand in 2002. His took on the weighty subject of love for 2004's Are You with Me?, using a more stripped-down style of production and R&B-based grooves to illustrate his material.
Thorn took a four-year break from recording, though he still gigged -- if not incessantly, then abundantly -- in the United States and Europe. When he did return, on 2008's A Long Way from Tupelo, he'd melded all of his previous explorations holistically into a resonant Americana with his gritty, expressive, soulful voice atop it all. In 2010 he released the humorously yet poignantly titled Pimps and Preachers on his own Perpetual Obscurity label, and followed it in 2012 with his first all-covers collection, What the Hell Is Goin' On?; the album featured Thorn's versions of tunes by Rick Danko, Allen Toussaint, Donnie Fritts, Lindsey Buckingham, Ray Wylie Hubbard, and others. Thorn returned with a strong album of originals, Too Blessed to Be Stressed, in 2014. (Heather Phares, AllMusic)

In listening to Paul Thorn's fourth album, and the direct follow-up to 2002's iconoclastic wonder Mission Temple Fire Works Stand, one cannot help but think that he's spent some time listening to other people's records as well. Are You With Me is a collection of self-penned songs about love; for, against, happy, sad, grief-stricken and bewildered. Nonetheless, it feels like a singer's record. In the laid-back, R&B-drenched grooves one can imagine Thorn listening to recordings as diverse as Lowell George's Thanks I'll Eat It Here, Frankie Miller's High Life, Willy Deville's Backstreets of Desire, Boz Scaggs' Some Change, and Allen Toussaint's From a Whisper to a Scream. It's not that Thorn's fine album sounds like these discs in the slightest, or that he actually referenced them, it's the feel that's similar. Those familiar with Thorn's rollicking blues-based approach to rhythm and blues will be surprised this time out because the Tupelo, Mississippi native's sound comes right from heart of Southern soul on this outing. The album feels like a suite, examining all the stages of love, from bliss to heartbreak, from acceptance to the willingness to try again. Horns, backing vocalists and funky basslines abound in tracks like “She Won't Cheat on Us,” as do the shimmering snare and hand drums prompting languid syncopated guitars and a gritty, emotionally honest vocal on “I Want You to Love on Me.” There's the dirty horns and B3 that frame “High,” and the light, Caribbean-soul inflected R&B that slips and winds around the singer in “If I Can Get Over Her,” and the post-midnight smoky groove where crooner and in-the-pocket six-strings pair on “That's a Lie” that preempts the summery afternoon shimmy of “I Don't Wanna Know.” Everywhere the sound of Southern Soul permeates, and Thorn's sweet croon rises above and slips through his words. Thorn is the kind of wordsmith where humor, tragedy and emotional honesty entwine and intermingle—check out the simmering deep soul of “If You Can't Love Me Forever.” This album stands in sharp contrast to the barroom rowdiness of his earlier outings; if this record lacks the intensity that Mission Temple Fire Works Stand has, it's because it is supposed to. There is real vulnerability in Thorn's protagonists and the way he sings their truths; they're never wimps, they're merely hopeful or broken men trying to communicate from inside their experiences. Ultimately, Thorn shows once again he's a songwriter to be reckoned with, but this time out he proves in spades that he's a soul singer who can slip down into the murk and mess of human emotions with style and aplomb. (Thom Jurek, AllMusic)

Paul Thorn: vocals, electric guitar (#4)
Jason Palmer: drums (#1 – 5, 8 -10, 12), tambourine, percussion
Doug Kahan: bass, baritone guitar (#2), fretless bass (#4)
Bill Hinds: electric and acoustic guitars, solo guitar (#4, 8, 12), hi string and baritone guitars (#8)
Bob Britt: dobro (#1), lap steel (#1), solo guitar (#3, 7), electric guitar (#7, 11, 12), 12-string electric guitar (#8, 11), classical guitar (#10)
Michael Graham: Wurlitzer (#1, 6, 7), solo keyboard (#2), organ (#3, 6, 8, 10, 11, 12) Rhodes (#3, 11), synths (#4, 5, 11), glav (#5), loops (#6), piano (#9, 10, 11, 12), baritone guitar (#11), strings (#12)
Additional musicians:
Weylon Michael: electric guitar (#1), solo guitar (#1, 2)
Cindy Walker: background vocals (#1, 3, 5, 9, 11)
Marie Lewy: background vocals (#1, 3, 5, 9, 11)
Carla Russell: background vocals (#1, 3, 5, 9, 11)
Vinnie Ciesielski: trumpet (#1, 3, 5)
Charlie Rose: trombone, horn arrangement (#1, 3, 5)
Harvey Thompson (#1, 3, 5)
Stan Thorn: piano (#2, 4), Wurlitzer (#5), organ (#9)
Richard Dabbs: bass (#3, 8)
Jeffery Perkins: drums (#6, 7, 11)
Produced by “Sweet Tea” and “Black Eyed Pea”

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