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The '5' Royales / All Righty!
Жанр: Doo Wop / Jump Blues
Страна-производитель диска
: England
Год издания диска: 1999
Издатель (лейбл): West Side Records
Номер по каталогу: WESM 591
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 69:05
Источник (релизер): KEITH MOON
Наличие сканов в содержимом раздачи: да
Треклист:

01. The -5- Royales / Too Much of a Little Bit
02. The -5- Royales / Give Me One More Chance
03. The -5- Royales / You Know I Know
04. The -5- Royales / Courage to Love
05. The -5- Royales / Baby Take All of Me
06. The -5- Royales / Baby Don't Do It
07. The -5- Royales / Crazy, Crazy, Crazy
08. The -5- Royales / Help Me Somebody
09. The -5- Royales / Laundromat Blues
10. The -5- Royales / Too Much Lovin'
11. The -5- Royales / I Wanna Thank You
12. The -5- Royales / All Righty
13. The -5- Royales / I Do
14. The -5- Royales / Good Things
15. The -5- Royales / Cry Some More
16. The -5- Royales / I Like It Like That
17. The -5- Royales / What's That
18. The -5- Royales / Let Me Come Back Home
19. The -5- Royales / Put Something in It (With All Your Heart)
20. The -5- Royales / Six O'Clock in the Morning
21. The -5- Royales / See, Hear and Know Nothing
22. Royal Sons Quintet / So God Can Use Me
23. The -5- Royales / I Am Thinking
24. Royal Sons Quintet / I Wanna Rest
25. The -5- Royales / Put Something in It (With All Your Heart)
26. Royal Sons Quintet / Bedside of a Neighbor
27. Royal Sons Quintet / Journey's End
28. Royal Sons Quintet / Come over Here
29. Royal Sons Quintet / Let Nothing Separate Me
Код:
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 3. December 2011, 11:15
The 5 Royales / All Righty!
Used drive  : _NEC    DVD_RW ND-3550A   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--ta
TOC of the extracted CD
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    ---------------------------------------------------------
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       24  | 61:13.09 |  2:45.50 |    275484    |   287908
       25  | 63:58.59 |  2:52.58 |    287909    |   300866
       26  | 66:51.42 |  2:24.48 |    300867    |   311714
       27  | 69:16.15 |  2:45.57 |    311715    |   324146
       28  | 72:01.72 |  3:10.69 |    324147    |   338465
       29  | 75:12.66 |  3:15.49 |    338466    |   353139
Range status and errors
Selected range
     Filename C:\FINISH\The 5 Royales - All Righty! (1999)\The 5 Royales - All Righty!.wav
     Peak level 93.8 %
     Extraction speed 5.8 X
     Range quality 100.0 %
     Test CRC 3F85CC6D
     Copy CRC 3F85CC6D
     Copy OK
No errors occurred
AccurateRip summary
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Track  3  accurately ripped (confidence 2)  [BE91BF03]  (AR v1)
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Track 27  accurately ripped (confidence 2)  [D05DF952]  (AR v1)
Track 28  accurately ripped (confidence 2)  [BEED06DC]  (AR v1)
Track 29  accurately ripped (confidence 2)  [46D4D181]  (AR v1)
All tracks accurately ripped
End of status report
==== Log checksum B0F8377EFBC6EB7FAB5A5FBD628BD8D279451A0A458E9EC627047EFF67110733 ====
Доп. информация: http://www.youtube.com/watch?v=0st5r2ZK0DI
The "5" Royales were a relatively unheralded, but significant, link between early R&B and early soul in their combination of doo wop, jump blues, and gospel styles. Their commercial success was relatively modest -- they had seven Top Ten R&B hits in the 1950s, most recorded in the span of little over a year between late 1952 and late 1953. A few of their singles would prove extremely popular in cover versions by other artists, though -- James Brown and Aretha Franklin tore it up with "Think," Ray Charles covered "Tell the Truth," and the Shirelles (and later the Mamas & the Papas) had pop success with "Dedicated to the One I Love." Almost all of their material was written by guitarist Lowman Pauling, who influenced Steve Cropper with his biting and bluesy guitar lines, which at their most ferocious almost sound like a precursor to blues-rock.
Pauling's guitar is pretty muted on their early sides, though, which sometimes walk the line between gospel and R&B. The gospel elements aren't surprising, given that the Royales were originally known as the Royal Sons Quintet when they formed in Winston-Salem, N.C. In fact, they were still known as the Royal Sons Quintet when they began recording for Apollo in the early '50s, although they had six members. They would change their name to the "5" Royales in 1952, although they would, confusingly, remain a six-man outfit for a while; the quotes around the 5 in their billing were designed to alleviate some of the confusion. The Apollo singles "Baby Don't Do It" and "Help Me Somebody" made number one on the R&B charts in 1953, and they had a few other hits for Apollo before being lured away to King Records in 1954.
Although the group would remain on King for the rest of the 1950s, they would only enter the R&B Top Ten two more times, with "Think" and "Tears of Joy" (both in 1957). Their later sides, however, are their best, as Pauling became much more assertive on the guitar, dashing off some piercing and fluid solos. Some of these solos are among the heaviest and wildest in '50s rock, on both relatively well-known cuts like "Think," and virtually unknown numbers like "The Slummer the Slum." Greil Marcus once wrote something to the effect that a young Eric Clapton would have once paid to hold Pauling's coat. They remained primarily a harmony vocal group, though, and if their late-'50s sides are considerably more modernized than their early Apollo hits, they're still a lot closer to doo wop than soul.
Even when their records weren't selling, the "5" Royales were a popular touring band. Their constant activity at King Records, in all likelihood, had some influence on the young James Brown, then starting his career on the same label; one of Brown's first big R&B hits was a frenetic cover of "Think." They couldn't sustain themselves without more hits, though. After leaving King and recording some more sides in the early '60s, they finally broke up by 1965.
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