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VA Colossus projects
Giallo! - One Suite for The Murderer

Жанр: Progressive rock
Год выпуска диска: 2008
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Трэклист:

1. Frammento Rosso (Intro) (0:58)
(Alfio Costa)
2. Visions of Helga (26:11)
(Dark Session)
3. Vecchi Giochi (21:03)
(Leviathan)
4. Suite Dall'inconscia dell'Assassino (25:06)
(Floating State)
5. Mirrors (outro) (1:34)
(Alfio Costa)
Доп. информация: The Colossus projects have become real landmarks, as far as good ol' vintage Progressive rock music is concerned ! The new project jointly published by the Musea label and the finnish magazine Colossus is called GIALLO !, and subtitled "One Suite For The Murderer". That Progressive rock concept-album has been inspired by the famous film by Dario ARGENTO called "Deep Red" (1975). The story has been divided in three chapters, and each band participating has chosen one, to make a suite inspired by it. Add to this a short "intro" and "outro" performed by Alfio COSTA on keyboards. The latter is also featured in the first track, performed by DARK SESSION, an offshoot of the Italian band TILION. LEVIATHAN and FLOATING SPACE are the two other artists featured in this disc. As ever, the total length of each suite is about 20 to 25 minutes, the sound palette is clearly influenced by the Italian School of the Seventies (IL BALETTO DI BRONZO, UN BIGLIETTO PER L'INFERNO...), and the original keyboards (Hammond organ, Moog, Mellotron, Fender Rhodes, Grand Piano...) rule the world here. To be discovered !
As with most releases where the participating artists are bound to follow certain rules, you might expect the compositions to share some similar traits. But on this album, which has also been the case with most of the other Colossus projects in the series I've come across, the tracks show a great deal of diversity, much more than you'd imagine for songs made under the conditions stated earlier here. Opening and closing the album are some short mood pieces by Alfio COSTA. These tracks seem to be made to set a certain mood only, and are generally too short to have a real impact one way or the other. The three main compositions are quite a different kettle of fish though, and first out is the contribution from DARK SESSION. This project, basically a one man band with one guest musician it seems, has a clear and distinct focus on creating eerie atmospheres throughout the music, providing dark, creepy Gothic textures. The music is highly symphonic in nature, with floating and swirling keyboard patterns as one central element, guitar riffs as well as atmospheric guitar solos as other important parts of this whole. Both components are used to create melodic but eerie and creepy sounds; guitars at times distorted and played in a manner that sounds sick; keyboard sounds broken off and playing notes in a fashion that leaves the impression of being generally wrong. Harpsichord, bass guitar and drums help matters along, adding in more normal sounds that contrast with those eerie colors from guitars and keyboards; the same goes for acoustic guitars and some more traditionally-sounding keyboard layers. But most times one or more eerie element is present in this song, creating a very peculiar but fascinating atmosphere. The song as such is symphonic rock through and through in style, with a mood that made me think of the writings of Edgar Allan Poe as well as Sir Arthur Conan Doyle's novel "The Hound of the Baskervilles" - Gothic in the original meaning of the word. LEVIATHAN's contribution is quite different in mood and style. There are some dark, brooding and at times eerie atmospheres here as well, but in no way close to the previous composition. Segments dominated by acoustic guitars and lush keyboards are mixed with more pace-filled segments containing driving bass lines, guitar - and quite extensive use of the Hammond. Often these various segments will evolve from one mood to another and the general approach is theatrical in manner. Also, the band seems to enjoy adding melodramatic touches. There's a fair bit of vocal parts on this song, most often with a female vocalist leading, and these vocal performances underline the theatrical and melodramatic touches to this composition. Sparkled with a decent amount of atmospheric soloing from guitar, keyboards and organ alike, and with a dark, almost haunting end segment, this track is really intriguing once it gets going, and a clear highlight for me personally on this release. FLOATING STATE didn't convince me that much with their contribution, though. Their contribution is undoubtedly symphonic in style, but there are just some elements that don't appeal to me. The various individual effects are much to my liking usually: Hammond organ, staccato and at times avant-garde tinged segments, saxophone solos, a distinct jazz-influence appearing quite often in this song, mellow moves with floating keyboards as well as driving arrangements with swirling ones. There's a good variety in sound, style and atmosphere, but a lack of cohesion and many segments where too much is happening at once may be what fails to appeal me on this occasion. Often I found that the mix of instruments turned me off as well, the manner in which the various instruments were utilized at the same time created a chaotic soundscape rather than a complex multilayered texture, according to my ears. For me this one is a jazz-influenced symphonic workout with promise, but one that needs to be developed to become very interesting.
Log
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 11. August 2008, 11:55
Giallo! / One Suite for The Murderer
Used drive : _NEC DVD_RW ND-3500AG Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 0:59.00 | 0 | 4424
2 | 0:59.00 | 26:12.00 | 4425 | 122324
3 | 27:11.00 | 21:04.00 | 122325 | 217124
4 | 48:15.00 | 25:07.00 | 217125 | 330149
5 | 73:22.00 | 1:35.00 | 330150 | 337274
Track 1
Filename E:\EAC_Extractions\Giallo! - One Suite for The Murderer\01 - Alfio Costa - Frammento.wav
Pre-gap length 0:00:02.00
Peak level 96.6 %
Track quality 100.0 %
Test CRC D6255E10
Copy CRC D6255E10
Track not present in AccurateRip database
Copy OK
Track 2
Filename E:\EAC_Extractions\Giallo! - One Suite for The Murderer\02 - Dark Session - Visions of Helga.wav
Peak level 96.6 %
Track quality 99.9 %
Test CRC 63E0626F
Copy CRC 63E0626F
Track not present in AccurateRip database
Copy OK
Track 3
Filename E:\EAC_Extractions\Giallo! - One Suite for The Murderer\03 - Leviathan - Vecchi giochi.wav
Pre-gap length 0:00:02.94
Peak level 96.6 %
Track quality 100.0 %
Test CRC F5CFFB25
Copy CRC F5CFFB25
Track not present in AccurateRip database
Copy OK
Track 4
Filename E:\EAC_Extractions\Giallo! - One Suite for The Murderer\04 - Floating State - Suite dall'inconscio dell'assassino.wav
Pre-gap length 0:00:01.85
Peak level 99.3 %
Track quality 100.0 %
Test CRC 076EF25E
Copy CRC 076EF25E
Track not present in AccurateRip database
Copy OK
Track 5
Filename E:\EAC_Extractions\Giallo! - One Suite for The Murderer\05 - Alfio Costa - Mirror.wav
Pre-gap length 0:00:00.88
Peak level 96.6 %
Track quality 99.8 %
Test CRC 97E24026
Copy CRC 97E24026
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
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