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▲ John Hollenbeck

SONGS WE LIKE A LOTЖанр: Contemporary Jazz, Modern Big Band, Vocal
Страна-производитель диска: USA
Год издания: 2015
Издатель (лейбл): Sunnyside Records
Номер по каталогу: SSC 1412
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 57:08
Источник (релизер): спасибо wmbevin
Наличие сканов: нет
ТРЕКЛИСТ:
1 How Can I Keep from Singing
2 True Colors
3 Constant Conversation
4 Close to You
5 Get Lucky Manifesto
6 The Snow Is Deep on the Ground
7 Up Up and Away
Код:
X Lossless Decoder version 20141129a (148.2)
XLD extraction logfile from 2016-01-01 22:22:03 -0500
John Hollenbeck / Songs We Like a Lot
Used drive : MATSHITA DVD-R   UJ-8A8 (revision HB14)
Media type : Pressed CD
Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction  : 102
Max retry count         : 20
Gap status              : Analyzed, Appended (except HTOA)
TOC of the extracted CD
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        6  | 37:33:10 | 11:18:29 |    168985    |   219863
        7  | 48:51:39 | 08:17:15 |    219864    |   257153
AccurateRip Summary
    Disc not found in AccurateRip DB.
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Track 01
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Track 03
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Track 04
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Track 05
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Track 07
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No errors occurred
End of status report
Код:
TITLE "Songs We Like a Lot"
PERFORMER "John Hollenbeck"
CATALOG 0167281412226
REM GENRE "Jazz"
REM DATE "2015"
REM DISCNUMBER 1
REM TOTALDISCS 1
REM DISCID 580D6407
REM REPLAYGAIN_ALBUM_GAIN -6.91 dB
REM REPLAYGAIN_ALBUM_PEAK 0.982330
FILE "01 How Can I Keep From Singing.flac" WAVE
  TRACK 01 AUDIO
    TITLE "How Can I Keep From Singing"
    ISRC US2W61541201
    REM REPLAYGAIN_TRACK_GAIN -7.48 dB
    REM REPLAYGAIN_TRACK_PEAK 0.976501
    INDEX 01 00:00:00
FILE "02 True Colors.flac" WAVE
  TRACK 02 AUDIO
    TITLE "True Colors"
    ISRC US2W61541202
    REM REPLAYGAIN_TRACK_GAIN -6.64 dB
    REM REPLAYGAIN_TRACK_PEAK 0.977692
    INDEX 01 00:00:00
FILE "03 Constant Conversation.flac" WAVE
  TRACK 03 AUDIO
    TITLE "Constant Conversation"
    ISRC US2W61541203
    REM REPLAYGAIN_TRACK_GAIN -4.59 dB
    REM REPLAYGAIN_TRACK_PEAK 0.975494
    INDEX 01 00:00:00
FILE "04 Close to You.flac" WAVE
  TRACK 04 AUDIO
    TITLE "Close to You"
    ISRC US2W61541204
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    REM REPLAYGAIN_TRACK_PEAK 0.977600
    INDEX 01 00:00:00
FILE "05 Get Lucky Manifesto.flac" WAVE
  TRACK 05 AUDIO
    TITLE "Get Lucky Manifesto"
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    REM REPLAYGAIN_TRACK_PEAK 0.976776
    INDEX 01 00:00:00
FILE "06 The Snow is Deep on the Ground.flac" WAVE
  TRACK 06 AUDIO
    TITLE "The Snow is Deep on the Ground"
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    REM REPLAYGAIN_TRACK_PEAK 0.975342
    INDEX 01 00:00:00
FILE "07 Up Up and Away.flac" WAVE
  TRACK 07 AUDIO
    TITLE "Up Up and Away"
    ISRC US2W61541207
    REM REPLAYGAIN_TRACK_GAIN -7.62 dB
    REM REPLAYGAIN_TRACK_PEAK 0.982330
    INDEX 01 00:00:00
John Hollenbeck continues his string of fine large-ensemble outings with the 2015 Sunnyside album Songs We Like a Lot, following up Songs I Like a Lot, released in 2013 on the same label. Again mainly featuring Hollenbeck arrangements of favorite songs penned by others, the album also includes two compositions he wrote, "Constant Conversation" and "The Snow Is Deep on the Ground," the former with words by 13th century Persian poet and mystic Rumi and the latter — first heard on the 2011 Claudia Quintet album What Is the Beautiful? — with words by poet Kenneth Patchen. And like the initial Songs collection, the music here is performed by the Frankfurt Radio Bigband with singers Theo Bleckmann and Kate McGarry; Uri Caine is also featured on piano and organ. Hollenbeck has a keen ear for creating gorgeous music with unique timbral palettes, as in Claudia Quintet's combination of drums, vibraphone, reeds, accordion, and bass, and this album — like his other big-band endeavors — presents similarly attractive sonic variety across a more sweeping canvas. With its opening moments of shimmering vibes, piano, and clarinet, leadoff track "How Can I Keep from Singing," a 19th century hymn written by Robert Wadsworth Lowry with later lyric contributions from Pete Seeger and Doris Plenn, indeed begins in Claudia-esque territory, but over the course of its nine-plus minutes — noteworthy for McGarry's spirited, Celtic-tinged vocal, Caine's subtly sanctified piano, Bleckmann's lovely wordless melodiousness, and a smoothly soulful tenor saxophone feature for Steffen Weber — builds from minimalist instrumental counterpoint into a brass fanfare-laden crescendo that conveys thrilling exultance.
As for the two aforementioned original compositions, "Constant Conversation" features Middle Eastern thematic motifs, rhythms, and drones surrounding McGarry's spoken delivery of Rumi's words, illustrating Hollenbeck's truly expansive definition of "song"; while "The Snow Is Deep on the Ground" is the album's most explicit example of how Hollenbeck can turn the Frankfurt Radio Bigband into the Claudia Quintet writ large, with this new roomy arrangement — including rhapsodic piano from Caine — creating a soundscape that ably matches the wintry setting of Patchen's poem. Elsewhere, Hollenbeck finds the art in pop, from Bacharach/David and the 5th Dimension to Cyndi Lauper and Daft Punk. If "True Colors" was good enough for Miles, it's good enough for Hollenbeck, although his fragmentation and reconfiguration of the tune seems designed to create the greatest possible distance from Miles' (and any other) previous version; the tumultuously tumbling arrangement of Daft Punk/Pharrell Williams' mega-hit "Get Lucky," complete with "computer-generated voice in Russian," is a brief oddball diversion; and "Close to You" is sparkling and sophisticated, with surprising drama and one of McGarry's most disarming vocal performances. Finally, there's no disguising the catchy tune and brassy ebullience of "Up Up and Away," and self-aware avant jazz hipsters may be irritated that Hollenbeck ends the program with this 5th Dimension fave, as the earworm is planted in their heads and they can't shake it in spite of themselves.
4/5 stars
(Dave Lynch, Allmusic.com)
John Hollenbeck - composer, arranger, conductor
Theo Bleckmann - vocals
Kate McGarry - vocals
Uri Caine - piano
Gary Versace - melodica, organ
The Frankfurt Radio Big Band:
Tony Lakatos - tenor, soprano sax
Julian Argüelles - soprano sax
Heinz-Diecter Sauerborn - alto, soprano sax, flute
Oiver Leicht - alto sax, clarinet, alto clarinet, flute
Steffen Weber - tenor, soprano sax, flute, bass clarinet
Rainer Heute - bass sax, bass/contra bass clarinet, clarinet
Frank Wellert - trumpet, flugelhorn
Thomas Vogel - trumpet, flugelhorn
Martin Auer - trumpet, flugelhorn
Axel Schlosser - trumpet, flugelhorn, flumpet
Günter Bollmann - trombone
Peter Feil - trombone
Christian Jaksjø - trombone, baritone horn, bass trumpet
Manfred Honetschläger - bass trombone
Martin Scales - guitar
Thomas Heidepriem - bass
Jean Paul Höchstädter - drums
Claus Kiesselbach - mallet percussion, timpani
Джон Холленбек — широко известный в современном джазе композитор и аранжировщик, неоднократно номинированный на Грэмми, а также виртуозный ударник и перкуссионист — выпускает следующую часть своего переосмысления и реструктуризации популярных песен. На альбоме Songs We Like a Lot Джон сосредоточивается не на количестве, а на качестве, расширяя палитру звучания далеко за пределы каких-либо общепринятых стандатов. Композиции Бёрта Бакарака, Джимми Уебба, Роберта Лоури и других, а также собственные произведения Джона на стихи Кеннета Патчена и Руми, исполнены в традиционном для Холленбека виде, когда минималистическая основа разрастается многочисленными гармоническими ветвями. В этом ему помогают непревзойдённые музыканты: вокалисты Тио Блекманн и Кейт МакГарри, пианист Ури Кейн и оркестр Frankfurt Radio Big Band. (kiavan92)
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