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'
' Theo Bleckmann ' Elegy
'
Жанр: Vocal Jazz, Modern Creative
Страна-производитель диска
: EU (Germany)
Год издания: 2017
Издатель (лейбл): ECM Records
Номер по каталогу: ECM 2512
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 47:04
Источник (релизер): спасибо jlgt
Наличие сканов: да
Треклист:
01. Semblance
02. Comedy Tonight
03. Fields
04. The Mission
05. Littlefields
06. Elegy
07. To Be Shown To Monks At A Certain Temple
08. Cortège
09. Elegy (var.)
10. Take My Life
11. Wither
12. Alate
Код:
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 31. January 2017, 21:58
Theo Bleckmann / Elegy [ECM 2512]
Used drive  : ASUS    DRW-24F1ST   a   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  1:31.03 |         0    |     6827
        2  |  1:31.03 |  4:16.10 |      6828    |    26037
        3  |  5:47.13 |  5:07.33 |     26038    |    49095
        4  | 10:54.46 |  7:44.05 |     49096    |    83900
        5  | 18:38.51 |  1:58.74 |     83901    |    92824
        6  | 20:37.50 |  6:44.29 |     92825    |   123153
        7  | 27:22.04 |  4:32.20 |    123154    |   143573
        8  | 31:54.24 |  2:04.34 |    143574    |   152907
        9  | 33:58.58 |  0:57.49 |    152908    |   157231
       10  | 34:56.32 |  5:27.47 |    157232    |   181803
       11  | 40:24.04 |  5:33.22 |    181804    |   206800
       12  | 45:57.26 |  1:07.16 |    206801    |   211841
Track  1
     Filename K:\EAC\01 - Semblance.wav
     Pre-gap length  0:00:02.00
     Peak level 33.4 %
     Extraction speed 3.4 X
     Track quality 100.0 %
     Test CRC CACD1FF4
     Copy CRC CACD1FF4
     Track not present in AccurateRip database
     Copy OK
Track  2
     Filename K:\EAC\02 - Comedy Tonight.wav
     Peak level 54.8 %
     Extraction speed 4.6 X
     Track quality 100.0 %
     Test CRC 3CB07F4F
     Copy CRC 3CB07F4F
     Track not present in AccurateRip database
     Copy OK
Track  3
     Filename K:\EAC\03 - Fields.wav
     Peak level 63.6 %
     Extraction speed 4.7 X
     Track quality 99.9 %
     Test CRC CA5BAC35
     Copy CRC CA5BAC35
     Track not present in AccurateRip database
     Copy OK
Track  4
     Filename K:\EAC\04 - The Mission.wav
     Peak level 74.3 %
     Extraction speed 6.1 X
     Track quality 100.0 %
     Test CRC 50DB7ABD
     Copy CRC 50DB7ABD
     Track not present in AccurateRip database
     Copy OK
Track  5
     Filename K:\EAC\05 - Littlefields.wav
     Peak level 54.3 %
     Extraction speed 5.1 X
     Track quality 100.0 %
     Test CRC A42194FE
     Copy CRC A42194FE
     Track not present in AccurateRip database
     Copy OK
Track  6
     Filename K:\EAC\06 - Elegy.wav
     Peak level 56.3 %
     Extraction speed 6.3 X
     Track quality 99.9 %
     Test CRC E16D6CCB
     Copy CRC E16D6CCB
     Track not present in AccurateRip database
     Copy OK
Track  7
     Filename K:\EAC\07 - To Be Shown To Monks At A Certian Temple.wav
     Peak level 62.8 %
     Extraction speed 7.0 X
     Track quality 100.0 %
     Test CRC 5768ABC6
     Copy CRC 5768ABC6
     Track not present in AccurateRip database
     Copy OK
Track  8
     Filename K:\EAC\08 - Cortege.wav
     Peak level 64.8 %
     Extraction speed 6.2 X
     Track quality 100.0 %
     Test CRC 15A3E031
     Copy CRC 15A3E031
     Track not present in AccurateRip database
     Copy OK
Track  9
     Filename K:\EAC\09 - Elegy (Variations).wav
     Peak level 35.8 %
     Extraction speed 4.6 X
     Track quality 100.0 %
     Test CRC 81D6F441
     Copy CRC 81D6F441
     Track not present in AccurateRip database
     Copy OK
Track 10
     Filename K:\EAC\10 - Take My Life.wav
     Peak level 87.9 %
     Extraction speed 7.5 X
     Track quality 100.0 %
     Test CRC 95F4D04C
     Copy CRC 95F4D04C
     Track not present in AccurateRip database
     Copy OK
Track 11
     Filename K:\EAC\11 - Wither.wav
     Peak level 75.6 %
     Extraction speed 7.1 X
     Track quality 99.9 %
     Test CRC C4AF70D3
     Copy CRC C4AF70D3
     Track not present in AccurateRip database
     Copy OK
Track 12
     Filename K:\EAC\12 - Alate.wav
     Peak level 62.2 %
     Extraction speed 5.5 X
     Track quality 100.0 %
     Test CRC 5F501E21
     Copy CRC 5F501E21
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 2C4B6B4B9909A864A235AD574D571BA204A767B2B0A0F7C27BC0A493059F0CE6 ====
Код:
REM GENRE Jazz
REM DATE 2017
REM DISCID A00B080C
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Theo Bleckmann"
TITLE "Elegy [ECM 2512]"
FILE "01 - Semblance.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Semblance"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
FILE "02 - Comedy Tonight.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Comedy Tonight"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
FILE "03 - Fields.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Fields"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
FILE "04 - The Mission.wav" WAVE
  TRACK 04 AUDIO
    TITLE "The Mission"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
FILE "05 - Littlefields.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Littlefields"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
FILE "06 - Elegy.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Elegy"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
FILE "07 - To Be Shown To Monks At A Certian Temple.wav" WAVE
  TRACK 07 AUDIO
    TITLE "To Be Shown To Monks At A Certian Temple"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
FILE "08 - Cortege.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Cortege"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
FILE "09 - Elegy (Variations).wav" WAVE
  TRACK 09 AUDIO
    TITLE "Elegy (Variations)"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
FILE "10 - Take My Life.wav" WAVE
  TRACK 10 AUDIO
    TITLE "Take My Life"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
FILE "11 - Wither.wav" WAVE
  TRACK 11 AUDIO
    TITLE "Wither"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
FILE "12 - Alate.wav" WAVE
  TRACK 12 AUDIO
    TITLE "Alate"
    PERFORMER "Theo Bleckmann"
    INDEX 01 00:00:00
While ECM is a label largely renowned for its subtlety, attention to space and detail, and overall understated, "less is more" aesthetic—an early sampler titled, even, The Most Beautiful Sound Next To Silence—it's hard to imagine a label debut as a leader that could be less about virtuosity and more about creating soft atmospheres and ambiences than singer Theo Bleckmann's delicately moving, aptly titled Elegy.
Bleckmann is no newcomer to the label: he was an important guest on pianist Julia Hulsmann's A Clear Midnight—Weill and America (ECM, 2015), and a member of contemporary classical vocalist/pianist/composer Meredith Monk's ensemble for 2002's Mercy (ECM) and evocative 2008 followup, Impermanence (ECM)—two albums also featuring Elegy's drummer (and noted composer), John Hollenbeck.
Despite collaborating with Ben Monder for many years on a regular basis—perhaps at their most impressive on the guitarist's mind-boggling Oceana (Sunnyside, 2005)—it was, perhaps, a surprise that Bleckmann did not appear on Monder's ECM debut as a leader, 2015's Amorphae. Still, there are some connective threads between Amorphae and Elegy. Both are largely dark-hued; even Bleckmann's sole cover on Elegy, Stephen Sondheim's "Comedy Tonight" is taken at an uncharacteristically funereal pace, with pianist Shai Maestro moving seamlessly alongside Bleckmann as the singer delivers Sondheim's lyrics with his characteristically unaffected, clear, direct and vibrato-less voice, combining consonant lyricism with the occasional more angular dissonant injection.
Curiously perhaps, for an album led by a singer, this set of eleven Bleckmann compositions and single Sondheim cover only includes four tunes with lyrics: in addition to "Comedy Tonight," Bleckman's minimal prose for one of the album's most dramatic yet understated pieces, "Fields"; his more elegiac "Take My Life," its death-related lyrics the most overt demonstration of what Elegy is, for the most part, about; and "To Be Shown to Monks at a Certain Temple," where Monder's volume-swelled chords over an electronic cloud act as Bleckmann's support during its hymnal introduction, with rising star (and, with Elegy, his first ECM appearance) Shai Maestro moving forward for something that's less a solo and more a fully interactive engagement with Monder, Hollenbeck and bassist Chris Tordini—another ECM first-timer—as a pulse emerges, throughout which Bleckmann delivers an emotive excerpt from Chiao Jan's The Poetry of Zen.
The rest of Elegy is instrumental, with Bleckmann's pure, pitch-perfect voice an additional melodic member of the group—sometimes so refined as to be barely noticeable, elsewhere acting as either a contrapuntal partner or melodic lead—across a set of pieces including three improvisational miniatures based upon (at the suggestion of label head/producer Manfred Eicher) some of the singer's writing for the date: the album-opening, bittersweet "Semblance," opens Satie-esque, with Maestro alone but joined by Monder near its conclusion, the guitarist contributing softly swirling clouds of color; the bass drum-driven "Cortège," where Tordini solos over Monder's sweeping, volume pedal-driven voicings; and "Alate," where an ascending series of piano chords act as the foundation for Hollenbeck's percussive musings, with Tordini acting as anchor and Monder contributing more celestial colorations.
The epically conceived "The Mission" is Elegy's longest track at nearly eight minutes, and moves from a more propulsive introduction through to a more open, atmospheric and rubato middle section where Bleckmann reveals, in the subtlest possible way, some of the prodigious talent that contributes to the reputation he's built for himself, his voice articulating broad intervallic leaps with pinpoint accuracy and—through push, pull and, at times emulating his fellow instrumentalists' textures and timbres—engaging with his band mates on the deepest possible level. Monder, too, may be as understated as he is throughout the entire album, but he does provide a few hints at a similarly portentous (at times even relentless) instrumental mastery that's long been one his touchstones while, at the same time, never relying on it as an end...only the means.
With Monder's overdriven and delay-laden electric guitar fading in to create a dense cushion, over which Bleckmann sings the broadly intervallic theme to Elegy's title track, its ambient-style approach to sound construction renders it not just the album's positional centrepiece, but its stylistic one as well. With heavy reverb on the piano, reverse-delay on Hollenbeck's cymbals and Tordini's muscular bowed bass merging seamlessly with Monder, the group extemporizes as the dynamics build to an inevitable climax, only to slowly dissolve, as Bleckmann returns to reiterate its challenging but memorable theme, this time with bowed bass, piano and drums acting is the primary foundation...until everyone fade, leaving Monder's densely layered guitar to gradually fade back to black.
Its underlying concept may be a dark one and there is, to be sure, plenty of introspective, existential-leaning music on Elegy; but, at the same time, Bleckmann and his empathically connected quartet also manage to deliver no shortage of beauty. Even with lyrics as final as "Take My Life"—"Let me exhale once more and I'll be mute forever / May there be no heaven's gate / No other God than silence"—there's a certain buoyant joy to the music, with Monder taking a rare solo that's tonally connected to King Crimson's Robert Fripp but harmonically all his own and filled with an abundance of head-scratching techniques, all driven, with frenetic energy, by Maestro, Tordini and Hollenbeck.
As much as Elegy aims for an ambient, texture-driven approach that looks to eschew overt virtuosity, it's difficult to deny the innate talent of every member of Bleckmann's group. As for Bleckmann? He's managed to trump his existing, impressive discography with this ECM leader debut in the most unassuming, subtly embellished manner possible. A record whose wonders reveal themselves more with each and every listen, Elegy is that rare leader debut where the confidence of its participants has placed them in a position with nothing left to prove...allowing everyone to focus away from themselves and more selflessly towards the substantial demands of the music. (John Kelman, allaboutjazz.com)

Theo Bleckmann - voice
Ben Monder - guitar
Shai Maestro - piano
Chris Tordini - double bass
John Hollenbeck - drums
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