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(Modern Creative, Contemporary Jazz) [CD] Gebhard Ullmann & Andreas Willers (w/ Bob Stewart & Marvin Smitty Smith) - Suite Noire - 1992, FLAC (tracks+.cue), lossless

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Gebhard Ullmann & Andreas Willers / Suite Noire
Жанр: Modern Creative, Contemporary Jazz
Носитель: CD
Страна-производитель диска: Germany
Год издания: 1992
Издатель (лейбл): NABEL
Номер по каталогу: NABEL 4649
Страна: Germany, US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 48:40
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. Tapping The Foot, Tapping The Brain 3:30
2. Lonely Woman / Double Density 10:31
3. Autumn Monday 3:18
4. Suite Noire 12:28
- Low - liness
- Ein Denkmal fur Rosa und Karl
- Sudan Airways Loop
- Solo
- La Prima Vera
- Twelve Tone Stomp
5. Departure 4:34
6. Tuba 1:00
7. Blaues Lied 5:55
8. L'Aura 7:01

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 9. April 2014, 23:22
Gebhard Ullmann & Andreas Willers / Suite Noire
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:32.72 |         0    |    15971
        2  |  3:32.72 | 10:32.43 |     15972    |    63414
        3  | 14:05.40 |  3:21.45 |     63415    |    78534
        4  | 17:27.10 | 12:32.07 |     78535    |   134941
        5  | 29:59.17 |  4:38.45 |    134942    |   155836
        6  | 34:37.62 |  1:03.15 |    155837    |   160576
        7  | 35:41.02 |  5:57.28 |    160577    |   187379
        8  | 41:38.30 |  7:01.57 |    187380    |   219011
Track  1
     Filename D:\zzz\01 - Tapping The Foot, Tapping The Brain.wav
     Pre-gap length  0:00:02.00
     Peak level 71.3 %
     Extraction speed 4.1 X
     Track quality 100.0 %
     Test CRC A0161CD8
     Copy CRC A0161CD8
     Accurately ripped (confidence 1)  [26C42B73]  (AR v1)
     Copy OK
Track  2
     Filename D:\zzz\02 - Lonely Woman , Double Density.wav
     Pre-gap length  0:00:02.35
     Peak level 73.2 %
     Extraction speed 5.4 X
     Track quality 100.0 %
     Test CRC 19FF1AE2
     Copy CRC 19FF1AE2
     Accurately ripped (confidence 1)  [847FA898]  (AR v1)
     Copy OK
Track  3
     Filename D:\zzz\03 - Autumn Monday.wav
     Peak level 58.8 %
     Extraction speed 5.5 X
     Track quality 100.0 %
     Test CRC E003FA28
     Copy CRC E003FA28
     Accurately ripped (confidence 1)  [6CBE2C9C]  (AR v1)
     Copy OK
Track  4
     Filename D:\zzz\04 - Suite Noire.wav
     Pre-gap length  0:00:02.58
     Peak level 76.7 %
     Extraction speed 6.8 X
     Track quality 100.0 %
     Test CRC 03DC1E7E
     Copy CRC 03DC1E7E
     Accurately ripped (confidence 1)  [74EE8DC7]  (AR v1)
     Copy OK
Track  5
     Filename D:\zzz\05 - Departure.wav
     Pre-gap length  0:00:02.55
     Peak level 69.7 %
     Extraction speed 7.0 X
     Track quality 100.0 %
     Test CRC 4B608D16
     Copy CRC 4B608D16
     Accurately ripped (confidence 1)  [6CC392F0]  (AR v1)
     Copy OK
Track  6
     Filename D:\zzz\06 - Tuba.wav
     Pre-gap length  0:00:04.27
     Peak level 40.2 %
     Extraction speed 5.0 X
     Track quality 100.0 %
     Test CRC 4591E596
     Copy CRC 4591E596
     Accurately ripped (confidence 1)  [E86E737F]  (AR v1)
     Copy OK
Track  7
     Filename D:\zzz\07 - Blaues Lied.wav
     Pre-gap length  0:00:02.40
     Peak level 69.3 %
     Extraction speed 6.8 X
     Track quality 99.9 %
     Test CRC 11D66B9E
     Copy CRC 11D66B9E
     Accurately ripped (confidence 1)  [57B1C5FC]  (AR v1)
     Copy OK
Track  8
     Filename D:\zzz\08 - L'Aura.wav
     Pre-gap length  0:00:02.05
     Peak level 52.9 %
     Extraction speed 8.0 X
     Track quality 100.0 %
     Test CRC F6050820
     Copy CRC F6050820
     Accurately ripped (confidence 1)  [A1CA3502]  (AR v1)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 6D405FB27BFB88C954FD2F308E23D43918EFC11E299308D0C46E71030BB14CDB ====

Код:

REM GENRE "Modern Creative Jazz"
REM DATE 1992
REM DISCID 570B6808
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Gebhard Ullmann & Andreas Willers"
TITLE "Suite Noire"
FILE "01 - Tapping The Foot, Tapping The Brain.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Tapping The Foot, Tapping The Brain"
    PERFORMER "Gebhard Ullmann & Andreas Willers"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Lonely Woman / Double Density"
    PERFORMER "Gebhard Ullmann & Andreas Willers"
    INDEX 00 03:30:37
FILE "02 - Lonely Woman , Double Density.wav" WAVE
    INDEX 01 00:00:00
FILE "03 - Autumn Monday.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Autumn Monday"
    PERFORMER "Gebhard Ullmann & Andreas Willers"
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Suite Noire"
    PERFORMER "Gebhard Ullmann & Andreas Willers"
    INDEX 00 03:18:62
FILE "04 - Suite Noire.wav" WAVE
    INDEX 01 00:00:00
    INDEX 02 00:00:02
    INDEX 03 01:03:20
    INDEX 04 03:22:12
    INDEX 05 04:38:47
    INDEX 06 07:22:05
    INDEX 07 09:54:40
  TRACK 05 AUDIO
    TITLE "Departure"
    PERFORMER "Gebhard Ullmann & Andreas Willers"
    INDEX 00 12:29:27
FILE "05 - Departure.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Tuba"
    PERFORMER "Gebhard Ullmann & Andreas Willers"
    INDEX 00 04:34:18
FILE "06 - Tuba.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Blaues Lied"
    PERFORMER "Gebhard Ullmann & Andreas Willers"
    INDEX 00 01:00:50
FILE "07 - Blaues Lied.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "L'Aura"
    PERFORMER "Gebhard Ullmann & Andreas Willers"
    INDEX 00 05:55:23
FILE "08 - L'Aura.wav" WAVE
    INDEX 01 00:00:00

Код:

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Tapping The Foot, Tapping The Brain.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Lonely Woman - Double Density.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Autumn Monday.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. Suite Noire.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [05. Departure.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. Tuba.wav]
------------------------------------------------------------
This track looks like CDDA with probability 62%
------------------------------------------------------------
Processing file: [07. Blaues Lied.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08. L'Aura.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%

Доп. информация:

(G. Ullmann) - 1,7
(Coleman) - 2a
(G. Ullmann/A. Willers) - 2b,8
(A. Willers) - 3,5
(A. Willers/G. Ullmann) - 4
(B. Stewart/G. Ullmann/A. Willers) - 6
Recorded January 1990 at Sound on Sound Studios, NYC
Engineer: Peter Beckerman
Additional recording and mixing August 1990 at Tonstudio Bauer, Ludwigsburg
Engineer: Johannes Wohlleben
CD Mastering: Peter Avar
Cover design by NABEL
Fotos by Hyou Vielz and Detlev Schilke
Produced by NABEL and WDR Cologne
On Playful, the first outing by Willers and Ullmann, the duo used themselves as an orchestra by overdubbing endlessly to achieve the desired sound effects. The result was intriguing if somewhat predictable by record's end. On this set they've added drummer Smitty Smith and, on selected tracks, tuba giant Bob Stewart, formerly of Lester Bowie's Brass Fantasy. Here, on a host of originals and a cover of Ornette Coleman's "Lonely Woman," the pair use, despite having twice as many musicians, even more overdubs to achieve this sort of virtual big band they so wish for. Musically there can be very little complaint about Willers and Ullmann. They are deft, innovative and precise players who can both read and improvise with the best of them. Sonically, however, despite the gorgeous warm tones of Stewart on the title track (which is in six sections) and Smith's powerful enigmatic drumming, the result ends up to be pretty much the same as the last time. The reason is a simple one, in overdubbing themselves in various harmonic situations and in myriad melodic and rhythmic constructs, the voices, no matter how many of them there are, are the same voices. There is no real tonal variation on the way Ullmann plays his set horn lines in the arrangements. And no matter how much tape manipulation one cares to do, Willers guitar style is telltale. The writing is very fine and well organized, and touches upon many different developments in 20th century music from 12 tone to Hendrix, but in the similarities of voice and phrase, there is only so much that can be revealed.

Gebhard Ullmann: tenor-, sopranosaxophones, bassclarinets, concert-, alto-, bassflutes
Andreas Willers: electric and acoustic guitars, guitar synthesizer
with
Marvin Smitty Smith: drums and percussion on 2 & 5, percussion sample on track 1
Bob Stewart: tuba on 4 & 6

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