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(Modern Creative, Avant-Garde Jazz, Afro-Cuban Jazz) [CD] David Virelles - Mboko (Sacred Music for Piano, Two Basses, Drum Set and Biankomeko Abakua) - 2014 (ECM 2386), FLAC (tracks+.cue), lossless

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David Virelles - Mboko (Sacred Music for Piano, Two Basses, Drum Set and Biankomeko Abakua)
Жанр: Modern Creative, Avant-Garde Jazz, Afro-Cuban Jazz
Носитель: CD
Страна-производитель диска: Германия
Год издания: 2014
Издатель (лейбл): ECM Records
Номер по каталогу: 2386
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 59:06
Источник (релизер): jlgt
Наличие сканов в содержимом раздачи: да
Треклист:
01. Wind Rose (Antrogofoko Mokoiren) (Virelles) - 6:27
02. The Scribe (Tratado de Mpego) (Virelles) - 7:36
03. Biankomeko (Virelles) - 4:55
04. Antillais (A Quintin Bandera) (Virelles) - 7:09
05. Aberinan y Aberisun (Virelles) - 4:25
06. Seven, Through the Divination Horn (Virelles) - 4:48
07. Stories Waiting to Be Told (Virelles) - 8:22
08. Transmission (Virelles) - 8:27
09. The Highest One (Virelles) - 6:17
10. Efe (A Maria Teresa Vera) (Virelles) - 0:40
Состав:
David Virelles - piano
Thomas Morgan, Robert Hurst - double bass
Marcus Gilmore - drums
Roman Diaz - biankomeko, vocals
Recorded at Avatar Studios, New York in December 2013.

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 30. November 2014, 22:07
David Virelles / Mboko [ECM 2386]
Used drive  : PLEXTOR DVDR   PX-L890SA   Adapter: 2  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  6:27.22 |         0    |    29046
        2  |  6:27.22 |  7:35.70 |     29047    |    63241
        3  | 14:03.17 |  4:55.19 |     63242    |    85385
        4  | 18:58.36 |  7:09.36 |     85386    |   117596
        5  | 26:07.72 |  4:24.50 |    117597    |   137446
        6  | 30:32.47 |  4:48.32 |    137447    |   159078
        7  | 35:21.04 |  8:21.62 |    159079    |   196715
        8  | 43:42.66 |  8:27.32 |    196716    |   234772
        9  | 52:10.23 |  6:16.63 |    234773    |   263035
       10  | 58:27.11 |  0:39.59 |    263036    |   266019
Track  1
     Filename G:\Flac Rips\01 - Wind Rose (Antrogofoko mokoiren).wav
     Pre-gap length  0:00:02.00
     Peak level 98.8 %
     Extraction speed 4.2 X
     Track quality 100.0 %
     Test CRC AE48FBB3
     Copy CRC AE48FBB3
     Accurately ripped (confidence 1)  [7E738DA5]  (AR v2)
     Copy OK
Track  2
     Filename G:\Flac Rips\02 - The Scribe (Tratado de Mpego).wav
     Pre-gap length  0:00:00.70
     Peak level 72.0 %
     Extraction speed 5.0 X
     Track quality 100.0 %
     Test CRC 9ED5600D
     Copy CRC 9ED5600D
     Accurately ripped (confidence 1)  [71324386]  (AR v2)
     Copy OK
Track  3
     Filename G:\Flac Rips\03 - Biankomeko.wav
     Peak level 98.6 %
     Extraction speed 5.2 X
     Track quality 100.0 %
     Test CRC 46661507
     Copy CRC 46661507
     Accurately ripped (confidence 1)  [A81C33E3]  (AR v2)
     Copy OK
Track  4
     Filename G:\Flac Rips\04 - Antillais (A Quintin Bandera).wav
     Pre-gap length  0:00:01.43
     Peak level 98.6 %
     Extraction speed 5.8 X
     Track quality 100.0 %
     Test CRC 146C2646
     Copy CRC 146C2646
     Accurately ripped (confidence 1)  [0ABB27C4]  (AR v2)
     Copy OK
Track  5
     Filename G:\Flac Rips\05 - Aberisun y Aberinan.wav
     Pre-gap length  0:00:03.18
     Peak level 98.8 %
     Extraction speed 6.0 X
     Track quality 100.0 %
     Test CRC 159AB918
     Copy CRC 159AB918
     Accurately ripped (confidence 1)  [FCECC0A5]  (AR v2)
     Copy OK
Track  6
     Filename G:\Flac Rips\06 - Seven, Through the Divination Horn.wav
     Pre-gap length  0:00:01.68
     Peak level 88.0 %
     Extraction speed 6.2 X
     Track quality 100.0 %
     Test CRC BE90AAED
     Copy CRC BE90AAED
     Accurately ripped (confidence 1)  [51BE3DF0]  (AR v2)
     Copy OK
Track  7
     Filename G:\Flac Rips\07 - Stories Waiting to Be Told.wav
     Pre-gap length  0:00:01.28
     Peak level 89.0 %
     Extraction speed 7.0 X
     Track quality 100.0 %
     Test CRC FFA3D4B9
     Copy CRC FFA3D4B9
     Accurately ripped (confidence 1)  [E9D64672]  (AR v2)
     Copy OK
Track  8
     Filename G:\Flac Rips\08 - Transmission.wav
     Peak level 95.9 %
     Extraction speed 7.5 X
     Track quality 100.0 %
     Test CRC 32C097F1
     Copy CRC 32C097F1
     Accurately ripped (confidence 1)  [D26E280F]  (AR v2)
     Copy OK
Track  9
     Filename G:\Flac Rips\09 - The Highest One.wav
     Peak level 89.0 %
     Extraction speed 6.6 X
     Track quality 99.9 %
     Test CRC 1CD483FF
     Copy CRC 1CD483FF
     Accurately ripped (confidence 1)  [C327025B]  (AR v2)
     Copy OK
Track 10
     Filename G:\Flac Rips\10 - Efe (A Maria Teresa Vera).wav
     Pre-gap length  0:00:00.68
     Peak level 38.5 %
     Extraction speed 4.4 X
     Track quality 100.0 %
     Test CRC 803BA716
     Copy CRC 803BA716
     Accurately ripped (confidence 1)  [99D1B720]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 84227E475DC6A0EABE2461A17C516ABAF7812E84101D229A9DAD159341D8D55B ====

Код:

REM GENRE Jazz
REM DATE 2014
REM DISCID 820DDA0A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "David Virelles"
TITLE "Mboko"
FILE "01 - Wind Rose (Antrogofoko Mokoiren).wav" WAVE
  TRACK 01 AUDIO
    TITLE "Wind Rose (Antrogofoko Mokoiren)"
    PERFORMER "David Virelles"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "The Scribe (Tratado de Mpego)"
    PERFORMER "David Virelles"
    INDEX 00 06:26:27
FILE "02 - The Scribe (Tratado de Mpego).wav" WAVE
    INDEX 01 00:00:00
FILE "03 - Biankomeko.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Biankomeko"
    PERFORMER "David Virelles"
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Antillais (A Quintin Bandera)"
    PERFORMER "David Virelles"
    INDEX 00 04:53:51
FILE "04 - Antillais (A Quintin Bandera).wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Aberinan y Aberisun"
    PERFORMER "David Virelles"
    INDEX 00 07:06:18
FILE "05 - Aberinan y Aberisun.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Seven, Through the Divination Horn"
    PERFORMER "David Virelles"
    INDEX 00 04:22:57
FILE "06 - Seven, Through the Divination Horn.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Stories Waiting to Be Told"
    PERFORMER "David Virelles"
    INDEX 00 04:47:04
FILE "07 - Stories Waiting to Be Told.wav" WAVE
    INDEX 01 00:00:00
FILE "08 - Transmission.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Transmission"
    PERFORMER "David Virelles"
    INDEX 01 00:00:00
FILE "09 - The Highest One.wav" WAVE
  TRACK 09 AUDIO
    TITLE "The Highest One"
    PERFORMER "David Virelles"
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Efe (A Maria Teresa Vera)"
    PERFORMER "David Virelles"
    INDEX 00 06:15:70
FILE "10 - Efe (A Maria Teresa Vera).wav" WAVE
    INDEX 01 00:00:00

Код:

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Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
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The musical precedent for David Virelles' Mbókò, the Cuban-born, New York-based pianist leader's debut for ECM, can be found on his stellar 2012 Pi Recordings date, Continuum. That set featured the wellspring of folkloric Afro-Cuban ritual music expressed through modern vanguard jazz. The subtitle of this offering is Sacred Music for Piano, Two Basses, Drum Set and Biankoméko Abakuá. The word "Mbókò" translates as "fundament," "sugar cane," and "the voice," not the human one, but sound itself. The Abakuá is a secret religious male initiation society in Cuba whose roots lie in southeastern Nigeria and southwestern Cameroon, who worshiped sound, or "the Voice," as divine. Finally, the biankoméko is a four-drum ensemble, with a metal bell, shakers, and wooden sticks, that acts as the accompaniment for the ritual magic of the Abakuá in its masked performances. It is played here by Cuban folk musician/multi-instrumentalist Román Díaz. He is as important to this music as Virelles; he is the spoke on which the pianist's music turns. Understanding this cultural context is helpful, but not necessary, for enjoyment of what this album offers: rich imagination, discipline, multiple colors and timbres, and striking originality. The two bassists are veterans Thomas Morgan and Robert Hurst, and drummer Marcus Gilmore has established a fine reputation as a session man and as part of Vijay Iyer's trio. The bassists' roles are different here. There is little to no counterpoint or driving guidepost rhythmic statements; instead, they provide complementary rhythmic pulses and drones. Gilmore's drumming makes the beat elastic, like a dancer does. He syncopates but just as often illustrates and underscores the role of Díaz's biankoméko. Virelles plays piano as percussively as he does melodically. On opener "Wind Rose," he and Díaz play in duet, his flat-handed chord voicings balanced by short, middle-register single notes that build toward differently shaded chords. The percussionist creates, builds on, and exhausts rhythms with a singer's control. On "The Scribe," the pianist and percussionist begin processionally before the other players fall in, slowly and purposefully, using only the force necessary to allow Díaz to utter and guide the flow. Elsewhere, such as on "Antillais," montunos hold the melodic center; basses punch and fill while both drummers converse through the piano's assertions. "Seven, Through the Divination Horn" balances montunos and circular ritual pulses with post-bop improvisation. "Transmission" commences with the trap set's and biankoméko's dialogue. Virelles doesn't enter with his complex melodic statement until a third of the way in. The bass solos -- pizzicato and arco -- add depth, texture. "The Highest One" finds all the players creating a simple yet profound melody from subtly shaded drones and tones. On Mbókò, Virelles and his musicians place themselves at the mercy of sound as a life source. Ultimately, it reveals to them -- and us -- why it has the power not only to transfer initiation, but lead through mystery to revelation.

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