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(Modern Creative, Post-Bop) [CD] Rudresh Mahanthappa - Bird Calls - 2015, FLAC (tracks+.cue), lossless

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Rudresh Mahanthappa / Bird Calls
Жанр: Modern Creative, Post-Bop
Носитель: CD
Страна-производитель диска (релиза): USA
Год издания: 2015
Издатель (лейбл): ACT
Номер по каталогу: 9581-2
Страна исполнителя (группы): USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:01:58
Источник (релизер): pyrokitty @ what.cd
Наличие сканов в содержимом раздачи: да
Треклист:
01 - 2' 48" - Bird Calls #1
02 - 8' 01" - On The DL
03 - 1' 09" - Bird Calls #2
04 - 8' 03" - Chillin'
05 - 2' 14" - Bird Calls #3
06 - 6' 53" - Talin Is Thinking
07 - 4' 47" - Both Hands
08 - 2' 12" - Bird Calls #4
09 - 7' 37" - Gopuram
10 - 7' 02" - Maybe Later
11 - 1' 39" - Bird Calls #5
12 - 7' 49" - Sure, Why Not?
13 - 1' 39" - Man, Thanks For Coming

Код:

X Lossless Decoder version 20141109 (148.0)
XLD extraction logfile from 2015-02-03 17:35:29 -0600
Rudresh Mahanthappa / Bird Calls
Used drive : TSSTcorp BDDVDW SE-506BB (revision TS00)
Media type : Pressed CD
Ripper mode             : XLD Secure Ripper
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TOC of the extracted CD
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Код:

TITLE "Bird Calls"
PERFORMER "Rudresh Mahanthappa"
REM GENRE "Jazz"
REM DATE "2015"
REM DISCNUMBER 1
REM TOTALDISCS 1
REM DISCID 8B0E860D
REM REPLAYGAIN_ALBUM_GAIN -6.83 dB
REM REPLAYGAIN_ALBUM_PEAK 0.979309
FILE "01 Bird Calls I.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Bird Calls I"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
    ISRC DEA891400550
    REM REPLAYGAIN_TRACK_GAIN -6.90 dB
    REM REPLAYGAIN_TRACK_PEAK 0.977966
    INDEX 01 00:00:00
FILE "02 On The DL.flac" WAVE
  TRACK 02 AUDIO
    TITLE "On The DL"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
    ISRC DEA891400551
    REM REPLAYGAIN_TRACK_GAIN -7.21 dB
    REM REPLAYGAIN_TRACK_PEAK 0.979309
    INDEX 01 00:00:00
FILE "03 Bird Calls II.flac" WAVE
  TRACK 03 AUDIO
    TITLE "Bird Calls II"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
    ISRC DEA891400552
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    REM REPLAYGAIN_TRACK_PEAK 0.977875
    INDEX 01 00:00:00
FILE "04 Chillin'.flac" WAVE
  TRACK 04 AUDIO
    TITLE "Chillin'"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
    ISRC DEA891400553
    REM REPLAYGAIN_TRACK_GAIN -7.08 dB
    REM REPLAYGAIN_TRACK_PEAK 0.977997
    INDEX 01 00:00:00
FILE "05 Bird Calls III.flac" WAVE
  TRACK 05 AUDIO
    TITLE "Bird Calls III"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
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    INDEX 01 00:00:00
FILE "06 Talin Is Thinking.flac" WAVE
  TRACK 06 AUDIO
    TITLE "Talin Is Thinking"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
    ISRC DEA891400555
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    REM REPLAYGAIN_TRACK_PEAK 0.977936
    INDEX 01 00:00:00
FILE "07 Both Hands.flac" WAVE
  TRACK 07 AUDIO
    TITLE "Both Hands"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
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    INDEX 01 00:00:00
FILE "08 Bird Calls IV.flac" WAVE
  TRACK 08 AUDIO
    TITLE "Bird Calls IV"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
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FILE "09 Gopuram.flac" WAVE
  TRACK 09 AUDIO
    TITLE "Gopuram"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
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FILE "10 Maybe Later.flac" WAVE
  TRACK 10 AUDIO
    TITLE "Maybe Later"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
    ISRC DEA891400559
    REM REPLAYGAIN_TRACK_GAIN -6.18 dB
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FILE "11 Bird Calls V.flac" WAVE
  TRACK 11 AUDIO
    TITLE "Bird Calls V"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
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    INDEX 01 00:00:00
FILE "12 Sure, Why Not.flac" WAVE
  TRACK 12 AUDIO
    TITLE "Sure, Why Not"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
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FILE "13 Man, Thanks For Coming.flac" WAVE
  TRACK 13 AUDIO
    TITLE "Man, Thanks For Coming"
    PERFORMER "Rudresh Mahanthappa"
    SONGWRITER "Rudresh Mahanthappa"
    ISRC DEA891400562
    REM REPLAYGAIN_TRACK_GAIN -7.57 dB
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Доп. информация:

Music composed and produced by Rudresh K. Mahanthappa
Recorded August 4 & 5, 2014 mixed August 24 & 25, 2014 and mastered September 3, 2014 by Mike Marciano at Systems Two, Brooklyn, New York
Cover art by Katja Strunz, by permission of the artist. By courtesy of Contemporary Fine Arts, Berlin

https://www.actmusic.com/en/content/download/23330/320854/file/Mahanthappa_Biography_2013_engl.pdf
Few musicians share the ability of saxophonist/composer Rudresh Mahanthappa to so fully embody the expansive possibilities of his music and his culture. Jazz is unparalleled in its ability to absorb other styles and genres and emerge with a new form still recognizably jazz, just as its country of origin, America, is unique in encompassing so many people with deep roots in all corners of the world who can still be called American. Mahanthappa has eloquently expressed both of those concepts throughout his singular career, which has seen him emerge as one of modern jazz’s most visionary composers while pursuing a deeply personal and individual approach.
What has emerged is a sound that hybridizes progressive jazz and South Indian classical music in a fluid and forward-looking form that reflects Mahanthappa’s own experience growing up a second-generation Indian-American. Just as his personal experience is never wholly lived on one side of the hyphenate or the other, his music refuses to create simple fusions, instead speaking in a voice fluent in both and dedicated to forging a new path forward.
The current manifestations of that path include the latest version of his longstanding quartet, now featuring guitarist David “Fuze” Fiuczynski, whose own microtonal vocabulary has opened new possibilities for Mahanthappa’s compositional imagination; and Samdhi, a multicultural ensemble that advances Mahanthappa’s blend of jazz and Indian music with modernist electronic music. The group’s self-titled debut, released in 2010 by ACT Music + Vision, was hailed by JazzTimes as “a landmark convergence of styles that didn't lend itself to easy analysis… new music of this caliber hasn't been attempted before.”
He also continues to partner with Pakistani-American guitarist Rez Abbasi and innovative percussionist Dan Weiss in the Indo-Pak Coalition. Other recent projects run the gamut from the cross-generational alto summit Apex featuring Bunky Green, trios MSG and Mauger, the quintet Dual Identity co-led with fellow altoist Steve Lehman, and Raw Materials, his long-running duo project with pianist Vijay Iyer. Despite the vast variety of influences on display throughout these disparate projects, one constant is the voice that the New York Times has hailed as possessing “a roving intellect and a bladelike articulation.”
His success has been recognized by giants in both jazz and South Indian music. Most recently, Mahanthappa was asked to join the working group of legendary drummer Jack DeJohnette, while a collaboration with the renowned Carnatic saxophonist Kadri Gopalnath resulted in Mahanthappa’s critically-acclaimed 2008 CD Kinsmen (Pi). He has been awarded with a Guggenheim Fellowship, a New York Foundation for the Arts Fellowship, and commissions from the Rockefeller Foundation MAP Fund, Chamber Music America and the American Composers Forum. He has been named alto saxophonist of the year three years running in Downbeat Magazine’s International Critics Polls (2011-2013) and for FIVE years running by the Jazz Journalists’ Association (2009-2013). In April 2013, he received a Doris Duke Performing Artist Award, one of the most prominent arts awards in the world.
These impressive accolades, as well as critical praise from such influential outlets as NPR, the Los Angeles Times, the Village Voice and the New Yorker, spotlight Mahanthappa’s growing role as a pioneer in the contemporary jazz world. His early years growing up in Colorado, his studies at Berklee College of Music and DePaul University, and his staggering wealth of experiences playing alongside elders and contemporary masters from a number of musical disciplines, are all refracted into his stunning and still-evolving body of work.
Mahanthappa is a Yamaha artist and uses Vandoren reeds exclusively.

https://www.actmusic.com/en/Artists/Rudresh-Mahanthappa/Bird-Calls/Bird-Calls-CD
A contemporary view on one of the primal fathers of modern jazz: Charlie "Bird" Parker. In an intelliegnt and complex way Mahanthappa uses influences of Parker's creative work in order to create a foundation for his own compositions and improvisations. "This album is not a tribute to Charlie Parker. It is a blissful devotion to a man who made so much possible." Rudresh Mahanthappa
Saxophonist/composer Rudresh Mahanthappa examines the influence of Charlie Parker through a 21st century jazz lens. Featuring Matt Mitchell, François Moutin, Rudy Royston, and 20-year-old trumpet prodigy Adam O’Farrill.
Through a series of critically acclaimed releases over the past decade, saxophonist and composer Rudresh Mahanthappa has explored the music of his South Indian heritage and translated it through the vocabulary of his own distinctive approach to modern jazz. On his latest release, Bird Calls, available February 27, 2015 on ACT, Mahanthappa trains his anthropological imagination on an equally important cultural influence: the music of Charlie Parker. With a stellar quintet of forward-thinking musicians, which includes some long-time collaborators as well as 20-year-old trumpet prodigy Adam O’Farrill, Mahanthappa offers an inspired examination of Bird’s foundational influence and how it manifests itself in a decidedly 21st-century context.
“It’s easy to say that Bird influenced modern music without dissecting that notion,” Mahanthappa says. “If I had any agenda for this album, it was to really demonstrate that. This music says, ‘Yes, Bird’s influence is absolutely indelible, and here’s why.’ This is music that is all directly inspired by Charlie Parker, but it sounds as modern as anything today.” The album is also a passion project for Mahanthappa, who counts Parker as one of his earliest and most enduring inspirations, saying, “Bird has always been a huge influence on me.”
Though it pays homage to one of jazz’s Founding Fathers and arrives at the outset of Charlie Parker’s 95th birthday year, Bird Calls is not a tribute album in the traditional sense. There isn’t a single Parker composition to be found on the album, which consists entirely of new music penned by Mahanthappa for the occasion. But Bird’s DNA is strongly present in every one of these pieces, each of which takes a particular Parker melody or solo as its source of inspiration. Each is then wholly reimagined and recontextualized by Mahanthappa and his quintet which, in addition to O’Farrill (son of pianist and Afro Latin Jazz Alliance founder Arturo O’Farrill), features pianist Matt Mitchell (Dave Douglas, Tim Berne), bassist François Moutin (Jean-Michel Pilc, Martial Solal), and drummer Rudy Royston (Bill Frisell, Dave Douglas). Take the most obvious example, “Talin is Thinking,” whose title is both a play on “Parker’s Mood” and a loving dedication to Mahanthappa’s two-year-old son. The familiar melody of “Parker’s Mood” is essentially intact, but it is transformed into a more somber, serpentine piece by the removal of Bird’s syncopated rhythmic approach. Less immediately recognizable but similar in approach is “Chillin’,” which asks the instrumentalists to navigate melodies derived from Parker’s “Relaxin’ at Camarillo” both in the written material and in their solos.
“Bird’s solos and heads were very advanced harmonically and rhythmically,” Mahanthappa says. “They’re as cutting edge as anything today, and I always feel like we take that for granted as jazz musicians. We know the melody to ‘Donna Lee’ and we know these classic solos like we know ‘Mary Had a Little Lamb,’ but what if we were to dig deeper? If you take an excerpt of one of his solos in isolation, it’s like 21st-century classical music, with a really modern way of thinking about rhythm and melody and harmony.” “On the DL,” for example, dissects the melody of Parker’s classic “Donna Lee” and builds an entirely new melody on that foundation. The piece is marked by Mahanthappa’s intricate melodicism and vigorous, shape-shifting rhythmic approach; he and O’Farrill weave their lines together in a spirit that wouldn’t feel unfamiliar to Dizzy and Bird, even if the material itself would certainly sound startling to 1940s ears. Mahanthappa describes the even more breakneck “Both Hands” as “Bird’s melody from ‘Dexterity,’ but with all the rests removed,” and it’s every bit as electrifying as that description implies. Like countless other pieces before it, “Sure Why Not?” sets an original melody against the harmony of Parker’s “Confirmation,” then disguises its source further by slowing the usually brisk tempo to a tart ballad. “Maybe Later” focuses on Parker’s rhythmic originality, changing the notes to the saxophonist’s famed solo from “Now’s the Time” while keeping the rhythm intact. “Gopuram,” with its Indian raga feel, takes its name from the tower at the entrance of Hindu temples as a play on “Steeplechase” (after prayer, Hindus often circle the temple several times, akin to the circular route of the titular race). The album closes with “Man, Thanks for Coming,” loosely based on “Anthropology.” The CD is punctuated by a series of miniatures called “Bird Calls,” solo, duo and group introductions that allow for more open explorations of the compositions’ thematic material.
Charlie Parker was a key influence for Mahanthappa from the time a junior high music teacher handed him the Parker album Archetypes along with a copy of Jamey Aebersold’s well-known collection of transcriptions, the Charlie Parker Omnibook. “I was blown away,” he recalls. “I couldn’t believe the way he was playing, gorgeous with so much charisma and flying all over the horn. I think hearing Charlie Parker was what planted the first seeds of wanting to do this for the rest of my life. It was very powerful.” Poring over the transcription book, which listed catalogue numbers for the compositions but not album titles, the young altoist noticed that nearly half of them were accompanied by the label Savoy 2201. Not long after, while searching the bins at a local chain record store, he spotted a copy of the collection Bird: Master Takes – and there, on the spine, was the magic number: Savoy 2201. He describes the moment as “like finding the Holy Grail.” Despite the stunning array of influences that have impacted his playing since that time, Parker has always remained an overweening inspiration. “If I ever feel uninspired or down I can always go back to Charlie Parker,” he says. “That always makes me feel invigorated and joyful about playing jazz and playing the saxophone. I always say that what I play still sounds like Bird, just a little bit displaced. It’s coming from the same language and the same foundations. I feel like I’ve always been playing Bird.”
http://www.downbeat.com/digitaledition/2015/DB1502/32-33.html
http://www.allaboutjazz.com/bird-calls-rudresh-mahanthappa-act-music-review-by-dan-bilawsky.php

Rudresh Mahanthappa: alto saxophone;
Adam O’Farrill: trumpet;
Matt Mitchell: piano;
Francois Moutin: acoustic bass;
Rudy Royston: drums.

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