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Modern Jazz Quartet - Plastic Dreams
Жанр: Cool
Страна-производитель диска: Германия
Год издания: 1972
Издатель (лейбл): Atlantic Masters
Номер по каталогу: 8122747022
Страна: США
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 54:36
Источник (релизер): диск из моей коллекции
Наличие сканов в содержимом раздачи: да
Треклист:
01. Walkin' Stomp (Lewis) - 4:46
02. Dancing (Lewis) - 5:16
03. Plastic Dreams (Lewis) - 5:24
04. Variations on a Christmas Theme (Lewis) - 4:27
05. Trav'lin' (Lewis) - 4:40
06. Piazza Navona (Lewis) - 6:39
07. England's Carol (Lewis) - 5:21
08. Blues in the Bergerie (Fol) - 6:52
09. Romance (Lewis) - 7:25
10. The Trip (Lewis) - 3:47
Состав:
John Lewis - piano, harpsichord
Milt Jackson - vibraharp
Percy Heath - bass
Connie Kay - drums, percussion
Snooky Young, Joe Newman - trumpets (#4,6)
Garnett Brown - trombone (#4,6)
Jim Buffington - French horn (#4,6)
Don Butterfield - tuba (#4,6)
Recorded at Atlantic Recording Studios, New York in May 1971.
Код:
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 8. May 2012, 18:01
Modern Jazz Quartet / Plastic Dreams
Used drive  : HL-DT-STDVDRAM GH20NS10   Adapter: 5  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  4:45.56 |         0    |    21430
        2  |  4:45.56 |  5:15.65 |     21431    |    45120
        3  | 10:01.46 |  5:23.66 |     45121    |    69411
        4  | 15:25.37 |  4:26.54 |     69412    |    89415
        5  | 19:52.16 |  4:39.72 |     89416    |   110412
        6  | 24:32.13 |  6:39.12 |    110413    |   140349
        7  | 31:11.25 |  5:21.35 |    140350    |   164459
        8  | 36:32.60 |  6:51.49 |    164460    |   195333
        9  | 43:24.34 |  7:25.19 |    195334    |   228727
       10  | 50:49.53 |  3:46.63 |    228728    |   245740
Range status and errors
Selected range
     Filename F:\audio\Modern Jazz Quartet - Plastic Dreams.wav
     Peak level 96.8 %
     Extraction speed 0.5 X
     Range quality 100.0 %
     Test CRC E9819017
     Copy CRC E9819017
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 1)  [0F598EFE]
Track  2  accurately ripped (confidence 1)  [A7235280]
Track  3  accurately ripped (confidence 1)  [8E55999E]
Track  4  accurately ripped (confidence 1)  [161C06EC]
Track  5  accurately ripped (confidence 1)  [2968297C]
Track  6  accurately ripped (confidence 1)  [4E7F8BB4]
Track  7  accurately ripped (confidence 1)  [9348E5C0]
Track  8  accurately ripped (confidence 1)  [3BC60DC5]
Track  9  accurately ripped (confidence 1)  [4971AEE9]
Track 10  accurately ripped (confidence 1)  [1CAEE5A1]
All tracks accurately ripped
End of status report
==== Log checksum DA048C56681E5032186DF29369612AFDD8766CD341C1534600178F32643D9831 ====
Код:
REM GENRE Jazz
REM DATE 1972
REM DISCID 870CCC0A
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Modern Jazz Quartet"
TITLE "Plastic Dreams"
FILE "Modern Jazz Quartet - Plastic Dreams.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Walkin' Stomp"
    PERFORMER "Modern Jazz Quartet"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Dancing"
    PERFORMER "Modern Jazz Quartet"
    INDEX 00 04:44:11
    INDEX 01 04:45:56
  TRACK 03 AUDIO
    TITLE "Plastic Dreams"
    PERFORMER "Modern Jazz Quartet"
    INDEX 00 10:00:01
    INDEX 01 10:01:46
  TRACK 04 AUDIO
    TITLE "Variations of a Christmas Theme"
    PERFORMER "Modern Jazz Quartet"
    INDEX 00 15:23:67
    INDEX 01 15:25:37
  TRACK 05 AUDIO
    TITLE "Trav'lin'"
    PERFORMER "Modern Jazz Quartet"
    INDEX 00 19:50:46
    INDEX 01 19:52:16
  TRACK 06 AUDIO
    TITLE "Piazza Navona"
    PERFORMER "Modern Jazz Quartet"
    INDEX 00 24:30:43
    INDEX 01 24:32:13
  TRACK 07 AUDIO
    TITLE "England's Carol"
    PERFORMER "Modern Jazz Quartet"
    INDEX 00 31:09:55
    INDEX 01 31:11:25
  TRACK 08 AUDIO
    TITLE "Blues in the Bergerie"
    PERFORMER "Modern Jazz Quartet"
    INDEX 00 36:31:15
    INDEX 01 36:32:60
  TRACK 09 AUDIO
    TITLE "Romance"
    PERFORMER "Modern Jazz Quartet"
    INDEX 00 43:22:64
    INDEX 01 43:24:34
  TRACK 10 AUDIO
    TITLE "The Trip"
    PERFORMER "Modern Jazz Quartet"
    INDEX 00 50:48:08
    INDEX 01 50:49:53
Christmas came early in 1971; in May, Atlantic released Plastic Dreams, the penultimate studio album from the Modern Jazz Quartet during their main, 22-year run as an ensemble. Of the MJQ's albums, Plastic Dreams has never been a critic's favorite, and was an album that mystified many of the group's longtime followers. First was the gatefold front cover, impossible to represent well in AMG's scan, which featured a "plastic" image of a nude woman that was really pushing the envelope by 1971 standards; it was almost "indecent." Secondly were the liner notes by arch-New York jazz critic Martin Williams; while they were certainly appreciative, they really made you wonder if Williams was listening to the same album you were. Third was the inclusion of two Christmas selections on an album that didn't otherwise have anything to do with Christmas -- indeed, what was going on here? The answer, quite simply, was that Plastic Dreams was as close as the MJQ ever got to making a pop album, and the production work of Arif Mardin reflects that idea -- it utilizes a "hot" pop production rather than the dry-as-a-bone styled mix that typifies the MJQ's recordings up to that time. The opener, "Walkin' Stomp," reasserts this concept in a big way; it is as far into playing pure funk that the MJQ ever got, with Percy Heath laying down a solid groove and Milt Jackson contributing a brilliant, blazing solo. "Trav'lin" is a strong point of departure also, a minimalist time keeping exercise that contrasts rapid, repetitive figurations coordinated between John Lewis' left hand and Heath's bass with a very slowly evolving melody. Mardin further highlighted this by adding a subtle delay to the whole recording and sinking it slowly into the track, the only time the MJQ ever embraced the assistance of electronic technology into their work aside from participating in Gunther Schuller's "Conversation" (1957). While there is nothing else in the MJQ's book like "Trav'lin," Martin Williams stated that it was "another one reminiscent of their early pieces." The title track, "Plastic Dreams," is a reflective and relaxed tune that benefits from Lewis' employment of the harpsichord over the piano, as does "England's Carol," a fresh spin on "God Rest Ye Merry Gentlemen." The version of "Piazza Navona" here utilizes five horns and is like an entirely different composition from the one that appeared on The Comedy and Lewis' album The Golden Striker in 1960. It has an irresistibly catchy, entirely new introductory figure that winds its way through the piece, and once you hear it on Plastic Dreams, you'll miss it when you listen to the older versions. Indeed, as a whole Plastic Dreams does seem like a final refinement of several idealistic threads found throughout the MJQ's studio work stretching back to about 1960, with generous room made for new directions. By contrast, the album that followed -- Blues on Bach (1973) -- is more readily recognizable as belonging to the Third Stream context already established for the group. Despite the lukewarm criticism that has attended to it, and the fact that Atlantic didn't release it on CD until 34 years after it first appeared, Plastic Dreams is one of the MJQ's most exploratory efforts, though in the opposite direction from albums like Third Stream Music. As such, Plastic Dreams deserves pride of place as one of the late, and last, high-water marks to be found among their studio work during their regular period of activity, and it remains one of the most hip sounding and easily enjoyed of the MJQ's albums more than thirty years on.
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