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(Third Stream, Experimental Big Band, Jazz-Rock) [CD] Neil Ardley - Harmony of the Spheres - 1978 (2008), FLAC (tracks+.cue), lossless

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Neil Ardley - Harmony of the Spheres
Жанр: Third Stream, Experimental Big Band, Jazz-Rock
Носитель: CD
Страна-производитель диска (релиза): Великобритания
Год издания: 2008
Издатель (лейбл): Esoteric Recordings
Номер по каталогу: ECLEC 2096
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 46:48
Источник (релизер): dickthespic (what)
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Upstars All - 3:39
02. Leap in the Dark - 5:58
03. Glittering Circles - 6:29
04. Fair Mirage - 7:22
05. Soft Stillness and the Night - 7:26
06. Headstrong, Headlong - 7:10
07. Towards Tranquillity - 8:44

Код:

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 30. January 2012, 13:04
Neil Ardley / Harmony of the Spheres
Used drive  : HP      DVD Writer 1260t   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : F:\Exact Audio Copy\FLAC\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:38.38 |         0    |    16387
        2  |  3:38.38 |  5:58.00 |     16388    |    43237
        3  |  9:36.38 |  6:29.07 |     43238    |    72419
        4  | 16:05.45 |  7:21.66 |     72420    |   105560
        5  | 23:27.36 |  7:26.28 |    105561    |   139038
        6  | 30:53.64 |  7:10.18 |    139039    |   171306
        7  | 38:04.07 |  8:43.47 |    171307    |   210578
Track  1
     Filename G:\demonoid\Neil Ardley - 1979 - Harmony of the Spheres\01 - Upstars All .wav
     Pre-gap length  0:00:02.00
     Peak level 96.8 %
     Extraction speed 2.7 X
     Track quality 99.9 %
     Test CRC 644F4F96
     Copy CRC 644F4F96
     Accurately ripped (confidence 4)  [A4DC2A71]
     Copy OK
Track  2
     Filename G:\demonoid\Neil Ardley - 1979 - Harmony of the Spheres\02 - Leap in the Dark .wav
     Pre-gap length  0:00:00.01
     Peak level 98.8 %
     Extraction speed 4.1 X
     Track quality 100.0 %
     Test CRC 44D281AC
     Copy CRC 44D281AC
     Accurately ripped (confidence 4)  [F67D98DE]
     Copy OK
Track  3
     Filename G:\demonoid\Neil Ardley - 1979 - Harmony of the Spheres\03 - Glittering Circles .wav
     Pre-gap length  0:00:00.01
     Peak level 94.2 %
     Extraction speed 4.7 X
     Track quality 100.0 %
     Test CRC E4A3227E
     Copy CRC E4A3227E
     Accurately ripped (confidence 4)  [10DAAA32]
     Copy OK
Track  4
     Filename G:\demonoid\Neil Ardley - 1979 - Harmony of the Spheres\04 - Fair Mirage .wav
     Peak level 98.8 %
     Extraction speed 5.3 X
     Track quality 100.0 %
     Test CRC 07CEC079
     Copy CRC 07CEC079
     Accurately ripped (confidence 4)  [82D7311C]
     Copy OK
Track  5
     Filename G:\demonoid\Neil Ardley - 1979 - Harmony of the Spheres\05 - Soft Stillness and the Night .wav
     Pre-gap length  0:00:00.01
     Peak level 71.2 %
     Extraction speed 5.9 X
     Track quality 100.0 %
     Test CRC C05DE8A1
     Copy CRC C05DE8A1
     Accurately ripped (confidence 4)  [DD3E0909]
     Copy OK
Track  6
     Filename G:\demonoid\Neil Ardley - 1979 - Harmony of the Spheres\06 - Headstrong, Headlong .wav
     Peak level 98.4 %
     Extraction speed 6.3 X
     Track quality 100.0 %
     Test CRC CB8E2368
     Copy CRC CB8E2368
     Accurately ripped (confidence 4)  [7E858B98]
     Copy OK
Track  7
     Filename G:\demonoid\Neil Ardley - 1979 - Harmony of the Spheres\07 - Towards Tranquillity .wav
     Peak level 97.6 %
     Extraction speed 6.9 X
     Track quality 100.0 %
     Test CRC 0A73C546
     Copy CRC 0A73C546
     Accurately ripped (confidence 4)  [3006B22A]
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 80DDAF1E389A2A75AB61059C2B56B63229A6C8356D691AC0F71DC67D483F8B05 ====

Код:

REM GENRE Jazz
REM DATE 1978
REM DISCID 630AF707
REM COMMENT "ExactAudioCopy v1.0b1"
CATALOG 5013929719620
PERFORMER "Neil Ardley"
TITLE "Harmony of the Spheres"
FILE "01 - Upstars All.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Upstars All"
    PERFORMER "Neil Ardley"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Leap in the Dark"
    PERFORMER "Neil Ardley"
    INDEX 00 03:38:37
FILE "02 - Leap in the Dark.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Glittering Circles"
    PERFORMER "Neil Ardley"
    INDEX 00 05:57:74
FILE "03 - Glittering Circles.wav" WAVE
    INDEX 01 00:00:00
FILE "04 - Fair Mirage.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Fair Mirage"
    PERFORMER "Neil Ardley"
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Soft Stillness and the Night"
    PERFORMER "Neil Ardley"
    INDEX 00 07:21:65
FILE "05 - Soft Stillness and the Night.wav" WAVE
    INDEX 01 00:00:00
FILE "06 - Headstrong, Headlong.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Headstrong, Headlong"
    PERFORMER "Neil Ardley"
    INDEX 01 00:00:00
FILE "07 - Towards Tranquillity.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Towards Tranquillity"
    PERFORMER "Neil Ardley"
    INDEX 01 00:00:00

Код:

[CUETools log; Date: 28.02.2016 0:19:56; Version: 2.1.5]
[CTDB TOCID: 1OpJX0uY4M1juuYz04XpFWp4BII-] found.
Track | CTDB Status
  1   | (4/4) Accurately ripped
  2   | (4/4) Accurately ripped
  3   | (4/4) Accurately ripped
  4   | (4/4) Accurately ripped
  5   | (4/4) Accurately ripped
  6   | (4/4) Accurately ripped
  7   | (4/4) Accurately ripped
[AccurateRip ID: 000b9304-0047af87-630af707] found.
Track   [  CRC   |   V2   ] Status
 01     [a4dc2a71|8b0143f5] (04+07/11) Accurately ripped
 02     [f67d98de|718fe217] (04+07/11) Accurately ripped
 03     [10daaa32|9bf1859b] (04+07/11) Accurately ripped
 04     [82d7311c|0e499ac4] (04+07/11) Accurately ripped
 05     [dd3e0909|3d2489ce] (04+07/11) Accurately ripped
 06     [7e858b98|4734a42c] (04+07/11) Accurately ripped
 07     [3006b22a|ecd75c39] (04+07/11) Accurately ripped
Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
 --   98,8 [53A4D3D5] [91F29BCC]
 01   96,8 [644F4F96] [F586F935]   CRC32
 02   98,8 [44D281AC] [EDD5BA8C]   CRC32
 03   94,2 [E4A3227E] [756A9F4E]   CRC32
 04   98,8 [07CEC079] [D0B0F793]   CRC32
 05   71,2 [C05DE8A1] [BA465FFE]   CRC32
 06   98,3 [CB8E2368] [D7A30F14]   CRC32
 07   97,6 [0A73C546] [26EC91F9]   CRC32

Harmony of the Spheres was composer Neil Ardley's final album for a major label. Released by Decca in the U.K. in 1979. This is the record many of Ardley's most ardent (no pun intended) fans and jazz purists have dismissed out of hand. Simply put, both groups are wrong. The primary reason for this dislike is two-fold: first, the ubiquitous use of synthesizers. Given that this is a conceptual recording of the title, derived from the complex notions of the ancient Greeks, Ardley could find no acoustic instruments that could actually reproduce the sounds required. He assigned musical notes to each of the planets and discovered that the ratio of the orbit times of Mercury and Pluto (assigned the highest and lowest tones, respectively, because of their distance from the sun) were virtually identical to the ratio of frequencies of the sounds of the upper and lower range limits of human hearing. That this entire schemata is only approached and achieved once on the entire album, on "Soft Stillness & the Night," is immaterial. Ardley composed an entire suite around these sounds, the "harmony" as it were, and came up with a stellar jazz-rock set, that combines some of the very finest elements of prog, jazz improvisation, funk, and rock composition to hit record stores, and sounds distinctly different from anything else in his catalog. The cast on this brilliant album includes trumpeter Ian Carr and members of his band Nucleus, vocalist Norma Winstone, Tony Coe and Barbara Thompson on reeds and winds, Geoff Castle, Trevor Tomkins, Richard Burgess, Pepi Lemer, and the utterly amazing (and largely unrecognized) Billy Kristian, whose bassline is the anchor of the entire set, and who gets in some amazingly funky playing. The other big surprise is the appearance of John Martyn on electric guitar -- playing both lead and rhythm -- his playing here goes far beyond anything to appear on his own records -- let's put it this way, he could have hung with John Goodsall of Brand X without difficulty and possesses a trunkload of soul. Check out his smokin' fretwork on the opener "Upstarts All," which complements Kristian's bass work astutely. The disjointed funk on "Leap in the Dark" would have been right at home in many clubs at the time, though its syncopation would have thrown many. Here again, Kristian shines. Carr's genius is heard bountifully on "Head Strong, Headlong," that walks a line between jazz, funk, and blues. Taken as a whole, Harmony of the Spheres is not nearly as jarring now as it was when released, and is far less a "commercial" album than it was once considered. It's a fitting testimony to Ardley's compositional and sonic genius that he employs synthesizers as not only architectural building blocks but as actual melodic instruments as well. Only a brilliant pianist and harmonist could accomplish such a thing, and Ardley was both. Luckily for us, the grand British reissue label Esoteric released this set on CD for the first time in the West in 2008.

Neil Ardley - Arp Odyssey and Omni synthesizers, composer
John Martyn - electric rhythm and lead guitar
Billy Kristian - bass guitar
Geoff Castle - electric and acoustic pianos, Minimoog synthesizer
Richard Burgess - drums, percussion
Trevor Tomkins - percussion
Barbara Thompson - flute, soprano saxophone
Tony Coe - clarinet, soprano saxophone
Ian Carr - trumpet, flugelhorn
Pepi Lemer, Norma Winstone - voices
Recorded at Morgan Studios, London in July-September, 1978.

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