(Modern Creative, Contemporary Jazz) [WEB] Prism Quartet feat. Dave Liebman, Steve Lehman, Rudresh Mahanthappa, Miguel Zenon, Greg Osby, Tim Ries - Heritage/Evolution, Vol. 1 (2CD) - 2015, FLAC (tracks), lossless

Not quite as well-known as the World Saxophone Quartet or the Rova Saxophone Quartet, the PRISM Quartet practices a unique approach to this category of ensemble playing. In part, PRISM takes a more direct aim on improvisation as opposed to the more blended method of WSQ or the openly free style of Rova. More idiosyncratic is the evolution of the quartet over three decades. When tenor player Matthew Levy founded the group in Michigan, its original mission was specific to a fault; performing the classical works of twentieth-century French composers. Early on, the prominent composer William Albright—whose musical interests ranged from ragtime to atonal—recommended a more avant-garde direction. It was advice that that Levy embraced and now PRISM's evolution comes closer than ever to the definable jazz world on Heritage/Evolution, Volume 1.
The current quartet line-up consists of Timothy McAllister on soprano, Taimur Sullivan on baritone, alto player Zachary Shemon and Levy, the only original group member. The two-disc set also features compositions and performances from Steve Lehman, Rudresh Mahanthappa, Miguel Zenón 99, Dave Liebman, Greg Osby and former PRISM member Tim Ries. It's as superb a collection of modern, top-shelf saxophonists as one could find on a single release. The guest roster's collective jazz pedigree moves PRISM from third stream to improvisational jazz without abandoning the quartet's classical roots altogether.
The compositional credits on Heritage/Evolution, Volume 1 are spread out among the guest performers with Mahanthappa and Osby each providing a single contribution but—in aggregate—well over thirty minutes of excellent music. Mahanthappa's "I Will Not Apologize For My Tone Tonight"—the best song title in recent memory—opens with long, fluid lines that lead up to choppy phrases that weave circuitously toward a Tom Waits-like burlesque of swirling reeds. Like the succeeding composition, Zenón's "The Missing Piece," the arrangements consist of melodic fragments; proxies for unlabeled movements, their pace rising and falling as they transition.
Ries' "Name Day" pulls in a number of global influences from Middle-Eastern, klezmer, and bolero mixed in with harder swing elements. He and the quartet are joined by Zenón allowing the six players to independently change direction while keeping the sound full. The five-part suite, "15 Places at the Same Time"—written by Lehman—incorporate moments of unruly dissonance and free improvisation—especially on "Solo" and "Radical Alignment"—loosely stitched together through the unbroken set. Osby's "Covenant of Voices" and Liebman's "Trajectory" occupy almost forty minutes of the second disc and the pieces are by turns animated, warm and spiked with surprising innovation. The album closes beautifully with John Coltrane's "Dear Lord."
It is the intention of the PRISM Quartet that Heritage/Evolution, Volume 1 is just that—the first volume in a new experiment that tests the musical boundaries of the saxophone family. The quartet has in the past worked with the ensemble, Music from China, producing two highly unique albums. Another collection, Pitch Black (Innova, 2008), includes spoken passages from prison inmates and street preachers as well as Billie Holiday and Chet Baker. In some cases, PRISM loops and manipulates the voices making them surreal instruments. Experimentation is a way of life for this group and on Heritage/Evolution, Volume 1 they have a phenomenal album filled with illusion, atmosphere and great music.
5/5 stars!
(Karl Ackermann, AllAboutJazz)

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“Every musical instrument tells many stories. In Heritage/Evolution, the saxophone takes center stage; its fascinating dual history in classical music and jazz leads PRISM and our guest artists through a collaborative process of discovery.” —Matthew Levy, PRISM's co-founder, executive director and tenor saxophonist.
Constantly in search of new musical terrain, the PRISM Quartet (Timothy McAllister, Taimur Sullivan, Matthew Levy, and Zachary Shemon) celebrates its 30th anniversary with a groundbreaking recording: Heritage/Evolution, Volume 1. The 2 CD set features world premiere recordings of new works composed and performed by six saxophonists who defy convention: Steve Lehman, Rudresh Mahanthappa, Tim Ries, Miguel Zenón, Dave Liebman and Greg Osby.
Appending “Volume 1” to the title is a statement of intent: this is not a one-time project, but the first step in a major new initiative by the PRISM Quartet. Building on their own heritage, PRISM’s series of musical explorations documents an instrument and performance practice that continues to progress. Adolphe Sax’s signature invention has proven so versatile and adaptable that it has spread well beyond Europe. The past century and a half has seen the evolution of traditions of saxophone playing in India, in West Africa, in the Balkans, and in Latin America.
Heritage/Evolution, Volume 1 is a collection of distinctive pieces—a new fabric of saxophone repertoire—that draws on the instrument's cross-cultural heritage, blending jazz with Western classical music, and an eclectic range of folkloric traditions.
The saxophone’s evolution will continue. As evolutionary biologists have pointed out, these things don’t just happen; there’s usually an outside agent (climate change, the introduction of a new species into the ecology, etc.) that provokes big evolutionary moments. For the sax, the PRISM Quartet has been and still is one of those agents, tirelessly exploring the possibilities of this most versatile instrument.
Heritage/Evolution is dedicated to the memory of Michael Whitcombe (1962-2013), PRISM’s founding alto saxophonist whose artistry and vision shaped the quartet for over 20 years.

GUESTS
Dave Liebman - soprano
Miguel Zenon - alto
Greg Osby - alto
Tim Ries - tenor
Steve Lehman - alto
Rudresh Mahanthappa - alto