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(Modern Creative, Contemporary Jazz, ReR Megacorp) [WEB] Paolo Angeli - Nita L'Angelo Sul Trapezio - 2005, FLAC (tracks), lossless

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Paolo Angeli / Nita L'Angelo Sul Trapezio
Жанр: Modern Creative, Contemporary Jazz, ReR Megacorp
Носитель: WEB
Страна-производитель диска (релиза): UK
Год издания: 2005
Издатель (лейбл): ReR Megacorp
Номер по каталогу: ReR PA2
Страна исполнителя (группы): Italy
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 00:51:01
Источник (релизер): WEB
Наличие сканов в содержимом раздачи:
Треклист:
1 Nita 5:03
2 Lenti Appannate 1:08
3 Specchi D'Arancia 5:02
4 Cicli E Ricicli 0:29
5 Bando 2:41
6 Pari O Dispari 4:31
7 Sonni 1:55
8 Diamo I Numeri 0:38
9 Cussi No' La Cridia 2:21
10 Quello Sguardo 0:34
11 Miserere 1:58
12 Tibi 3:10
13 Idee Confuse 2:39
14 La Mulina (Parlando) 1:41
15 La Mulina Da Pepa 2:40
16 L'Angoscia Dell'Amore 2:27
17 Sorbetto 1:13
18 Nita (Timida) 2:01
19 Ritagli Di Tempo 1:59
20 Pascoli 2:01
21 L'Ululone 1:36
22 Salve Regina! 1:08
23 Biga 1:54

Код:

[img]https://static.t-ru.org/smiles/ges_no.gif[/img]

Код:

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Nita.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Lenti Appannate.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Specchi D'arancia.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. Cicli E Ricicli.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Bando.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. Pari E Dispari.wav]
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This track looks like CDDA with probability 99%
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Processing file: [07. Sonni.wav]
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This track looks like CDDA with probability 100%
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Processing file: [08. Diamo I Numeri.wav]
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This track looks like CDDA with probability 100%
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Processing file: [09. Cussi No' La Cridia.wav]
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This track looks like CDDA with probability 100%
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Processing file: [10. Quello Sguardo.wav]
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This track looks like CDDA with probability 100%
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Processing file: [11. Miserere.wav]
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This track looks like CDDA with probability 85%
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Processing file: [12. Tibi.wav]
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This track looks like CDDA with probability 100%
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Processing file: [13. Idee Confuse.wav]
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This track looks like CDDA with probability 100%
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Processing file: [14. La Mulina (Parlando).wav]
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This track looks like CDDA with probability 100%
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Processing file: [15. La Mulina Da Pepa.wav]
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This track looks like CDDA with probability 100%
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Processing file: [16. L'angoscia Dell'amore.wav]
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This track looks like CDDA with probability 100%
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Processing file: [17. Sorbetto.wav]
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This track looks like CDDA with probability 100%
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Processing file: [18. Nita (Timida).wav]
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This track looks like CDDA with probability 100%
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Processing file: [19. Ritagli Di Tempo.wav]
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This track looks like CDDA with probability 58%
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Processing file: [20. Pascoli.wav]
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This track looks like CDDA with probability 100%
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Processing file: [21. L'ululone.wav]
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This track looks like CDDA with probability 100%
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Processing file: [22. Salve Regina!.wav]
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This track looks like CDDA with probability 100%
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Processing file: [23. Biga.wav]
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This track looks like CDDA with probability 99%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

Доп. информация:

All compositions and arrangements: Paolo Angeli except track 9-11-12 (elab. traditional by Paolo Angeli)
Recorded between May 2002 and June 2004 at the Theatre of Castelvetro (MO), Mirko's and Fabri's house by Mobile Studio Monari
Sound engineer: Roberto Monari / Bologna, Studio Allimite, sound engineer: Gianpiero Berti
Track 11 recorded at Bar De Marchi, Bologna
Track 5,22,23 recorded at TPO, Bologna, Mobile Studio Monari
Harp session: Calenzano (Prato), sound engineer: Paolo Fanciullaci
Mix: Roberto Monari, Paolo Angeli
Editing-mastering: Roberto Monari
Produced by Paolo Angeli, Roberto Monari
Executive producer: Chris Cutler
Photography: Nanni Angeli
Artwork: Ale Sordi
Cover: Alessandra Angeli
Translation: Dany Mitzman
The unexpected follow-up to Bucato features Paolo Angeli the composer, instead of the instrument builder and virtuoso. For Nita: L'Angelo Sul Trapezio (Nita, the Angel at the Trapeze) he brought in over 20 musicians, five singers, and a street band. Presented as "an imaginary soundtrack," Nita draws on Italian folk, Italian avant-jazz, the lighter side of RIO (Samla Mammas Manna, in particular), Frank Zappa, and a touch of Quebec musique actuelle. Typical of Angeli, the music consists of several short pieces grouped in loose suites. We move from pop songs to experimental breaks, harp-driven themes, street band numbers, and quirky avant-jazz without a chance to catch our breath. It all occasionally sounds chaotic, only to appear exquisitely organized the next minute -- and that second impression is the one that lasts when the music's over. Angeli's creativity overflows. He manages to squeeze in a few impressive guitar tracks ("Ritagli di Tempo": magnificent), but truly shines here as a composer and leader. The instrumentation includes a string quartet, harp (Federica Somigli), keyboards, accordion (Roberto Secchi), a horn section, and percussion (including drummer Mirko Sabatini). Folk singer Margareth Kammerer guests on "La Mulina da Pepa"; Banda Roncati is the street band in "Bando," and the two last pieces (the coda). Even if you don't understand Italian (the booklet includes an English translation of the lyrics, but it is approximate, at best), you will be sucked inside Angeli's highly colored, fast moving universe. The scope of the undertaking commands respect, the wildly entertaining results deserve cheers. A soundtrack? Nita is actually a whole film without images. - Francois Couture, AMG

Paolo Angeli: voice (9-16), classical guitar, electric guitar, acoustic guitar, bass guitar, bass tuba, drums, banjo, ukulele, sound effects
Nando D'Andria: violin
Marianna Finarelli: cello
Luigi 'Lullo' Mosso: doublebass
Pierangelo Galantino: doublebass
Federica Somigli: harp
Fabrizio Puglisi: piano, electric piano, organ, synt ARP Odissey
Roberto Secchi 'Sacco': accordion
Stefano Zorzanello: flute
Edoardo Marraffa: tenor, alto saxophone
Patrick Novara: oboe
Olivia Bignardi: clarinet
Angelo Pollino: french horn
Riccardo Pittau: trumpet
Giorgio Simbola: trombone, violin (20)
Mirko Sabatini: drums
'Don' Tullio Sartori: percussion
Andrea Martignoni: percussion, objects (4,12,16)
Mario Martignoni: percussion, objects (4,12)
Enza Prestia: tammorre
Luigi Savino: drums programming (1)
Margaret Kammerer: voice (15)
Francesca Esposito: voice (16,20)
Vincenzo Vasi: teremin, voice (16,20)
Nanni Angeli: voice (20)
Choir 'a Tasgia' (11): Agostino Aresu (bassu), Sandro Vacca (contra), Paolo Angeli (boci), Nanni Angeli (tippi), Roberto Vacca (falsittu)
Street band (5,22,23): Banda Roncati
Guests: Matilde Mosso, Maria Suelzu, Piero Andreotti, Giovanni Scanu, Childrens and Steps of Cuglieri, Zia Maria Ulma Fanti (accordion on tracks 12,16), Florian Pey Loraschi, Ulisse and his chickens

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