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(Modern Creative, Avant-Garde Jazz) [WEB] Vladimir Estragon (Alfred Harth, Phil Minton, FM Einheit, Ulrike Haage) - Three Quarks For Muster Mark - 1993, FLAC (tracks), lossless

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Vladimir Estragon / Three Quarks For Muster Mark
Жанр: Modern Creative, Avant-Garde Jazz
Носитель: WEB
Страна-производитель диска (релиза): Germany
Год издания: 1993
Издатель (лейбл): Enja / TipToe
Номер по каталогу: TIPTOE CD 888 803
Страна исполнителя (группы): International
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 00:38:13
Источник (релизер): WEB
Наличие сканов в содержимом раздачи
Треклист:
01. The Warten 3'44
02. Lucky 2'35
03. Remark 0'38
04. Das letzte Band 3'03
05. Nichts zu machen 0'56
06. Das Lethargische 3'27
07. Wiegenlied 1'16
Streetscenes:
- a) 08. Seine Freunde 1'45
- b) 09. Seine Register 0'51
- c) 10. Seine Angst 3'42
- d) 11. Ich libbe Leben 2'19
- e) 12. Seine Korrespondenten 0'39
- f) 13. Der verbleibende Haufen 3'14
14. March der Three Quarks 2'39
15. Die Nachtigall 0'29
16. Pozzo 4'23
17. We erinnern uns sehnsüchtig 2'30

Код:

[img]https://static.t-ru.org/smiles/ges_no.gif[/img]

Код:

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. The Warten.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
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Processing file: [02. Lucky.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [03. Remark.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
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Processing file: [04. Das letzte Band.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Nichts zu machen.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. Das Lethargische.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07. Wiegenlied.wav]
------------------------------------------------------------
This track looks like CDDA with probability 85%
------------------------------------------------------------
Processing file: [08. Streetscenes - a) Seine Freunde.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [09. Streetscenes - b) Seine Register.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [10. Streetscenes - c) Seine Angst.wav]
------------------------------------------------------------
This track looks like CDDA with probability 76%
------------------------------------------------------------
Processing file: [11. Streetscenes - d) Ich libbe Leben.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [12. Streetscenes - e) Seine Korrespondenten.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [13. Streetscenes - f) Der verbleibende Haufen.wav]
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This track looks like CDDA with probability 100%
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Processing file: [14. March der Three Quarks.wav]
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This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [15. Die Nachtigall.wav]
------------------------------------------------------------
This track looks like CDDA with probability 58%
------------------------------------------------------------
Processing file: [16. Pozzo.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [17. We erinnern uns sehnsuechtig.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%

Доп. информация:

Recorded and mixed in 1989 at Trion Sound, Frankfurt/Main, Germany by Thomas Stern.
Digitally mastered by Walter Brüssow.
I maintain that internet is the best thing that could have happened to me in the last 15 years. If I still depended on the idiocy of record shops' personnel (who, at least on these shores, declare "out of print" everything they don't know - 95% of things - and when they miraculously have something difficult to obtain try to charge you twice the prices you'll see after a 10-minute search on the web) I'd have had a hard time discovering an album like this, an unnoticed, unsung treasure trove of good ideas, lively irony and astonishing artistry. Consisting of Alfred Harth (tenor sax and clarinets), Phil Minton (voice and trumpet), F.M. Einheit (metals and electronics) and the excellent Ulrike Haage (keyboards, sequencer programming and samples), Vladimir Estragon were a paradise of lusty electronic arrangements whose preset-derived poetry was poisoned by oblique complexities and sudden animations entering the picture when less expected; and this is only a fraction of the whole. Minton's typical parades of vocal characters depict a series of alternative abnormalities, as he accompanies absurd harmonic sequences with nonchalant schizophreny, often meshing his garbled glottology with the less consonant fruits from the rest of the group. And what about Harth's immediately recognizable, charming-but-challenging lines? Be it in a profound duo with Haage's piano (like in the initial "The warten") or leading a double-edge thematic exposition together with Minton's fiery trumpet, his playing remains connected with something that words can't give justice to, and that I can only define as "lyrically corporeal". Given Einheit's slightly more obscure role - but his duet with Minton in "Der verbleibende Haufen" is great - a special mention goes to Ulrike Haage, who composed the large part of the material with Harth; her programming sapience is a strong point of the disc, constituting an entertaining springboard for all members to unveil their more disguised influences; she also plays a mean piano and writes in styles that respectfully nod to Lars Hollmer and Lindsay Cooper, with an additional touch of tangential sweetness. Look for "Three quarks" with all your browsing power (better still, click on the above link), as this gem was released in 1989 and - unless they're using it as a gap filler somewhere - your "friends" at the record shop will probably tell you that it never existed. - Massimo Ricci, Touching Extremes

Alfred 23 Harth: tenor saxophone, clarinet, bass clarinet
Ulrike Haage: sequencer programming, Muta sound samples, keyboards, piano
Phil Minton: voice, trumpet
FM Einheit: metal, electronics, stones, cabinet, drums

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