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Trygve Seim - The Source
Oyvind Brække, Mats Eilertsen, Per Oddvar Johansen

Жанр: Ecm, Norway Jazz, Avant-Garde Jazz
Год издания: 2006
Издатель (лейбл): ecm
Номер по каталогу: 1966
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:13:55
Источник (релизер): bartonfink
Наличие сканов в содержимом раздачи: да
Треклист:
01.Caballero
02.Un Fingo Andalou
03.Libanera
04.Prelude To A Boy
05.Tamboura Rasa
06.Mmball
07.Østerled
08.Life So Far
09.Tribute
10.Mail Me Or Leave Me
11.Alle Blå De Er
12.Water Glass Rhapsody
13.A Surrender Triptych
Trygve Seim tenor and soprano saxophones
Øyvind Brække trombone
Mats Eilertsen double-bass
Per Oddvar Johansen drums
Код:
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 3. December 2008, 21:52
The Source / The Source
Used drive  : PLEXTOR DVDR   PX-760A   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 30
Overread into Lead-In and Lead-Out          : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  6:07.32 |         0    |    27556
        2  |  6:07.32 |  7:28.20 |     27557    |    61176
        3  | 13:35.52 |  6:12.25 |     61177    |    89101
        4  | 19:48.02 |  6:29.60 |     89102    |   118336
        5  | 26:17.62 |  5:51.50 |    118337    |   144711
        6  | 32:09.37 |  5:31.50 |    144712    |   169586
        7  | 37:41.12 |  6:28.58 |    169587    |   198744
        8  | 44:09.70 |  6:45.12 |    198745    |   229131
        9  | 50:55.07 |  6:31.18 |    229132    |   258474
       10  | 57:26.25 |  6:00.02 |    258475    |   285476
       11  | 63:26.27 |  4:33.73 |    285477    |   306024
       12  | 68:00.25 |  3:02.70 |    306025    |   319744
       13  | 71:03.20 |  3:20.45 |    319745    |   334789
Track  1
     Filename J:\The Source - The Source (2006) [FLAC]\01 - Caballero.wav
     Pre-gap length  0:00:02.00
     Peak level 99.2 %
     Track quality 100.0 %
     Test CRC D860D3CD
     Copy CRC D860D3CD
     Accurately ripped (confidence 4)  [368A0714]
     Copy OK
Track  2
     Filename J:\The Source - The Source (2006) [FLAC]\02 - Un Fingo Andalou.wav
     Pre-gap length  0:00:01.37
     Peak level 99.0 %
     Track quality 99.9 %
     Test CRC C1BDBECA
     Copy CRC C1BDBECA
     Accurately ripped (confidence 4)  [4E74568D]
     Copy OK
Track  3
     Filename J:\The Source - The Source (2006) [FLAC]\03 - Libanera.wav
     Pre-gap length  0:00:04.52
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC 60C9B591
     Copy CRC 60C9B591
     Accurately ripped (confidence 4)  [AE22D7C7]
     Copy OK
Track  4
     Filename J:\The Source - The Source (2006) [FLAC]\04 - Prelude To A Boy.wav
     Pre-gap length  0:00:01.30
     Peak level 99.0 %
     Track quality 100.0 %
     Test CRC B4EC76B9
     Copy CRC B4EC76B9
     Accurately ripped (confidence 4)  [CF8806A2]
     Copy OK
Track  5
     Filename J:\The Source - The Source (2006) [FLAC]\05 - Tamboura Rasa.wav
     Peak level 98.5 %
     Track quality 99.9 %
     Test CRC 5D217092
     Copy CRC 5D217092
     Accurately ripped (confidence 4)  [D1B903B3]
     Copy OK
Track  6
     Filename J:\The Source - The Source (2006) [FLAC]\06 - Mmball.wav
     Pre-gap length  0:00:02.52
     Peak level 93.7 %
     Track quality 100.0 %
     Test CRC 2C4DA168
     Copy CRC 2C4DA168
     Accurately ripped (confidence 4)  [1926AF94]
     Copy OK
Track  7
     Filename J:\The Source - The Source (2006) [FLAC]\07 - Osterled.wav
     Peak level 98.6 %
     Track quality 100.0 %
     Test CRC EAEFE075
     Copy CRC EAEFE075
     Accurately ripped (confidence 4)  [8AA81B73]
     Copy OK
Track  8
     Filename J:\The Source - The Source (2006) [FLAC]\08 - Life So Far.wav
     Pre-gap length  0:00:01.45
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC 489B2C8A
     Copy CRC 489B2C8A
     Accurately ripped (confidence 4)  [E2EF1CFA]
     Copy OK
Track  9
     Filename J:\The Source - The Source (2006) [FLAC]\09 - Tribute.wav
     Pre-gap length  0:00:03.12
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC A18C939F
     Copy CRC A18C939F
     Accurately ripped (confidence 4)  [17DD9B6B]
     Copy OK
Track 10
     Filename J:\The Source - The Source (2006) [FLAC]\10 - Mail Me Or Leave Me.wav
     Pre-gap length  0:00:02.10
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC 70295E4D
     Copy CRC 70295E4D
     Accurately ripped (confidence 4)  [E7457F2B]
     Copy OK
Track 11
     Filename J:\The Source - The Source (2006) [FLAC]\11 - Alle Bla De Er.wav
     Pre-gap length  0:00:03.57
     Peak level 98.7 %
     Track quality 100.0 %
     Test CRC 233AB0B3
     Copy CRC 233AB0B3
     Accurately ripped (confidence 4)  [8C82CEB4]
     Copy OK
Track 12
     Filename J:\The Source - The Source (2006) [FLAC]\12 - Water Glass Rhapsody.wav
     Pre-gap length  0:00:03.10
     Peak level 100.0 %
     Track quality 99.9 %
     Test CRC 182198DE
     Copy CRC 182198DE
     Accurately ripped (confidence 4)  [80551CAE]
     Copy OK
Track 13
     Filename J:\The Source - The Source (2006) [FLAC]\13 - A Surrender Triptych.wav
     Pre-gap length  0:00:03.63
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC 2142FDB1
     Copy CRC 2142FDB1
     Accurately ripped (confidence 4)  [D950E4F8]
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
Код:
REM GENRE Jazz
REM DATE 2006
REM DISCID C2116F0D
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Trygve Seim"
TITLE "The Source"
FILE "01 - Caballero.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Caballero"
    PERFORMER "Trygve Seim"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Un Fingo Andalou"
    PERFORMER "Trygve Seim"
    INDEX 00 06:05:70
FILE "02 - Un Fingo Andalou.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Libanera"
    PERFORMER "Trygve Seim"
    INDEX 00 07:23:43
FILE "03 - Libanera.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Prelude To A Boy"
    PERFORMER "Trygve Seim"
    INDEX 00 06:10:70
FILE "04 - Prelude To A Boy.wav" WAVE
    INDEX 01 00:00:00
FILE "05 - Tamboura Rasa.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Tamboura Rasa"
    PERFORMER "Trygve Seim"
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Mmball"
    PERFORMER "Trygve Seim"
    INDEX 00 05:48:73
FILE "06 - Mmball.wav" WAVE
    INDEX 01 00:00:00
FILE "07 - Osterled.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Østerled"
    PERFORMER "Trygve Seim"
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Life So Far"
    PERFORMER "Trygve Seim"
    INDEX 00 06:27:13
FILE "08 - Life So Far.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Tribute"
    PERFORMER "Trygve Seim"
    INDEX 00 06:42:00
FILE "09 - Tribute.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Mail Me Or Leave Me"
    PERFORMER "Trygve Seim"
    INDEX 00 06:29:08
FILE "10 - Mail Me Or Leave Me.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "Alle Blå De Er"
    PERFORMER "Trygve Seim"
    INDEX 00 05:56:20
FILE "11 - Alle Bla De Er.wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "Water Glass Rhapsody"
    PERFORMER "Trygve Seim"
    INDEX 00 04:30:63
FILE "12 - Water Glass Rhapsody.wav" WAVE
    INDEX 01 00:00:00
  TRACK 13 AUDIO
    TITLE "A Surrender Triptych"
    PERFORMER "Trygve Seim"
    INDEX 00 02:59:07
FILE "13 - A Surrender Triptych.wav" WAVE
    INDEX 01 00:00:00
The second ECM album by Norwegian cooperative group The Source gets back to basics. Since its formation in 1993, when founder-members Trygve Seim, Øyvind Brække and Per Oddvar Johansen were all students at the Trøndelag Conservatory of Music in Trondheim, The Source has been very much a moveable feast, its motto, "No two concerts alike!" The group has embraced the wildest stylistic collisions, working variously with poets and DJs, rai vocalists and rappers, ice hockey players, and conceptual and performance artists. Their collaborators have ranged from rock band Motorpsycho to classical musicians including the Cikada String Quartet (as on their 2000 ECM recording The Source and Different Cikadas). Nonetheless, the overwhelming majority of their performances have been as a quartet, most of their music was written for quartet, and this eponymously titled disc addresses a backlog of much-played material whose appearance on disc is overdue.
The elemental and unembellished Source is a revelation: a sax-trombone-bass-drums band whose collective playing stands up alongside the work of the best exponents of this unusual instrumentation (the New York Art Quartet, for instance, or the Archie Shepp/Roswell Rudd group, or Albert Mangelsdorff's quartet with Heinz Sauer), while compositionally The Source is in a league of its own. The Source features exceptionally well-crafted material, played with wit and fire and flair, by a band that can be 'free' and precise simultaneously. "Not having a chordal instrument in the line-up gives us a lot of room to move, and makes the music much more open," says Trygve Seim.
On The Source and Different Cikadas and on Trgyve Seim's albums Different Rivers and Sangam the saxophonist and trombonist Øyvind Brække gave evidence of their growing interest in 'eastern' sonorities and sounds inspired by the bansuri flute, the shakuhachi and the duduk, and what Brække has described as "the search for a breathing, minimal, yet warm and spontaneous kind of music." On the present disc such colours surface especially on drummer Per Oddvar Johansen's two pieces, "Tamboura Rasa" and "Mmball", the latter a reprise of a piece heard on The Source and Different Cikadas, rearranged and included at producer Manfred Eicher's urging.
Yet in total this feels more like a 'jazz' disc than its predecessors. Seim agrees: "Most of the material this time is Øyvind's and, in some ways, he is more 'jazz' than I am. And when the group started out, we listened a lot to Ornette Coleman's (late 60s/early 1970s) quartet with Dewey Redman, that was definitely one of our models, one of our main inspirations, we used to play their songs, and I think some of this recording has an energy related to that ." In the sequence of Brække pieces that comprises the second half of the programme, this feeling is underlined by Mat Eilertsen's Haden-like bass drive. Eilertsen, a powerful player who has previously appeared on ECM recordings with Jacob Young (Evening Falls) and Thomas Strønen/Bobo Stenson (Parish), and whose own groups have at different times included Brække and Seim, joined the group shortly before the recording of The Source. He replaces Finn Guttormsen, who in turn replaced original bassist Ingebrigt Håker Flaten.
Brække's "Caballero" which opens the programme is as old as The Source. Now cunningly adapted for quartet, it was originally written in 1993 for a big band project. The "Caballero" of the title is Cervantes' Quixote, tilting at windmills, and it has an indirect connection also to the Spanish bolero. Seim's "Un Fingo Andalou" also goes back to the group's beginnings, and has several inspirational sources, including the Salvador Dali/Luis Buñuel film "Un Chien Andalou", The Source's early success at a jazz competition in Bilbao, and Edward Vesala's adaptations of Finnish tango. None of this explains why Seim's solo and the melody itself seem to fall into the cadences of Albert Ayler: "I like Ayler, but have never studied him closely. But of course Garbarek loved Ayler and I was strongly influenced by Jan, so that's likely where that's coming from."
Edward Vesala's conception of the free ballad has also been important for the Source (and many other northern bands). Seim played with the drummer-composer's last group, and learned the piece "Libanera" from him. He continues to play music from the Vesala camp in the group of Edward's widow, Iro Haarla (refer to the album Northbound). Vesala is also one of several references embedded in the closing "A Surrender Tryptich". Øyvind Brække: "We have lots of links to Edward Vesala, and the 'Tryptich' title, as well as being descriptive of the three-part form of the piece, also acknowledges the Garbarek/Andersen/Vesala group that played on 'Triptykon' - it relates to that musical area." (The title also makes a philosophical point about 'surrender'. In the modern world, Braekke says, the concept of "acceptance" gets aired too infrequently. "National and individual interest revolves so much around the idea of attack and defence. But it is possible to try to be happy with what you have in life.")
The bracing "Life So Far" is described by Øyvind Brække as "a tribute to Keith Jarrett's 'Belonging' band. It also reflects The Source's ability to play in and out of a loose tempo with a lot of energy." Brække's "Østerled", meanwhile, "is inspired by old Viking roots. It was motivated by a tour to Russia, to Siberia, in 1998. I wrote this piece for that journey and it sounds somehow 'Russian' to me. It has that minor tonality and sense of melancholy." Well-known in the Oslo area as an arranger for big bands, Øyvind Braekke has toured with Chick Corea and the Trondheim Jazz Orchestra as well as The Source and the group Pocket Corner and as freelancer performs in jazz, rock, Latin and free improvised settings. "Mail Me or Leave Me", "a humorous piece" plays around with "pop bass lines and Latin grooves" derived from these freelance experiences.
Seim has played with a number of great drummers but values none more highly than Per Oddvar Johansen. "Per Oddvar was largely responsible for getting me to listen to the more free varieties of improvisation in the first place, and he's amazingly responsive as a drummer. I can't think of another player who works so purely with the music, with what is there, who is so consistently interactive, and who is so little concerned with self-display. He's the most fascinating drummer I know.
"Øyvind has a similar character in some ways. Only in it for the music, not for his ego. He always makes these great pieces out of small ideas and somehow even the most simple of his compositions is also intricate - there are so many layers, and I always feel conscious thought behind his musical decisions. There's nothing superfluous in his writing."
Brække's bell-clear sound bears little resemblance to that of the pioneering New Thing trombonists. He suggests that this may be because he has been "more inspired by trumpet players. And even in 'free' playing I'm probably more melodically oriented than George Lewis, say, or Roswell Rudd. But the biggest influence has been really this band and the way it has developed with the interplay between the two horns and the drums. Trygve and I are always taking our tonality and chords from each other, and that's the characteristic quality of this group."
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