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(Jazz, Classical, Chamber Music) Protosynthesis Ensemble (with Fred Hersch) - Jazz Classics Classical Jazz (1990) - 1990, APE (image+.cue), lossless

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Protosynthesis Ensemble (with Fred Hersch) - Jazz Classics Classical Jazz (1990)
Жанр: Jazz, Classical, Chamber Music
Страна-производитель диска: USA
Год выпуска диска: 1990
Издатель (лейбл): RCAVictor/BMG
Номер по каталогу: 60460-2-RC
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 57:52
Источник (релизер): duppyB
Наличие сканов в содержимом раздачи: да
Трэклист:
1. Con Alma (Gillespie)
2. In Your Own Sweet Way (Brubeck)
3. In a Mist (Beiderbecke)
4. Line for Lyons (Mulligan)
5. Blue in Green (Davis)
6. Pan Piper (G. Evans)
7. Django (Lewis)
8. Fontessa (Lewis)
9. Blue Rndo a la Turk (Brubeck)
10. Chelsea Bridge (Strayhorn)
11. 'Round Midnight (Monk/Williams/Hanighen)

Код:

Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 13. December 2011, 11:15
Protosynthesis / Jazz Classics Classical Jazz
Used drive  : ASUS    DRW-24B3LT   Adapter: 3  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  5:04.05 |         0    |    22804
        2  |  5:04.05 |  5:08.53 |     22805    |    45957
        3  | 10:12.58 |  4:10.22 |     45958    |    64729
        4  | 14:23.05 |  5:13.00 |     64730    |    88204
        5  | 19:36.05 |  5:17.00 |     88205    |   111979
        6  | 24:53.05 |  5:17.00 |    111980    |   135754
        7  | 30:10.05 |  7:54.00 |    135755    |   171304
        8  | 38:04.05 |  6:02.65 |    171305    |   198519
        9  | 44:06.70 |  3:24.10 |    198520    |   213829
       10  | 47:31.05 |  5:46.55 |    213830    |   239834
       11  | 53:17.60 |  4:32.20 |    239835    |   260254
Track  1
     Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\01. Con Alma (Gillespie).wav
     Pre-gap length  0:00:02.00
     Peak level 40.8 %
     Extraction speed 3.9 X
     Track quality 100.0 %
     Test CRC D3C640D6
     Copy CRC D3C640D6
     Accurately ripped (confidence 1)  [A6C876C9]  (AR v1)
     Copy OK
Track  2
     Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\02. In Your Own Sweet Way (Brubeck).wav
     Pre-gap length  0:00:02.00
     Peak level 52.1 %
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     Track quality 100.0 %
     Test CRC F1FC77B1
     Copy CRC F1FC77B1
     Accurately ripped (confidence 1)  [319432E2]  (AR v1)
     Copy OK
Track  3
     Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\03. In a Mist (Beiderbecke).wav
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     Peak level 42.0 %
     Extraction speed 3.8 X
     Track quality 99.9 %
     Test CRC 96E8B14A
     Copy CRC 96E8B14A
     Accurately ripped (confidence 1)  [04C27ADF]  (AR v1)
     Copy OK
Track  4
     Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\04. Line for Lyons (Mulligan).wav
     Pre-gap length  0:00:03.00
     Peak level 35.7 %
     Extraction speed 5.2 X
     Track quality 100.0 %
     Test CRC 66ECA1AE
     Copy CRC 66ECA1AE
     Accurately ripped (confidence 1)  [20E01E38]  (AR v1)
     Copy OK
Track  5
     Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\05. Blue in Green (Davis).wav
     Pre-gap length  0:00:03.00
     Peak level 32.4 %
     Extraction speed 5.7 X
     Track quality 100.0 %
     Test CRC 697944D1
     Copy CRC 697944D1
     Accurately ripped (confidence 1)  [1391F471]  (AR v1)
     Copy OK
Track  6
     Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\06. Pan Piper (G.Evans).wav
     Pre-gap length  0:00:01.00
     Peak level 76.6 %
     Extraction speed 6.0 X
     Track quality 100.0 %
     Test CRC D82F5015
     Copy CRC D82F5015
     Accurately ripped (confidence 1)  [A23E268A]  (AR v1)
     Copy OK
Track  7
     Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\07. Django (Lewis).wav
     Pre-gap length  0:00:02.00
     Peak level 25.2 %
     Extraction speed 6.7 X
     Track quality 100.0 %
     Test CRC 90EBA612
     Copy CRC 90EBA612
     Accurately ripped (confidence 1)  [9B9BD371]  (AR v1)
     Copy OK
Track  8
     Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\08. Fontessa (Lewis).wav
     Pre-gap length  0:00:03.00
     Peak level 35.3 %
     Extraction speed 4.3 X
     Track quality 99.9 %
     Test CRC 02625B4E
     Copy CRC 02625B4E
     Accurately ripped (confidence 1)  [D3FDAD51]  (AR v1)
     Copy OK
Track  9
     Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\09. Blue Rondo a la Turk (Brubeck).wav
     Pre-gap length  0:00:01.47
     Peak level 81.4 %
     Extraction speed 6.7 X
     Track quality 100.0 %
     Test CRC AC9ED2CA
     Copy CRC AC9ED2CA
     Accurately ripped (confidence 1)  [581BD698]  (AR v1)
     Copy OK
Track 10
     Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\10. Chelsea Bridge (Strayhorn).wav
     Pre-gap length  0:00:01.12
     Peak level 78.5 %
     Extraction speed 7.4 X
     Track quality 100.0 %
     Test CRC 9BEE63B2
     Copy CRC 9BEE63B2
     Accurately ripped (confidence 1)  [B5F96292]  (AR v1)
     Copy OK
Track 11
     Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\11. 'Round Midnight (Monk,Williams,Hanighen).wav
     Pre-gap length  0:00:02.50
     Peak level 32.6 %
     Extraction speed 6.0 X
     Track quality 99.9 %
     Test CRC DB1009DB
     Copy CRC DB1009DB
     Accurately ripped (confidence 1)  [75A6CB5C]  (AR v1)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 4E3C29BEA339AA0F87F4307AE32D97781213EEE4438342C8896A68FFAFECE014 ====

Код:

REM GENRE Jazz
REM DATE 1990
REM DISCID A70D8E0B
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Protosynthesis"
TITLE "Jazz Classics Classical Jazz"
FILE "01. Con Alma (Gillespie).wav" WAVE
  TRACK 01 AUDIO
    TITLE "Con Alma (Gillespie)"
    PERFORMER "Protosynthesis"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "In Your Own Sweet Way (Brubeck)"
    PERFORMER "Protosynthesis"
    INDEX 00 05:02:05
FILE "02. In Your Own Sweet Way (Brubeck).wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "In a Mist (Beiderbecke)"
    PERFORMER "Protosynthesis"
    INDEX 00 05:06:13
FILE "03. In a Mist (Beiderbecke).wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Line for Lyons (Mulligan)"
    PERFORMER "Protosynthesis"
    INDEX 00 04:07:22
FILE "04. Line for Lyons (Mulligan).wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Blue in Green (Davis)"
    PERFORMER "Protosynthesis"
    INDEX 00 05:10:00
FILE "05. Blue in Green (Davis).wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Pan Piper (G.Evans)"
    PERFORMER "Protosynthesis"
    INDEX 00 05:16:00
FILE "06. Pan Piper (G.Evans).wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Django (Lewis)"
    PERFORMER "Protosynthesis"
    INDEX 00 05:15:00
FILE "07. Django (Lewis).wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Fontessa (Lewis)"
    PERFORMER "Protosynthesis"
    INDEX 00 07:51:00
FILE "08. Fontessa (Lewis).wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Blue Rondo a la Turk (Brubeck)"
    PERFORMER "Protosynthesis"
    INDEX 00 06:01:18
FILE "09. Blue Rondo a la Turk (Brubeck).wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Chelsea Bridge (Strayhorn)"
    PERFORMER "Protosynthesis"
    INDEX 00 03:22:73
FILE "10. Chelsea Bridge (Strayhorn).wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "'Round Midnight (Monk/Williams/Hanighen)"
    PERFORMER "Protosynthesis"
    INDEX 00 05:44:05
FILE "11. 'Round Midnight (Monk,Williams,Hanighen).wav" WAVE
    INDEX 01 00:00:00

It has been said that Jazz is America's classical music. I don't know who said it first, or when; but during the dear departed decade of the Eighties (a period, incidentally, when jazz reasserted itself in manifold ways, from reissues to a new wave of solidly rooted young players) the oft-echoed phrase was one that many enlightened thinkers took seriously.
Mike Berniker, who conceived and produced this album, set out to find "those jazz compositions that worked well in classical contexts but were strong jazz pieces to begin with; pieces that would transfer well in classical references."
Each piece refers not to any one classical composer, but to several. Though all suggest a classical ethos, it isn 't adhered to rigidly. For this project, which Berniker characterizes as "the first of this kind of synthesis'' (hence the title Protosynthes/s), he enlisted the services of three arrangers. Each one brought his own compositional and orchestral talents to the enterprise, and Berniker assigned pieces to each based upon his special gifts.
For Dizzy Gillespie's Con Alma (first recorded in 1954), arranger Brad Dechter drew upon Villa-Lobos's Bach/ana brasileira No. 5, written originally for soprano voice and eight celli and here adapted for guitar and string quartet.
Arranger Byron Olson describes Dave Brubeck as "one of the first crossover composers," and while not neglecting Brubeck's harmonies on In Your Own Sweet Way (first recorded in 1956), he adds the French Impressionism of Ravel to impart a feeling of wistful beauty, through the combination of a classical woodwind quintet with piano.
Bix Beiderbecke wrote In a Mist as a piano piece and recorded it at the keyboard himselfin 1927. "I wanted to get it away from the piano," says Hersch, "butthisis literally Bix—almost a transcription, but for string quartet. It's like a ragtime piece or a piano prelude and still has the flavor of the period when Bix was listening to, among others, Ravel, Debussy and Gershwin."
Mike Berniker suggested the fugue, theme and variation for Gerry Mulligan's Line for Lyons (1952) to arranger Brad Dechter, who put it into three movements. All three are built on phrases as melodic motifs. The first movement is in Bachian fugal style, with flute, oboe, clarinet, bassoon and harpsichord; the second, 16th-century and Mozart with a woodwind quintet and French horn; the third, 19th-century and Beethoven with French horn, clarinet and bassoon.
Samuel Barber's Adagio for Strings crept into arranger Byron Olson's consciousness for his interpretation of Miles Davis/Bill Evans's Blue in Green. He retained the harmonies from the Hiies Davis recording on Kind of Blue (J959) but added classical harmony to give it a chamber feeling.
For Pan Piper, Dechter took Gil Evans's arrangement from Miles Davis's Sketches of Spain (1960) as the basis for his collaboration with drummer-writer Frank Bennett. The treatment of the old Spanish folk song contains references to De Falla and to Ravel's Rapsodie espagnole. It is played by the same chamber ensemble heard on 8/ue in Green.
Fred Hersch's adaptation of John Lewis's Django (first recorded by the Modern Jazz Quartet in 1954) is divided into four movements, played by oboe, cello, violin and harpsichord. "The first movement," Hersch explains, "is the piece set in a Baroque style. Movements two and four are based on the first motif of the piece. The third, a Largo, derives from a two-note figure from the 8 section." This is plaintive, thematic writing. Fred Hersch adds, "My heroes are those who play compositionally—Monk, Sonny, Ornette, Miles—and I like to compose like a player."
John Lewis's Fontesso (1956) was originally in four movements. Arranger Byron Olson retained material from the first three movements and used his own introduction and interludes at points within the movements. The more dissonant moments of plucking and sliding by the string quartet recall Bartok.
The small chamber orchestra returns for Brubeck's Blue Rondo a la Turk (1959), written, as the title implies, in rondo form. "Being such a strict rhythm," explains Byron Olson, "made it extremely difficult to record, so I brought in 4/4 to break up the 9/8. It has that Gershwinesque piano thing but it's still really the blues" — with, I might add, some Stravinsky references as well.
The ambiguity of the harmony led arranger Brad Dechter to take a Ravel approach on Billy Strayhorn's Chelsea Bridge (recorded by Ellington in 1941). This is not surprising given the piece's Impressionist origins: Strayhorn once revealed that its inspiration was a Whistler painting.
Fred Hersch's solo on 'Round Midnight (a piece first recorded by Cootie Williams's band in 1944, but probably composed by Thelonious Monk several years earlier) was written by Brad Dechter. His references are the harmonies of Gershwin's piano preludes and Erik Satie who, like Monk, according to Dechter, "was such a sparse writer that the space meant as much as the notes did.''
As Mike Berniker says, "With Protosynthesis, what we're saying is that wonderful music may be approached in any number of ways.''
Approach and recognize. — IRA GITLER

Colin Green guitar
Christopher Warren-Green violin
Fred Hersch piano, arranger
Brad Dechter arranger
Byron Olson arranger
Conceived and Produced by Mike Berniker

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