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(Chamber Jazz, Folk-Jazz, Cabaret, Avant-Garde, Fusion) Tin Hat (ex Tin Hat Trio) - The Rain is a Handsome Animal (17 Songs from the Poetry of E. E. Cummings) {Carla Kihlstedt, Ben Goldberg, Rob Reich, Mark Orton} - 2012, FLAC (tracks+.cue), lossless

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Tin Hat / The Rain is a Handsome Animal (17 Songs from the Poetry of E. E. Cummings)
Жанр: Chamber Jazz, Folk-Jazz, Cabaret, Avant-Garde, Fusion, Contemporary Jazz
Страна-производитель диска: USA
Год издания: 2012
Издатель (лейбл): New Amsterdam Records
Номер по каталогу: NWAM040
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:09:05
Источник (релизер): вата (legs_hurt)
Наличие сканов в содержимом раздачи: да
Треклист:
01. A cloud on a leaf (dedicated to Yoko Ono) (4:01)
02. The rain is a handsome animal (4:23)
03. Sweet spring (4:23)
04. If up's the word (4:50)
05. Open his head (2:49)
06. Unchanging (3:40)
07. Buffalo Bill (dedicated to Eric Beenfeldt) (3:32)
08. Enormous room (7:15)
09. So shy shy shy (1:41)
10. 2 Little whos (dedicated to Nels Cline & Yuka Honda) (4:40)
11. Yes is a pleasant country (2:46)
12. Grapefruit (6:09)
13. Human rind (4:42)
14. Anyone lived in a pretty how town (4:30)
15. Diminutive (2:28)
16. Little I (3:49)
17. Now (more near ourselves than we) (3:19)
Recorded at Dead Aunt Thelma's, Portland, OR
Tin Hat:
Carla Kihlstedt – voice, violins, viola, bass harmonica
Ben Goldberg – clarinet, contra alto clarinet
Rob Reich – accordion, piano
Mark Orton – guitar, dobro, pump organ, prepared piano

Код:

Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 28. December 2012, 16:09
Tin Hat / The Rain Is A Handsome Animal
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==== Log checksum E3BF104B0984D6F4DE00758C61C8DC31858A8847D7E24F1B8DBF23A65DF9661D ====

Код:

REM DATE 2012
REM DISCID E5103111
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Tin Hat"
TITLE "The Rain Is A Handsome Animal"
FILE "01 - A Cloud On A Leaf.wav" WAVE
  TRACK 01 AUDIO
    TITLE "A Cloud On A Leaf"
    PERFORMER "Tin Hat"
    ISRC US7MN1200370
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "The Rain Is A Handsome Animal"
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    INDEX 00 03:59:33
FILE "02 - The Rain Is A Handsome Animal.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Sweet Spring"
    PERFORMER "Tin Hat"
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FILE "03 - Sweet Spring.wav" WAVE
    INDEX 01 00:00:00
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FILE "04 - If Up's The Word.wav" WAVE
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FILE "05 - Open His Head.wav" WAVE
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San Francisco-based quartet Tin Hat released their sixth studio album, the rain is a handsome animal, August 28, 2012 on New Amsterdam Records. The 17-track song cycle is based on the visionary modernist poetry of American poet E.E. Cummings and, for the first time in the band’s history, centers largely around the remarkable singing of Tin Hat violinist Carla Kihlstedt. Each of the group’s members channeled their relationship with Cummings’ work to contribute their own unique pieces for the project, showcasing themselves as both imaginative composers as well as riveting performers. The resulting work is at once universally accessible and hard-to-define–drawing from both high and low art forms such as folk, classical, Americana, and countless other traditions–which, in essence, is exactly what makes the project emblematic of Tin Hat as well as Cummings’ work itself. The music of Tin Hat is born of the long-standing friendships and deep musical connections of members Carla Kihlstedt (violins, viola, voice), Mark Orton (acoustic guitar, dobro), Ben Goldberg (clarinets), and Rob Reich (accordion, piano). This sacred kinship is the reason handsome animal feels organically cohesive despite that each member took turns separately with the pen; each peice was collaboratively refined over the course of two years while the ensemble was on tour before being taken into the studio in May 2011. Although this isn’t Tin Hat’s first album featuring vocals (past vocalists have included Willie Nelson, Tom Waits, and Mike Patton in addition to Kihlstedt), it does mark the first time the group has focused a project almost entirely on Carla’s moving singing. Intimate, warm, and robust, her voice perfectly complements Cumming’s tough-minded words, all set to some of the most beautiful and ambitious compositions in the group’s history.
Cummings’ poetic language is a natural fit for Tin Hat’s aesthetic; some of his poems read like lyrics to folk songs, while others are spare and abstract, leaving ample room for musical interpretation. As such, some of the album’s pieces explore his poetic phrasing (such as Reich’s art-song so shy shy shy, which is written around a melodic transcription of Cummings’ own reading), or the way in which the lyrics display on the page (such as Goldberg’s stirring unchanging), while some are less direct meditations, such as the three instrumental works including Orton’s up beat, jazz-tinged title track. The album sways different ways, from Orton’s plaintive cry on buffalo bill and Reich’s catchy folk on if up’s the word, to the surreal setting made by Kihlstedt’s e-string violin on little i and Goldberg’s cinematic closer now (more near ourselves than we). But no matter where it turns, at its core the rain is a handsome animal resounds with the profoundly perfect union of these inspired minds, blurring the lines between composition and poem.
Press and News:
eMusic: Featured Album
Time Out Chicago: “…the rain is a frequently rewarding expression of the dynamic exchange between language and music.”
PopMatters: “Cummings may be a great who can stand alone on the merit of his words, but Tin Hat have given him incredible things to say.”
The California Report: ”A beautifully constructed album that reveals more with each spin…”

Many composers have found inspiration in the work of poets, setting verse to music. For Tin Hat, an ensemble with deep Bay Area roots, the elliptical modernist poetry of e.e. cummings has revealed an entirely new side of a band already known for its vast array of influences.
In its first incarnation as Tin Hat Trio, the band experienced a good deal of internal dissension over whether or not to also showcase violinist Carla Kihlstedt as a vocalist. Founded in 1997 as a stylistically expansive instrumental ensemble, the group wasn't entirely averse to singers. Early albums featured guest appearances by the likes of Tom Waits and Willie Nelson. But the fear was that with Kihlstedt's rock star charisma, unleashing her vocals would knock Tin Hat's delicate balance askew.
Those anxieties weren't entirely misplaced. A 17-song cycle based on the syntax-bending poems of e.e. cummings, "the rain is a handsome animal" (New Amsterdam Records) is Tin Hat's first album of new material in five years, and Kihlstedt's dramatic, profoundly expressive voice often grabs you by the throat.
The album is Tin Hat's latest literary endeavor, following 2007's The Sad Machinery of Spring, a project inspired by the hallucinatory writing of the doomed Polish Jewish artist Bruno Schulz.
"the rain is a handsome animal" features Tin Hat's new lineup, with Kihlstedt and fellow founder, guitarist Mark Orton, Berkeley clarinetist Ben Goldberg and the most recent addition, San Francisco pianist and accordionist Rob Reich. All four musicians contribute compositions, responding with humor, empathy and slippery lyricism to cummings' tricky, idiosyncratic use of language. In Goldberg's hands, the brief poem "2 little whos" feels like a romantic denouement from a Broadway musical that got lost on 52nd Street.
While Kihlstedt's vocals dominate the album, her violin work is as arresting as ever. But then, as a group, Tin Hat's musicianship is masterly throughout. Each piece is full of subtle and telling details, like the ominous rumble of Goldberg's contra alto clarinet on "unchanging," an arrangement that shadows cummings' unorthodox placement of the text on the page.
Tin Hat captures the seismic emotional swings of cummings' verse, delving both into his dark moods and his giddy flights, like "yes is a pleasant country," the album's closest brush with preciousness.
A beautifully constructed album that reveals more with each spin, "the rain" contains art songs and folk ballads, tango flourishes and jazzy grooves. And much like cummings' mercurial verse, it offers a surprise around every corner.

Tin Hat, formerly the Tin Hat Trio, is a quartet here, but this remarkable album has a fifth collaborator: the poet e. e. cummings. The Rain Is A Handsome Animal is a song cycle comprised of settings of cummings’s poetry by all four members of the group (there are also three instrumental settings), and features the earthy, distinctive voice of the group’s founding violinist, Carla Kihlstedt. Like all Tin Hat albums, this one offers a contemporary acoustic take on Americana, chamber music and jazz. And while their previous albums have included one or two vocal tracks, with guests like Tom Waits and Willie Nelson, this is the first one to make Kihlstedt’s vocals the center of attention.
The choice of cummings is a natural one for Tin Hat; the American poet held the classical forms of poetry in high regard, but not so high that he neglected the sounds and rhythms of vernacular American English, and the blues. For the musicians in Tin Hat, which includes Mark Orton on guitar and dobro; Ben Goldberg, clarinet; and Rob Reich on accordion and piano, cummings must have seemed a kindred spirit. Elegantly woven through a fabric of typically quirky instrumentation, those texts lead the quartet in several directions. “anyone lived in a pretty how town” is the most clearly rooted in traditional American music, with the poem’s bluesy/folksy quality echoed in Rob Reich’s setting. “Buffalo Bill,” an elegiac text by cummings, is perhaps the most poignant, culminating in an emotional, if ambiguous, brass choir. “little i,” a Kihlstedt setting, features the silvery tone of her e-string violin (a fiddle with four high, thin e-strings that suggests the sound of the Norwegian Hardanger fiddle) and some of her most appropriately tremulous singing.

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