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(Modern Creative) Lucian Ban & Mat Maneri - Transylvanian Concert - 2013 (ECM 2313), FLAC (tracks+.cue), lossless

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Lucian Ban & Mat Maneri - Transylvanian Concert
Жанр: Modern Creative
Страна-производитель диска: Германия
Год издания: 2013
Издатель (лейбл): ECM Records
Номер по каталогу: ECM 2313 (372 8258)
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 55:46
Источник (релизер): Monheim (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Not That Kind of Blues (10:06)
02. Harlem Bliss (9:56)
03. Monastery (8:03)
04. Retina (8:07)
05. Nobody Knows the Troubles I’ve Seen (4:42)
06. Darn (4:25)
07. Two Hymns (10:27)
Состав:
Lucian Ban - piano
Mat Maneri - viola
Recorded live at Culture Palace, Targu Mures, Transylvania on June 5, 2011.

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 30. October 2013, 13:36
Lucian Ban & Mat Maneri / Transylvanian Concert
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Defeat audio cache      : Yes
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Read offset correction                      : 102
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
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Selected bitrate                : 1024 kBit/s
Quality                         : High
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TOC of the extracted CD
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Track  1
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Track  2
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Track  4
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Track  5
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Track  6
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Track  7
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All tracks accurately ripped
No errors occurred
End of status report
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==== Log checksum A14EB05C92D82E2017427709A96700034E4EF3C62F896F726E24941C59265623 ====

Код:

REM GENRE Jazz
REM DATE 2013
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REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Lucian Ban & Mat Maneri"
TITLE "Transylvanian Concert"
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FILE "02 - Harlem Bliss.wav" WAVE
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    TITLE "Harlem Bliss"
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FILE "03 - Monastery.wav" WAVE
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    TITLE "Monastery"
    PERFORMER "Lucian Ban & Mat Maneri"
    INDEX 01 00:00:00
FILE "04 - Retina.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Retina"
    PERFORMER "Lucian Ban & Mat Maneri"
    INDEX 01 00:00:00
FILE "05 - Nobody Knows the Troubles I’ve Seen.wav" WAVE
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    TITLE "Nobody Knows the Troubles I’ve Seen"
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FILE "06 - Darn.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Darn"
    PERFORMER "Lucian Ban & Mat Maneri"
    INDEX 01 00:00:00
FILE "07 - Two Hymns.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Two Hymns"
    PERFORMER "Lucian Ban & Mat Maneri"
    INDEX 01 00:00:00

Код:

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It's been six years since Mat Maneri last appeared on ECM, collaborating with singer Robin Williamson on the British traditionalist's exploratory The Iron Stone (2007); even longer since the violist shared a marquee for the German label, on 2004's Angles of Repose, with his now-deceased father, microtonal reed player Joe Maneri, and bassist Barre Phillips; even longer, still, since he last released an album as a full leader, with his solo recital Trinity (2001). All of which makes Maneri's return to the label for this intimate live recording with pianist Lucian Ban (on his first-ever ECM appearance) something to celebrate.
Both born in 1969, Ban grew up in a tiny farming village in Transylvania (before moving to the U.S. in 1999), while Maneri was a born-and-bred Brooklynite. Despite ultimately sharing a common home, Ban and Maneri have largely traveled in different but occasionally intersecting circles, recording together for the first time on Ban and bassist John Hebert's tribute to fellow countryman, violinist, composer and conductor George Enesco, Enesco Reimagined (Sunnyside, 2010), where it became clear that their collaboration had to continue.
At the end of the more plugged-in Tarkovsky Redux European tour—where Ban, Maneri and synthesizer player/sound designer Silent Strike performed music to imagery from filmmaker Andrei Tarkovsky (whose work had already inspired another ECM artist, pianist Francois Couturier, to release a triptych based on his films, culminating in 2011's Tarkovsky Quartet)—the one-off acoustic duo performance documented on Transylvanian Concert is equally compelling evidence that Ban and Maneri should continue exploring unplugged contexts more often.
Recorded in the region where composer Béla Bartók collected many of the folk songs that underscored so much of his writing, the duo delivers a set largely comprised of Ban's original compositions, along with one free improv that sounds preconceived despite being drawn from the ether; one Maneri composition (the obliquely beautiful "Retina"); and one American traditional ("Nobody Knows the Trouble I've Seen"), an a cappella viola performance demonstrating Maneri's breadth and purposeful virtuosity.
Ban's four compositions cover significant territory while speaking clearly with a voice that, like Maneri, has absorbed the language of jazz into something that transcends even its most distant borders. The appropriately titled "Not That Kind of Blues," twists and turns its conventional form, respected but stretched harmonically by Ban and Maneri to places few blues ever go. "Harlem Bliss" is darker still, Maneri's control of space and silence similarly matched by Ban, whose intrinsic classicism is, nevertheless, equally imbued by an underlying blues affinity. The more fervent "Monastery" builds gradually to the album's fieriest moments, while the closing "Two Hymns" turns to the precise opposite, with Maneri occasionally soaring but elsewhere turning to gentler landscapes, even as Ban's ambiguities create moments of unanticipated beauty.
Throughout, the pair demonstrates surprising empathy, dynamically swelling to mini-climaxes only to turn, just as quickly, to recondite terrain where little more than silence reigns, all based upon canted melodies and dark-hued harmonies. Transylvanian Concert may be the first, but is hopefully not the last time these two simpatico musicians come together in such a vulnerable but ultimately revelatory context.

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