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Benoit Delbecq and Fred Hersch
DOUBLE TRIO

FUN HOUSE

Жанр: Avant-Garde Jazz, Modern Creative
Год издания: 2013
Издатель (лейбл): Songlines
Номер по каталогу: SGL 1600-2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 52:36
Источник (релизер): WEB
Наличие сканов в содержимом раздачи: booklet.pdf
Треклист:
1. Hushes
2. Ronchamp
3. Strange Loop
4. Fun House
5. Le Rayon Vert
6. Night for Day
7. One is Several
8. Tide
9. Two Lakes
10. Lonely Woman
Код:
-----------------------
DON'T MODIFY THIS FILE
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PERFORMER: auCDtect Task Manager, ver. 1.5.1RC4 build 1.5.1.5
Copyright (c) 2008-2010 y-soft. All rights reserved
[url=http://y-soft.org]http://y-soft.org[/url]
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 10 - Lonely Woman.flac
  Size: 10868508 Hash: 66BB78DAD9F11B8C377CDCF25EC0DEC7 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 522A36769F107669716AB421CF8E656318F694D4
FILE: 09 - Two Lakes.flac
  Size: 21331950 Hash: 73204EC3A8043D44369B9D2E881E8848 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: CFCB1C84681E0DF8DDCA9147EE71ACA59530F6C1
FILE: 08 - Tide.flac
  Size: 22500374 Hash: 8438E1A763DC2D16BC3C6477AF11EF9C Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: F146ED5CF07DF819A6854317BF7A841482A9632B
FILE: 07 - One is Several.flac
  Size: 17721821 Hash: E3DB106EDECDF15338E0AEB08B579F89 Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: 5881DE28F94E19D6688DAFAB3A8B30E6E610FB30
FILE: 06 - Night for Day.flac
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  Conclusion: CDDA 100%
  Signature: 8A105994BCF45DDEED525D2E3C7E90BEFED86C28
FILE: 05 - Le Rayon Vert.flac
  Size: 27823255 Hash: B38B5D0B06156AB169FCE0093EDAAA90 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 01689F046DE508C6AC8E8D93C8406C3712397A03
FILE: 04 - Fun House.flac
  Size: 22655207 Hash: 6F24D52223A8C6B61DF923D5F1FDA31B Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 94F3DCB00EA531308D3D51944F808B9B28A076F9
FILE: 03 - Strange Loop.flac
  Size: 35210818 Hash: 3445D68DBAA6932474DE15885393C1D0 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: E5373F8A8F209532C345DDBA363AB908B8EB6714
FILE: 02 - Ronchamp.flac
  Size: 13627275 Hash: 4A74B6063BD66B19692F20050893F328 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 442BD9C26D1A82E4B5AFD599DD471D118F1C2427
FILE: 01 - Hushes.flac
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  Conclusion: CDDA 100%
  Signature: 420D043F411D69C82B3FEA1A399C604B4F4FF128
This rare double-trio configuration is a ground-breaking encounter between jazz piano and the sonic resources of contemporary classical music, between American tradition and the European avant-garde, but above all between two fantastic pianists (coincidentally, both winners of the Grand Prix du Disque for jazz). Fred Hersch's quest for absolute beauty and impeccable virtuosity have become legendary. Benoît Delbecq is one of Europe's most prominent jazz keyboardists; his compositions and elegant, complex improvisations build on John Cage's prepared piano techniques. Add to this Steve Argüelles' stealthy 'assistance and obstacles' live sampling, and three of the most celebrated rhythm section players of today, and the result is a multi-faceted collaboration, with opportunities for various combinations of duos and trios as well as full-group interaction. The music has its moments of abstraction, its moonlit soundscapes such as "One is Several," but also embraces a jazzier aesthetic, for example the Monkish/Lacyish "Night for Day."
The project was sparked in 2008 when Fred came to a New York gig Benoît was playing with the John Hébert Trio. They had only met once before but had been digging each other's playing on record. Fred: "The first time I listened to Pursuit I was completely mesmerized - it is an amazing project and it showed me that Benoît is a completely unique pianist, composer and conceptualist." Benoît: "I had a few CDs with Fred including Chicoutimi (with Michael Moore and Mark Helias) which had an immediate and very special effect on me: there was something in Fred's playing I felt more connected to than ever. I've always so admired his rare musicianship and subtle touch and the rhythmicity in his playing." Fred continues: "I suggested that we do something with two pianos, not realizing that he already had a duo project with Andy Milne [Where is Pannonica?, Songlines]. So we thought, what would be novel and a bit outrageous?" Benoît came up with the idea of a double trio including his longtime collaborators Avenel and Argüelles, and Fred had a long history with Helias and Hemingway. Benoît: "The personnel came very naturally. Everybody knew each other already. I had worked with Mark for the Phonetics project and had met Gerry several times and we'd played too. The first minutes of the first rehearsal I remember very precisely, they just showed we'd made a great choice! The music found its flow and freedom from the beginning."
Most of Delbecq's pieces here were written for the group. "I was imagining scenarios and road maps for each tune, although leaving a lot of space for everyone's creativity. I believe I imagined it as a sextet, trying to find enough ideas to make the ideas blossom in an original way for each tune...One of my priorities when I write is to make everybody involved feel comfortable with the material, of course rehearsals were important to assemble the ideas...then it really developed on the bandstand...And Steve's electronics are always bringing something unexpected we react to." ("Tide" is a Delbecq/Argüelles remix.)
"Lonely Woman" was played as a duo encore one night and worked so well they decided to record it at the studio as the final track. The recording took two days. Benoît: "Drums were in booths on the first day but we agreed it was important to record the whole thing once again the second day but this time all together in the same room. A big part of the record comes from day 2. Not that the music was less strong on day 1, simply the drummers felt less isolated and the music found itself even more easily in term of blending all together." The pianos are somewhat panned in the mix (Hersch left, Delbecq right). Fred: "When I listened back for the first time to the recording, I was struck by both the similarities and the differences between us, especially regarding tone. But there were also places where I was not sure who was playing what! I think we stepped into each other's musical/pianistic world so well." Benoît: "Evidently there are common concerns in both our playing. And I have been influenced by Fred's playing, in particular by this Chicoutimi record where the trio plays in a loose yet so relevant way. What makes us close at certain designated moments is that, I think, we have a related way of breathing inside the lines, or might I say between the lines...Every great player has a sense of dynamics of his/her own - like, creativity in sounds and accents, in phrasing, in ways to play with time or silence. Every parameter has a dynamic relation to every other parameter in music."
Benoît Delbecq - piano
Fred Hersch
- piano
Jean-Jacques Avenel - bass
Mark Helias - bass
Steve Argüelles - drums, live electronics
Gerry Hemingway - drums
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