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Simon Rattle & City of Birmingham Symphony Orchestra - Ellington: Mainly Black
Жанр: Swing, Classical
Носитель: CD
Страна-производитель диска (релиза): EU
Год издания: 2010
Издатель (лейбл): EMI Classics
Номер по каталогу: 50999 6 41119 2 6
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 73:26
Источник (релизер): Olivierito
Наличие сканов в содержимом раздачи: да
Треклист:
Mainly Black: Black, Brown and Beige Suite
01. Introduction (6:42)
02. Come Sunday (2:39)
03. Work Song (7:51)
04. The Blues (Mauve) (12:31)
05. Come Sunday (10:13)
06. Take the "A" Train (9:10)
07. Sophisticated Lady (5:14)
08. Harlem (14:13)
09. Isfahan (4:53)
Код:
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 5. January 2017, 23:34
Duke Ellington / Mainly Black
Used drive  : TSSTcorpCDDVDW SE-208AB   Adapter: 2  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  6:41.39 |         0    |    30113
        2  |  6:41.39 |  2:39.30 |     30114    |    42068
        3  |  9:20.69 |  7:51.28 |     42069    |    77421
        4  | 17:12.22 | 12:30.65 |     77422    |   133736
        5  | 29:43.12 | 10:13.23 |    133737    |   179734
        6  | 39:56.35 |  9:10.11 |    179735    |   220995
        7  | 49:06.46 |  5:14.19 |    220996    |   244564
        8  | 54:20.65 | 14:12.38 |    244565    |   308502
        9  | 68:33.28 |  4:52.50 |    308503    |   330452
Track  1
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     Pre-gap length  0:00:02.00
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     Track quality 100.0 %
     Test CRC 0A717018
     Copy CRC 0A717018
     Accurately ripped (confidence 1)  [FFB36364]  (AR v1)
     Copy OK
Track  2
     Filename C:\Program Files (x86)\Exact Audio Copy\Flac\02. Come Sunday.wav
     Peak level 24.8 %
     Extraction speed 1.2 X
     Track quality 100.0 %
     Test CRC 46C1629D
     Copy CRC 46C1629D
     Accurately ripped (confidence 1)  [BF73B56B]  (AR v1)
     Copy OK
Track  3
     Filename C:\Program Files (x86)\Exact Audio Copy\Flac\03. Work Song.wav
     Peak level 58.9 %
     Extraction speed 1.6 X
     Track quality 100.0 %
     Test CRC B03B8BE4
     Copy CRC B03B8BE4
     Accurately ripped (confidence 1)  [7EAB49B0]  (AR v1)
     Copy OK
Track  4
     Filename C:\Program Files (x86)\Exact Audio Copy\Flac\04. The Blues.wav
     Peak level 67.0 %
     Extraction speed 1.8 X
     Track quality 100.0 %
     Test CRC B21008FC
     Copy CRC B21008FC
     Accurately ripped (confidence 1)  [5F033CBB]  (AR v1)
     Copy OK
Track  5
     Filename C:\Program Files (x86)\Exact Audio Copy\Flac\05. Come Sunday.wav
     Peak level 34.4 %
     Extraction speed 2.1 X
     Track quality 100.0 %
     Test CRC 0FC1FD99
     Copy CRC 0FC1FD99
     Accurately ripped (confidence 1)  [C8141515]  (AR v1)
     Copy OK
Track  6
     Filename C:\Program Files (x86)\Exact Audio Copy\Flac\06. Take The A Train.wav
     Pre-gap length  0:00:08.26
     Peak level 99.2 %
     Extraction speed 2.1 X
     Track quality 99.9 %
     Test CRC 5E45A451
     Copy CRC 5E45A451
     Accurately ripped (confidence 1)  [CFDB3B85]  (AR v1)
     Copy OK
Track  7
     Filename C:\Program Files (x86)\Exact Audio Copy\Flac\07. Sophisticated Lady.wav
     Pre-gap length  0:00:03.42
     Peak level 70.2 %
     Extraction speed 2.2 X
     Track quality 100.0 %
     Test CRC BB3A2B96
     Copy CRC BB3A2B96
     Accurately ripped (confidence 1)  [D409C8AD]  (AR v1)
     Copy OK
Track  8
     Filename C:\Program Files (x86)\Exact Audio Copy\Flac\08. Harlem.wav
     Pre-gap length  0:00:01.37
     Peak level 100.0 %
     Extraction speed 2.5 X
     Track quality 100.0 %
     Test CRC 518F1A8C
     Copy CRC 518F1A8C
     Accurately ripped (confidence 1)  [4C8F3E2D]  (AR v1)
     Copy OK
Track  9
     Filename C:\Program Files (x86)\Exact Audio Copy\Flac\09. Isfahan.wav
     Pre-gap length  0:00:02.05
     Peak level 61.1 %
     Extraction speed 2.5 X
     Track quality 100.0 %
     Test CRC CF3F05D5
     Copy CRC CF3F05D5
     Accurately ripped (confidence 1)  [D4C1AA42]  (AR v1)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.6
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Submit result: GnK6urCkxtXaRJDfe2rfI9R8Nd8- has been confirmed
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==== Log checksum CFB2B30380DC44CEA30C8CDBF6E38F1911BDE58A5442F76BD7323168252DDF43 ====
Код:
REM GENRE Jazz
REM DATE 2010
REM DISCID 78113609
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Simon Rattle"
TITLE "Ellington: Mainly Black"
FILE "01 - Mainly Black- Black, Brown and Beige Suite- Introduction.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Mainly Black: Black, Brown and Beige Suite: Introduction"
    PERFORMER "Simon Rattle"
    INDEX 01 00:00:00
FILE "02 - Mainly Black- Black, Brown and Beige Suite- Come Sunday.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Mainly Black: Black, Brown and Beige Suite: Come Sunday"
    PERFORMER "Simon Rattle"
    INDEX 01 00:00:00
FILE "03 - Mainly Black- Black, Brown and Beige Suite- Work Song.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Mainly Black: Black, Brown and Beige Suite: Work Song"
    PERFORMER "Simon Rattle"
    INDEX 01 00:00:00
FILE "04 - Mainly Black- Black, Brown and Beige Suite- The Blues (Mauve).wav" WAVE
  TRACK 04 AUDIO
    TITLE "Mainly Black: Black, Brown and Beige Suite: The Blues (Mauve)"
    PERFORMER "Simon Rattle"
    INDEX 01 00:00:00
FILE "05 - Mainly Black- Black, Brown and Beige Suite- Come Sunday.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Mainly Black: Black, Brown and Beige Suite: Come Sunday"
    PERFORMER "Simon Rattle"
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Take the 'A' Train"
    PERFORMER "Simon Rattle"
    INDEX 00 10:04:72
FILE "06 - Take the 'A' Train.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Sophisticated Lady"
    PERFORMER "Simon Rattle"
    INDEX 00 09:06:44
FILE "07 - Sophisticated Lady.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Harlem"
    PERFORMER "Simon Rattle"
    INDEX 00 05:12:57
FILE "08 - Harlem.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Isfahan"
    PERFORMER "Simon Rattle"
    INDEX 00 14:10:33
FILE "09 - Isfahan.wav" WAVE
    INDEX 01 00:00:00
Код:
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  7   | (4/4) Accurately ripped
  8   | (4/4) Accurately ripped
  9   | (4/4) Accurately ripped
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The uniquely American art form of jazz has spread all over the world, yet many great jazz artists are not of American origin. English violinist Nigel Kennedy has often been known for his willingness to push boundaries, musical and otherwise, and he teams up with bassist Alec Dankworth for the first half of this album, while Simon Rattle and the Birmingham Symphony Orchestra join forces with a roster of jazz legends to play some of Ellington's most well-known tunes. However, the end product is not so satisfying, as the album does not cohere and adequately convey the richness and soulfulness of this great composer. The Kennedy/Dankworth half of the album explores Ellington's Black, Brown and Beige suite, pared down for the violin and double bass. Sadly, the result is a disappointment. For one instrument, the violin, to carry the melody of the lushness of Ellington's work, is an unreasonable task to expect of any musician. Therefore, the melody very frequently gets lost, emerging only in brief snippets. This could perhaps be overlooked if the spirit of jazz were present in the suite; but it, too, is also missing. The "Introduction" lacks the seductive tension that the jazz idiom necessitates, and this is not helped by Kennedy's style of playing without vibrato through most of the suite. By "Work Song," the energy picks up with a walking bass, but the violin sounds tentative and light, with little attention paid to phrasing. Most of the suite sounds like a stream of sound that lacks mystery and focus. The second half of the album is certainly more interesting, as Ellington's melodies are arranged by Luther Henderson for orchestra and (what sounds like) big band. However, the orchestra almost sounds excessive, because the big band itself is enough to capture Ellington's sensuality. As with the first half of the album, some of the tracks, such as Harlem, seem to be lacking adequate energy. Certainly Isfahan is majestic, and Take the A Train is grand, but not much seems to be inspired in this whole recording, despite the high caliber of the musicians. To quote Ellington directly, "It don't mean a thing if it ain't got that swing, "and despite its attempts, this album doesn't swing.
City of Birmingham Symphony Orchestra
Simon Rattle - conductor
#1-5:
Nigel Kennedy - violin
Alec Dankworth - double bass
Recorded at No.1 Studio, Abbey Road, London on February 24-25 and June 9, 1986.
#6-9:
Lena Horne - voice
Clark Terry, Simon Gardner, John Barclay - trumpet
Bobby Watson - alto saxophone
Joshua Redman, Joe Lovano - tenor saxophone
Regina Carter - violin
Geri Allen - piano
Lewis Nash - drums
Peter Washington, Mark Goodchild - double bass
Peter Walden - cor anglais
Recorded at Symphony Hall, Birmingham on November 15-17, 1999.
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