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(Contemporary Jazz / Classical) Gianluigi Trovesi All'Opera - Profumo Di Violetta (ECM 2068) - 2008, FLAC (image+.cue), lossless

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Gianluigi Trovesi All'Opera - Profumo Di Violetta (ECM 2068)
Жанр: Contemporary Jazz / Classical
Год выпуска диска: 2008
Производитель диска: Germany
Аудио кодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 1:01:25
Gianluigi Trovesi piccolo and alto clarinets, alto saxophone
Marco Remondini violoncello, electronics
Stefano Bertoli drums, percussion
Filarmonica Mousiké Orchestra
Savino Acquaviva conductor
IL PROLOGO
Alba
IL MITO
Toccata
Musa
Euridice
Ninfe avernali
Ritornello
Frammenti orfici
IL BALLO
Intrecciar Ciaccone
IL GIOCO DELLE SEDUZIONI
“Pur ti miro”
“Stizzoso, mio stizzoso”
Vespone
L’INNAMORAMENTO
Profumo di Violetta Part I
“Ah, fors’è lui che l’anima”
Profumo di Violetta Part II
Violetta e le altre
IL SALTELLAR GIOIOSO
“È Piquillo, un bel gagliardo”
Salterellando
Antico saltarello
Salterello amoroso
“Largo al factotum”
LA GELOSIA
Aspettando compar Alfio
“Il cavallo scalpita”
L’EPILOGO
Così, Tosca
Recorded September 2006

Since joining up with ECM as a member of Italian Instabile Orchestra, responsible for 1995's Skies of Europe, reedman Gianluigi Trovesi has created a small but diverse body of work that has stretched the boundaries of composition and improvisation to include sources ranging from William C. Handy to Kurt Weill. Whether in duet with accordionist Gianni Coscia, his curiously configured Ottetto or the chamber trio responsible for the sublime Vaghissimo Ritratto (2007), a defining characteristic has been a fearless irreverence for tradition, all the while making it perfectly clear that his music couldn't come anywhere but from what has come before.
In contrast to the intimacy of Vaghissimo, Profumo Di Violetta is a boldly ambitious—sometimes melodramatic, occasionally humorous and often sublimely beautiful yet never over-the-top—homage to Italian opera and the North Italian provincial banda, the horn-driven (there are no strings to be found) orchestras often heard in Giuseppe Verdi operas. It's a thoroughly engaging hour-long performance that takes popular composer Gioachino Antonio Rossini's statement, "How wonderful opera would be if there were no singers," and makes it a reality. With three primary instruments—Trovesi, cellist Marco Remondini, and drummer Stefano Bertoli—accompanied by the 55-piece Filarmonica Mousike, conducted by Savino Acquaviva—it's a trip through history that's filtered through the present. Trovesi arranges material excerpted from popular Italian operas including La Traviatta, The Barber of Seville, and Tosca, combining it with like-minded original writing and improvisational passages that blur the temporal distance between music spanning four centuries.
There are even hints of modern technology, as the banda performs the familiar "Largo al factotum," from Rossini's Barber of Seville, faithfully, but leaves space for Remondini to solo with a heavily distorted and wah-wah'd cello. Elsewhere the integration of improvisation is more seamless and less jarring, as Trovesi soars over his own "Vespone," one of many original compositions that may be contemporary, but feel completely of a kind with the source material around it.
Trovesi may lean towards the majestic on "Toccata," from Montverdi's L'Orfeo, the playful on "Stizzoso, mio stizzoso," from Giovanni Battista Pergolesi's La Serva Pardrona, and the traditionally rooted on the brief, public domain "Antico saltarello," but there's no shortage of haunting beauty on Profumo Di Violetta. Still, it's the narrative arc of Profumo Di Violetta that gives it its weight, as Trovesi's own trifecta of the sparsely elegant "Musa" leads to greater improvisational elan on the more rhythmically propulsive "Euridice" and, finally, grandiose drama on the powerful "Ninfe avernali," where the clarinettist solos with the greatest abandon.
Perhaps most impressive is how Trovesi has taken snippets from so many sources and joined them together into a seamless program that's as much a history lesson in Italian operatic tradition and regional music-making as it is a piece of music to be taken on its own merits. After experiencing the broad emotional range of Profumo Di Violetta, it's possible that those scared off by the often larger-than-life and melismatic nature of operatic vocals will find them more approachable. ~ John Kelman, AAJ

Код:

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 12. June 2009, 22:31
Gianluigi Trovesi All'Opera / Profumo Di Violetta
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
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Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
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Range status and errors
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     Range quality 100.0 %
     Copy CRC B7EA8E71
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