(Cool jazz, hard bop) Miles Davis – Birth Of The Cool - 2001, FLAC (image + .cue)

EAC extraction logfile from 21. January 2006, 1:02 for CD
Miles Davis / Birth Of The Cool
Used drive : PIONEER DVD-RW DVR-110D Adapter: 2 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 48
Overread into Lead-In and Lead-Out : Yes
Used output format : c:\Program Files\Exact Audio Copy\flac.exe (User Defined Encoder)
320 kBit/s
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC 0.95b3 Secure/FLAC 1.1.2 -8 -V" %s
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000
Track 1
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\01 - Move.wav
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Peak level 97.9 %
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Track 2
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\02 - Jeru.wav
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Track 3
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\03 - Moon Dreams.wav
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Track 4
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\04 - Venus De Milo.wav
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Track 5
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\05 - Budo.wav
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Track 6
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\06 - Deception.wav
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Track 7
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\07 - Godchild.wav
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Track 8
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\08 - Boplicity.wav
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Track 9
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\09 - Rocker.wav
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Track 10
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\10 - Israel.wav
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Track 11
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\11 - Rouge.wav
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Track 12
Filename i:\audio\lossless\Miles Davis - Birth Of The Cool (1949) [FLAC]\12 - Darn That Dream.wav
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No errors occured
End of status report

Gil Evans contributed some charts to the sessions, acting as an advisor to a group of musicians who had met in his small New York apartment above a Chinese laundry. Evans had gained a reputation in the jazz world for his orchestration of bebop tunes for the Claude Thornhill orchestra, including Davis's "Donna Lee". Davis was seeking an alternative to the small groups typical of contemporary jazz (he was a member of Charlie Parker's quintet at the time), and in 1947 started to organise the loose circle of musicians into a working group. Rehearsals and experiments took place over the next year.
The nonet performed live only briefly — initially for a two week engagement in late August and early September 1948 at the Royal Roost Club in New York. Billed as the "Miles Davis Band", the group at this time consisted of Davis (trumpet), Mike Zwerin (trombone), Bill Barber (tuba), Junior Collins (French horn), Gerry Mulligan (baritone saxophone), Lee Konitz (alto saxophone), John Lewis (piano), Al McKibbon (bass), and Max Roach (drums). Former Dizzy Gillespie vocalist Kenny Hagood was featured on a few songs. Unusually, the arrangers (Mulligan, Evans and Lewis) were given credit. They returned to the Royal Roost later in September, and recordings from 4 September and 18 September 1948, were included on the 1998 Complete Birth of the Cool CD, alongside the later studio sides. There was a further short residency the following year at the Clique Club, but the nonet was not a financial success, and disbanded.
In 1949 Davis had a contract with Capitol to record twelve sides for 78 rpm singles, and he reformed the nonet to record three sessions in January and April 1949 and March 1950. Davis, Konitz, Mulligan and Barber were the only musicians who played on all three sessions, though the instrumental lineup was constant (excepting the omission of piano on a few songs). Originally released as singles, in 1953 eight of the tracks were compiled on a 10" vinyl album in Capitol's "Classics in Jazz" series, and in 1957 a 12" LP named Birth of the Cool added the remaining three unreleased instrumental pieces ("Move", "Budo" and "Boplicity"). The final track, "Darn That Dream" (the only song with vocals by Hagood), was included with the other eleven on a 1971 LP, and on subsequent releases.
The music is considered seminal because it launched a reaction to the prominent bebop form in modern jazz. Though the break can be exaggerated (Charlie Parker participated in the discussions Evans led, most of the musicians were drawn from the bebop scene and many continued to play in that style for years afterwards), it inspired a whole school of jazz musicians, particularly in California, usually referred to as the "cool school".
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