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(Cool) [CD] Bill Evans - Another Time: The Hilversum Concert (1968) - 2017, FLAC (tracks+.cue), lossless

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Bill Evans - Another Time: The Hilversum Concert
Жанр: Cool
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2017
Издатель (лейбл): Resonance Records
Номер по каталогу: HCD-2031
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 47:45
Источник (релизер): Deepsea
Наличие сканов в содержимом раздачи: нет
Треклист:
01. You're Gonna Hear from Me (Previn-Previn) - 4:38
02. Very Early (Evans) - 5:25
03. Who Can I Turn To? (Bricusse-Newley) - 5:45
04. Alfie (Bacharach-David) - 5:41
05. Embraceable You (Gershwin-Gershwin) - 5:12
06. Emily (Mandel-Mercer) - 4:33
07. Nardis (Davis) - 8:48
08. Turn Out the Stars (Evans) - 5:02
09. Five (Evans) - 2:41
Состав:
Bill Evans - piano
Eddie Gomez - bass
Jack DeJohnette - drums
Recorded at Netherlands Radio Union (NRU) VARA Studio 8, Hilversum, Netherlands on June 22, 1968.

Код:

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XLD extraction logfile from 2017-09-07 21:16:48 +0200
Bill Evans (p), Eddie Gomez (b), Jack Dejohnette (d) / Another Time - The Hilversum Concert
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Media type : Pressed CD
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Код:

TITLE "Another Time: The Hilversum Concert"
PERFORMER "Bill Evans"
CATALOG 0096802280405
REM GENRE "Jazz"
REM DATE "2017"
REM DISCID 6A0B3109
REM REPLAYGAIN_ALBUM_GAIN -5.01 dB
REM REPLAYGAIN_ALBUM_PEAK 0.964447
FILE "01 - You're Gonna Hear from Me.flac" WAVE
  TRACK 01 AUDIO
    TITLE "You're Gonna Hear from Me"
    REM REPLAYGAIN_TRACK_GAIN -6.98 dB
    REM REPLAYGAIN_TRACK_PEAK 0.964447
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Very Early"
    REM REPLAYGAIN_TRACK_GAIN -4.63 dB
    REM REPLAYGAIN_TRACK_PEAK 0.913788
    INDEX 00 04:36:21
FILE "02 - Very Early.flac" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Who Can I Turn To?"
    REM REPLAYGAIN_TRACK_GAIN -5.16 dB
    REM REPLAYGAIN_TRACK_PEAK 0.890198
    INDEX 00 05:24:34
FILE "03 - Who Can I Turn To.flac" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Alfie"
    REM REPLAYGAIN_TRACK_GAIN -5.97 dB
    REM REPLAYGAIN_TRACK_PEAK 0.872223
    INDEX 00 05:43:45
FILE "04 - Alfie.flac" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Embraceable You"
    REM REPLAYGAIN_TRACK_GAIN -3.41 dB
    REM REPLAYGAIN_TRACK_PEAK 0.883575
    INDEX 00 05:39:53
FILE "05 - Embraceable You.flac" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Emily"
    REM REPLAYGAIN_TRACK_GAIN -5.66 dB
    REM REPLAYGAIN_TRACK_PEAK 0.916748
    INDEX 00 05:09:57
FILE "06 - Emily.flac" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Nardis"
    REM REPLAYGAIN_TRACK_GAIN -2.23 dB
    REM REPLAYGAIN_TRACK_PEAK 0.902496
    INDEX 00 04:31:37
FILE "07 - Nardis.flac" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Turn Out the Stars"
    REM REPLAYGAIN_TRACK_GAIN -4.47 dB
    REM REPLAYGAIN_TRACK_PEAK 0.881226
    INDEX 00 08:45:71
FILE "08 - Turn Out the Stars.flac" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Five"
    REM REPLAYGAIN_TRACK_GAIN -5.43 dB
    REM REPLAYGAIN_TRACK_PEAK 0.921814
    INDEX 00 05:00:41
FILE "09 - Five.flac" WAVE
    INDEX 01 00:00:00

Код:

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As charmed good-luck magnets go, producer Zev Feldman is the jazz world's equivalent of the guy who keeps winning the lottery year after year. He and Resonance Records specialize in finding and curating unreleased gems to share with the wider world—not dodgy bootlegs, but quality material in terms of content and sound—and giving each discovery the respect it deserves. For such a legendary and extensively recorded artist as Bill Evans who's been gone almost four decades, it's easy to suspect all the Good Stuff is already out there, but you never know when the obvious assumption will be wonderfully proven wrong.
Resonance's treatments of Evans began with a from-the-attic 1968 tape released as Live at Art D'Lugoff's Top of the Gate in 2012 (a performance with Eddie Gomez and Marty Morell). Lightning struck again with 2016's Some Other Time: The Lost Session from the Black Forest from June of the same year, the pianist's only studio recording during the six-month stretch when Jack DeJohnette occupied the drum chair. Perhaps it's only natural then, if extraordinarily fortunate, that a respectful enthusiast sought them out when looking to share another unheard recording made for Dutch public radio two days later. Lovingly presented with the blessing of Evans' estate, label and bandmates, Another Time is another gem of a find and a delight for committed and casual listeners alike.
The setting was an intimate studio in front of a small and traditionally respectful European audience, but the trio's performance is as sprightly and animated as that of a club date. Evans remains sophisticated and beautifully melodic as always, spinning his trademark chordings right from the first weaving harmonics of "You're Gonna Hear from Me." At the same time he's unmistakably energized by his cohorts, who coast at an infectious and spirited level throughout the set. DeJohnette's spry cymbal splashing and clattering rolls are tasteful enough to suit the tone of the show, while still showing the busy rhythmic sense that would get him drafted by Miles Davis for some much louder electric work in the next couple years. His bright fills propel the gang through a dynamic "Nardis" and a rousing finale of "Five" with a playful sense of fun; those points sound like they could have made the beginning of a cooking mid-set stretch, but sadly this broadcast's 48-minute running time doesn't allow for more extensive explorations.
While Gomez admits to being a bit discontented with his bass tone and "Embraceable You" intro solo, the rendition here swings beautifully, and he stands out in spots like "Who Can I Turn To?" as well. He had been a factor in this phase of Evans' rhythmically focused late-career development for almost two years at this point, and the pair's comfortable rapport is a prime example of why they remained productive partners for almost a decade more. "When we later went on to [a residency at London's] Ronnie Scott's club... that's when it really opened up," the bassist hints during the album's extensive and thoughtful liners (another noteworthy asset to the package). It's most disappointing that there aren't any similarly high-quality tapes of their later run known to exist, but that makes it no less a pleasure to hear this particular group bursting with freshness and inspiration straight from the beginning of their brief time together. If Another Time turns out to be the last we hear from them, it will still shine as another highlight of the Evans catalogue not to be missed.

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