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(Hard Bop, Contemporary Jazz, Modal) [CD] The Gil Evans Orchestra - Out of the Cool - 1960 (1987), FLAC (tracks+.cue), lossless

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The Gil Evans Orchestra - Out of the Cool
Жанр: Hard Bop, Contemporary Jazz, Modal
Носитель: CD
Страна-производитель диска (релиза): Германия
Год издания: 1987
Издатель (лейбл): Impulse!/MCA
Номер по каталогу: 254 615-2
Страна исполнителя (группы): США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 44:20
Источник (релизер): crispi (what)
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. La Nevada (Evans) - 15:34
02. Where Flamingos Fly (Courlander-Thea-Brooks) - 5:13
03. Bilbao Song (Weill-Brecht) - 4:14
04. Stratusphunk (Russell) - 8:05
05. Sunken Treasure (Evans) - 4:20
06. Sister Sadie (Silver) - 6:54

Код:

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XLD extraction logfile from 2016-03-18 12:38:03 +0100
The Gil Evans Orchestra / Out of the Cool
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Media type : Pressed CD
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TOC of the extracted CD
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    Track 03 : OK (v1+v2, confidence 12/24)
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    Track 05 : OK (v1+v2, confidence 12/24)
    Track 06 : OK (v1+v2, confidence 12/24)
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Код:

TITLE "Out of the Cool"
PERFORMER "Gil Evans"
REM GENRE "Jazz"
REM DATE "1960"
REM DISCID 570A6406
REM REPLAYGAIN_ALBUM_GAIN 0.05 dB
REM REPLAYGAIN_ALBUM_PEAK 0.813019
FILE "01 - La Nevada.flac" WAVE
  TRACK 01 AUDIO
    TITLE "La Nevada"
    ISRC USMC16147513
    REM REPLAYGAIN_TRACK_GAIN 1.60 dB
    REM REPLAYGAIN_TRACK_PEAK 0.634155
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Where Flamingos Fly"
    ISRC USMC16147514
    REM REPLAYGAIN_TRACK_GAIN 3.48 dB
    REM REPLAYGAIN_TRACK_PEAK 0.441742
    INDEX 00 15:31:60
FILE "02 - Where Flamingos Fly.flac" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Bilbao Song"
    ISRC USMC16147514
    REM REPLAYGAIN_TRACK_GAIN 1.60 dB
    REM REPLAYGAIN_TRACK_PEAK 0.652985
    INDEX 00 05:10:73
FILE "03 - Bilbao Song.flac" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Stratusphunk"
    ISRC USMC16147515
    REM REPLAYGAIN_TRACK_GAIN -1.16 dB
    REM REPLAYGAIN_TRACK_PEAK 0.813019
    INDEX 00 04:11:27
FILE "04 - Stratusphunk.flac" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Sunken Treasure"
    ISRC USMC16147517
    REM REPLAYGAIN_TRACK_GAIN 0.53 dB
    REM REPLAYGAIN_TRACK_PEAK 0.632690
    INDEX 00 08:03:02
FILE "05 - Sunken Treasure.flac" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Sister Sadie"
    ISRC USMC16147518
    REM REPLAYGAIN_TRACK_GAIN -2.27 dB
    REM REPLAYGAIN_TRACK_PEAK 0.765717
    INDEX 00 04:17:45
FILE "06 - Sister Sadie.flac" WAVE
    INDEX 01 00:00:00

Код:

[CUETools log; Date: 22.03.2016 0:11:26; Version: 2.1.5]
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Track | CTDB Status
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  2   | (23/23) Accurately ripped
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  4   | (22/23) Accurately ripped
  5   | (23/23) Accurately ripped
  6   | (22/23) Accurately ripped
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 05   63,2 [5C705B6B] [3A1BB24A]
 06   76,5 [ADC4CFC3] [351F745F]

Out of the Cool, released in 1960, was the first recording Gil Evans issued after three straight albums with Miles Davis -- Sketches of Spain being the final one before this. Evans had learned much from Davis about improvisation, instinct, and space (the trumpeter learned plenty, too, especially about color, texture, and dynamic tension). Evans orchestrates less here, instead concentrating on the rhythm section built around Elvin Jones, Charlie Persip, bassist Ron Carter, and guitarist Ray Crawford. The maestro in the piano chair also assembled a crack horn section for this date, with Ray Beckinstein, Budd Johnson, and Eddie Caine on saxophones, trombonists Jimmy Knepper, Keg Johnson, and bass trombonist Tony Studd, with Johnny Coles and Phil Sunkel on trumpet, Bill Barber on tuba, and Bob Tricarico on flute, bassoon, and piccolo. The music here is of a wondrous variety, bookended by two stellar Evans compositions in "La Nevada," and "Sunken Treasure." The middle of the record is filled out by the lovely standard "Where Flamingos Fly," Kurt Weill-Bertolt Brecht's "Bilbao Song," and George Russell's classic "Stratusphunk." The sonics are alternately warm, breezy, and nocturnal, especially on the 15-plus-minute opener which captures the laid-back West Coast cool jazz feel juxtaposed by the percolating, even bubbling hot rhythmic pulse of the tough streets of Las Vegas. The horns are held back for long periods in the mix and the drums pop right up front, Crawford's solo -- drenched in funky blues -- is smoking. When the trombones re-enter, they are slow and moaning, and the piccolo digs in for an in the pocket, pulsing break. Whoa.
Things are brought back to the lyrical impressionism Evans is most well known for at the beginning of "Where Flamingos Fly." Following a four-note theme on guitar, flute, tuba, and trombone, it comes out dramatic and blue, but utterly spacious and warm. The melancholy feels like the tune "Summertime" in the trombone melody, but shifts toward something less impressionistic and more expressionist entirely by the use of gentle dissonance by the second verse as the horns begin to ratchet things up just a bit, allowing Persip and Jones to play in the middle on a variety of percussion instruments before the tune takes on a New Orleans feel, and indeed traces much of orchestral jazz history over the course of its five minutes without breaking a sweat. "Stratusphunk" is the most angular tune here, but Evans and company lend such an element of swing to the tune that its edges are barely experienced by the listener. For all his seriousness, there was a great deal of warmth and humor in Evans' approach to arranging. His use of the bassoon as a sound effects instrument at the beginning is one such moment emerging right out of the bass trombone. At first, the walking bassline played by Carter feels at odds with the lithe and limber horn lines which begin to assert themselves in full finger popping swing etiquette, but Carter seamlessly blends in. Again, Crawford's guitar solo in the midst of all that brass is the voice of song itself, but it's funky before Johnny Coles' fine trumpet solo ushers in an entirely new chart for the brass. The final cut, "Sunken Treasure," is a moody piece of noir that keeps its pulse inside the role of bass trombone and tuba. Percussion here, with maracas, is more of a coloration device, and the blues emerge from the trumpets and from Carter. It's an odd way to close a record, but its deep-night feel is something that may echo the "cool" yet looks toward something deeper and hotter -- which is exactly what followed later with Into the Hot. This set is not only brilliant, it's fun.

Gil Evans - piano, arranger, conductor
Johnny Coles, Phil Sunkel - trumpets
Keg Johnson, Jimmy Knepper - trombones
Tony Studd - bass trombone
Bill Barber - tuba
Ray Beckenstein (#1,3), Eddie Caine (#2,4-6) - alto saxophone, flute, piccolo
Budd Johnson - tenor saxophone, soprano saxophone
Bob Tricarico - bassoon, flute, piccolo
Ray Crawford - guitar
Ron Carter - bass
Charlie Persip, Elvin Jones – drums, percussion
Recorded at Van Gelder Studio, Englewood Cliffs, NJ on November 18 & 30, 1960 (#2,4-6) and December 10 & 15, 1960 (#1,3).
Digitally remastered from the original stereo master tapes.

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