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(Cool, Post-Bop) [CD] Bill Evans - At the Montreux Jazz Festival - 1968 (1998 Verve Master Edition), FLAC (image+.cue), lossless

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Bill Evans - At the Montreux Jazz Festival
Жанр: Cool, Post-Bop
Носитель: CD
Страна-производитель диска: EU
Год издания: 1998
Издатель (лейбл): Verve Records (Verve Master Edition)
Номер по каталогу: 539 758-2
Страна: США
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 58:34
Источник (релизер): indeep1 (nnm)
Наличие сканов в содержимом раздачи: да
Треклист:
01. Spoken Introduction - 0:57
02. One for Helen (Evans) - 4:24
03. A Sleepin' Bee (Arlen-Capote) - 6:05
04. Mother of Earl (Zindars) - 5:15
05. Nardis (Davis) - 8:22
06. Quiet Now (Zeitlin) - 6:14
07. I Loves You, Porgy (Gerhswin-Gershwin-Heyward) - 6:03
08. The Touch of Your Lips (Noble) - 4:45
09. Embraceable You (Gershwin-Gershwin) - 6:45
10. Someday My Prince Will Come (Churchill-Morey) - 6:08
11. Walkin' Up (Evans) - 3:35
Состав:
Bill Evans - piano
Eddie Gomez - bass
Jack DeJohnette - drums
Recorded at the Montreux Jazz Festival, Switzerland on June 15, 1968.

Код:

Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 17. June 2012, 13:33
Bill Evans / At The Montreux Jazz Festival
Used drive  : HL-DT-STDVD+-RW GSA-H31L   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 102
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  0:57.32 |         0    |     4306
        2  |  0:57.32 |  4:23.70 |      4307    |    24101
        3  |  5:21.27 |  6:05.10 |     24102    |    51486
        4  | 11:26.37 |  5:15.25 |     51487    |    75136
        5  | 16:41.62 |  8:22.33 |     75137    |   112819
        6  | 25:04.20 |  6:13.67 |    112820    |   140861
        7  | 31:18.12 |  6:02.65 |    140862    |   168076
        8  | 37:21.02 |  4:44.55 |    168077    |   189431
        9  | 42:05.57 |  6:44.53 |    189432    |   219784
       10  | 48:50.35 |  6:08.20 |    219785    |   247404
       11  | 54:58.55 |  3:35.05 |    247405    |   263534
Range status and errors
Selected range
     Filename F:\Rips\Bill Evans - At The Montreux Jazz Festival.wav
     Peak level 100.0 %
     Extraction speed 2.9 X
     Range quality 100.0 %
     Test CRC 0160F0B2
     Copy CRC 0160F0B2
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 3)  [7EBDA154]  (AR v2)
Track  2  accurately ripped (confidence 3)  [9AA94469]  (AR v2)
Track  3  accurately ripped (confidence 3)  [6B83DDFA]  (AR v2)
Track  4  accurately ripped (confidence 3)  [E6655E67]  (AR v2)
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Track  6  accurately ripped (confidence 3)  [EE6CCB5B]  (AR v2)
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Track  9  accurately ripped (confidence 3)  [6E2C1AD6]  (AR v2)
Track 10  accurately ripped (confidence 3)  [D1974070]  (AR v2)
Track 11  accurately ripped (confidence 3)  [3646CF6E]  (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum EF75F8903EE227BCFEDA6EA16C1AA39E238104EBC81E61D86370A25129E03D0D ====

Код:

REM GENRE Jazz
REM DATE 1968
REM DISCID 800DB90B
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Bill Evans"
TITLE "At the Montreux Jazz Festival"
FILE "Bill Evans - At the Montreux Jazz Festival.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Spoken Introduction"
    PERFORMER "Bill Evans"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "One for Helen"
    PERFORMER "Bill Evans"
    INDEX 01 00:57:32
  TRACK 03 AUDIO
    TITLE "A Sleepin' Bee"
    PERFORMER "Bill Evans"
    INDEX 01 05:21:27
  TRACK 04 AUDIO
    TITLE "Mother of Earl"
    PERFORMER "Bill Evans"
    INDEX 01 11:26:37
  TRACK 05 AUDIO
    TITLE "Nardis"
    PERFORMER "Bill Evans"
    INDEX 01 16:41:62
  TRACK 06 AUDIO
    TITLE "Quiet Now"
    PERFORMER "Bill Evans"
    INDEX 01 25:04:20
  TRACK 07 AUDIO
    TITLE "I Loves You, Porgy"
    PERFORMER "Bill Evans"
    INDEX 00 31:15:07
    INDEX 01 31:18:12
  TRACK 08 AUDIO
    TITLE "The Touch of Your Lips"
    PERFORMER "Bill Evans"
    INDEX 00 37:17:70
    INDEX 01 37:21:02
  TRACK 09 AUDIO
    TITLE "Embraceable You"
    PERFORMER "Bill Evans"
    INDEX 01 42:05:57
  TRACK 10 AUDIO
    TITLE "Someday My Prince Will Come"
    PERFORMER "Bill Evans"
    INDEX 01 48:50:35
  TRACK 11 AUDIO
    TITLE "Walkin' Up"
    PERFORMER "Bill Evans"
    INDEX 01 54:58:55

Код:

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  9   | (39/39) Accurately ripped
 10   | (39/39) Accurately ripped
 11   | (38/39) Accurately ripped
[AccurateRip ID: 0016d775-00cd5561-800db90b] found.
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Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
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 10   99,9 [3216D41F] [1EA530A9]
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Bill Evans' 1968 release, At the Montreux Jazz Festival, marks the beginning of stylistic changes for the legendary pianist. Only one year earlier, his At Town Hall release found his approach generally more introspective and brooding. In contrast, this set is more lively, playful, and experimental. Much of this is down to the active and intense drumming of Jack DeJohnette, who had joined the trio only a short time before this concert was recorded; longtime bandmate Eddie Gomez is also featured on this album. His energetic soloing adds veracity to tunes such as "Embraceable You" and "A Sleeping Bee." DeJohnette, too, is given several opportunities to display his drumming skills. His lengthy solo on "Nardis" displays his technical prowess and four-way coordination; such acumen would later cause jazz fans and critics alike to hail DeJohnette as one of the world's premier jazz drummers. Evans, famous for a soft-spoken pianistic touch, seems driven to new vistas on this album. He experiments more with harmonic dissonance and striking rhythmical contrasts, making this his most extroverted playing since his freshman release, New Jazz Conceptions.

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