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(Mainstream Jazz, Percussion Music, Ethnic Jazz, FMR) [CD] The Jazz Percussion Quintet - All Bluff & Porterage II - 1997, FLAC (tracks+.cue), lossless

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The Jazz Percussion Quintet / All Bluff & Porterage II
Жанр: Mainstream Jazz, Percussion Music, Ethnic Jazz, FMR
Носитель: CD
Страна-производитель диска: UK
Год издания: 1997
Издатель (лейбл): FMR Records
Номер по каталогу: FMR CD42-E0697
Страна исполнителя (группы): UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 37:17
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. Charanga 4:25
2. Just A 2nd. 3:22
3. Top O' The Morning 6:25
4. Forrolia 4:13
5. Indiana Tones 5:02
6. Mucho Gusto 4:30
7. Sammai / Cozmek Elimde 9:23

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 30. October 2014, 19:32
The Jazz Percussion Quintet / All Bluff And Porterage II
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:31.71 |         0    |    15895
        2  |  3:31.71 |  6:17.68 |     15896    |    44238
        3  |  9:49.64 |  4:15.64 |     44239    |    63427
        4  | 14:05.53 |  4:16.16 |     63428    |    82643
        5  | 18:21.69 |  4:49.62 |     82644    |   104380
        6  | 23:11.56 |  4:24.24 |    104381    |   124204
        7  | 27:36.05 |  9:41.12 |    124205    |   167791
Track  1
     Filename D:\zzz\01 - Charanga.wav
     Pre-gap length  0:00:02.00
     Peak level 69.2 %
     Extraction speed 4.2 X
     Track quality 100.0 %
     Test CRC 8B503571
     Copy CRC 8B503571
     Track not present in AccurateRip database
     Copy OK
Track  2
     Filename D:\zzz\02 - Just A 2nd..wav
     Peak level 72.1 %
     Extraction speed 5.1 X
     Track quality 100.0 %
     Test CRC 71B752C1
     Copy CRC 71B752C1
     Track not present in AccurateRip database
     Copy OK
Track  3
     Filename D:\zzz\03 - Top O' The Morning.wav
     Peak level 70.2 %
     Extraction speed 5.3 X
     Track quality 100.0 %
     Test CRC E2BDF71E
     Copy CRC E2BDF71E
     Track not present in AccurateRip database
     Copy OK
Track  4
     Filename D:\zzz\04 - Forrolia.wav
     Peak level 62.4 %
     Extraction speed 5.7 X
     Track quality 100.0 %
     Test CRC 12C1B5C8
     Copy CRC 12C1B5C8
     Track not present in AccurateRip database
     Copy OK
Track  5
     Filename D:\zzz\05 - Indiana Tones.wav
     Peak level 69.3 %
     Extraction speed 5.6 X
     Track quality 99.9 %
     Test CRC C1929B68
     Copy CRC C1929B68
     Track not present in AccurateRip database
     Copy OK
Track  6
     Filename D:\zzz\06 - Mucho Gusto.wav
     Peak level 70.6 %
     Extraction speed 6.5 X
     Track quality 100.0 %
     Test CRC 58730CF8
     Copy CRC 58730CF8
     Track not present in AccurateRip database
     Copy OK
Track  7
     Filename D:\zzz\07 - Sammai , Cozmek Elimde.wav
     Peak level 61.6 %
     Extraction speed 7.4 X
     Track quality 100.0 %
     Test CRC 0BD6DC93
     Copy CRC 0BD6DC93
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum B7928CACB3FD5A353DEFF5B6C5661F7E06C35D42DCE8AADEC555271ABF73E3B6 ====

Код:

REM GENRE "Mainstream Jazz"
REM DATE 1997
REM DISCID 5308BD07
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "The Jazz Percussion Quintet"
TITLE "All Bluff And Porterage II"
FILE "01 - Charanga.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Charanga"
    PERFORMER "The Jazz Percussion Quintet"
    INDEX 01 00:00:00
FILE "02 - Just A 2nd..wav" WAVE
  TRACK 02 AUDIO
    TITLE "Just A 2nd."
    PERFORMER "The Jazz Percussion Quintet"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "03 - Top O' The Morning.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Top O' The Morning"
    PERFORMER "The Jazz Percussion Quintet"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "04 - Forrolia.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Forrolia"
    PERFORMER "The Jazz Percussion Quintet"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "05 - Indiana Tones.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Indiana Tones"
    PERFORMER "The Jazz Percussion Quintet"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "06 - Mucho Gusto.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Mucho Gusto"
    PERFORMER "The Jazz Percussion Quintet"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "07 - Sammai , Cozmek Elimde.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Sammai / Cozmek Elimde"
    PERFORMER "The Jazz Percussion Quintet"
    INDEX 01 00:00:00

Код:

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Charanga.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Just A 2nd..wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Top O' The Morning.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. Forrolia.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Indiana Tones.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. Mucho Gusto.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [07. Sammai - Cozmek Elimde.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%

Доп. информация:

(Barretto) - 1
(Baron) - 2,3,5,6
(D. Da Passira & E. Silva) - 4
(Middle Eastern Traditional / Kandilira) - 7
I really like it for several reasons: the playing is of that wonderful understated British sort - letting the music speak first with every part of the ensemble’s playing right on the mark. Everything is solid and compact with really only the penultimate track letting rip in a much more “in your face” virtuosic way. For me, the most impressive aspect was the timpani playing which really acts as the spine of the ensemble and also the understated and tasteful kit playing. Of course, the mallet work was great too and the fact that you could sustain a whole recording without the need to change the instrumentation was impressive. - Dame Evelyn Glennie
All Bluff and Porterage performed at the Percussive Arts Society UK Chapter ‘Day of Percussion’ at the London College of Music in September 2007. They provided excellent clinics throughout the day, culminating in a superb performance that left all in attendance quite breathless. All the members of the ensemble are virtuosic in their own right, but the timpani work of Julian Fairbank deserves special mention; there were several timpanists in the audience from around Europe who were all left speechless by Julian’s incredible playing. The PAS UK Chapter is already trying to find another suitable event to utilise these first class performers. - Nicholas Ormrod, Orchestra of the Royal Opera House, PAS UK Chapter President
All Bluff and Porterage came to the Junior Royal Academy this Spring and gave an insightful, thorough and supportive workshop book-ended by two truly virtuoso performances of their own arrangements. Having dazzled my students with their playing, they then proceeded to break down several pieces into manageable sections and got them all playing in an impressively short period of time, all within a relaxed and friendly environment. Indeed, the hands-on nature of their teaching and the personable manner with which it was put across guaranteed a brilliant experience all round.
Comprising of vibraphone, marimba, drum kit and timpani, the group’s instrumental line-up instantly makes itself accessible to student and professional alike. To describe the group, however, as a quartet short-changes them, somewhat, as Julian Fairbank on timpani was doing the work of two players. Rather than limiting himself to four notes with the odd change, Julian played entire bass lines across the drums with precision and apparent ease - quite something! With Chris Baron and Justin Woodward covering four-mallet technique and improvisation and Tim Goodyear providing an effortless groove on the drums, this is a group which, quite definitely, does not live up to it’s name!! - Matt Dickinson, Head Of Percussion, Royal Academy of Music Junior Dept

Roger Beaujolais: vibes
Anthony Kerr: marimba
Julian Fairbank: timps
Paul Clarvis: world percussions
Chris Baron: drums, percussion
Frank Ricotti: marimba (4)

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