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(Swing, Big Band) Ted Heath and His Music - The Big Ones (1970)/Satin, Saxes & Bouncing Brass (1963) (2in1) - 2004, FLAC (image+.cue), lossless

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Ted Heath and His Music - The Big Ones (1970)/Satin, Saxes & Bouncing Brass (1963)
Жанр: Swing, Big Band
Страна-производитель диска: Великобритания
Год издания: 2004
Издатель (лейбл): Vocalion
Номер по каталогу: CDLK 4244
Страна: США
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 76:57
Источник (релизер): диск из моей коллекции
Наличие сканов в содержимом раздачи: да
Треклист:
The Big Ones (1970)
01. Spinning Wheel (2:30)
02. Light My Fire (3:43)
03. (I Can't Get No) Satisfaction (3:56)
04. Nights in White Satin (3:42)
05. Woman, Woman (2:11)
06. Get Back (2:52)
07. In the Year 2525 (3:24)
08. Don't Cha Hear Me Calling to Ya (3:36)
09. Honky Tonk Woman (3:23)
10. Good Morning Starshine (2:29)
11. A Whiter Shade of Pale (2:50)
12. Love Me Tonight (3:01)
Satin, Saxes & Bouncing Brass (1963)
13. You Stepped Out of a Dream (3:14)
14. I Had the Craziest Dream (3:07)
15. Sentimental Journey (2:50)
16. Moonlight Serenade (4:01)
17. Mirage (3:38)
18. I Got It Bad, and That Ain't Good (3:29)
19. Tumbling Tumbleweeds (2:50)
20. Close Your Eyes (2:43)
21. At Last (3:12)
22. Egyptian Night (2:35)
23. They Didn't Believe Me (2:45)
24. Ebb Tide (4:54)

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 31. May 2013, 1:24
Ted Heath / The Big Ones/Satin, Saxes & Bouncing Brass
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Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
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Selected range
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     Extraction speed 6.7 X
     Range quality 100.0 %
     Test CRC B4BF0D6A
     Copy CRC B4BF0D6A
     Copy OK
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==== Log checksum 02F8B448D06EBFBABDD0496B6A16C370D2925469C1F7E3F9C783BF91DE5EC0B8 ====

Код:

REM GENRE Jazz
REM DATE 2004
REM DISCID 49120918
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Ted Heath"
TITLE "The Big Ones/Satin, Saxes & Bouncing Brass"
FILE "Ted Heath - The Big Ones-Satin, Saxes & Bouncing Brass.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Spinning Wheel"
    PERFORMER "Ted Heath"
    INDEX 00 00:00:00
    INDEX 01 00:01:00
  TRACK 02 AUDIO
    TITLE "Light My Fire"
    PERFORMER "Ted Heath"
    INDEX 00 02:29:46
    INDEX 01 02:31:34
  TRACK 03 AUDIO
    TITLE "(I Can't Get No) Satisfaction"
    PERFORMER "Ted Heath"
    INDEX 00 06:14:12
    INDEX 01 06:14:69
  TRACK 04 AUDIO
    TITLE "Nights in White Satin"
    PERFORMER "Ted Heath"
    INDEX 00 10:09:05
    INDEX 01 10:10:49
  TRACK 05 AUDIO
    TITLE "Woman, Woman"
    PERFORMER "Ted Heath"
    INDEX 00 13:52:10
    INDEX 01 13:52:59
  TRACK 06 AUDIO
    TITLE "Get Back"
    PERFORMER "Ted Heath"
    INDEX 00 16:02:59
    INDEX 01 16:03:33
  TRACK 07 AUDIO
    TITLE "In the Year 2525"
    PERFORMER "Ted Heath"
    INDEX 00 18:54:00
    INDEX 01 18:55:15
  TRACK 08 AUDIO
    TITLE "Don't Cha Hear Me Calling to Ya"
    PERFORMER "Ted Heath"
    INDEX 00 22:18:01
    INDEX 01 22:19:29
  TRACK 09 AUDIO
    TITLE "Honky Tonk Woman"
    PERFORMER "Ted Heath"
    INDEX 00 25:55:21
    INDEX 01 25:55:64
  TRACK 10 AUDIO
    TITLE "Good Morning Starshine"
    PERFORMER "Ted Heath"
    INDEX 00 29:17:60
    INDEX 01 29:18:28
  TRACK 11 AUDIO
    TITLE "A Whiter Shade of Pale"
    PERFORMER "Ted Heath"
    INDEX 00 31:46:63
    INDEX 01 31:47:52
  TRACK 12 AUDIO
    TITLE "Love Me Tonight"
    PERFORMER "Ted Heath"
    INDEX 00 34:36:74
    INDEX 01 34:37:56
  TRACK 13 AUDIO
    TITLE "You Stepped Out of a Dream"
    PERFORMER "Ted Heath"
    INDEX 00 37:32:50
    INDEX 01 37:38:63
  TRACK 14 AUDIO
    TITLE "I Had the Craziest Dream"
    PERFORMER "Ted Heath"
    INDEX 00 40:51:45
    INDEX 01 40:52:52
  TRACK 15 AUDIO
    TITLE "Sentimental Journey"
    PERFORMER "Ted Heath"
    INDEX 00 43:58:47
    INDEX 01 43:59:41
  TRACK 16 AUDIO
    TITLE "Moonlight Serenade"
    PERFORMER "Ted Heath"
    INDEX 00 46:49:20
    INDEX 01 46:49:49
  TRACK 17 AUDIO
    TITLE "Mirage"
    PERFORMER "Ted Heath"
    INDEX 00 50:49:62
    INDEX 01 50:51:08
  TRACK 18 AUDIO
    TITLE "I Got It Bad, and That Ain't Good"
    PERFORMER "Ted Heath"
    INDEX 00 54:28:22
    INDEX 01 54:28:52
  TRACK 19 AUDIO
    TITLE "Tumbling Tumbleweeds"
    PERFORMER "Ted Heath"
    INDEX 00 57:55:52
    INDEX 01 57:57:41
  TRACK 20 AUDIO
    TITLE "Close Your Eyes"
    PERFORMER "Ted Heath"
    INDEX 00 60:45:61
    INDEX 01 60:47:22
  TRACK 21 AUDIO
    TITLE "At Last"
    PERFORMER "Ted Heath"
    INDEX 00 63:28:71
    INDEX 01 63:30:59
  TRACK 22 AUDIO
    TITLE "Egyptian Night"
    PERFORMER "Ted Heath"
    INDEX 00 66:41:52
    INDEX 01 66:43:03
  TRACK 23 AUDIO
    TITLE "They Didn't Believe Me"
    PERFORMER "Ted Heath"
    INDEX 00 69:17:59
    INDEX 01 69:18:32
  TRACK 24 AUDIO
    TITLE "Ebb Tide"
    PERFORMER "Ted Heath"
    INDEX 00 72:02:58
    INDEX 01 72:03:42

This two-fer assembles two sought-after if vastly different Ted Heath LPs from 1970 and 1963 -- even if the pairing makes little sense, their reissue on CD is still cause for celebration. The posthumously released The Big Ones captures Heath at the peak of his alchemical powers, transforming the biggest chart hits of the flower-power era to create singularly outré space age jazz far freakier than anything produced under the influence of psychedelics. Heath's ingenious arrangements seem to reinvent these familiar pop songs from within, often abandoning the melody to seize on a stray idea or subtle nuance -- for example, his rendition of the Rolling Stones' "(I Can't Get No) Satisfaction" pays little attention to the song's legendary guitar riff while creating space for a series of unbelievably fierce drum breaks, while the Beatles' "Get Back" goes off in more directions than a group of escaped mental patients, only occasionally crossing paths with Paul McCartney's indelible melody. Although as smooth and rich as its title portends, Satin, Saxes and Bouncing Brass almost heralded the end of Heath's recording career -- at first he refused to even consider label execs' idea of adding strings to his big-band jazz sound, and capitulated only after London Records dropped him from its roster. The completed album is in large part a showcase for the gifted arranger John Keating, whose lush yet nuanced charts successfully add the orchestral flourishes London heads sought while retaining the dynamic jazz sound of past Heath efforts. In fact, Keating's horn arrangements are particularly inventive, as if compensating for their loss of face time -- warhorses like "Ebb Tide," "Tumbling Tumbleweeds," and "Moonlight Serenade" breathe new life in these elegant, contoured environs.

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