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(Jazz, Big Band) American Composers Orchestra - Four Symphonic Works by Duke Ellingtion - 1989, FLAC (tracks+.cue), lossless

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#777American Composers Orchestra - Four Symphonic Works by Duke Ellingtion - 1989
Жанр: Jazz, Big Band
Дата выпуска оригинала: © 1989 MusicMasters
Дата выпуска переиздания: 2008
Производитель диска, номер, страна: © & ® Wyastone Estate Limited.
Made in the UK by Nimbus Records
Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Включает: Full artwork
Продолжительность: 66.44
Источник: Моя коллекция
Риппер: Мой рип
Трэклист:
1. Black, Brown and Beige Suite (18.04)
Work Song; Come Sunday; Light
Solo: Richard Chamberlain (Trombone), Frank Wess (Alto Saxophone)
Arranger: Maurice Peress.
2 Three Black Kings (Les trois rois noirs) 19:11
King of the Magi; King Solomon; Martin Luther King
Solo: Jimmy Heath (tenor and soprano saxophones)
Arranger: Luther Henderson.
3. New World a-Comin' for Piano Solo and Orchestra 13 47
Solo: Sir Roland Hanna (Piano), Stephen Hart (Clarinet)
Orchestrated by Maurice Peress after the original jazz band score by the composer
4 Harlem for Jazz Band and Orchestra 15 23
Solo: Bill Easley (Clarinet), Butch Miles (Drums), Jon Faddis (Trumpet), Ron Carter (Double Bass)
Arrangers: Luther Henderson and Maurice Peress.
Состав:
Orchestra/Ensemble: American Composers Orchestra
Conductor: Maurice Peress

Nimbus has been picking up MusicMasters’ catalogue and restoring some highly diverting things to the catalogue. This one is a case in point. Maurice Peresss and the American Composers Orchestra are joined by some elite soloists to set down estimable recordings of four of Duke Ellington’s suites - two well known and two markedly less so.
The best known of the quartet, Black, Brown and Beige, has been orchestrated by Peress. We can hear what has to be the baritone saxophone of Joe Temperley in this one, whose evocation of Harry Carney is appropriate yet manages to retain total tonal independence of the illustrious model. Temperley – and Eugene Moye, the cello principal of the orchestra and Walt Weiskopf, the alto player in the orchestra – are not mentioned on the jewel box credits but they are noted in the booklet. Richard Chamberlain cleaves closer to Tricky Sam Nanton in his role and altoist Frank Wess, very much his own man, takes the Johnny Hodges role. It’s true that the orchestral garb can somewhat blunt the pungency of the Ellington scoring but this alternative look at one of Ellington’s most impressive, albeit most contentious, scores is splendidly realised on its own terms.
Three Black Kings was once written off by James Lincoln Collier – himself no stranger to controversy – as "movie music." What I think got to Collier was the rather generic, piecemeal quality of this ballet suite. Ellington’s three songs here were King of the Magi, King Solomon and Martin Luther King and the soloist is Jimmy Heath on tenor and soprano saxophones. There are some feints toward the exotic East and everything – not least Heath’s articulate playing – is exceptionally pleasant. But I’m with Collier here – the music lacks real distinction; it’s fluent but melodically uninvolving and strangely naive for Ellington. It’s no great surprise to realise that it was left incomplete on Ellington’s death.
New World A-Comin’ is like Black, Brown and Beige another wartime work, again heard here in Peress’ revision. Roland Hanna takes the Ellingtonian piano part, which has been transcribed from the 1943 concert performance; Hanna though improvises the final cadenza. There’s also an excellent solo from clarinettist Stephen Hart. Finally there is Harlem – for Jazz Band and Orchestra perhaps the most impressive, because the most sheerly integrated, of all. There is a stellar quartet of soloists to attend this one and they play with tremendous awareness and control. The seamless quality of Harlem is certainly apparent in this tremendous performance – the variety of moods and textures; the stylistic variety; and that drum solo, played with verve by Butch Miles. And to have alongside you, Jon Faddis, Ron Carter and clarinettist Bill Easley is no bad thing.
The recording quality back in 1989 was – and remains – first class and we also have the advantage of Peress’s own sleeve notes. Symphonic Ellington strides confidently in this re-release.

Код:

REM GENRE Symphony
REM DATE 1989
REM DISCID 20101804
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "American Composers Orchestra"
TITLE "Four Symphonic Works by Duke Ellingtion"
FILE "01 - Black, Brown and Beige Suite.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Black, Brown and Beige Suite"
    PERFORMER "American Composers Orchestra"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Three Black Kings"
    PERFORMER "American Composers Orchestra"
    INDEX 00 20:05:15
FILE "02 - Three Black Kings.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "New World a-Comin"
    PERFORMER "American Composers Orchestra"
    INDEX 00 19:11:58
FILE "03 - New World a-Comin.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Harlem, for Jazz Band and Orchestra"
    PERFORMER "American Composers Orchestra"
    INDEX 00 13:49:55
FILE "04 - Harlem, for Jazz Band and Orchestra.wav" WAVE
    INDEX 01 00:00:00

Код:

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 7. April 2010, 22:03
American Composers Orchestra / Four Symphonic Works by Duke Ellingtion
Used drive  : HL-DT-STDVD-RAM GH22NP20   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 102
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 320 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 20:09.22 |         0    |    90696
        2  | 20:09.22 | 19:16.03 |     90697    |   177399
        3  | 39:25.25 | 13:55.07 |    177400    |   240031
        4  | 53:20.32 | 15:19.48 |    240032    |   309004
Track  1
     Filename D:\music\Musicgate's rips\American Composers Orchestra - Four Symphonic Works by Duke Ellingtion (1989)\01 - Black, Brown and Beige Suite.wav
     Pre-gap length  0:00:02.00
     Peak level 99.7 %
     Track quality 100.0 %
     Test CRC 1A6545D9
     Copy CRC 1A6545D9
     Cannot be verified as accurate (confidence 7)  [1D6D6745], AccurateRip returned [13E031F4]
     Copy OK
Track  2
     Filename D:\music\Musicgate's rips\American Composers Orchestra - Four Symphonic Works by Duke Ellingtion (1989)\02 - Three Black Kings.wav
     Pre-gap length  0:00:04.09
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC 410F15B5
     Copy CRC 410F15B5
     Cannot be verified as accurate (confidence 6)  [93044676], AccurateRip returned [11702D47]
     Copy OK
Track  3
     Filename D:\music\Musicgate's rips\American Composers Orchestra - Four Symphonic Works by Duke Ellingtion (1989)\03 - New World a-Comin.wav
     Pre-gap length  0:00:04.26
     Peak level 79.0 %
     Track quality 100.0 %
     Test CRC 8E0FBF06
     Copy CRC 8E0FBF06
     Cannot be verified as accurate (confidence 6)  [CAF8EAFC], AccurateRip returned [AA74BF6F]
     Copy OK
Track  4
     Filename D:\music\Musicgate's rips\American Composers Orchestra - Four Symphonic Works by Duke Ellingtion (1989)\04 - Harlem, for Jazz Band and Orchestra.wav
     Pre-gap length  0:00:05.36
     Peak level 99.8 %
     Track quality 100.0 %
     Test CRC 3E2DD42E
     Copy CRC 3E2DD42E
     Cannot be verified as accurate (confidence 6)  [14644E87], AccurateRip returned [076C0444]
     Copy OK
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
No errors occurred
End of status report

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