#777
Cootie Williams - Sextet And Big Band {1941-1944} - 1995Жанр: Swing
Дата записи: May 7, 1941-Aug 22, 1944
Дата выпуска оригинала: Oct 1995
Производитель диска, номер, страна: Jazz archives #11, EPM 158382, France
Тип: Compilation
Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Включает: Full artwork
Продолжительность: 72:46
Источник: Моя коллекция
Риппер: Мой рип
Трэклист:
1. G-Men (Williams ) - 2:45
2. West End Blues (King Oliver, Williams ) - 3:13
3. Ain't Misbehavin' (Brooks, Razaf, Waller ) - 2:39
4. Blues in My Condition (Williams ) - 3:07
5. Fly Right (Epistrophy) (Clarke, Monk ) - 2:32
6. When My Baby Left Me (Vinson, Williams ) - 2:42
7. Floogie Boo (Vinson, Williams ) - 2:39
8. Gotta Do Some War Work, Baby (Williams ) - 3:04
9. I Don't Know (Vinson, Williams ) - 3:12
10. You Talk a Little Trash (Williams ) - 3:02
11. Things Ain't What They Used to Be (Ellington, Persons ) - 3:14
12. Tess' Torch Song (I Had a Man) (Arlen, Koehler ) - 2:31
13. Now I Know (Arlen, Koehler ) - 2:58
14. Cherry Red Blues (Johnson, Turner ) - 3:04
15. My Old Flame (Coslow, Johnston ) - 3:15
16. Echoes of Harlem (Ellington ) - 3:07
17. Honeysuckle Rose (Razaf, Waller ) - 3:11
18. Sweet Lorraine (Burwell, Parish ) - 3:11
19. Air Mail Special (Christian, Goodman, Mundy ) - 2:26
20. Roll' Em (Williams ) - 2:55
21. The Boppers (You Talk a Little Trash) (Williams ) - 3:11
22. Somebody's Gotta Go (Weldon ) - 3:15
23. 'Round Midnight (Hanighen, Monk, Williams ) - 3:15
24. Is You Is or Is You Ain't My Baby? (Austin, Jordan ) - 2:44
25. Blue Garden Blues (Royal Garden Blues) (Williams ) - 3:17
Состав:Cootie Williams & His Orchestra :
(1-4) Charles "Cootie" Williams (tp), Lou McGarity (tb), Les Robinson (as), Skippy Martin (bs), Johnny Guarnieri (p),
Artie Bernstein (b), Jo Jones (dm). NYC, 07/05/1941.
(5-6) Cootie Williams, Louis Bacon, Milton Fletcher, Joe Guy (tp), Jonas Walker, Robert "Bob" Horton,
Sandy Williams (tb), Charlie Holmes (as), Eddie "Cleanhead" Vinson (as, vo on 6), Bob Dorsey, Greely Walton (t!
John Williams (bs), Kenny Kersey (p), Norman Keenan (b), George Ballard (dm), Dave McRae (arr on 5).
Chicago, 01/04/1942
(7-10) Cootie Williams (tp, vo on 8), Eddie Vinson (as), Eddie "Lockjaw" Davis (ts), Earl "Bud" Powell (p),
Norman Keenan (b), Sylvester "Vess" Payne (dm). NYC, 04/01/1944,
(11-14) Cootie Williams, Ermit Perry, George Treadwell, Harold "Money" Johnson (tp), Ed Burke, George Stevenson,
Bob Horton (tb), Charlie Holmes (as), Eddie Vinson (as, vo on 11,14), Eddie Davis, Lee Pope (ts),
Eddie De Verteuil (bs), Bud Powell (p), Norman Keenan (b), Sylvester Payne (dm), Pearl Bailey (vo on12,13).
NYC, 06/01/1944.
(15-18) Same as for (7); vo chorus on 16. NYC, 06/01/1944.
(19-20) Cootie Williams, Ermit Perry, George Treadwell, Lammar Wright, Tommy Stevenson (tp), Ed Burke, Bob Horton,
Ed Glover (tb), Charlie Parker, Rupert Cole, Frank Powell (as), Sam "The Man" Taylor, Lee Pope (ts),
Eddie De Verteuil (bs), Bud Powell (p), Leroy Kirkland (g), Carl Pruitt (b), Sylvester Payne (dm).
Hollywood, 02/05/1944.
(21) Cootie Williams (tp), poss. Charlie Parker (as), prob. Sam Taylor (ts), Bud Powell (p), Carl Pruitt (b),
Sylvester Payne (dm). Hollywood, 02/05/1944.
(22-25) Same as for (19) but Eddie Vinson (as, vo on 22,24) replaces Parker and Cole. NYC, 22/08/1944,
Ссылки:http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:hpfixqehld0eThe very name Cootie Williams — and especially that nickname "Cootie" — remains indissociably linked with that of the Duke Ellington orchestra The ferocious, growling, sometimes sombre sounds through the plunger-mute, the thick, firm, rasping tones of the open trumpet, Cootie's playing was always aggressive and uncompromising. Here was a sculptor who did not polish his base material, but hewed it out with sheer physical force, leaving it to reflect all its natural asperity and raw beauty. His solo statements, scything their way through the orchestral mass while simultaneously serving the subtleties of the writing, remain vivid memories, and are today etched in the stone of jazz history. For Cootie's was one of the great sounds, one of the most distinctive, in the annals of Afro-American music. A sound possessed of all the strength and vitality of those deepest of the black man's roots, the blues.
Charles Melvin Williams was born in Alabama, America's Deep South, in 1910, By early childhood, he was playing trombone, tuba and drums in his school band, but then switched his attention to trumpet, which he taught himself to play. He acquired some first practical experience by playing in various territory groups, among them the Young Family Band, one of whose members, the 15-year-old Lester Young, was his senior by just a year. By 1928, Charles had already landed in New York, There he met Chick Webb, who often included him in his band's line-up for its dates at the Savoy Ballroom. That same year, in the company of stride-pianist James P Johnson, the young trumpeter made his first recordings, then joined the Fletcher Henderson orchestra. Despite the possible chance of carving out a star role for himself in this top black band of the day, he preferred to take up Duke Ellington's offer of Bubber Wiley's vacant chair. As a result, he suddenly found himself inheriting the solo spots of this meteoric genius without possessing the slightest experience of using that vital part of the Miley armoury, the plunger mute. With the help of trombonist Joe "Tricky Sam" Nanton, another plunger-mute specialist, he thus set about developing his own skills with this household-plumbing appliance, gradually creating a personal wa-wa style quite independent of Miley's. From 1929 to 1940, the trumpeter now affectionately known as "Cootie" would be one of the principal soloists in the wonderful Duke Ellington orchestra, and over the last three years of his tenure he would also have the opportunity to front his own Rug Cutters, a studio small-group consisting of Duke and a select band of fellow-Ellingtonians. From these sessions came the original 1938 version of Echoes Of Harlem, while Duke would later reward him for his loyal services with an unforgettable farewell piece entitled Concerto For Coot/e.
By now a recognised trumpet star, Cootie had been lured away from Duke by the superior financial rewards offered by Benny Goodman, the King of Swing, with whom he was set to feature in both big-band and sextet/septet contexts. In the smaller unit, he found himself playing alongside electric-guitar prodigy Charlie Christian, Air Mail Special being one of the pieces they recorded together some three years before the present big-band rendering. It was also in the company of fellow-Goodmanites (plus Count Basie drummer Jo Jones) that in May 1941 Cootie cut the four rare sides that open our collection. After a year with Goodman and now enjoying greater celebrity than ever, Cootie — with help and advice from Duke Ellington —formed his own big band, which premiered at Chicago's Grand Terrace in February 1942, Okeh recorded the orchestra, but never released the resultant discs, and it would be 25 years before When My Baby Lelt Me (successfully re-recorded for Capitol in 1945) and the very first version of Thelonious Monk's Epistrophy actually found theirway onto the market. To our knowledge, Sleepy Valley and Marcheta have remained unissued to this day. The temporary lack of further recording opportunities caused by a union ban did not prevent the orchestra from establishing a solid reputation for itself, thanks to regular bookings at Harlem's Savoy Ballroom and Apollo Theatre, backed up by screen appearances in 1943-44. Then, with two sessions in January 1944, came a fresh chance to record, the Williams aggregation cutting 12 titles in big-band and sextet format (as per the familiar Benny Goodman formula) for the little independent label, Hit. A few radio broadcasts, together with the final sides for Hit/Majestic made later that same year, complete our CD. In 1945 Cootie hooked a contract with Capitol, but, fashions and economic conditions having now undergone radical change, he was forced to disband two years later. In place of the big band, he assembled a hard-hitting small group that played for dancing, a group very much in the
rhythm-and-blues mould. This combo recorded for a variety of labels and became a regular attraction at the Savoy, Cootie's activities finally landed him a contract with Victor, enabling the Cootie Williams Savoy Ballroom Orchestra to record again in 1957. The following year, the trumpeter was offered a studio big band. The January of 1959 found Cootie touring Europe, and his working quintet was recorded at Paris's Olympia Theatre. In 1962, with further recording sessions in New York under his belt, Cootie — after an absence of over 20 years — rejoined the Duke Ellington orchestra. When Mercer Ellington took over leadership of the outfit on his father's death in 1974, the now legendary trumpeter remained with the band as guest star, staying with it until his own death in 1985.
When Cootie Williams launched his big band in 1942, jazz stood at a crossroads. The so-called Petrillo Ban was about to bring commercial recording to a halt, war was raging and new musical styles were emerging. Young and not-so-young musicians were already jamming after-hours at Minton's, eagerly experimenting with a host of new ideas. Cootie immediately put Epistrophy into his repertoire, a piece written for him by young pianist Thelonious Monk. And was it perhaps Monk who recommended his 19-year-old pianist friend Bud Powell to Cootie, as replacement for Kenny Kersey? Whatever, Bud recorded his first-ever solos with the Williams outfit, and it is fascinating to listen to his already surprisingly mature work on the sextet sides {Floogie Boo, I Don't Know, My OldFlame, Honeysuckle Rose, The Boppers...), as well as on one or two of the big-band cuts (Roll Em. Blue Garden Blues). Indeed, this Williams crew reflects the then prevailing duality between the new harmonic and rhythmic trends (certain sides, almost be-bop, presage the work of Dizzy Gillespie) and the need to serve up music accessible to everyday black audiences at places like the Savoy.
It is difficult to consider Cootie Williams, a distant disciple of Louis Armstrong (cf. West End Blues), a "conservative", for here was a man who in 1944 would not hesitate to make the first recording of 'Round Midnight, another memorable piece from the pen of Thelonious Monk (who even served briefly with the orchestra). Cootie seems to have possessed that knack of producing an acceptable amalgam of old and new: witness the work of his star soloist, Eddie "Cleanhead" Vinson, a famous blues shouter who here offers his first big hits, Che/ту fieri and Somebody's Gotta Go, but whose alto-sax playing — at once straightforward and intricate, fluid and sinuous — forms a sort of link between Louis Jordan and Charlie Parker. Indeed, on a couple of occasions Parker would even replace Cleanhead in the Williams line-up (around May 1944 and February 1945), but it is difficult to affirm that the short alto-sax solos on Air Mail Special and The Boppers ate his.
Cootie Williams was a bandleader with an ear for budding talent, as his use of tenor-saxophonists Eddie "Lockjaw" Davis (heard here on several occasions) and Sam "The Man" Taylor duly testifies. He gave precious exposure, too, to singer Pearl Bailey, at this time on the threshold of a brilliant career. And, even though another trumpet is heard here and there (Joe Guy's, for instance, on Epistrophy), it is Cootie who gives the band its direction and its character, Cootie who gives the music its body and its soul.
Adapted by Don Waterhouse from the French text of Jean Buzelin
Код:
REM GENRE Jazz
REM DATE 1995
REM DISCID 5C117F19
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Cootie Williams"
TITLE "Sextet And Big Band {1941-1944}"
FILE "01 - G-Men [1941].wav" WAVE
TRACK 01 AUDIO
TITLE "G-Men [1941]"
PERFORMER "Cootie Williams"
PREGAP 00:00:32
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "West End Blues [1941]"
PERFORMER "Cootie Williams"
INDEX 00 02:43:18
FILE "02 - West End Blues [1941].wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Ain't Misbehavin' [1941]"
PERFORMER "Cootie Williams"
INDEX 00 03:10:47
FILE "03 - Ain't Misbehavin' [1941].wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Blues In My Condition [1941]"
PERFORMER "Cootie Williams"
INDEX 00 02:37:05
FILE "04 - Blues In My Condition [1941].wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Fly Right (Epistrophy) [1942]"
PERFORMER "Cootie Williams"
INDEX 00 03:04:63
FILE "05 - Fly Right (Epistrophy) [1942].wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "When My Baby Left Me [1942]"
PERFORMER "Cootie Williams"
INDEX 00 02:30:17
FILE "06 - When My Baby Left Me [1942].wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Floogie Boo [1944]"
PERFORMER "Cootie Williams"
INDEX 00 02:40:23
FILE "07 - Floogie Boo [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Gotta Do Some War Work, Baby [1944]"
PERFORMER "Cootie Williams"
INDEX 00 02:36:38
FILE "08 - Gotta Do Some War Work, Baby [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "I Don't Know [1944]"
PERFORMER "Cootie Williams"
INDEX 00 03:01:70
FILE "09 - I Don't Know [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "You Talk A Little Trash [1944]"
PERFORMER "Cootie Williams"
INDEX 00 03:10:02
FILE "10 - You Talk A Little Trash [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 11 AUDIO
TITLE "Things Ain't What They Used To Be [1944]"
PERFORMER "Cootie Williams"
INDEX 00 02:59:48
FILE "11 - Things Ain't What They Used To Be [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "Tess' Torch Song [1944]"
PERFORMER "Cootie Williams"
INDEX 00 03:11:53
FILE "12 - Tess' Torch Song [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 13 AUDIO
TITLE "Now I Now [1944]"
PERFORMER "Cootie Williams"
INDEX 00 02:28:48
FILE "13 - Now I Now [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 14 AUDIO
TITLE "Cherry Red Blues [1944]"
PERFORMER "Cootie Williams"
INDEX 00 02:56:20
FILE "14 - Cherry Red Blues [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 15 AUDIO
TITLE "My Old Flame [1944]"
PERFORMER "Cootie Williams"
INDEX 00 03:01:67
FILE "15 - My Old Flame [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 16 AUDIO
TITLE "Echoes Of Harlem [1944]"
PERFORMER "Cootie Williams"
INDEX 00 03:12:68
FILE "16 - Echoes Of Harlem [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 17 AUDIO
TITLE "Honeysuckle Rose [1944]"
PERFORMER "Cootie Williams"
INDEX 00 03:05:43
FILE "17 - Honeysuckle Rose [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 18 AUDIO
TITLE "Sweet Lorraine [1944]"
PERFORMER "Cootie Williams"
INDEX 00 03:08:35
FILE "18 - Sweet Lorraine [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 19 AUDIO
TITLE "Air Mail Special [1944]"
PERFORMER "Cootie Williams"
INDEX 00 03:08:42
FILE "19 - Air Mail Special [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 20 AUDIO
TITLE "Roll' Em [1944]"
PERFORMER "Cootie Williams"
INDEX 00 02:23:62
FILE "20 - Roll' Em [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 21 AUDIO
TITLE "The Boppers [1944]"
PERFORMER "Cootie Williams"
INDEX 00 02:53:23
FILE "21 - The Boppers [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 22 AUDIO
TITLE "Somebody's Gotta Go [1944]"
PERFORMER "Cootie Williams"
INDEX 00 03:08:50
FILE "22 - Somebody's Gotta Go [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 23 AUDIO
TITLE "'Round Midnight [1944]"
PERFORMER "Cootie Williams"
INDEX 00 03:13:25
FILE "23 - 'Round Midnight [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 24 AUDIO
TITLE "Is You Is Or Is You Ain't My Baby ї [1944]"
PERFORMER "Cootie Williams"
INDEX 00 03:12:50
FILE "24 - Is You Is Or Is You Ain't My Baby ї [1944].wav" WAVE
INDEX 01 00:00:00
TRACK 25 AUDIO
TITLE "Blue Garden Blues [1944]"
PERFORMER "Cootie Williams"
INDEX 00 02:42:22
FILE "25 - Blue Garden Blues [1944].wav" WAVE
INDEX 01 00:00:00
Код:
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 6. April 2010, 12:24
Cootie Williams / Sextet And Big Band {1941-1944}
Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 2:45.53 | 32 | 12459
2 | 2:46.10 | 3:13.12 | 12460 | 26946
3 | 5:59.22 | 2:39.45 | 26947 | 38916
4 | 8:38.67 | 3:07.28 | 38917 | 52969
5 | 11:46.20 | 2:32.52 | 52970 | 64421
6 | 14:18.72 | 2:42.65 | 64422 | 76636
7 | 17:01.62 | 2:39.00 | 76637 | 88561
8 | 19:40.62 | 3:04.23 | 88562 | 102384
9 | 22:45.10 | 3:12.32 | 102385 | 116816
10 | 25:57.42 | 3:02.15 | 116817 | 130481
11 | 28:59.57 | 3:14.20 | 130482 | 145051
12 | 32:14.02 | 2:31.08 | 145052 | 156384
13 | 34:45.10 | 2:58.60 | 156385 | 169794
14 | 37:43.70 | 3:04.27 | 169795 | 183621
15 | 40:48.22 | 3:15.00 | 183622 | 198246
16 | 44:03.22 | 3:07.68 | 198247 | 212339
17 | 47:11.15 | 3:11.00 | 212340 | 226664
18 | 50:22.15 | 3:11.10 | 226665 | 240999
19 | 53:33.25 | 2:26.12 | 241000 | 251961
20 | 55:59.37 | 2:55.50 | 251962 | 265136
21 | 58:55.12 | 3:11.15 | 265137 | 279476
22 | 62:06.27 | 3:15.48 | 279477 | 294149
23 | 65:22.00 | 3:15.05 | 294150 | 308779
24 | 68:37.05 | 2:44.60 | 308780 | 321139
25 | 71:21.65 | 3:17.25 | 321140 | 335939
Track 1
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\01 - G-Men [1941].wav
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Peak level 91.5 %
Track quality 99.9 %
Test CRC 8CB2967C
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Accurately ripped (confidence 1) [BFC48EA9]
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Track 2
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\02 - West End Blues [1941].wav
Pre-gap length 0:00:02.46
Peak level 90.7 %
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Test CRC B42D7D59
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Accurately ripped (confidence 1) [D13AE133]
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Track 3
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\03 - Ain't Misbehavin' [1941].wav
Pre-gap length 0:00:02.53
Peak level 92.5 %
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Test CRC 711EC0FF
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Accurately ripped (confidence 1) [BF724E11]
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Track 4
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\04 - Blues In My Condition [1941].wav
Pre-gap length 0:00:02.53
Peak level 91.8 %
Track quality 100.0 %
Test CRC 82891C20
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Accurately ripped (confidence 1) [68FADB69]
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Track 5
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\05 - Fly Right (Epistrophy) [1942].wav
Pre-gap length 0:00:02.53
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Test CRC 68F67B9F
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Accurately ripped (confidence 1) [20563E0F]
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Track 6
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\06 - When My Baby Left Me [1942].wav
Pre-gap length 0:00:02.46
Peak level 91.2 %
Track quality 100.0 %
Test CRC 85782625
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Accurately ripped (confidence 1) [3E728870]
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Track 7
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\07 - Floogie Boo [1944].wav
Pre-gap length 0:00:02.56
Peak level 92.7 %
Track quality 100.0 %
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Accurately ripped (confidence 1) [9443A928]
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Track 8
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\08 - Gotta Do Some War Work, Baby [1944].wav
Pre-gap length 0:00:02.49
Peak level 93.2 %
Track quality 99.9 %
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Accurately ripped (confidence 1) [75E6DA72]
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Track 9
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\09 - I Don't Know [1944].wav
Pre-gap length 0:00:02.37
Peak level 93.2 %
Track quality 100.0 %
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Accurately ripped (confidence 1) [5CD5B36A]
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Track 10
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\10 - You Talk A Little Trash [1944].wav
Pre-gap length 0:00:02.40
Peak level 91.2 %
Track quality 100.0 %
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Accurately ripped (confidence 1) [3DA356D0]
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Track 11
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\11 - Things Ain't What They Used To Be [1944].wav
Pre-gap length 0:00:02.56
Peak level 91.4 %
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Accurately ripped (confidence 1) [EBFF4B08]
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Track 12
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\12 - Tess' Torch Song [1944].wav
Pre-gap length 0:00:02.56
Peak level 92.6 %
Track quality 99.9 %
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Accurately ripped (confidence 1) [54D2B519]
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Track 13
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\13 - Now I Now [1944].wav
Pre-gap length 0:00:02.46
Peak level 92.5 %
Track quality 100.0 %
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Track 14
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\14 - Cherry Red Blues [1944].wav
Pre-gap length 0:00:02.53
Peak level 92.2 %
Track quality 100.0 %
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Track 15
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\15 - My Old Flame [1944].wav
Pre-gap length 0:00:02.46
Peak level 91.3 %
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Track 16
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\16 - Echoes Of Harlem [1944].wav
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Peak level 91.2 %
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Track 17
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\17 - Honeysuckle Rose [1944].wav
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Peak level 91.2 %
Track quality 100.0 %
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Track 18
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\18 - Sweet Lorraine [1944].wav
Pre-gap length 0:00:02.53
Peak level 91.9 %
Track quality 100.0 %
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Track 19
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\19 - Air Mail Special [1944].wav
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Peak level 90.4 %
Track quality 100.0 %
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Track 20
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\20 - Roll' Em [1944].wav
Pre-gap length 0:00:02.33
Peak level 90.4 %
Track quality 99.9 %
Test CRC A5BE06FC
Copy CRC A5BE06FC
Accurately ripped (confidence 1) [C3B47D50]
Copy OK
Track 21
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\21 - The Boppers [1944].wav
Pre-gap length 0:00:02.36
Peak level 90.8 %
Track quality 100.0 %
Test CRC A61A81B8
Copy CRC A61A81B8
Accurately ripped (confidence 1) [055B24FB]
Copy OK
Track 22
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\22 - Somebody's Gotta Go [1944].wav
Pre-gap length 0:00:02.53
Peak level 90.2 %
Track quality 100.0 %
Test CRC 030DB018
Copy CRC 030DB018
Accurately ripped (confidence 1) [6201D97F]
Copy OK
Track 23
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\23 - 'Round Midnight [1944].wav
Pre-gap length 0:00:02.30
Peak level 91.4 %
Track quality 100.0 %
Test CRC DB99C965
Copy CRC DB99C965
Accurately ripped (confidence 1) [5F59E34B]
Copy OK
Track 24
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\24 - Is You Is Or Is You Ain't My Baby ї [1944].wav
Pre-gap length 0:00:02.40
Peak level 91.0 %
Track quality 100.0 %
Test CRC 58630CDF
Copy CRC 58630CDF
Accurately ripped (confidence 1) [770FAB4A]
Copy OK
Track 25
Filename D:\music\Musicgate's rips\Cootie Williams - Sextet And Big Band {1941-1944} (1995)\25 - Blue Garden Blues [1944].wav
Pre-gap length 0:00:02.50
Peak level 91.2 %
Track quality 100.0 %
Test CRC 7B1FDDC4
Copy CRC 7B1FDDC4
Accurately ripped (confidence 1) [E0B81446]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
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