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(Big Band, Early Jazz, Swing) [CD] Duke Ellington - Berlin '65, Paris '67 - 1997, FLAC (tracks+.cue), lossless

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Duke Ellington - Berlin '65, Paris '67
Жанр: Big Band, Early Jazz, Swing
Носитель: CD
Страна-производитель диска: США
Год издания: 1997
Издатель (лейбл): Pablo
Номер по каталогу: PACD-5304-2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 51:37
Источник (релизер): Ellingtonia (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Midriff (Strayhorn) - 5:17
02. Ad Lib on Nippon (Ellington) - 15:11
03. Chelsea Bridge (Strayhorn) - 4:29
04. Happy-Go-Lucky Local (Ellington-Ellington-Strayhorn) - 5:01
05. Blood Count (Strayhorn) - 4:01
06. Harmony in Harlem (Ellington-Mills-Hodges) - 2:14
07. Things Ain't What They Used to Be (Ellington-Ellington-Persons) - 3:11
08. Drag (Ellington) - 4:48
09. Rockin' in Rhythm (Mills-Ellington-Carney) - 5:12
10. (The) Second Portrait of the Lion (Ellington) - 2:13
Состав:
Duke Ellington - piano
Cat Anderson, Cootie Williams, Herbie Jones, Mercer Ellington, Ray Nance (#1-4), Money Johnson (#5-10) - trumpets
Lawrence Brown, Buster Cooper, Chuck Connors - trombones
Russell Procope, Johnny Hodges - alto saxophones
Jimmy Hamilton - clarinet, tenor saxophone
Paul Gonsalves - tenor saxophone
Harry Carney - baritone saxophone, clarinet
John Lamb - bass
Sam Woodyard (#1-4), Rufus Jones (#5-10) - drums
Recorded at the Sportpalast, Berlin on February 3, 1965 (#1-4) and at Salle Pleyel, Paris on March 10, 1967 (#5-10).

Код:

X Lossless Decoder version 20131102 (145.0)
XLD extraction logfile from 2013-12-29 19:57:37 -0800
Duke Ellington / Berlin 65 - Paris 67
Used drive : HL-DT-ST DVDRAM GP10NB20 (revision 1.04)
Media type : Pressed CD
Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction  : 6
Max retry count         : 100
Gap status              : Analyzed, Appended (except HTOA)
TOC of the extracted CD
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    ---------------------------------------------------------
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        8  | 39:23:25 | 04:47:67 |    177250    |   198841
        9  | 44:11:17 | 05:12:00 |    198842    |   222241
       10  | 49:23:17 | 02:13:23 |    222242    |   232239
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    Track 02 : OK (v1, confidence 2/2)
    Track 03 : OK (v1, confidence 2/2)
    Track 04 : OK (v1, confidence 2/2)
    Track 05 : OK (v1, confidence 2/2)
    Track 06 : OK (v1, confidence 2/2)
    Track 07 : OK (v1, confidence 2/2)
    Track 08 : OK (v1, confidence 2/2)
    Track 09 : OK (v1, confidence 2/2)
    Track 10 : OK (v1, confidence 2/2)
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Track 04
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Track 08
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Код:

TITLE "Berlin '65, Paris '67"
PERFORMER "Duke Ellington"
REM GENRE "Jazz"
REM DATE "1997"
REM DISCID 960C180A
REM REPLAYGAIN_ALBUM_GAIN -4.04 dB
REM REPLAYGAIN_ALBUM_PEAK 0.999695
FILE "01 - Midriff.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Midriff"
    REM REPLAYGAIN_TRACK_GAIN -5.27 dB
    REM REPLAYGAIN_TRACK_PEAK 0.999695
    INDEX 01 00:00:00
FILE "02 - Ad Lib on Nippon.flac" WAVE
  TRACK 02 AUDIO
    TITLE "Ad Lib on Nippon"
    REM REPLAYGAIN_TRACK_GAIN -3.49 dB
    REM REPLAYGAIN_TRACK_PEAK 0.995697
    INDEX 01 00:00:00
FILE "03 - Chelsea Bridge.flac" WAVE
  TRACK 03 AUDIO
    TITLE "Chelsea Bridge"
    REM REPLAYGAIN_TRACK_GAIN -3.26 dB
    REM REPLAYGAIN_TRACK_PEAK 0.943878
    INDEX 01 00:00:00
FILE "04 - Happy-Go-Lucky Local.flac" WAVE
  TRACK 04 AUDIO
    TITLE "Happy-Go-Lucky Local"
    REM REPLAYGAIN_TRACK_GAIN -4.81 dB
    REM REPLAYGAIN_TRACK_PEAK 0.996796
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Blood Count"
    REM REPLAYGAIN_TRACK_GAIN -4.24 dB
    REM REPLAYGAIN_TRACK_PEAK 0.804474
    INDEX 00 04:57:70
FILE "05 - Blood Count.flac" WAVE
    INDEX 01 00:00:00
FILE "06 - Harmony in Harlem.flac" WAVE
  TRACK 06 AUDIO
    TITLE "Harmony in Harlem"
    REM REPLAYGAIN_TRACK_GAIN -4.49 dB
    REM REPLAYGAIN_TRACK_PEAK 0.812256
    INDEX 01 00:00:00
FILE "07 - Things Ain't What They Used to Be.flac" WAVE
  TRACK 07 AUDIO
    TITLE "Things Ain't What They Used to Be"
    REM REPLAYGAIN_TRACK_GAIN -5.91 dB
    REM REPLAYGAIN_TRACK_PEAK 0.913147
    INDEX 01 00:00:00
FILE "08 - Drag.flac" WAVE
  TRACK 08 AUDIO
    TITLE "Drag"
    REM REPLAYGAIN_TRACK_GAIN -4.03 dB
    REM REPLAYGAIN_TRACK_PEAK 0.738800
    INDEX 01 00:00:00
FILE "09 - Rockin' in Rhythm.flac" WAVE
  TRACK 09 AUDIO
    TITLE "Rockin' in Rhythm"
    REM REPLAYGAIN_TRACK_GAIN -1.81 dB
    REM REPLAYGAIN_TRACK_PEAK 0.682739
    INDEX 01 00:00:00
FILE "10 - (The) Second Portrait of the Lion.flac" WAVE
  TRACK 10 AUDIO
    TITLE "(The) Second Portrait of the Lion"
    REM REPLAYGAIN_TRACK_GAIN 1.89 dB
    REM REPLAYGAIN_TRACK_PEAK 0.494904
    INDEX 01 00:00:00

Код:

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By the mid-1960s, the Duke Ellington Orchestra were hardened world travelers and a well-oiled machine that could handle time zones and European audiences with nary an off night. This collection of tracks from Norman Granz' "Jazz At The Philharmonic" master holdings brings together highlights from concerts in Berlin in 1965 and Paris in 1967 and shows what a fine playing and occasionally improvisational unit the band always was. With only a couple of personnel changes between the two years, the Ellington orchestra plays with verve and flair, kicking off with Billy Strayhorn's "Midriff" from the Berlin concert. This is followed by a 14-minute piece called "Ad Lib On Nippon" based on the band's travels to Japan, featuring the clarinet work of co-composer Jimmy Hamilton. Another Strayhorn composition, "Chelsea Bridge," provides an ample showcase for tenor saxophonist Paul Gonsalves, who invests his solo passages with so much emotion that Ellington calls for an encore at tune's end.
"Happy-Go-Lucky Local" (originally part of his Deep South Suite) was one of Duke's most successful "train tunes," and again, Gonsalves provides most of the fireworks on this Ellington flag waver. The 1967 Paris concert begins with one of Billy Strayhorn's final compositions, "Blood Count," a somber, reflective piece that features a beautiful solo from Johnny Hodges. Hot on the heels of that is the jumping "Harmony In Harlem," which features Hodges doing some atypically (for him) fast solo work. This sets the stage for Johnny's extended workout on "Things Ain't What They Used to Be," a pithy reminder that the alto sax great was a great blues player as well as a master of ballad artistry. The response to this number is so overwhelming that Ellington features him again on "Drag," a soulfully constructed 16-bar piece that finds Hodges in a most playful mood and the audience responding wonderfully in kind. Ellington follows this with a 30-year-old staple of his band book, "Rockin' In Rhythm," featuring marvelous solos from Harry Carney on clarinet, Lawrence Brown on trombone and Cat Anderson blasting the band out on the coda, hitting high notes at the end with Al Killian-like authority. The concert and disc finish with Duke answering a request for "The Second Portrait of the Lion," a lively example of Ellington's seldom-heard stride piano playing. Surviving tapes sound reasonably good, and this makes a wonderful addition to Duke's legacy of live recordings.

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