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(World Fusion, Ethnic, Oriental Jazz) [CD] VA (The Master Musicians of Jajouka, Medeski Martin & Wood, Marc Ribot, John Zorn, Ornette Coleman, Flea, Lee Ranaldo, Billy Martin a.o.) - The Road to Jajouka - 2013, FLAC (tracks+.cue), lossless

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Гость

THE ROAD TO JAJOUKA

Жанр: World Fusion, Ethnic, Oriental Jazz
Страна-производитель диска: USA
Год издания: 2013
Издатель (лейбл): Howe Records
Номер по каталогу: HWR-1009
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 52:56
Источник (релизер): спасибо AWL1963
Наличие сканов: booklet.pdf
Треклист:
1. Hand of Fatima (feat. Medeski Martin & Wood, Bachir Attar & Marc Ribot)
2. Baraka (feat. Mickey Hart & DJ Logic)
3. Djebala Hills (feat. Falu, John Zorn, Flea & Billy Martin)
4. Boujeloudia Magick (feat. Lee Ranaldo)
5. Into the Rif (feat. Marc Ribot & Shahzad Ismailey)
6. Ghaita Blues (feat. Bachir Attar, Billy Martin & Dave Dreiwitz)
7. Jnuin (feat. Ornette Coleman & Bachir Attar)
8. Sufi Hadra (feat. Falu, Aiyb Dieng & Bill Laswell)
9. Al'Aita (feat. Howard Shore & London Philharmonic)

Код:

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XLD extraction logfile from 2013-12-17 20:06:05 -0800
Various Artists / The Road To Jajouka, A Benefit Album
Used drive : MATSHITA DVD-R   UJ-875 (revision DB09)
Media type : Pressed CD
Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction  : 102
Max retry count         : 100
Gap status              : Analyzed, Appended (except HTOA)
TOC of the extracted CD
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Код:

TITLE "The Road To Jajouka, A Benefit Album"
REM GENRE "Jazz"
REM DATE "2013"
REM DISCNUMBER 1
REM TOTALDISCS 1
REM DISCID 800C7B09
REM REPLAYGAIN_ALBUM_GAIN -6.98 dB
REM REPLAYGAIN_ALBUM_PEAK 0.913818
REM COMPILATION TRUE
FILE "01 Hand Of Fatima.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Hand Of Fatima"
    PERFORMER "Medeski, Martin & Wood, Bachir Attar & Marc Ribot"
    ISRC USSKB1309001
    REM REPLAYGAIN_TRACK_GAIN -7.52 dB
    REM REPLAYGAIN_TRACK_PEAK 0.913818
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Baraka"
    PERFORMER "Mickey Hart & DJ Logic"
    ISRC USSKB1309002
    REM REPLAYGAIN_TRACK_GAIN -3.67 dB
    REM REPLAYGAIN_TRACK_PEAK 0.859314
    INDEX 00 05:43:47
FILE "02 Baraka.flac" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "DJebala Hills"
    PERFORMER "Falu, John Zorn, Flea & BIlly Martin"
    ISRC USSKB1309003
    REM REPLAYGAIN_TRACK_GAIN -7.16 dB
    REM REPLAYGAIN_TRACK_PEAK 0.871094
    INDEX 00 04:42:39
FILE "03 DJebala Hills.flac" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Boujeloudia Magick"
    PERFORMER "Lee Ranaldo"
    ISRC USSKB1309004
    REM REPLAYGAIN_TRACK_GAIN -7.25 dB
    REM REPLAYGAIN_TRACK_PEAK 0.870178
    INDEX 00 05:42:25
FILE "04 Boujeloudia Magick.flac" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Into The Rif"
    PERFORMER "Marc Ribot & Shahzad Ismailey"
    ISRC USSKB1309005
    REM REPLAYGAIN_TRACK_GAIN -5.36 dB
    REM REPLAYGAIN_TRACK_PEAK 0.882751
    INDEX 00 08:54:43
FILE "05 Into The Rif.flac" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Ghaita Blues"
    PERFORMER "Bachir Attar, Billy Martin & Dave Dreiwitz"
    ISRC USSKB1309006
    REM REPLAYGAIN_TRACK_GAIN -4.52 dB
    REM REPLAYGAIN_TRACK_PEAK 0.881134
    INDEX 00 05:10:62
FILE "06 Ghaita Blues.flac" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Jnuin"
    PERFORMER "Ornette Coleman & Bachir Attar"
    ISRC USSKB1309007
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    REM REPLAYGAIN_TRACK_PEAK 0.868988
    INDEX 00 07:06:36
FILE "07 Jnuin.flac" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Sufi Hadra"
    PERFORMER "Falu, Aiyb Dieng & Bill Laswell"
    ISRC USSKB1309008
    REM REPLAYGAIN_TRACK_GAIN -6.97 dB
    REM REPLAYGAIN_TRACK_PEAK 0.879852
    INDEX 00 06:47:65
FILE "08 Sufi Hadra.flac" WAVE
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  TRACK 09 AUDIO
    TITLE "Al'Aita"
    PERFORMER "Howard Shore: London Philharmonic Orchestra"
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FILE "09 Al'Aita.flac" WAVE
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Jazz has been mixing it up with traditional Moroccan music for almost fifty years. Pianist Randy Weston was a pioneer in the late 1960s, followed by saxophonist Ornette Coleman in the early 1970s. A modern successor to those early adventurers is Boston's Club d'Elf, which describes itself as a "Moroccan-dosed psychedelic dub and jazz collective." Club D'Elf's 2011 double set, Electric Moroccoland (Face Pelt), featuring keyboard player John Medeski and turntablist DJ Logic, convincingly channelled the intensity of Morrocan trance music.
Coleman, Medeski and Logic are among the contributors to The Road to Jajouka, which was produced by Medeski Martin & Wood drummer Billy Martin and is altogether closer to the Club D'Elf than the Randy Weston end of the cohabitation spectrum. The album is a benefit for The Jajouka Foundation, which aims to support one particular strand of Moroccan trance music, that made by Master Musicians of Jajouka, a village in the foothills of the Rif mountains in northern Morocco.
At the heart of The Road to Jajouka are existing or remixed recordings by the MMoJ led by ghaita player Bachir Attar, on which guest musicians have overdubbed contributions. Among the contributors, mostly heard on one track apiece, are alto saxophonists Coleman and John Zorn, guitarists Marc Ribot and Sonic Youth's Lee Ranaldo, bassists Chris Wood, Bill Laswell and Red Hot Chili Peppers' Flea, and Grateful Dead drummer Mickey Hart.
The MM&W opener, "Hand of Fatima," which also features Marc Ribot on banjo and guitar, is a chugging, heavy on the back beat, curtain raiser, as is track two, "Baraka," featuring Mickey Hart and DJ Logic. The MMoJ's wild, at times positively scary music is more powerfully captured by John Zorn on "Djebala Hills," the second part of which provides the album's most intoxicating moments, Lee Ranaldo on "Boujeloudia Magick" and Marc Ribot on "Into the Rif." On "Juin," Ornette Coleman alternates between elemental abandon and noodling banality. The closer, "Al'Aita," which weaves the MMoJ into composer Howard Shore's score for the massed strings and brass of the London Philharmonic Orchestra, is unexpectedly striking.
The MMoJ first came to international attention via Rolling Stones guitarist Brian Jones' field recording Brian Jones Presents the Pipes of Pan at Jajouka (Rolling Stones Records, 1971). A more successfully realised field recording was heard on Bill Laswell's 1992 album Apocalypse Across the Sky (Axiom). Worryingly, the survival of the Jajouka tradition—which has been handed down from father to son for at least 1,300 years—is in peril, as older musicians pass and younger ones make for the big cities in search of more secure livelihoods. The Road to Jajouka carries a brief liner note by the film director Jim Jarmusch, whose 2005 movie Broken Flowers did much to stimulate European and American interest in Ethiopian music. "This is a living music," concludes Jarmusch, "and whenever I listen to its hallucinogenic properties, (I believe) that if the Master Musicians of Jajouka were to ever stop the flow of their magic the earth might well stop rotating on its axis, might cease to revolve around the sun."
If that sounds like hyperbole, you have yet to be bitten by the music of Jajouka; once you have been, it may sound closer to the literal truth. The Road to Jajouka is a fine place to begin the acquaintance. (Chris May, AllAboutJazz)

Master Musicians of Jajouka: drums, percussion, reeds, flutes
Bachir Attar: flutes, ghaita
Billy Martin: drums (1, 3, 4, 5, 8)
Marc Ribot: banjo (1), guitar (1, 5)
Ornette Coleman: alto saxophone (7)
John Zorn: alto saxophone (3)
Lee Ranaldo: guitar (4)
Al Maddy: guitar (6)
John Medeski: Hammond organ (1)
Chris Wood: bass (1)
Bill Laswell: bass (8)
Flea: bass (4)
Shahzad Ismaily: bass (5)
Dave Dreiwitz: bass (6)
DJ Logic: turntables (2)
Aïyb Dieng: daf (1), talking drum (3, 8)
Mickey Hart: drums (2)
& others

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