(World, Ethio-jazz) Mulatu Astatke - Mulatu Of Ethiopia - 1972, (tracks), lossless

Ethiopian musician (piano, organ, vibraphone, and percussion), composer, and arranger Mulatu Astatke (the name is spelled Astatqé on his French releases) is a household name in his native country, where he is known as the father of Ethio-jazz, a unique blend of pop, modern jazz, traditional Ethiopian music, Latin rhythms, Caribbean reggae, and Afro-funk. Born in 1943 in the west Ethiopia city of Jimma, Mulatu studied music in London, New York City, and Boston, where he was the first African graduate of the Berklee College of Music, and went on to work with several acclaimed jazz artists, including a guest spot with Duke Ellington in 1971. Further schooled in New York’s dance clubs in the 1960s, Mulatu recorded three of his LPs in the city, Afro-Latin Soul, Vol. 1 and Vol. 2 in 1966 and Mulatu of Ethiopia in 1972. Most of his records were released by Amha Records, including several singles and the 1974 LP Ethio Jazz. Mulatu’s work brought a renewed focus on instrumentation and rhythm to Ethiopian pop music, shepherding in a golden age in that country’s pop and jazz circles from 1968 to 1974. He went on to found a music school and open his own club, and he stayed active as an arranger, advisor, and DJ. In 2004 he met the Massachusetts-based Either/Orchestra and formed a long-running collaboration with the band. Never one to paint himself into a creative corner and always expanding his musical vision, Mulatu also collaborated with the London-based psyche-jazz configuration the Heliocentrics in 2008 on the album Inspiration Information, Vol. 3, which included updated versions of many of his classic compositions. He also contributed to the soundtrack for Jim Jarmusch’s 2005 film Broken Flowers, which brought him a whole lot of new fans outside of his homeland.

Mulatu Astatqé (also sometimes spelled Mulatu Astatke, as he is on the liner notes to this release) might be most known to international audiences through his tracks on the excellent Ethiopiques CD anthology series of Ethiopian music. Long before those tracks were compiled for that series, however, he had an American release with this 1972 instrumental album, on which he's billed as "Mulatu of Ethiopia." Like much of the best of the circa-early-'70s contemporary Ethiopian music on Ethiopiques, it's a fine, at times captivating blend of late-'60s American soul and jazz with Ethiopian music, resulting in something not quite comparable to anything else. It is undeniably funky, with wah-wah guitar and organ aplenty. There's plenty of contemporary jazz in the arrangements, too, the sax runs sometimes showing the influence of the likes of John Coltrane. Yet there's a melancholy minor cast to the melodies that marks this off as something quite different, and the rhythms likewise have irregularities that are more African than American. The only major strike against the LP is its short running time, with the seven tracks adding up to a mere 26-and-a-half minutes or so.